Archives Scrapbooks

This image shows an open, vintage scrapbook or press clippings album, containing newspaper articles and clippings related to the Fogg Art Museum (now part of the Harvard Art Museums).

Overall Layout:
The book is displayed open on a flat, light-blue surface. The pages are visibly aged, with a yellowed, brownish tint and some foxing (brown spots), typical of old paper. The left-hand page contains multiple clippings arranged vertically, while the right-hand page has a large central clipping and a smaller one at the bottom right. The binding on the left is slightly worn, and the edges of the pages show signs of use.

Content of the Clippings:

• Left Page (Page 14):

  • At the top, there is a large clipping titled “SARGENT DRAWINGS” dated January 6, 1923. It details the donation of 22 preparatory drawings by John Singer Sargent for the murals in the Widener Library to the Fogg Art Museum. It notes the drawings include sketches for soldiers, a flag, and studies of drapery.
  • Below this, several smaller, typed or handwritten notes are pasted. One, dated December 31, 1922, is from F. W. Coburn. It discusses the “Sargent drawings” and references an “American School system,” “mural observations,” and “drapery” in the context of the museum.

• Right Page (Page 41):

  • The main article is titled “EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM”, dated January 6, 1923. It announces a new collection of 15th and 16th-century German prints on exhibition. It mentions key pieces, including woodcuts by the “so-called Master E.S.,” engravings by Lucas Cranach, and the famous copper-plate engravings of the four great plates by Albrecht Dürer: Adam and Eve, St. Jerome in His Cell, Melencolia I, and Knight, Death and the Devil. The article credits the “Little Masters” and mentions works by Hans Holbein.
  • Below this, another clipping, titled “FOGG ART MUSEUM Jan. 6 ’23,” from The Gazette, largely repeats the information from the main article about the German prints exhibit, adding that “The exhibition will remain for several weeks.”
  • In the bottom right corner, there is a much smaller clipping, also about the Fogg Art Museum, mentioning an exhibit of “German Masters of Fifteenth and Sixteenth Centuries” shown at Cambridge Museums.

Significance:
The scrapbook serves as a historical record of events at the Fogg Art Museum in early 1923, specifically highlighting major acquisitions (Sargent drawings) and exhibitions (German prints). The presence of typed notes and multiple publications (including The Gazette) suggests this was likely compiled by a staff member, a researcher, or an avid museum patron to document museum activities during that period. The scrapbook itself is a valuable artifact of early 20th-century museum history and press coverage.

The image shows a page from a book or a collection of documents. The page appears to contain articles or news clippings related to the Fogg Art Museum, Harvard University. The articles are dated between December 22, 1922, and January 7, 1923, and discuss exhibitions of art and drawings from the museum.

The top article mentions the Fogg Art Museum receiving a gift of John Singer Sargent's preparatory drawings for the wall paintings in the Widener Library. The middle article is a longer piece discussing the exhibition of German prints at the Fogg Art Museum, featuring works from the 15th and 16th centuries by renowned German masters such as Dürer and Lucas Cranach. The bottom article is another report on the same exhibition, providing more details about the prints on display.

The page has a dated look, with yellowed paper, which suggests it is an older document. The text is typed, and there are annotations or markings on the edges, possibly indicating that the page was part of a scrapbook or a collection of clippings. The overall appearance of the page suggests a historical context, likely from the early 20th century.

This image shows an open scrapbook or document binder with several newspaper clippings pasted onto the pages. The clippings appear to be from various newspapers and discuss exhibits and collections at the Fogg Art Museum, particularly focusing on German prints and drawings by John Singer Sargent.

Key details from the clippings include:

1. An exhibit of German prints from the 15th and 16th centuries at the Fogg Art Museum, featuring works by Master E.S., Albrecht Dürer, Lucas Cranach, and others.
2. A gift of 21 preparatory drawings by John Singer Sargent for the wall paintings in the Widener Library, which are on display in the Print Room of the Fogg Art Museum.
3. The drawings by Sargent include sketches of soldiers, flags, and studies of arms, hands, and drapery.
4. The exhibits are described as being on display for several weeks.

