Archives Scrapbooks

The image is a page from the "Boston Evening Transcript," dated Saturday, December 12, 1942. The main focus of the page is an article titled "Flemish Portrait at Fogg Museum." The article discusses a portrait by Hans Holbein the Younger, which is on view at the Fogg Museum in Cambridge. The portrait is described as being the only known example of its kind painted on slate by the Flemish master.

The page includes two images of the portrait:

1. A larger image of the portrait, showing a man with a beard and wearing a dark coat.
2. A smaller image of the same portrait, providing a closer look at the details.

The article is written by E.W. Coburn and provides a detailed description of the portrait, highlighting its historical and artistic significance. The text mentions that the portrait is a unique and remarkable example of Holbein's work, painted on an unusual medium (slate), and is considered a masterpiece of the Flemish school. The article also discusses the background and style of the portrait, emphasizing its importance in the art world.

The image shows a newspaper clipping from the "Boston Evening Transcript," dated Saturday, November 12, 1927. The main focus of the article is on a Flemish portrait displayed at the Fogg Museum at Harvard University in Cambridge.

The headline reads: "Flemish Portrait at Fogg Museum," and the subheading states: "Unusual Portrait by Hans Holbein the Younger, on View at Fogg Museum, Cambridge—Being the Only Known Example of so Much Importance in This by the Flemish Master."

The article features two images:

1. The primary image is a portrait of an unidentified man, described as an unusual work by Hans Holbein the Younger.
2. The secondary image at the bottom is a portrait of a young man, also by Hans Holbein the Younger.

The article, written by F. W. Coburn, discusses the remarkable nature of the primary portrait:

• The portrait is of a young man, painted with extraordinary skill and vitality.
• The subject has a distinctive appearance, with a large fur cap, a brown doublet, and a white shirt.
• The painting is noted for its realistic detail, including the texture of the fur and the intricate folds of the shirt.
• The portrait is described as being of great interest due to its excellent condition and the masterful technique used by Holbein.

The piece emphasizes the rarity and significance of having such a high-quality example of Holbein's work in the Fogg Museum's collection.

The image is a page from the Boston Evening Transcript, dated November 11, 1922. The article is titled "Flemish Portrait at Fogg Museum" and features two portraits by Hans Holbein the Younger.

1. Main Article and Image:

   • The main article discusses a portrait of a young man by Hans Holbein the Younger, displayed at the Fogg Museum in Cambridge. This portrait is noted as the only known example of significant importance by the Flemish Master.
   • The portrait is described as a "very remarkable portrait of a young man." The article mentions that the drawing was made for the Duke of Saxony and is believed to be a portrait of the Duke’s son.
   • The portrait is compared to other works by Holbein, such as the portrait of Jean de Dinteville, and is noted for its artistic qualities and the intricate details.

2. Images:

   • The larger image at the top is a circular portrait of a man with a dark beard, dressed in a black garment with a white ruff collar.
   • Below the main article, there is another smaller circular portrait of a young man with a dark beard and mustache, also wearing a ruff collar.

3. Article Text:

   • The accompanying text by E.W. Coburn provides context and analysis of the portrait, emphasizing its significance and the historical background of the Duke of Saxony.
   • It mentions that the portrait is currently on loan to the Fogg Museum and will be part of an exhibition in the following year, specifically in June 1923.

4. Additional Details:

   • The article notes that the portrait is attributed to Hans Holbein the Younger and is of high historical and artistic value.
   • There is also a mention of the provenance of the portrait, including its connection to the Duke of Saxony and the Fogg Museum's acquisition process.

The page is yellowed, suggesting it is an aged newspaper clipping, and there are some annotations and markings, likely from the reader or researcher.

The image depicts a page from the Boston Evening Transcript dated November 11, 1922. The main feature of the page is an article titled "Flemish Portrait at Fogg Museum."

The article includes two black-and-white photographs of portraits attributed to Hans Holbein the Younger, a renowned artist of the Flemish school:

1. The larger photograph at the top is titled "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge, Being the Only Known Example of as Much Importance as is by the Flemish Master." The portrait shows a man with a beard and mustache, wearing a dark garment.

2. The smaller photograph at the bottom is labeled "Portrait of a Young Man by Hans Holbein, the Younger." This image also shows a man with a beard and mustache, but in a different pose and attire.

The accompanying text describes these portraits and their significance. It notes that these are remarkable examples of Holbein's work, with the portrait of the young man being particularly notable. The text mentions that the portrait of the young man is currently on view at the Fogg Museum in Cambridge, and it was previously owned by Arthur Deane Dutilleul. The article also discusses the provenance and historical context of these pieces, including their exhibition at the Copley Society.

The newspaper page itself appears to be aged, with some yellowing and wear visible around the edges, indicating its historical nature.

The image shows a page from an old newspaper, specifically from the Boston Evening Transcript dated Saturday, November 11, 1922. The headline reads "Flemish Portrait at Fogg Museum."

The article focuses on a significant Flemish portrait by Hans Holbein, the Younger, which is being displayed at the Fogg Museum in Cambridge. The portrait is noted as being an exceptional example and is highlighted as the only known painting of such importance by this Flemish master.

The article includes two black-and-white illustrations of the portrait:

1. The first illustration is a larger, rounder depiction of the portrait, which is framed within a decorative border.
2. The second illustration is a smaller, more detailed view of a similar portrait.

Below the main article, there is an additional smaller text snippet mentioning a "Portrait of a Young Man" by Hans Holbein, the Younger, which is also discussed in terms of its historical significance and the context in which it was created.

The article notes that the portrait is of interest to visitors and is an important piece of art that is part of the museum's collection. The text indicates that the painting will eventually become part of the museum's permanent collection. The overall tone of the article seems to be informative and appreciative of the historical and artistic value of the artwork.

