Archives Scrapbooks

This image appears to be a page from a vintage magazine or newspaper, likely from the early 20th century, given the style of the articles and the format of the page. The top part of the page contains several articles discussing exhibitions and events at the Fogg Art Museum at Harvard University. Topics include new exhibits, notable artworks on display, and lectures and conferences related to art and culture.

The middle part of the page includes a smaller article with a drawing or illustration. The text below the drawing mentions the Fogg Art Museum and a gift of 21 charcoal drawings by John Singer Sargent, which were preparatory studies for a mural painting recently installed in the Widener Library as a memorial to Harvard men who died in the World War of 1914-1918. One of the drawings is identified as a study for two figures in a panel titled "Entering the War."

The bottom part of the page features an article with a photograph of two individuals, one of whom appears to be holding a flag or banner, and the other holding a rifle. The text below the photograph is not fully visible, but it seems to be related to the same memorial mentioned in the charcoal drawings article.

The overall appearance of the page, including the sepia tone of the photograph and the aged look of the paper, suggests that this content is historical and likely from the early 1920s.

This image shows a scrapbook page with a collection of clippings from newspapers and magazines, likely from the early 1920s, focusing on art exhibitions and events. Here's a detailed description of the elements on the page:

1. Top Left Clipping: This is from "The American Art News," dated December 30, 1922. It discusses Paul J. Sachs' collection of 15th century Italian engravings being lent to the Art Institute for a midwinter exhibition. The collection includes works by Mantegna, Giulio Campagnola, Jacopo de Barbari, Giovanni da Brescia, and others.

2. Top Center Clipping: This clipping, dated January 25, 1923, mentions the Fogg Art Museum celebrating its twentieth anniversary with a display of the graphic arts showing the industrial processes through which a newspaper advertisement must pass before it appears in print. It also mentions the Alliance Française exhibition of work by Le Pape, Benito, Pierre Brissaud, and Marty.

3. Top Right Clipping: This is from "Transcript," dated January 25, 1923, discussing a Rembrandt portrait on short-term exhibit at the Fogg Museum. The portrait, dated 1643, represents an old lady seated in an armchair holding a book, and is described as one of the finest Rembrandts in the country.

4. Middle Left Clipping: This is from "The Herald," dated January 14, 1923. It provides notes on the Fogg Museum, mentioning an exhibition of German prints from the 15th and 16th centuries, including woodcuts from the Apocalypse blockbook and engravings by Albrecht Dürer.

5. Middle Right Clipping: Another clipping from "The Herald," dated January 25, 1923, reiterates the information about the Rembrandt portrait at the Fogg Art Museum.

6. Bottom Clipping: This is from "The Gazette," dated January 29, 1923. It lists various events and lectures, including a conference on a portrait by Rembrandt, lectures on Italian art, and a lecture on the evolution of contemporary music in Paris and Vienna.

7. Bottom Image: This is a black-and-white illustration, dated January 20, 1923, from "The Saturday Graphic New York Evening Post." The image shows two soldiers, one pointing a rifle and the other holding a flag. The caption mentions that the Fogg Art Museum of Harvard University recently received as a gift from John Singer Sargent twenty-one charcoal drawings, preparatory studies for his mural paintings recently installed in the Widener Library as a memorial to the Harvard men who died in the World War of 1914-1918.

The scrapbook page is well-organized, with each clipping neatly cut and pasted, providing a snapshot of art-related news and events from the early 1920s.

This image shows an open, aged scrapbook or album, with two pages of yellowed newspaper clippings mounted on its pages. The clippings appear to be from 1923 and relate primarily to art exhibitions and cultural events, particularly those associated with the Fogg Art Museum at Harvard University.

Left Page:

• The page contains several clippings from different newspapers.
• A prominent clipping from the American (Chicago) dated October 30, 1922, discusses an exhibition of Paul J. Sachs' 16th-century Italian engravings at the Fogg Art Museum.
• Another clipping from the Herald, dated January 14, 1923, provides "Fogg Museum Notes," mentioning the exhibition of Chinese potteries and various artworks by artists like Dürer, Holbein, and Cranach.
• A third clipping from the Herald, dated January 25, 1923, headlines "REMBRANDT PORTRAIT AT FOGG ART MUSEUM." It details that a portrait by Rembrandt, loaned by Dr. Joseph Durven, is on display. The painting depicts an old lady seated in an armchair holding a book, and it is noted as one of the finest Rembrandts in the museum.

