Archives Scrapbooks

This image appears to be a page from an old newspaper or magazine, possibly a clipping from a publication related to art or cultural affairs. The page contains several articles and announcements related to exhibitions at the Fogg Art Museum in 1922. The articles discuss various aspects of the museum's exhibitions, including:

1. Holbein Portrait: The authenticity of a portrait by Hans Holbein, the younger, is being attested to by Paul Ganz. The article provides a detailed description of the portrait, including its dimensions (13 inches in diameter) and the artist's signature.

2. French Prints at Fogg: This section mentions an exhibition of French prints, including etchings, engravings, woodcuts, and lithographs, dating from the sixteenth to the nineteenth centuries. It highlights works by artists such as Jean Duvet, Jean Gourmont, and Antoine Masson.

3. Madonna and Child and Angels of the Fourteenth Century Sienese School: This article discusses a painting by the Sienese School, featuring a Madonna and Child with angels, showing that the museum is also presenting works from the fourteenth century.

4. Stagecraft Exhibition at Fogg Museum: This article announces an exhibition of stagecraft arranged by Miss Eva Purdy of the Detroit Art Museum. It will be open in the lecture room of the Fogg Museum.

5. Art of Stagecraft: This section provides more information about the stagecraft exhibition, including details about its duration and the types of works on display.

6. From the "Figaro": This article includes a snippet from the French newspaper "Le Figaro," discussing the Louvre and its activities.

The page also contains some notations and highlights, which seem to be personal annotations possibly made by someone who collected this information for reference or personal use. The overall appearance of the page suggests it is from an older publication, likely from the early 20th century, and the content reflects the cultural and artistic interests of the time.

This image shows an open scrapbook or collection book containing several clippings of newspaper or magazine articles related to art exhibitions at the Fogg Art Museum. The articles are dated between November 9, 1922, and November 13, 1922.

1. Holbein Portrait (November 9, 1922): This article discusses the authenticity of a portrait by Hans Holbein, the Younger, which is being exhibited at the Fogg Art Museum. The article mentions Paul Ganz, a well-known authority on Holbein, who attests to the authenticity of the portrait.

2. French Prints at Fogg (November 10, 1922): This article describes an exhibition of French prints, including etchings, engravings, woodcuts, and lithographs, dating from the sixteenth to the nineteenth centuries. The exhibition includes works by various famous masters and is open for a short time.

3. Fogg Art Museum (November 11, 1922): This article mentions two paintings of unusual interest and beauty being exhibited at the Fogg Art Museum: a portrait by Hans Holbein and a Madonna and Child and Angels from the fourteenth-century Sienese School. The paintings are on loan from Arthur Sachs.

4. Stagecraft Exhibition at Fogg Museum (November 13, 1922): This article announces an exhibition of the art of stagecraft arranged by Miss Eva Purdy of the Detroit Art Museum. The exhibition is open for a short time and will be arranged in the lecture room of the Fogg Museum.

5. Art of Stagecraft (November 13, 1922): This article discusses the exhibition of stagecraft at the Fogg Museum, highlighting the modern tendencies in stage settings and the work of students.

6. From the "Figaro" (November 2, 1922): This article, written in French, discusses the Louvre museum and its role in publishing news about its departments and collections.

The pages of the scrapbook are aged, with some yellowing and discoloration, indicating their historical nature. The clippings are neatly arranged and taped onto the pages, suggesting a careful compilation of information related to art exhibitions at the Fogg Art Museum.

This image displays an open book, likely a scrapbook or museum record volume, filled with newspaper clippings and notes. The book has a worn red-brown cover and thick, yellowed pages, indicating its age.

The visible left-hand page has a vertical index or label along its edge that reads "LAC FOGG / MUG" and "2-5-21." A handwritten note in cursive script is visible near the bottom. The page is densely covered with pasted-in newspaper clippings, primarily in English, with one article in French.

