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The image is a historical newspaper clipping from the "Boston Evening Transcript" dated November 11, 1922. It features a black-and-white photograph of a Flemish portrait, specifically a portrait by Hans Holbein the Younger, displayed at the Fogg Museum in Cambridge. The portrait is described as an "Unusual Portrait" and is noted as the only known example of this size by the Flemish master. The photograph within the clipping shows a man with a beard and mustache, dressed in historical attire, set against a blue background with a gold inscription.

Below the photograph, there is a detailed article by F.W. Coburn discussing the portrait and its significance. The article mentions the portrait's size (13 inches) and the inscription on the blue background. It also provides historical context and speculation about the subject of the portrait, mentioning a possible connection to Jean de Dinteville, painted by Holbein twice. The article notes the portrait's current status as part of the Fogg Museum's collection and its potential future ownership by the museum.

The newspaper clipping appears aged, with some wear and tear, indicating its historical nature.

This image shows a page from an old scrapbook or collection of newspaper clippings. The clippings are from the "Boston Evening Transcript" dated November 11, 1922, and November 12, 1922. The main topic is a Flemish portrait by Hans Holbein the Younger on display at the Fogg Museum in Cambridge.

The top clipping features a circular portrait of a man with a beard and mustache, wearing a dark coat and a white shirt. The caption reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge, Being the Only Known Example of as Much Importance in Size by the Flemish Master."

The bottom clipping is a similar portrait of a young man, also with a beard and mustache, wearing a dark coat and a white shirt. The caption reads: "PORTRAIT OF A YOUNG MAN, By Hans Holbein, the Younger."

The text on the right side of the bottom clipping is an article by F.W. Coburn, describing the portrait and providing details about its significance and the artist. The article mentions that the portrait is a very remarkable example of a young man by Hans Holbein the Younger, and it is painted on a roundel of oak. The article also discusses the drawing from which the picture was made and the identity of the sitter.

This image displays a yellowed, vintage newspaper clipping from the Boston Evening Transcript, dated Saturday, November 11, 1922, pasted into a scrapbook. The clipping features two articles discussing a significant art acquisition.

The primary article, titled “Flemish Portrait at Fogg Museum”, is centered at the top of the page. It announces the display of an unusual portrait by the Flemish master Hans Holbein the Younger at the Fogg Art Museum, Harvard University. The article emphasizes that this is the “Only Known Example of as Much Importance in Size by the Flemish Master.” Below the headline is a large, oval, black-and-white reproduction of the portrait, depicting a bearded man in period attire, with a dark cap and a visible breastplate or chain.

Accompanying the portrait is a detailed article by P. W. Courten, which provides extensive information about the artwork:

• It is an oil painting on oak, measuring 23 inches.
• The subject is believed to be Jean de Châtelain, the French ambassador to England, with a possible identification as “Hans Dziala.” The background is noted to be gold, and the inscription “HANS HOLBEIN 15..” is present.
• The article notes the painting’s provenance, stating it was in the library at Windsor Castle and was acquired by Harvard with the “Widener Library’s Burgers.”
• It also mentions that the portrait is on loan from Arthur Sachs and will become the museum’s property in the future.

Below this main feature is a second, smaller article, also from the Boston Evening Transcript, dated November 12, 1922, with the headline “PORTRAIT OF A YOUNG MAN, By Hans Holbein, the Younger.” This article includes a smaller, similar reproduction of the portrait and seems to offer additional commentary or a follow-up on the story.

The clipping is affixed to an aged scrapbook page, with the page number “66” visible in pencil in the upper right corner. The scrapbook itself shows signs of wear, including frayed paper edges and visible sewing along the spine, suggesting it is a personal collection of clippings. The overall tone of the articles is one of excitement and scholarly importance, highlighting the rarity and historical value of Holbein’s work now accessible to the public at the Fogg Museum.

The image shows a page from a newspaper or magazine. The page is old, and the paper is brown. There is a large portrait of a man in the center of the page. The portrait is of a man with a beard and mustache, wearing a dark coat and a white shirt. The portrait is framed by a decorative border. Below the portrait, there is a smaller portrait of a young man. The smaller portrait is also framed by a decorative border. The page also contains text, which is printed in black ink. The text is written in a cursive font and is difficult to read.

An old newspaper is open to a page with a black-and-white photo of a man in a suit and a beard. The newspaper has the headline "Flemish Portrait at Fogg Museum" and the date "Nov. 11, 1922 - Boston Evening Transcript, Saturday." The photo is of a man wearing a suit and a beard. The newspaper article is about a portrait by Hans Holbein, the Younger, on view at the Fogg Museum, Cambridge.

The image shows an open page from a historical newspaper or publication titled "Boston Evening Transcript, Saturday", dated November 11, 1922. The page features an article titled "Flemish Portrait at Fogg Museum", discussing a notable artwork displayed at the Fogg Art Museum in Cambridge.

Key Elements of the Image:

1. Headline and Context:

   • The headline, "Flemish Portrait at Fogg Museum", indicates that the article is about a significant Flemish portrait exhibited at the Fogg Museum.
   • The subheading below the headline reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge. Being the Only Known Example of as Much Importance in Size by the Flemish Master." This highlights the historical and artistic significance of the portrait.

2. Visual Elements:

   • The page contains two oval portraits:
     • Top Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this is the primary focus of the article. The portrait depicts a man with a beard, wearing a dark, formal doublet, and is rendered in a classic Renaissance style.
     • Bottom Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this appears to be a duplicate or another view of the same portrait, possibly for emphasis or comparison.

