Archives Scrapbooks

The image shows a page from a scrapbook or album, containing several newspaper clippings. The clippings are primarily about the Fogg Art Museum and its exhibits. Here is a detailed summary of the contents:

1. Top Left Clipping:

   • Title: "Sargent Drawings Presented to Museum by Mrs. Widener".
   • Content: This article reports that Mrs. Joseph E. Widener has presented a collection of drawings by John Singer Sargent to the Fogg Art Museum. The drawings include studies for wall paintings in the Widener Library, sketches for murals in the Boston Public Library, and studies for various portraits. The collection is on display in the Print Room of the museum.

2. Top Right Clipping:

   • Title: "Exhibit German Prints at Fogg Art Museum".
   • Content: This article announces an exhibition of German prints from the 15th and 16th centuries at the Fogg Art Museum. The collection includes works by famous masters such as Albrecht Dürer and Martin Schongauer. Notable pieces include the "Apocalypse" woodcuts by Dürer and several etchings and engravings by other renowned artists. The exhibition is set to remain for several weeks.

3. Middle Left Clipping:

   • Title: "Fogg Art Museum".
   • Content: This article discusses a gift from John Singer Sargent to the Fogg Art Museum, consisting of drawings and sketches for various artworks, including the wall paintings in the Widener Library. The drawings are described as being in charcoal and include studies for portraits and other works. The exhibition is open to the public in the Print Room.

4. Middle Right Clipping:

   • Title: "Fogg Art Museum".
   • Content: This article provides details about an exhibition of German prints from the 15th and 16th centuries. It highlights the works of Albrecht Dürer and other notable artists, mentioning specific pieces such as the "Apocalypse" woodcuts and various etchings. The article also notes the inclusion of works by lesser-known artists and the significance of the collection.

5. Bottom Left Clipping:

   • Title: "Fogg Art Museum".
   • Content: This article discusses the exhibition of German prints, emphasizing the historical and artistic significance of the works on display. It mentions the "Apocalypse" series by Dürer and other notable prints, providing a brief overview of the exhibition's contents and its importance.

6. Bottom Right Clipping:

   • Title: "Fogg Art Museum".
   • Content: This article provides additional information about the exhibition of German prints, highlighting the works of Albrecht Dürer and other masters. It discusses the variety of techniques and subjects represented in the exhibition, including religious themes and portraits. The article also mentions the public's interest in the exhibition and its educational value.

Overall, the clippings provide a detailed account of the exhibitions and donations at the Fogg Art Museum, focusing on the works of John Singer Sargent and the collection of German prints from the 15th and 16th centuries.

The image shows an open scrapbook with two visible pages, both filled with newspaper clippings. The clippings on the left page are from December 23, 1922, and January 3, 1923. They discuss various art exhibitions and donations at the Fogg Art Museum. One clipping describes a gift of drawings by John Singer Sargent, which include preparatory sketches for the Wideners' library. Another clipping is an article titled 'Fogg Art Museum' with details about an exhibition of German prints from the 15th and 16th centuries, featuring works by Albrecht Dürer, Lucas Cranach, and Hans Holbein.

The right page features clippings from January 3, 1923, and January 23, 1923. The main article on this page is titled 'EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM,' providing a detailed overview of the German prints exhibition. It mentions specific works such as woodcuts by Albrecht Dürer, including 'The Apocalypse' and 'The Small Passion,' as well as engravings like 'The Knight, Death and the Devil' and 'St. Jerome in His Cell.' The clippings also mention that the exhibition will remain for several weeks.

The scrapbook appears to be a collection of articles related to art exhibitions and donations at the Fogg Art Museum during the early 20th century.

The image shows a page from a newspaper or magazine featuring news articles related to the Foggy Art Museum and its exhibitions. Here are the details:

1. Top Left Article:

   • Title: "SURGENT DRAWINGS"
   • The article reports that the Foggy Art Museum received a gift from John Sargent, consisting of preparatory drawings made by the artist for the wall paintings in the Widener Library. These drawings are in charcoal and include sketches for the soldiers of the flag of the Union Army and many other studies of arms and hands.

2. Left Column Articles:

   • Date: January 22, 1922

     • Describes the museum receiving the preparatory drawings by John Singer Sargent, noting they were exhibited in the Print Room from January 1 to the first of February.

   • Date: January 31, 1922

     • By F. W. Coburn, this article mentions the exhibition of the drawings made by Sargent and notes the historical and artistic significance of the drawings, including their placement and the time they will be on display.

3. Main Right Articles:

   • Exhibition Headline: EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM

     • New collection of prints from the 15th and 16th centuries, including works by famous German masters like Albrecht Dürer, Lucas Cranach, Hans Holbein, and others, is on display. This collection is part of a series of exhibits showcasing various prints in the Print Room.

   • Detailed descriptions of the prints:

     • The prints are from different periods, showcasing woodcuts, engravings, and copperplate engravings.
     • Specific prints by notable artists such as Dürer, Cranach, Holbein, and others are highlighted.
     • The exhibition includes engravings by Albrecht Dürer, woodcuts by Lucas Cranach the Elder, and works by other significant artists.
     • The exhibition is noted to be on display until further notice, indicating it will remain for several weeks.

