Archives Scrapbooks

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Fogg Art Museum Scrapbook, October 1920-June 1924

ARCH.2003.22, Rendition: 809038

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The image shows a page from the Harvard Alumni Bulletin, dated January 4, 1923. The article is titled "The School of Architecture and the Department of Fine Arts" and is written by Professor G. H. Edgell, Dean of the Faculty of Architecture. The piece discusses the relationship between the School of Architecture and the Department of Fine Arts, emphasizing the importance of a cultural and academic training for artists. The text highlights the necessity of a broad education for architects and artists, including studies in history, literature, and the theory of design, among other subjects. The article mentions the need for architects to develop a sense of taste, integrity, and skill, and the importance of offering a range of courses that include drawing, painting, modeling, mathematics, and the history of art and construction. The article also touches on the role of the Harvard School of Architecture in producing architects and the Department's role in providing a foundation in the fine arts for a large number of undergraduate students.

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This image shows a page from the "Harvard Alumni Bulletin," dated January 4, 1923. The page contains an article titled "The School of Architecture and the Department of Fine Arts" written by Professor G. H. Edgell, Dean of the Faculty of Architecture. The article discusses the educational philosophy and practices of the Harvard School of Architecture and Department of Fine Arts, emphasizing the importance of a broad cultural and academic training for both architects and artists.

The text mentions that the young architect entering the school at the age of seventeen or eighteen, and combining work for the bachelor's and architect's degrees in four years, may acquire a quick facility and launch himself early in his career. However, the Harvard School believes that such an architect is likely to linger as a draftsman in an office until long after he has been passed by the man who has begun with a college degree and has had his architectural training in a graduate school.

The article also highlights the Department of Fine Arts' commitment to not tolerate "concentrators" who refuse to study the history of art or the theory of design. It states that the aims of the School and the Department are to produce architects and offer adequate instruction in the subject of the Fine Arts to a large number of undergraduates, and to start a few upon careers which will make them artists, directors of museums, or scholars in the history of art.

The article is accompanied by a note indicating that the illustrations in the article are reproductions of work done by students in, or recent graduates of, the Harvard School of Architecture. The page is surrounded by other printed materials, possibly from the same bulletin or related documents, with additional text and images visible in the background.

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This image displays a scanned or photocopied page from a historical publication, specifically the Harvard Alumni Bulletin, dated January 4, 1923. The page appears to be from an open book or bound collection, as other pages are visible on the left and right edges, slightly out of focus.

The main article on the page is titled:
“The School of Architecture and the Department of Fine Arts”

It is authored by Professor G. H. Edgell, Dean of the Faculty of Architecture.

Below the title, a note states:
“[The illustrations in this Article are Reproductions of Work done by Students in, or Recent Graduates of, the Harvard School of Architecture.]”

The article begins with a large, decorative drop cap “T” and discusses the historical context and educational philosophy of Harvard’s architectural and fine arts programs. The Dean references an experience three years prior at the American Academy in Rome, where he noticed the Academy’s emphasis on inter-disciplinary collaboration between architects, painters, and sculptors.

Key themes of the article include:

  • The contrast between Harvard’s approach and other American schools (like Columbia and Princeton) regarding admissions requirements (Harvard requires a bachelor’s degree).
  • The Department of Fine Arts’ stance on not tolerating students who "concentrate" solely on drawing or painting, instead requiring engagement with art history, literature, and other disciplines.
  • The shared goal of both the School and Department: to produce well-rounded professionals — architects who are culturally trained and artists who are grounded in history and theory.
  • The challenges faced in cultivating taste, integrity, energy, and skill, alongside technical training in drawing, modeling, mathematics, construction, and art history.

The article is formatted in a classic two-column layout with serif typography, typical of early 20th-century publications. The handwritten date “Harvard Alumni Bulletin, Jan. 4, 1923” is placed at the top of the page, likely added later by a reader or archivist.

The surrounding pages hint at other articles and illustrations, suggesting this is part of a larger archival volume or collection of alumni bulletins. The physical condition of the paper and the slightly faded ink contribute to its historical character.

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The image depicts a page from the Harvard Alumni Bulletin dated January 4, 1923. The page is titled "The School of Architecture and the Department of Fine Arts" and is authored by Professor G. H. Edgell, Dean of the Faculty of Architecture.

