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The image is a historical newspaper clipping from the "Boston Evening Transcript" dated November 11, 1922. It features a black-and-white photograph of a Flemish portrait, specifically a portrait by Hans Holbein the Younger, displayed at the Fogg Museum in Cambridge. The portrait is described as an "Unusual Portrait" and is noted as the only known example of this size by the Flemish master. The photograph within the clipping shows a man with a beard and mustache, dressed in historical attire, set against a blue background with a gold inscription.

Below the photograph, there is a detailed article by F.W. Coburn discussing the portrait and its significance. The article mentions the portrait's size (13 inches) and the inscription on the blue background. It also provides historical context and speculation about the subject of the portrait, mentioning a possible connection to Jean de Dinteville, painted by Holbein twice. The article notes the portrait's current status as part of the Fogg Museum's collection and its potential future ownership by the museum.

The newspaper clipping appears aged, with some wear and tear, indicating its historical nature.

This image shows a page from an old scrapbook or collection of newspaper clippings. The clippings are from the "Boston Evening Transcript" dated November 11, 1922, and November 12, 1922. The main topic is a Flemish portrait by Hans Holbein the Younger on display at the Fogg Museum in Cambridge.

The top clipping features a circular portrait of a man with a beard and mustache, wearing a dark coat and a white shirt. The caption reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge, Being the Only Known Example of as Much Importance in Size by the Flemish Master."

The bottom clipping is a similar portrait of a young man, also with a beard and mustache, wearing a dark coat and a white shirt. The caption reads: "PORTRAIT OF A YOUNG MAN, By Hans Holbein, the Younger."

The text on the right side of the bottom clipping is an article by F.W. Coburn, describing the portrait and providing details about its significance and the artist. The article mentions that the portrait is a very remarkable example of a young man by Hans Holbein the Younger, and it is painted on a roundel of oak. The article also discusses the drawing from which the picture was made and the identity of the sitter.

This image displays a yellowed, vintage newspaper clipping from the Boston Evening Transcript, dated Saturday, November 11, 1922, pasted into a scrapbook. The clipping features two articles discussing a significant art acquisition.

The primary article, titled “Flemish Portrait at Fogg Museum”, is centered at the top of the page. It announces the display of an unusual portrait by the Flemish master Hans Holbein the Younger at the Fogg Art Museum, Harvard University. The article emphasizes that this is the “Only Known Example of as Much Importance in Size by the Flemish Master.” Below the headline is a large, oval, black-and-white reproduction of the portrait, depicting a bearded man in period attire, with a dark cap and a visible breastplate or chain.

Accompanying the portrait is a detailed article by P. W. Courten, which provides extensive information about the artwork:

• It is an oil painting on oak, measuring 23 inches.
• The subject is believed to be Jean de Châtelain, the French ambassador to England, with a possible identification as “Hans Dziala.” The background is noted to be gold, and the inscription “HANS HOLBEIN 15..” is present.
• The article notes the painting’s provenance, stating it was in the library at Windsor Castle and was acquired by Harvard with the “Widener Library’s Burgers.”
• It also mentions that the portrait is on loan from Arthur Sachs and will become the museum’s property in the future.

Below this main feature is a second, smaller article, also from the Boston Evening Transcript, dated November 12, 1922, with the headline “PORTRAIT OF A YOUNG MAN, By Hans Holbein, the Younger.” This article includes a smaller, similar reproduction of the portrait and seems to offer additional commentary or a follow-up on the story.

The clipping is affixed to an aged scrapbook page, with the page number “66” visible in pencil in the upper right corner. The scrapbook itself shows signs of wear, including frayed paper edges and visible sewing along the spine, suggesting it is a personal collection of clippings. The overall tone of the articles is one of excitement and scholarly importance, highlighting the rarity and historical value of Holbein’s work now accessible to the public at the Fogg Museum.

The image shows a page from a newspaper or magazine. The page is old, and the paper is brown. There is a large portrait of a man in the center of the page. The portrait is of a man with a beard and mustache, wearing a dark coat and a white shirt. The portrait is framed by a decorative border. Below the portrait, there is a smaller portrait of a young man. The smaller portrait is also framed by a decorative border. The page also contains text, which is printed in black ink. The text is written in a cursive font and is difficult to read.

An old newspaper is open to a page with a black-and-white photo of a man in a suit and a beard. The newspaper has the headline "Flemish Portrait at Fogg Museum" and the date "Nov. 11, 1922 - Boston Evening Transcript, Saturday." The photo is of a man wearing a suit and a beard. The newspaper article is about a portrait by Hans Holbein, the Younger, on view at the Fogg Museum, Cambridge.

The image shows an open page from a historical newspaper or publication titled "Boston Evening Transcript, Saturday", dated November 11, 1922. The page features an article titled "Flemish Portrait at Fogg Museum", discussing a notable artwork displayed at the Fogg Art Museum in Cambridge.

Key Elements of the Image:

1. Headline and Context:

   • The headline, "Flemish Portrait at Fogg Museum", indicates that the article is about a significant Flemish portrait exhibited at the Fogg Museum.
   • The subheading below the headline reads: "Unusual Portrait by Hans Holbein, the Younger, on View at Fogg Museum, Cambridge. Being the Only Known Example of as Much Importance in Size by the Flemish Master." This highlights the historical and artistic significance of the portrait.