4. Additional Notes:

   • The text emphasizes the historical and artistic value of these prints, describing them as significant contributions to the museum's collection and the broader cultural heritage.

Overall, the image highlights the Foggy Art Museum's efforts to exhibit important historical and artistic works, particularly the Sargent drawings and German prints.

The image shows pages from an old newspaper or magazine, featuring articles about art exhibitions. Here is a detailed summary of the contents:

1. Left Side:

   • Headline: "SARGENT DRAWINGS"

   • Date: December 22, 1922

   • Location: Fogg Art Museum, Harvard University

   • Content: The article discusses the gift of twenty-one preparatory drawings for the wall paintings in the Widener Library from John Singer Sargent. These drawings, in charcoal and include sketches for the soldiers, were displayed in the Print Room of the Fogg Art Museum from January 1st onward. The drawings are part of the series "Glorification of Labor" and depict scenes from the American Revolution.

   • Additional Note: An accompanying letter from F. W. Coburn dated December 31, 1922, discusses the artistic value of these preparatory drawings, emphasizing Sargent's mastery and the significant historical context of the scenes depicted.

2. Right Side:

   • Headline: "EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM"

   • Date: January 3, 1923

   • Content: The article describes an exhibition of German prints from the 15th and 16th centuries at the Fogg Art Museum. The exhibition includes works from famous German artists such as the Master E. S., Albrecht Dürer, Lucas Cranach, Hans Holbein, and others. The prints are from the Apocalypse blockbook and other significant series. The exhibition features woodcuts, engravings, and copperplate engravings, including famous works like "The Four Horsemen of the Apocalypse" by Dürer and "The Knight, Death, and the Devil" by Holbein.

   • Exhibition Details: The prints are displayed in the Print Room and are noted for their historical and artistic significance, with some works being particularly rare and valuable.

Overall, the articles highlight the importance of these collections for the study and appreciation of art history, with detailed descriptions of the exhibits and their creators.

The image shows a page from a newspaper or magazine, featuring two articles related to exhibitions at the Fogg Art Museum.

Left Article:

Headline: "SARGENT DRAWINGS"
Date: December 22, 1922
Source: The New York Times

• The article announces the receipt by Harvard University's Fogg Art Museum of a gift from John Singer Sargent. This gift includes twenty-one preparatory drawings made by the artist for his famous painting "The Daughters of Edward Darley Boit."
• The drawings are in charcoal and include sketches for the soldiers in "The Flag in the Wind," and many studies of arms and hands.
• These drawings are to be placed on exhibition in the Print Room of the Fogg Art Museum, where they will remain until the first of January.

Right Article:

Headline: "EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM"
Date: January 23, 1923
Source: The New York Times

• This article discusses an exhibition of German prints from the 15th and 16th centuries in the Print Room of the Fogg Art Museum.
• The prints are from the collection of Mary Faversham Masters, a new collection of German prints from the 15th and 16th centuries.
• Highlights include woodcuts from the Apocalypse blockbook, engravings by the so-called Master E. S., and works by notable German artists such as Albrecht Dürer, Hans Holbein, and Lucas Cranach.
• The collection also features woodcuts from Hans Holbein's "Dance of Death" series.
• The exhibition will remain open for several weeks.

Additional Details:

• The left article also includes a smaller note by F. W. Coburn, dated December 31, 1922, discussing the significance and condition of the Sargent drawings.
• The right article includes a detailed description of the prints and the artists involved, emphasizing the historical and artistic value of the works.

The page is from an old publication, indicated by the yellowed paper and the style of the text.

The image shows two newspaper clippings with articles related to art exhibitions at the Fogg Art Museum.

Left Clipping:

Title: Sargent Drawings
Subtitle: Large Unseen Collection Gift of Artist's Heirs to Wiener Library

The article discusses a significant gift received by the Fogg Art Museum from John Singer Sargent's estate. The drawings, previously unseen and primarily in charcoal, were made by the artist for the mural paintings in the Wiener Library. These works have been exhibited in the Print Room of the museum since January 1st and will remain on display until the first of January.

Date: Wednesday, 3/1/1966
By: F. W. Coburn

The text further details that the drawings were given to Harvard University by Sargent's sisters, Emily and Mrs. Francis Ormond. These sketches were preliminary studies for the murals in the Boston Public Library and the Museum of Fine Arts. The collection, comprising over 200 drawings, was initially intended to be destroyed after the artist's death but was instead preserved and eventually transferred to Harvard.

Right Clipping:

Title: Exhibit German Prints at Fogg Art Museum
Subtitle: Collection - Jan. 6 to 16th
Subtitle: Century Work Being Shown in Print Room—Many Famous Masters Included

This article announces a new exhibition of German prints from the 15th and 16th centuries at the Fogg Art Museum. The collection includes works by renowned artists such as Albrecht Dürer, Martin Schongauer, Hans Holbein the Younger, and others. The exhibition showcases various forms of printmaking, including woodcuts and engravings, and features pieces from different regions and periods.