3. Textual Content:

   • Article by E.W. Coburn: The article is authored by E.W. Coburn and provides detailed commentary on the portrait. It describes the portrait as a "very remarkable portrait of a young man" by Hans Holbein the Younger, noting its historical importance and rarity.
   • The text elaborates on the portrait's significance, mentioning that it is "the only known example of as much importance in size by the Flemish Master". It also discusses the portrait's provenance, including its acquisition by the Fogg Art Museum and its connection to notable figures such as Arthur Sachs.
   • The article includes details about the portrait's style, composition, and historical context, emphasizing its value as a "masterpiece" and "one of the greatest paintings of the period."

4. Layout and Design:

   • The page has a classic newspaper layout, with the headline prominently displayed at the top, followed by the article text and the two portraits.
   • The portraits are centrally placed, framed within oval borders, and accompanied by descriptive captions beneath each image.
   • The text is typeset in a formal, serif font typical of early 20th-century newspapers, and the page shows signs of age, such as slight discoloration and wear.

5. Additional Details:

   • The page number "66" is visible in the top-right corner, indicating its position within the publication.
   • The date "November 11, 1922" is noted at the top of the page, providing historical context for the article.
   • The article references the Fogg Art Museum and its role in housing this significant artwork, underscoring the museum's importance in preserving and showcasing historical art.

Summary:

The image depicts a page from the Boston Evening Transcript dated November 11, 1922, featuring an article about a "Flemish Portrait" by Hans Holbein the Younger, displayed at the Fogg Art Museum in Cambridge. The article highlights the portrait's historical and artistic significance, describing it as the "only known example of as much importance in size by the Flemish Master." The page includes two oval portraits of the same subject, accompanied by detailed commentary and analysis by E.W. Coburn, emphasizing the portrait's rarity and value. The layout and design reflect the formal style of early 20th-century newspapers.

The image presents a page from an old newspaper, featuring a large portrait of a man with the title "Flemish Portrait at Fogg Museum" and a smaller inset image of the same man. The article is written in black ink on aged paper, with the headline and title in larger font.

• Headline and Title
  • Headline: "Flemish Portrait at Fogg Museum"
  • Title: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge. Being the Only Known Example of an Much Importance in Size by the Flemish Master"
• Portrait
  • Large portrait of a man with a beard and mustache, wearing a dark jacket and white shirt
  • Inset image of the same man, with a smaller version of the portrait
• Article
  • Written in black ink on aged paper
  • Headline and title in larger font
  • Text is too small to read
• Background
  • Aged paper with tears and creases
  • Newspaper page with other articles and advertisements visible on either side

The image appears to be a page from an old newspaper, featuring a unique portrait of a man and an article about its significance. The aged paper and torn edges suggest that the page is from a vintage edition of the newspaper.

This image presents a collection of newspaper clippings, primarily featuring a portrait of a man. The largest clipping, titled "Flemish Portrait at Fogg Museum," showcases a circular portrait of a man with dark hair and a beard, dressed in a dark jacket over a white shirt. The article discusses the portrait's significance as the only known example of its kind by the Flemish Master.

Below this clipping is another portrait of the same man, accompanied by an article discussing the portrait's history and significance. The clippings are attached to a worn, yellowed page, suggesting they may be part of a scrapbook or archive. The overall appearance of the image suggests that it is a historical record or collection of articles related to art and culture.

The image is a scanned page from an old newspaper, specifically the "Boston Evening Transcript" dated November 12, 1922. The page is yellowed and worn, with visible tears and creases.

• Title and Image
  • The title "Flemish Portrait at Fogg Museum" is prominently displayed at the top of the page.
  • A large black-and-white illustration of a man's portrait is centered on the page, surrounded by a circular border.
  • The portrait depicts a man with dark hair and a beard, wearing a dark jacket over a white shirt.
• Article and Caption
  • Below the main illustration, a caption reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge. Being the Only Known Example of as Much Importance in Size by the Flemish Master."
  • The article discusses the portrait, attributing it to Hans Holbein the Younger and highlighting its significance as a rare example of his work.
• Additional Illustration
  • A smaller inset illustration of the same portrait is located at the bottom left of the page.
  • This illustration is also in black and white and features the same circular border as the main image.
• Newspaper Details
  • The newspaper's name, "Boston Evening Transcript," is printed at the top of the page, along with the date "Saturday, November 12, 1922."
  • The page number "66" is visible in the upper right corner.
• Background and Context
  • The scanned page is set against a plain gray background, suggesting that it may be part of a digital archive or collection.
  • The overall appearance of the page suggests that it is a historical document, likely preserved for its cultural or artistic significance.

In summary, the image presents a scanned page from the "Boston Evening Transcript" featuring an article about a Flemish portrait attributed to Hans Holbein the Younger, which was on display at the Fogg Museum in Cambridge. The page includes illustrations of the portrait and provides context about its significance and provenance.

The image presents a vintage newspaper clipping from the Boston Evening Transcript, dated Saturday, November 11, 1922. The clipping features two black-and-white images of a portrait by Hans Holbein the Younger.

Newspaper Clipping Details:

• Title: "Flemish Portrait at Fogg Museum"
• Date: Saturday, November 11, 1922
• Newspaper: Boston Evening Transcript

Portrait Images:

• Top Image:
  • A large, circular portrait of a man with dark hair and a beard, dressed in 16th-century attire.
  • The portrait is set against a circular background.
• Bottom Image:
  • A smaller, circular portrait of the same man, also set against a circular background.

Article Content:

• The article discusses the portrait by Hans Holbein the Younger, highlighting its significance as an unusual work in the Fogg Museum's collection.
• The article provides details about the portrait's history, including its origin and previous ownership.

Overall:

• The image showcases a unique piece of art history, featuring a rare portrait by a renowned artist.
• The newspaper clipping provides context and information about the portrait's significance and provenance.