The content of the article discusses the relationship and collaboration between the School of Architecture and the Department of Fine Arts at Harvard. It highlights the benefits of a unified curriculum that integrates architectural and fine arts education.

The article emphasizes that the School of Architecture requires a bachelor's degree from a recognized college or technical school as a prerequisite for admission, except for Columbia and Princeton, which are accepted without this requirement. It also mentions that the Department of Fine Arts does not tolerate among its "contraptors" a student who refuses to study the history of art or the theory of design, nor will it permit any student in the history of art entirely to neglect the practice of drawing and painting.

The article is illustrated with reproductions of work done by students or recent graduates of the Harvard School of Architecture. The illustrations include fine prints and drawings, showcasing the artistic and architectural talents of the students.

The page also includes a handwritten note at the top, which reads "Harvard Alumni Bulletin, Jan. 4, 1923," indicating that this is a personal copy or a note made by an individual who received or read the bulletin. The note is written in cursive and is positioned above the printed title of the article.

The overall layout of the page is typical of a bulletin or magazine from the early 20th century, with a clean and simple design that focuses on the text and illustrations. The text is printed in a serif font, which was common for publications of that era. The illustrations are placed alongside the text, providing visual context to the discussion about the integration of architecture and fine arts education.

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The image is a spread from a magazine or publication featuring an article titled "The School of Architecture and the Department of Fine Arts" by Professor G. H. Edgell, Dean of the Faculty of Architecture. The article discusses the importance of a unified approach to art and architecture education, emphasizing the need for students to have a broad understanding of various disciplines to become well-rounded artists and architects.

The article is accompanied by several illustrations, which are reproductions of work done by students or recent graduates of the Harvard School of Architecture. These illustrations likely showcase architectural designs, sketches, or artworks created by the students, providing visual examples to support the article's points.

The article mentions that the Harvard School of Architecture and the Department of Fine Arts aim to provide a comprehensive education that combines various disciplines. It highlights the importance of a well-rounded education for architects and artists, emphasizing that they should not only focus on their primary field but also have a solid understanding of other related disciplines.

The article also touches on the challenges faced by young architects and artists who may be tempted to specialize too early in their careers. It argues that a broad education is essential for their long-term success and that neglecting other disciplines can hinder their growth and development.

Overall, the image represents an article advocating for a holistic approach to art and architecture education, emphasizing the value of a well-rounded education that encompasses various disciplines and skills. The illustrations serve to visually support the article's arguments and provide examples of the work created by students at the Harvard School of Architecture.

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The image depicts an open book, showing two pages from a publication titled "The Harvard Alumni Bulletin, Jan. 4, 1923." The central focus is on an article titled "The School of Architecture and the Department of Fine Arts" by Professor G. H. Edgell, Dean of the Faculty of Architecture.

Left Page:

  • Header: The page is labeled as part of the Harvard Alumni Bulletin, January 4, 1923.
  • Article Title: The main article begins with the heading "The School of Architecture and the Department of Fine Arts" by Professor G. H. Edgell.
  • Introduction: The article discusses the relationship between the School of Architecture and the Department of Fine Arts at Harvard. It emphasizes the importance of integrating architectural training with broader artistic education.
  • Content Highlights:
    • The article mentions the Academy in Rome and its influence on architectural education.
    • It discusses the selection of lecturers and the interdisciplinary nature of the program.
    • The author reflects on the Academy's bulletin and its implications for the Harvard School of Architecture and the Department of Fine Arts.
  • Handwritten Notes: There are handwritten notes and markings on the left margin, including names like "Carl N." and "Marty," as well as some numerical annotations (e.g., "t, 23" and "t, 23"). These appear to be personal annotations or marginalia added by a reader.

Right Page:

  • Continuation of the Article: The text continues from the left page, elaborating on the aims and objectives of the School of Architecture and the Department of Fine Arts.
  • Key Points:
    • The article stresses the importance of providing adequate instruction in architecture and fine arts.
    • It highlights the need for students to have a broad cultural education, including knowledge of literature, history of art, and other disciplines.
    • The author discusses the challenges of producing architects who are well-rounded and knowledgeable in both technical and artistic aspects of their field.
  • Illustrations: There is a small black-and-white illustration in the bottom-right corner of the right page. The illustration appears to depict an architectural drawing or sketch, possibly of a building or structure, though the details are not entirely clear due to the resolution.

