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ARCH.2003.22, Rendition: 808991
The image appears to be a page from an old magazine or publication, specifically from the October 1922 issue of "International Studio." The page contains an article discussing Romanesque and Gothic capitals, with a focus on a 12th-century capital from Saint-Pons. The text provides historical context and information about the sculptures, emphasizing their artistic and cultural significance.
At the top of the page, there is a smaller notice about a loan exhibition of Japanese color prints at the Fogg Art Museum. Below this notice, there is a photograph of the "Feast at Emmaus" capital, which is described in the accompanying text. Further down the page, there is another photograph of a "Romanesque capital from Saint-Pons," titled "Majestas Domini." The text explains the religious and historical themes depicted on these capitals, mentioning biblical scenes and symbolic figures.
The page also includes a section with a title that reads "Speaks on Development of Japanese Prints," indicating that the magazine covers a range of topics, including both European and Japanese art. The overall appearance of the page suggests it is from a publication aimed at art historians, collectors, and enthusiasts.
This image shows a page from an old book or magazine, likely from October 1922, based on the date mentioned in the text. The page contains two black-and-white photographs of sculptural capitals, which are decorative elements typically found at the top of columns.
The top photograph is labeled "THE FEAST AT EMMANUS" and is described as a twelfth-century capital from Saint-Pons. It depicts a scene with two figures, one of whom appears to be a woman holding a child, and another figure standing beside them.
The bottom photograph is labeled "MAJESTAS DOMINI" and is described as a Romanesque capital from Saint-Pons. It shows a figure, possibly a king or a religious figure, holding a staff or scepter, with another figure standing beside them.
The text on the page provides a detailed description of these capitals, discussing their historical context, artistic style, and the stories they depict. The text mentions that these capitals were executed between 1130 and 1140 and are part of a group known as the Moutier-Saint-Jean group. It also discusses the craftsmanship and symbolism of the sculptures.
There are additional pieces of paper clipped or inserted into the book, including one from the Gazette of the Fogg Art Museum, dated October 14, 1922, and another piece titled "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS."
This image shows an open, aged art magazine or catalog, specifically page 38 of the October 1922 issue of The Bulletin of the Museum of Fine Arts, Boston.
The page is focused on an article titled “SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS”, though the text and illustrations on this particular page are primarily about medieval French Romanesque sculpture — specifically, a group of twelfth-century capitals from Saint-Pons-de-Thomières, France.
This page documents an early scholarly or museum presentation of Romanesque capitals — important examples of medieval European sculpture — juxtaposed oddly with a headline about Japanese prints. This may reflect the eclectic curatorial interests of the time or indicate that the page was part of a larger issue covering multiple art topics.
The Fogg Art Museum’s acquisition of these capitals in the 1920s reflects the growing interest in medieval art among American museums during that era.
This is a historical page from a 1922 art bulletin showcasing early medieval French sculpture, with detailed photographs and descriptive text about Romanesque capitals from Saint-Pons, while also bearing marginalia related to Japanese prints and museum exhibitions — offering a glimpse into early 20th-century art scholarship and museum practices.
The image shows an open book with two pages visible. The left page has a black-and-white photograph of an ancient sculpture of three figures, with a caption below it. The right page has a text column with a heading that reads "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS." The text is written in a smaller font size and is about the history and development of Japanese prints. The book appears to be an art book or a magazine, possibly from the early 20th century.
The image shows a book that is open to a page with text and images. The text is in a foreign language, possibly French, and appears to be an article or essay. The page has a title at the top, "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS," and includes images of sculptures and carvings. The sculptures are of angels and biblical figures, and the carvings are of various objects, such as a lamb, a sheaf of wheat, and a capital from a church. The images are accompanied by descriptions and explanations of their significance.
The image depicts an open book, likely a catalog or exhibition guide, showcasing detailed descriptions and illustrations of historical artworks. The book is titled "Speaks on Development of Japanese Prints", indicating its focus on Japanese art. The page visible in the image is numbered 66 and dated October 1922, suggesting it is part of a historical or archival document.
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The image portrays a page from a well-preserved historical catalog or exhibition guide focused on Japanese prints and related artworks. The combination of scholarly text and detailed illustrations reflects a commitment to documenting and analyzing art in a rigorous, academic manner. The page's design and content suggest it is part of a larger collection aimed at art historians, museum professionals, and enthusiasts.
This is an image of an open book or journal page. At the top right corner of the right page, it's labeled "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS". The left page appears to have writing as well, but it's partially obscured by the binding.
On the right page, there are three black-and-white photographs of sculptures or relief carvings. Each photograph is accompanied by captions that give a brief description. For instance, the caption for the larger image at the top right says "THE FEAST AT EMMAUS" from Moutier-Saint-Jean. Below the images is text, which seems to be discussing something about the depicted carvings or reliefs, as well as their historical context.
There is general wear and discoloration on both pages that suggests this book or journal may be quite old. The pages are numbered, with the right page labeled "sixty-eight" at the bottom margin. There is some text that has been cut off at the top of the right page, indicating that this is a two-column format text.
The date "October 1922" is printed at the bottom of the right page, suggesting the publication date of this material.
This image shows an open book with text and illustrations depicting Romanesque art, specifically capitals from architectural structures. The page includes two photographs of stone carvings that appear to be religious in nature.
Top Illustration: The carving shows three figures from "The Feast at Emmaus," possibly representing a biblical narrative. The figures are intricately detailed, set within an arch, with stylized facial expressions and clothing folds characteristic of Romanesque art.
Bottom Illustration: Depicts a single figure framed within a circular or oval design, labeled "Majestas Domini." This likely represents Christ or a significant religious icon, in a stylized, symmetrical pose holding symbolic objects.
The surrounding text provides information on the context and history of the artworks, including their origins from Moutier-Saint-Jean capitals, dated between 1130 to 1140. Visible text mentions the Fogg Art Museum and seems to recount a loan exhibition starting October 16, 1922, focused on Japanese prints and other forms of art.
The book page is numbered "61" in the top corner, and the date "October 1922" is printed in the bottom-right corner. Additional notes and clippings tucked into the book emphasize themes of art and history.
The image shows a page from an old book/magazine (a clipped article pasted into a scrapbook). On the page there are two black‑and‑white photos of carved stone decorations:
The page has blocks of text around the images, with a heading that reads something like “International Studio” and a date of October 1922. The page appears to be worn and is set inside a bound red cover.
The image shows an open book with a newspaper clipping inserted in the back cover. The open page has two black and white images of sculpted capitals. The upper image depicts a three-figure capital titled "THE FEAST AT EMMAUS," described as a twelfth-century capital from Saint-Pons. It shows three seated and draped figures engaged in a scene.
The lower image depicts a relief sculpture with one main figure raising both hands, titled "MAJESTAS DOMINI," described as a Romanesque capital from Saint-Pons.
The text surrounding the images discusses these capitals from Moutier-Saint-Jean, offering detailed explanations of the scenes and figures depicted on them. The text refers to the capitals as examples of Burgundian sculpture from the twelfth century, mentioning their themes involving biblical episodes such as "The Angel Appearing to Zacharias," "The Journey to Emmaus," and symbolic figures related to these stories.
In the background, behind this main open page, there are fragments of additional pages and clippings visible, including one newspaper clipping titled "FOGG ART MUSEUM Oct. 14, '22" and a partially visible heading "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS."
The entire scene has an archival or historical research feel, possibly cataloging or studying medieval architectural sculpture. The date "OCTOBER 1922" is printed at the bottom of the page with the sculpted capitals.