The image shows a page from a newspaper, the Boston Evening Transcript, dated Saturday, November 11, 1922. The main feature on the page is an article titled "Flemish Portrait at Fogg Museum," which presents an engraving of a portrait by Hans Holbein, the Younger, located at the Fogg Museum in Cambridge. The portrait is described as an unusual piece by the artist and is noted as the only known example of its kind by the Flemish master.

Below the main article, there is a smaller section titled "Portrait of a Young Man, By Hans Holbein, the Younger," which includes another illustration of a portrait attributed to Holbein. The accompanying text, written by E. W. Coburn, provides further details about the portrait, describing it as a remarkable piece that has been recently cleaned, enhancing its original colors and details. The article discusses the significance of the portrait, its provenance, and its current display at the Fogg Museum.

The page also includes various advertisements and small notices, typical of a newspaper layout from that era.

This image is a photograph of an open newspaper page featuring an article about an art exhibition. The headline reads "Flemish Portrait at Fogg Museum," indicating that the article discusses a portrait from the Flemish era on display at the Fogg Museum. A subheadline mentions it is an "Unusual Portrait by Hans Holbein, the Younger," which is cited as being an important work by size created by the Flemish master. Below the article's title, there are two separate images of portraits with descriptive captions attributing them to Hans Holbein, the Younger. The newspaper's layout includes columns of text describing the exhibition and the artwork in detail.

The physical condition of the paper suggests age and handling; the pages are browned and worn with some tears and frayed edges, which sometimes happens to paper artifacts over time. The newspaper clipping is placed on a backdrop that is a lighter color, providing contrast and highlighting the condition of the paper.

The image shows a scrapbook or collection of newspaper clippings mounted on a page. The top article, titled "Flemish Portrait at Fogg Museum," is from the "Boston Evening Transcript, Saturday, Nov. 11, 1922." It features a circular reproduction of an unusual portrait by Hans Holbein the Younger, displayed at the Fogg Museum in Cambridge. The article mentions the significance of the portrait as the only known example of this size by the Flemish master.

Below this is another clipping, dated Nov. 12, 1922, titled "Portrait of a Young Man, By Hans Holbein, the Younger," accompanied by a smaller circular reproduction of the same portrait. Alongside this image is a detailed article by F.W. Coburn describing the portrait and its unique attributes, including its unusual size and rounded shape. The article provides historical context and discusses the significance of the work being displayed at the museum.

The newspaper clippings are aged and yellowed, and the edges of the pages in the scrapbook show signs of wear and slight damage. The face of the portrait has been blurred or obscured in the photograph of the scrapbook.

An old newspaper is open to a page with a black-and-white photo of a man in a suit and a beard. The newspaper has the headline "Flemish Portrait at Fogg Museum" and the date "Nov. 11, 1922 - Boston Evening Transcript, Saturday." The photo is of a man wearing a suit and a beard. The newspaper article is about a portrait by Hans Holbein, the Younger, on view at the Fogg Museum, Cambridge.

The image shows an open page from a historical newspaper or publication titled "Boston Evening Transcript, Saturday", dated November 11, 1922. The page features an article titled "Flemish Portrait at Fogg Museum", discussing a notable artwork displayed at the Fogg Art Museum in Cambridge.

Key Elements of the Image:

1. Headline and Context:

   • The headline, "Flemish Portrait at Fogg Museum", indicates that the article is about a significant Flemish portrait exhibited at the Fogg Museum.
   • The subheading below the headline reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge. Being the Only Known Example of as Much Importance in Size by the Flemish Master." This highlights the historical and artistic significance of the portrait.

2. Visual Elements:

   • The page contains two oval portraits:
     • Top Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this is the primary focus of the article. The portrait depicts a man with a beard, wearing a dark, formal doublet, and is rendered in a classic Renaissance style.
     • Bottom Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this appears to be a duplicate or another view of the same portrait, possibly for emphasis or comparison.

3. Textual Content:

   • Article by E.W. Coburn: The article is authored by E.W. Coburn and provides detailed commentary on the portrait. It describes the portrait as a "very remarkable portrait of a young man" by Hans Holbein the Younger, noting its historical importance and rarity.
   • The text elaborates on the portrait's significance, mentioning that it is "the only known example of as much importance in size by the Flemish Master". It also discusses the portrait's provenance, including its acquisition by the Fogg Art Museum and its connection to notable figures such as Arthur Sachs.
   • The article includes details about the portrait's style, composition, and historical context, emphasizing its value as a "masterpiece" and "one of the greatest paintings of the period."

4. Layout and Design:

   • The page has a classic newspaper layout, with the headline prominently displayed at the top, followed by the article text and the two portraits.
   • The portraits are centrally placed, framed within oval borders, and accompanied by descriptive captions beneath each image.
   • The text is typeset in a formal, serif font typical of early 20th-century newspapers, and the page shows signs of age, such as slight discoloration and wear.

5. Additional Details:

   • The page number "66" is visible in the top-right corner, indicating its position within the publication.
   • The date "November 11, 1922" is noted at the top of the page, providing historical context for the article.
   • The article references the Fogg Art Museum and its role in housing this significant artwork, underscoring the museum's importance in preserving and showcasing historical art.

Summary:

The image depicts a page from the Boston Evening Transcript dated November 11, 1922, featuring an article about a "Flemish Portrait" by Hans Holbein the Younger, displayed at the Fogg Art Museum in Cambridge. The article highlights the portrait's historical and artistic significance, describing it as the "only known example of as much importance in size by the Flemish Master." The page includes two oval portraits of the same subject, accompanied by detailed commentary and analysis by E.W. Coburn, emphasizing the portrait's rarity and value. The layout and design reflect the formal style of early 20th-century newspapers.