The clippings document exhibitions and events at the Fogg Art Museum (now part of the Harvard Art Museums) in Cambridge, Massachusetts, around 1921-1922. Key articles include:

• "HOLBEIN PORTRAIT": A report dated May 15, 1922, detailing the authentication of a portrait of Paul Ganz, attributed to the German master Hans Holbein.
• "FRENCH PRINTS AT FOGG": A detailed article discussing an exhibition of French prints from the sixteenth to nineteenth centuries, mentioning artists like Jean Duvet, Jean Gourmont, and Jacques Callot.
• "STAGECRAFT EXHIBITION AT FOGG MUSEUM": An announcement for an exhibition arranged by Miss Eva Purdy of the Detroit Art Museum, showing stage settings from the 47 Workshop. It notes that models were received from sources including the Dramatic Department of Carnegie Institute and productions from the 47 Workshop in New York.
• "ART OF STAGECRAFT": Another short notice about the same stagecraft exhibition, dated Nov. 13, 1921.
• One clipping is in French, titled "Le Louvre n'est pas un musée mort" ("The Louvre is not a dead museum"), dated Nov. 2, 1922, and discusses the Fogg Art Museum Notes bulletin.

Overall, the image captures a historical record of museum activities from the early 1920s, showcasing how such institutions documented and publicized their collections and exhibitions through newspaper clippings. The layout is that of a curated archive, with carefully cut articles pasted into the book for posterity or reference.

The image shows an open scrapbook with multiple clippings of articles pasted on the pages. The scrapbook is open to two pages, one on the left and one on the right. The left page has two clippings, one at the top and one at the bottom. The top clipping is about French prints at the Fogg Art Museum, and the bottom clipping is about models for stage settings. The right page has three clippings, one at the top, one in the middle, and one at the bottom. The top clipping is about an exhibition of French prints at the Fogg Art Museum, the middle clipping is about an exhibition of stagecraft at the Fogg Art Museum, and the bottom clipping is about an exhibition of French prints at the Fogg Art Museum.

The image is of a magazine page with several articles about art and exhibitions. The first article is about a portrait of Paul Gauguin, which is being exhibited at the Fogg Art Museum. The portrait is of a young man in a black coat and a black hood, and it is painted in a realistic style. The second article is about French prints being exhibited at the Fogg Art Museum. The prints date from the sixteenth to the nineteenth centuries, and they include works by famous masters such as Jean Goujon, Antoine Masson, and Jacques Callot. The third article is about an exhibition of stagecraft models at the Fogg Art Museum. The models are based on original designs from various sources, including the New York Shakespeare Workshop and the 47 Workshop in Paris.

The image depicts an open book, likely a catalog or program, featuring text in both English and French. The visible pages are from an exhibition or art-related publication, as indicated by the structured layout and content. Here are the key details:

Page Layout and Content:

1. Left Page:

   • Title: "HOLBEIN PORTRAIT" is prominently displayed at the top, suggesting the page focuses on a portrait by Hans Holbein the Younger.
   • Text Content:
     • The text discusses a portrait of Paul Ganz, described as "The Well-Known Authority on Holbein." It mentions that the portrait was exhibited at the Fogg Art Museum.
     • The page provides details about the portrait, including its subject, Paul Ganz, and his connection to Holbein's work. It notes that the portrait is a "large oil painting" and describes its features, such as the subject's attire and pose.
     • The text also references the Fogg Art Museum's collection and the historical significance of the portrait.

2. Right Page:

   • Title: "FRENCH PRINTS AT FOGG" is prominently displayed at the top, indicating the page discusses an exhibition of French prints at the Fogg Art Museum.
   • Text Content:
     • The page describes an exhibition of French prints, including works by famous artists such as Jean Davot, Jacques Callot, and others. It highlights the diversity of the collection, ranging from the 16th to the 19th century.
     • The text mentions specific artists and their works, such as "Jacques Callot, whose work is notable for the history of etching," and "Eugène Delacroix, among the earliest in which the practices of a second biting were used to any extent."
     • It also references the Fogg Art Museum's collection and its focus on French prints, noting that the exhibition includes recent acquisitions and is part of a larger display.