2. Visual Elements:

   • The page contains two oval portraits:
     • Top Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this is the primary focus of the article. The portrait depicts a man with a beard, wearing a dark, formal doublet, and is rendered in a classic Renaissance style.
     • Bottom Portrait: Labeled as "Portrait of a Young Man. By Hans Holbein, the Younger", this appears to be a duplicate or another view of the same portrait, possibly for emphasis or comparison.

3. Textual Content:

   • Article by E.W. Coburn: The article is authored by E.W. Coburn and provides detailed commentary on the portrait. It describes the portrait as a "very remarkable portrait of a young man" by Hans Holbein the Younger, noting its historical importance and rarity.
   • The text elaborates on the portrait's significance, mentioning that it is "the only known example of as much importance in size by the Flemish Master". It also discusses the portrait's provenance, including its acquisition by the Fogg Art Museum and its connection to notable figures such as Arthur Sachs.
   • The article includes details about the portrait's style, composition, and historical context, emphasizing its value as a "masterpiece" and "one of the greatest paintings of the period."

4. Layout and Design:

   • The page has a classic newspaper layout, with the headline prominently displayed at the top, followed by the article text and the two portraits.
   • The portraits are centrally placed, framed within oval borders, and accompanied by descriptive captions beneath each image.
   • The text is typeset in a formal, serif font typical of early 20th-century newspapers, and the page shows signs of age, such as slight discoloration and wear.

5. Additional Details:

   • The page number "66" is visible in the top-right corner, indicating its position within the publication.
   • The date "November 11, 1922" is noted at the top of the page, providing historical context for the article.
   • The article references the Fogg Art Museum and its role in housing this significant artwork, underscoring the museum's importance in preserving and showcasing historical art.

Summary:

The image depicts a page from the Boston Evening Transcript dated November 11, 1922, featuring an article about a "Flemish Portrait" by Hans Holbein the Younger, displayed at the Fogg Art Museum in Cambridge. The article highlights the portrait's historical and artistic significance, describing it as the "only known example of as much importance in size by the Flemish Master." The page includes two oval portraits of the same subject, accompanied by detailed commentary and analysis by E.W. Coburn, emphasizing the portrait's rarity and value. The layout and design reflect the formal style of early 20th-century newspapers.

This image is a photograph of an open newspaper page featuring an article about an art exhibition. The headline reads "Flemish Portrait at Fogg Museum," indicating that the article discusses a portrait from the Flemish era on display at the Fogg Museum. A subheadline mentions it is an "Unusual Portrait by Hans Holbein, the Younger," which is cited as being an important work by size created by the Flemish master. Below the article's title, there are two separate images of portraits with descriptive captions attributing them to Hans Holbein, the Younger. The newspaper's layout includes columns of text describing the exhibition and the artwork in detail.

The physical condition of the paper suggests age and handling; the pages are browned and worn with some tears and frayed edges, which sometimes happens to paper artifacts over time. The newspaper clipping is placed on a backdrop that is a lighter color, providing contrast and highlighting the condition of the paper.

This image shows a newspaper or magazine clipping from the Boston Evening Transcript, dated November 11, 1922. The main headline reads "Flemish Portrait at Fogg Museum." The page discusses a portrait by Hans Holbein the Younger, described as an unusual and significant Flemish piece displayed at the Fogg Museum in Cambridge.

The portrait itself is a circular painting or engraving of a figure dressed in dark clothing, rendered with fine detail. Below the main illustration, there is a caption identifying it as a work by Hans Holbein and emphasizing its uniqueness and importance. There is an additional article and smaller image below the headline piece, continuing the discussion on the artwork. The page edges are visibly aged, with some curling and wear.

This is a vintage newspaper clipping mounted in a scrapbook. The main feature is a large circular portrait frame showing a dark engraved image of a man in a suit, with the face obscured by a square blur. The headline above reads “Flemish Portrait at Fogg Museum” and the top line notes Boston Evening Transcript, Saturday. The caption below describes the portrait as a rare, unusually large example by Hans Holbein the Younger on view at the Fogg Museum in Cambridge. At the bottom left there is a smaller, similar circular portrait of a young man with another rectangular caption. The page is aged, yellowed, and the edges are worn and torn.

The image shows a scrapbook or collection of newspaper clippings mounted on a page. The top article, titled "Flemish Portrait at Fogg Museum," is from the "Boston Evening Transcript, Saturday, Nov. 11, 1922." It features a circular reproduction of an unusual portrait by Hans Holbein the Younger, displayed at the Fogg Museum in Cambridge. The article mentions the significance of the portrait as the only known example of this size by the Flemish master.

Below this is another clipping, dated Nov. 12, 1922, titled "Portrait of a Young Man, By Hans Holbein, the Younger," accompanied by a smaller circular reproduction of the same portrait. Alongside this image is a detailed article by F.W. Coburn describing the portrait and its unique attributes, including its unusual size and rounded shape. The article provides historical context and discusses the significance of the work being displayed at the museum.

The newspaper clippings are aged and yellowed, and the edges of the pages in the scrapbook show signs of wear and slight damage. The face of the portrait has been blurred or obscured in the photograph of the scrapbook.