The clippings are dated from December 1922 to January 1923, indicating that the content is from that time period. The pages of the scrapbook are aged, with a yellowish tint, suggesting they have been preserved for many years. The scrapbook appears to be a historical record of the museum's exhibitions and collections.

The image shows an open book with several pages visible. The book appears to be an old publication, possibly a magazine or a newspaper, based on the layout and the style of the text. The pages are yellowed, indicating age. The text is printed in a serif font, which was common in publications from the early to mid-20th century.

On the left page, there is a headline that reads "FOGG ART MUSEUM" at the top, followed by a subheading that says "EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM." Below this, there is a paragraph of text that seems to be an article or an announcement about an exhibition of German prints at the Fogg Art Museum. The text describes the prints, their origins, and the artists involved.

On the right page, there is another headline that reads "FOGG ART MUSEUM" at the top, followed by a subheading that says "NEW COLLECTION OF 15th AND 16th CENTURY PRINTS BEING SHOWN." Below this, there is another paragraph of text that seems to be an article or an announcement about a new collection of prints from the 15th and 16th centuries being shown at the Fogg Art Museum. The text describes the prints, their historical significance, and the artists involved.

The pages are filled with text, and there are no images or illustrations visible in the image. The book appears to be a resource for information about art exhibitions and collections, possibly aimed at art enthusiasts or scholars.

The image shows an open book with multiple pages containing newspaper clippings and articles. The clippings are about the Fogg Art Museum at Harvard University. The first clipping is dated December 23, 1942, and it announces that the Fogg Art Museum has received a gift from John Singer Sargent of twenty-one preparatory drawings made by the artist for the murals in the Widener Library. The drawings include studies of soldiers, arms, and drapery and will be exhibited in the Print Room of the museum until January. The second clipping is dated January 5, 1943, and it announces an exhibit of German prints at the Fogg Art Museum from the 15th and 16th centuries. The exhibit includes woodcuts and engravings from different editions of the Apocalypse by Master E. S. and Dürer, among others.

The image depicts an open book, likely a catalog or exhibition guide from the Fogg Art Museum. The book appears to be aged, with worn edges and a slightly faded appearance, suggesting it may be from an earlier period. The pages are filled with typed text, formatted in a structured and formal style typical of museum publications or exhibition catalogs.

Key Observations:

1. Content:

   • The text discusses an exhibition of German prints held at the Fogg Art Museum from January 6 to 23, 1922.
   • It mentions a collection of German prints, including notable works by famous masters such as Dürer, Cranach, and Holbein.
   • The catalog highlights specific artists and their works, such as Albrecht Dürer, Lucas Cranach, and Hans Holbein the Younger, among others.
   • It describes the exhibition as featuring a variety of prints, including woodcuts, engravings, and etchings, with a focus on the 15th and 16th centuries.

2. Layout:

   • The left page contains a letter or acknowledgment from the Fogg Art Museum, dated January 6, 1922, signed by F. W. Coburn. The letter discusses the donation of drawings by Sargent to the museum and their placement in the Print Room.
   • The right page details the exhibition, listing the artists, their works, and descriptions of the prints on display. It also mentions the duration of the exhibition and the types of prints included.

3. Design:

   • The book has a classic, formal design with clear headings, numbered pages, and structured paragraphs.
   • The text is typed, indicating it was likely produced using a typewriter, which was common in the early 20th century.
   • The spine of the book is visible, showing the title or catalog number, though it is partially obscured.

4. Condition:

   • The book shows signs of age, with slightly yellowed pages and worn edges, suggesting it has been handled or stored for many years.
   • The text is legible, though some areas may appear slightly faded due to the age of the paper.