Right Page:

• At the top, a clipping dated January 25, 1923, reiterates the news of the "Security Rembrandt Portrait for Short Exhibit at Fogg," confirming its temporary nature.
• Below this, a clipping from the Gazette dated Monday, January 29, 1923, notes a second half-year beginning in the Graduate School of Business Administration and announces a conference on a portrait by Rembrandt featuring Professor Arthur Pope at the Fogg Art Museum.
• Further down, another clipping announces lectures on "Italian Art" by Mr. Charles T. Caruth and a lecture on "Evolution of Contemporary Music in Paris and Vienna" by M. Darius Milhaud, with piano accompaniment by John Knowles Paine.
• The most prominent item on this page is a large, reproduced charcoal drawing from the New York Evening Post, dated Saturday, January 20, 1923. The drawing is a study of a soldier in profile, wearing a helmet and uniform, holding his rifle.
• The caption below the drawing explains that the Fogg Art Museum received a gift of twenty-one charcoal drawings by John Singer Sargent, prepared as preparatory studies for his mural paintings installed in the Widener Library. These murals serve as a memorial to Harvard men who died in the World War of 1914-1918. The specific drawing reproduced, titled “Entering the War,” depicts two of the spirited figures from the larger mural.

Overall Context:

The scrapbook pages document a period of significant cultural activity centered around the Fogg Art Museum in early 1923. Highlights include the temporary exhibition of a major Rembrandt portrait, educational lectures on art and music, and the memorial gift of Sargent's powerful World War I drawings. The collection of clippings suggests they were compiled by someone closely following the museum's programming and notable art events of the time. The aged paper and browned edges of the pages contribute to the historical feel of the document.

The image shows a scrapbook page from January 1923. The page is filled with various newspaper clippings, photographs, and handwritten notes. The clippings are related to art exhibitions, lectures, and events at the Fogg Art Museum and the Harvard University Art Museums. There are also reproductions of artworks, including a portrait by Rembrandt and a study for a memorial to Harvard men who died in World War I. The page provides a glimpse into the cultural and artistic activities of the time.

The image appears to be a page from an old book or magazine, with a mix of text and illustrations. The page is open to reveal several columns of text, some of which seem to be articles or announcements. The text is written in a cursive, handwritten style, suggesting it may be from an older publication.

There are also several illustrations on the page, including a drawing of two women in uniform, possibly soldiers or military figures. Below this drawing is a caption that reads "The Fogg Art Museum of Harvard University received as a gift from John Singer Sargent twenty-one charcoal drawings, preparatory studies for mural paintings recently installed in the Widener Library as a memorial to the Harvard men who died in the World War of 1914-1918."

The page also contains some other text and illustrations related to art exhibitions, lectures, and events at the Fogg Art Museum at Harvard University. The overall tone of the page seems to be focused on art and cultural events, with a mix of informative and promotional content.

The image depicts an open book, likely a journal or scrapbook, dated January 20, 1923, and titled "New York Evening Post" at the top. The book appears to be a collection of clippings, notes, and illustrations, with handwritten annotations and typed entries.

Key Features:

1. Handwritten Notes:

   • The top of the page includes handwritten entries, such as "CHICAGO" and "MU," along with dates and annotations like "January 20, 1923."
   • There are additional handwritten notes and signatures, including one labeled "Rembrandt Portrait at Fogg Museum."

2. Typed Text:

   • The main body of the page contains typed text, including news clippings and announcements.
   • One prominent section discusses the Fogg Art Museum of Harvard University, mentioning a gift of twenty-one charcoal drawings, preparatory studies for mural paintings by John Singer Sargent. The text notes that these works were recently installed in the Widener Library as part of a study for the World War I monument.
   • Another section references a Rembrandt portrait at the Fogg Museum, noting that it is a short portrait by Rembrandt, dated 1628, and part of the museum's collection.