3. Additional Sections:

   • Stagedraft Exhibition at Fogg Museum: A smaller section on the right page mentions a "Stagedraft Exhibition at Fogg Museum," providing details about a separate exhibition of stagecraft models. It includes dates, times, and a brief description of the exhibition's content.
   • Models for Stage Settings: Another section discusses an exhibition of modern stage settings, mentioning the work of artists like Eva Purdy and others.

Visual Elements:

• Binding: The book appears to have a dark, leather-like binding with visible spine labels and page numbers.
• Text Formatting: The text is typeset in a formal, serif font, typical of historical or academic publications. The layout includes headings, subheadings, and paragraphs, with some text highlighted or emphasized.
• Language: The text is bilingual, with sections in both English and French, indicating an international or multilingual audience.
• Annotations: There are handwritten notes or markings on the left page, possibly annotations or comments added by a reader or researcher.

Context:

• The content suggests that this is a catalog or program from an art museum (the Fogg Art Museum), detailing exhibitions and collections. The focus is on European art, particularly portraits and prints, with a strong emphasis on French artists and their works.

Overall, the image shows a detailed and informative page from an art museum publication, highlighting exhibitions and collections related to European art, particularly focusing on Holbein's portrait and French prints.

The image shows an open book or journal with numerous articles spread across the two visible pages. The text mainly pertains to art and museum exhibitions.

On the left page, the primary heading says "HOLBEIN PORTRAIT," which is followed by a subheading that reads "The Well-Known Authority on Holbein, Asserts to Authenticity of Mysterious Work Exhibited at Fogg." Below this, there are columns of text discussing the subject matter. There is also a handwritten note added to the bottom of the page, but the handwriting is not clear in the image.

The right page shows various articles. The top right corner has a heading "FOGG ART MUSEUM" with a subheading "Freer, 12, 5." Below this, there are article titles such as "FRENCH PRINTS AT FOGG," "Stieglitz Exhibition at Fogg Museum," and "MODELS FOR STAGE SETTINGS." These articles describe various art exhibitions, and one notes the opening day and remaining time for an exhibit. There's another handwritten note here, similar to the one on the left page, but again it's not entirely legible.

The pages of the book or journal show some signs of aging, such as discoloration and creases, suggesting the material is of some vintage. The physical context, with the binding visible on the left, further supports that it is an older printed document, possibly a catalog or archive from an art institution.

The image shows an open scrapbook or album page with various newspaper clippings and articles pasted onto it. The clippings mainly discuss art exhibitions and reviews, particularly related to the Fogg Art Museum, including mentions of specific artists like Hans Holbein and topics such as French prints at the Fogg and stagecraft exhibitions. The articles are dated from November 1922 and cover details about the exhibitions, authenticity of artworks, and comments on art styles and presentations. The page is slightly worn with some discoloration and is protected by a maroon-colored spine or binder. There are handwritten notes and dates beside some of the clippings. The overall theme of the page appears to be centered around art history, museum exhibitions, and critiques.

This image shows a scrapbook page filled with cutout newspaper articles and other clippings, arranged neatly on the page. The articles are related to art exhibitions and museums, including the Fogg Art Museum and other topics, such as Holbein Portraits and an exhibition of French prints. Some headings and bolded text are visible, highlighting notable pieces or events. There are handwritten annotations toward the bottom of the page, along with some French text in a small clipping. A decorative ribbon and part of the scrapbook cover are visible on the left side. Overall, the page seems to document art-related events and exhibits from historical records.

A page from a vintage scrapbook or exhibit catalog. It’s full of small, pasted newspaper clippings arranged in a grid on a single sheet. The clippings have bold headlines like “HOLBEIN PORTRAIT” on the left and “FRENCH PRINTS AT FOGG” toward the center-right, with other notes about art exhibitions and stage settings. The paper is aged and yellowed, with a red-brown cloth cover edge visible on the left. There are handwritten notes and some light fold marks, giving the page a historic, archival look.