Overall Context:

The image shows a historical document from 1923, reflecting early 20th-century educational philosophy and the integration of architecture and fine arts at Harvard University. The handwritten notes suggest that the book was used or studied by someone, possibly a student or alumnus, who added personal annotations for reference or reflection. The article itself provides insight into the academic priorities and challenges of the time, emphasizing the need for a holistic education in architecture and the arts.

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The image shows a page from an old newspaper or magazine, with the title "The School of Architecture and the Department of Fine Arts" at the top.

  • The page is yellowed and has a vintage look, with a handwritten date of "Jan. 4, 1923" in the top-right corner.
  • The text is written in black ink and is divided into two columns, with the left column containing a larger font size than the right column.
  • The article discusses the School of Architecture and the Department of Fine Arts at Harvard University, highlighting their history, curriculum, and faculty.
  • The article also mentions the school's emphasis on practical training and its connections with the art world.
  • The background of the image appears to be a collage of other newspaper or magazine pages, with some text and images visible through the transparent paper.

Overall, the image provides a glimpse into the history of Harvard University's School of Architecture and Department of Fine Arts, as well as the style and content of old newspapers and magazines.

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The image is a vintage newspaper clipping from the Harvard Alumni Bulletin, dated January 4, 1923. The article, titled "The School of Architecture and the Department of Fine Arts," discusses the relationship between the two schools at Harvard University.

Key Points:

  • The article highlights the importance of cooperation between the School of Architecture and the Department of Fine Arts.
  • It emphasizes the need for students to have a solid foundation in both architecture and fine arts to succeed in their careers.
  • The article also mentions the challenges faced by the School of Architecture in terms of enrollment and funding.

Visual Elements:

  • The clipping features a sepia-toned background with a faint image of a building or monument.
  • The text is written in a formal, cursive font, with headings and subheadings in bold print.
  • There are several illustrations and diagrams throughout the article, including a sketch of a building and a graph showing the enrollment numbers for the School of Architecture.

Overall Impression:

  • The article provides valuable insights into the history of the School of Architecture and the Department of Fine Arts at Harvard University.
  • It highlights the importance of interdisciplinary collaboration and the challenges faced by institutions in promoting artistic and architectural education.
  • The vintage newspaper clipping adds a touch of nostalgia and historical significance to the article, making it a fascinating read for anyone interested in the history of architecture and fine arts.

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The image depicts a vintage, yellowed page from the "Harvard Alumni Bulletin" dated January 4, 1923. The page features an article titled "The School of Architecture and the Department of Fine Arts" by Professor C.H. Egdell, Dean of the Faculty of Architecture.

The article is presented in a formal, black-and-white format, with a clear and legible font. The text is divided into two columns, with the title prominently displayed at the top. The surrounding pages are visible, showcasing other articles and illustrations, although they are not as clearly legible due to their age and condition.

The overall appearance of the page suggests that it is a reproduction or scan of an original document from the early 20th century. The yellowed color and worn edges indicate that the page has been handled extensively over time, and may have been stored in a file or archive for many years.

In summary, the image presents a historical document from Harvard University, providing insight into the institution's academic programs and policies during the 1920s. The article offers a glimpse into the university's approach to architecture and fine arts education, highlighting the importance of interdisciplinary collaboration and cultural training.

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The image presents a vintage newspaper clipping from the Harvard Alumni Bulletin, dated January 4, 1923. The article, titled "The School of Architecture and the Department of Fine Arts" by Professor G.H. Edgell, Dean of the Faculty of Architecture, is prominently displayed.

Key Features:

  • Title and Author: The title is enclosed in a rectangular box at the top of the page, with the author's name and title below.
  • Content: The article discusses the relationship between the School of Architecture and the Department of Fine Arts, highlighting their shared goals and differences.
  • Handwritten Notes: A handwritten note at the top of the page reads "Harvard Alumni Bulletin, Jan. 4, 1923."
  • Background: The clipping is set against a background of other newspaper clippings, which are partially visible.
  • Illustration: A small illustration of a person is visible on the left side of the image, although it is not clearly defined.

Overall Impression:

The image conveys a sense of nostalgia and historical significance, providing a glimpse into the past and the development of artistic education at Harvard University. The article's content suggests that the School of Architecture and the Department of Fine Arts were working together to provide a comprehensive education for students, with a focus on both technical skills and artistic expression.