3. Illustrations:

   • Below the typed text, there is a detailed black-and-white illustration of a soldier in a dynamic pose, holding a rifle and wearing a helmet. The soldier appears to be in a moment of action, possibly representing a historical or wartime scene.
   • The illustration is captioned:

     "The Fogg Art Museum of Harvard University recently received as a gift from John Singer Sargent twenty-one charcoal drawings, preparatory studies for his mural paintings recently installed in the Widener Library, as a study for the World War I monument. Portrait of a pair of Mary Morgan peached-blue, two of the spirited figures in the panel entitled 'Entering the War,' is reproduced."

4. Layout and Structure:

   • The page is structured with a mix of handwritten and typed content, suggesting it is a personal or archival record.
   • The layout includes dated entries, annotations, and a central illustration, indicating a focus on art, history, and cultural events of the time.

Context:

The content reflects a historical interest in art, particularly focusing on John Singer Sargent's work and the Fogg Art Museum. The inclusion of a soldier illustration and references to World War I suggests a connection between art and wartime themes, highlighting the intersection of cultural and historical events in early 20th-century America.

Overall, the image portrays a well-documented, historically significant page from a personal or institutional record, blending art criticism, museum news, and visual storytelling.

The photograph presents a page spread from a vintage book or newspaper archive, with the center showing a brown-toned newspaper clipping dated January 20, 1923. The paper quality suggests age, indicated by its yellowish hue and mild creasing. The clipping features illustrations of full-bodied character sketches, drawn in a style indicative of gestural, quick line work, commonly used in artistic study or draftmanship, and the text below includes details about the Fogg Art Museum of Harvard University acquiring charcoal drawings by John Singer Sargent.

Surrounding the central clipping are pages with various texts, some of which appear to be event listings or notes, including typeset information about museum exhibits, school announcements, and lectures pertaining to cultural subjects circa 1923. Handwritten notes and annotations are also visible on the page edges and on the clippings themselves, suggesting that a reader interacted with the material, possibly for study or research purposes. The book or newspaper archive is open and a few of the pages on the left-most side are slightly curled, which adds to the authenticity of the item being an original historical document.

This image shows a scrapbook page featuring newspaper clippings and handwritten notes about art and historical events, dating from the early 1920s. The top portion contains several articles discussing exhibitions, artworks, and lectures, including mentions of the Fogg Art Museum at Harvard University and works by Rembrandt and John Singer Sargent.

The bottom portion contains an image from a newspaper titled "Saturday Graphic" and dated January 20, 1923. It depicts two soldiers in uniform, one holding a rifle, as part of preparatory studies for Sargent's mural paintings. A caption references this as a memorial to Harvard men who died in World War I.

The page has several handwritten annotations in ink, marking dates and contents of the clippings. The scrapbook itself has an aged appearance, with yellowed paper and visible binding.

The image shows an old scrapbook page opened flat. The page is yellowed with age and is filled with several small newspaper clippings pasted in a collage-style layout at the top. The clippings are dense with text and headlines about art, museums, and lectures (e.g., references to the Fogg Art Museum, Rembrandt, and Harvard). In the lower half of the page, there is a large sepia-toned photograph or illustration of two soldiers in WWI-era uniforms, holding rifles. A caption beneath explains the image as part of a donation to the Fogg Art Museum from John Singer Sargent, noting it includes drawings and studies related to wartime murals (the caption also mentions “Entering the War”). There are handwritten notes along the top of the lower clipping and a date line that reads January 20, 1923. The page is bordered by the red cover of the scrapbook on the left.

The image shows an open scrapbook or album containing several clippings related to art exhibitions and events dated from 1923. The clippings are predominantly about exhibitions featuring works by Rembrandt, announcements of lectures on Italian art, and notices about the Fogg Art Museum at Harvard University.

At the bottom of the right page is a sepia-toned illustration or photograph of two soldiers wearing uniforms and helmets, raising rifles. The caption underneath indicates that the Fogg Art Museum at Harvard University received twenty-one charcoal drawings from John Singer Sargent. These were preparatory studies for mural paintings installed in the Widener Library, serving as a memorial to Harvard men who died in World War I (1914-1918). The illustration shows two spirited figures from the study titled "Entering the War."

The clippings are neatly pasted and organized on the page, surrounded by handwritten notes and catalogue-like entries. The overall presentation suggests archival documentation of art-related news and museum exhibitions in the early 1920s.