Context:

The book serves as a historical document, providing insight into the art exhibitions and collections of the Fogg Art Museum in the early 20th century. It highlights the museum's focus on European prints, particularly German works, and offers a glimpse into the curation practices and artistic interests of the time. The inclusion of detailed descriptions and artist names indicates its purpose as an educational or informational resource for visitors or researchers.

The image shows a page from a scrapbook or a collection of newspaper clippings. The news articles seem to focus on art exhibits and museum news, specifically related to the Fogg Art Museum, as mentioned in the headings. The clippings are faded and aged with a yellow-brown tint indicative of old paper. The left edge of the page is bound with threads, hinting that it is part of a larger bound collection or book.

The articles are from dated times, referenced with dates like "Dec. 23 '24" and "Dec. 31 '24", suggesting they are from 1924. The texts mention art subjects such as "Drawings by John Singer Sargent," "German Prints," the "Apocalypse woodblock," and other historical pieces and artists. The columns are organized into neat, justified paragraphs, indicative of the structured layout style typically found in older newspaper formats. Each article has a title in bold type that is larger than the article text, and some titles are underlined. There is also a handwritten note or number "41" at the top right corner of the page, possibly a reference to the page number or a cataloging detail.

This image shows an aged scrapbook or album page with multiple newspaper clippings pasted onto it. The clippings are mostly rectangular and vary in size. They consist of text about exhibitions and art-related subjects, particularly focusing on events at the Fogg Art Museum.

The headlines and text in the clippings mention exhibitions such as:

• "EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM" featuring prints from the 15th and 16th centuries, including works by Master E.S., Dürer, and other German "Little Masters."
• News about the Fogg Art Museum receiving a gift of twenty-one preparatory drawings by John Singer Sargent.
• Detailed reviews and notes on the art exhibitions, emphasizing preparation, themes, and artists' contributions.

The yellowed paper and print style indicate these clippings are historical, dating back to the early 1920s (e.g., dates like Dec. 23, 1922, and Jan. 6, 1923, are visible). Handwritten notes and dates are also present near some clippings, suggesting the page was curated carefully for archival or reference purposes. The scrapbook page itself has a maroon-colored book spine visible on the left side.

This image shows a scrapbook page containing clippings from articles or notices about exhibitions or events at the Fogg Art Museum. The clippings are of varied lengths and include typed text in slightly faded print.

Here are notable elements:

1. Content:

   • The clippings cover topics such as an exhibition of German prints from the 15th and 16th centuries, and a donation of preparatory drawings by John Singer Sargent to the museum.
   • Specific exhibitions appear to be tied to items like the Apocalypse woodcuts, early engraved prints, and other famous masterworks.
   • Mention of exhibition durations and descriptions of artwork themes (e.g., religious or classical imagery).

2. Dates:

   • Handwritten dates such as "Dec. 23, '22" and "Jan. 6, '23" are visible, indicating the scrapbook is documenting events from 1922 and 1923.

3. Layout:

   • The clippings are glued onto the page in an organized manner, leaving some space at the edges.
   • The scrapbook paper appears aged, with slight browning and yellowing around the edges.

4. Miscellaneous:

   • Some smaller handwritten notes or annotations are visible, adding additional context (e.g., dates or brief observations).

The overall impression is that this scrapbook is an archival or historical record documenting museum activities, likely kept by an individual with an interest in art history or museum curation.

A vintage scrapbook page filled with clipped newspaper articles. The page is yellowed and aged, with a maroon book spine visible on the left. Several small news clippings are pasted in a collage-style layout, featuring headlines and columns about the Fogg Art Museum. The central, most prominent clipping reads “EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM” and discusses a new collection of 15th–16th century German prints shown in the Print Room. Other clippings reference gifts to the museum (such as from John Singer Sargent) and various notes about the exhibit. The overall look is sepia-toned, with torn and taped edges, giving it a mid-20th-century archival feel.