The article highlights the significance of the works, including those by Albrecht Dürer, who is described as one of the greatest printmakers of all time. The exhibition includes both religious and secular themes, with contributions from artists like Hans Baldung Grien, Lucas Cranach the Elder, and Hans Holbein the Younger.

Both articles emphasize the cultural and historical importance of the exhibited works and their contribution to the understanding of art history. The exhibitions are open for several weeks for public viewing.

The image shows a page from a scrapbook or a collection of newspaper clippings. The news articles seem to focus on art exhibits and museum news, specifically related to the Fogg Art Museum, as mentioned in the headings. The clippings are faded and aged with a yellow-brown tint indicative of old paper. The left edge of the page is bound with threads, hinting that it is part of a larger bound collection or book.

The articles are from dated times, referenced with dates like "Dec. 23 '24" and "Dec. 31 '24", suggesting they are from 1924. The texts mention art subjects such as "Drawings by John Singer Sargent," "German Prints," the "Apocalypse woodblock," and other historical pieces and artists. The columns are organized into neat, justified paragraphs, indicative of the structured layout style typically found in older newspaper formats. Each article has a title in bold type that is larger than the article text, and some titles are underlined. There is also a handwritten note or number "41" at the top right corner of the page, possibly a reference to the page number or a cataloging detail.

This image shows an aged scrapbook or album page with multiple newspaper clippings pasted onto it. The clippings are mostly rectangular and vary in size. They consist of text about exhibitions and art-related subjects, particularly focusing on events at the Fogg Art Museum.

The headlines and text in the clippings mention exhibitions such as:

• "EXHIBIT GERMAN PRINTS AT FOGG ART MUSEUM" featuring prints from the 15th and 16th centuries, including works by Master E.S., Dürer, and other German "Little Masters."
• News about the Fogg Art Museum receiving a gift of twenty-one preparatory drawings by John Singer Sargent.
• Detailed reviews and notes on the art exhibitions, emphasizing preparation, themes, and artists' contributions.

The yellowed paper and print style indicate these clippings are historical, dating back to the early 1920s (e.g., dates like Dec. 23, 1922, and Jan. 6, 1923, are visible). Handwritten notes and dates are also present near some clippings, suggesting the page was curated carefully for archival or reference purposes. The scrapbook page itself has a maroon-colored book spine visible on the left side.

The image shows an open book with multiple pages containing newspaper clippings and articles. The clippings are about the Fogg Art Museum at Harvard University. The first clipping is dated December 23, 1942, and it announces that the Fogg Art Museum has received a gift from John Singer Sargent of twenty-one preparatory drawings made by the artist for the murals in the Widener Library. The drawings include studies of soldiers, arms, and drapery and will be exhibited in the Print Room of the museum until January. The second clipping is dated January 5, 1943, and it announces an exhibit of German prints at the Fogg Art Museum from the 15th and 16th centuries. The exhibit includes woodcuts and engravings from different editions of the Apocalypse by Master E. S. and Dürer, among others.

The image depicts an open book, likely a catalog or exhibition guide from the Fogg Art Museum. The book appears to be aged, with worn edges and a slightly faded appearance, suggesting it may be from an earlier period. The pages are filled with typed text, formatted in a structured and formal style typical of museum publications or exhibition catalogs.

Key Observations:

1. Content:

   • The text discusses an exhibition of German prints held at the Fogg Art Museum from January 6 to 23, 1922.
   • It mentions a collection of German prints, including notable works by famous masters such as Dürer, Cranach, and Holbein.
   • The catalog highlights specific artists and their works, such as Albrecht Dürer, Lucas Cranach, and Hans Holbein the Younger, among others.
   • It describes the exhibition as featuring a variety of prints, including woodcuts, engravings, and etchings, with a focus on the 15th and 16th centuries.

2. Layout:

   • The left page contains a letter or acknowledgment from the Fogg Art Museum, dated January 6, 1922, signed by F. W. Coburn. The letter discusses the donation of drawings by Sargent to the museum and their placement in the Print Room.
   • The right page details the exhibition, listing the artists, their works, and descriptions of the prints on display. It also mentions the duration of the exhibition and the types of prints included.

3. Design:

   • The book has a classic, formal design with clear headings, numbered pages, and structured paragraphs.
   • The text is typed, indicating it was likely produced using a typewriter, which was common in the early 20th century.
   • The spine of the book is visible, showing the title or catalog number, though it is partially obscured.

4. Condition:

   • The book shows signs of age, with slightly yellowed pages and worn edges, suggesting it has been handled or stored for many years.
   • The text is legible, though some areas may appear slightly faded due to the age of the paper.

Context:

The book serves as a historical document, providing insight into the art exhibitions and collections of the Fogg Art Museum in the early 20th century. It highlights the museum's focus on European prints, particularly German works, and offers a glimpse into the curation practices and artistic interests of the time. The inclusion of detailed descriptions and artist names indicates its purpose as an educational or informational resource for visitors or researchers.