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The image shows a page from a newspaper or a bulletin, likely from the early 20th century, detailing events and lectures at the Fogg Art Museum. Here is a summary of the content:

1. Exhibition Announcement:

   • From Monday, October 16, until November 1, the Fogg Art Museum will host an exhibition of Japanese color prints. The exhibition is curated by Arthur Davison Ficke, the Curator of Japanese Prints at the museum.
   • The exhibition will feature prints dating from 1680 to 1780, illustrating the development of the art of color printing in Japan. It will include prints from the black and white period, the introduction of color, and the use of multiple color blocks by Harunobu.

2. Lecture on Japanese Prints:

   • Mr. A. D. Ficke will deliver a lecture titled "Japanese Prints" on Friday, October 20, at 4:30 PM in the Lecture Room of the Fogg Art Museum.
   • The lecture will cover the history of Japanese prints, focusing on the contributions of artists like Kiyonobu, Masanobu, Toyonobu, and Harunobu.

3. Additional Lecture:

   • On Tuesday, October 17, at 4:30 PM, Mr. Ficke will give a talk on Japanese prints in the Lecture Room of the Fogg Art Museum. This talk is part of an exhibition featuring 80 Japanese prints from the museum's collection.

4. Article on Japanese Prints:

   • An article discusses the significance of Japanese prints, highlighting their popularity and the technical advancements made by artists like Harunobu.
   • The article mentions that the prints on display are part of a larger collection donated by Denman Waldo Ross, Ph.D., the Keeper of the Study Series and Honorary Curator at the Fogg Art Museum.

5. American Art News:

   • A brief mention of an article in the American Art News from October 21, which discusses the exhibition of Japanese prints at the Fogg Art Museum.

The page provides detailed information about the exhibition and lectures, emphasizing the historical and artistic significance of Japanese prints.

The image displays an open scrapbook with clippings related to the Fogg Art Museum and its exhibitions and lectures on Japanese prints. The left page features an article titled "FOGG ART MUSEUM" dated October 14, 1922, announcing an exhibition of Japanese color prints from the collection of Arthur Davison Ficke, Curator of Japanese Prints. The article details that the prints date from 1680 to 1780, showcasing early and middle periods of color printing, including works by Harunobu, who perfected full-color printing in 1765. It also mentions an upcoming lecture by Mr. Arthur D. Ficke on Japanese prints.

The right page includes several clippings. The most prominent article, titled "TO SPEAK ON JAPANESE PRINTS AT FOGG," announces a lecture by Mr. A. D. Ficke on October 20, 1922, at 4:30 PM in the Lecture Room of the Fogg Art Museum. The talk is in connection with an exhibition of Japanese prints from the Ficke collection, which will remain on display until November 1. The article provides details about the significance of Japanese prints in the history of art, emphasizing their aesthetic value and the technical skill involved in their creation. Another clipping on the same page, dated October 21, 1922, mentions that the exhibition of Japanese prints is now on display at the Fogg Art Museum.

The image shows a page from a newspaper or magazine dated October 1922, featuring articles related to the Fogg Art Museum's exhibition on Japanese prints.

1. Exhibition Details:

   • The exhibition titled "Japanese Prints" will run from October 16 to November 1, 1922.
   • It showcases seventy-two color prints from the collection of Arthur Davidson Ficke, the recently appointed Curator of Japanese Prints at the museum.
   • The prints span from 1680 to 1780 and illustrate the first and second periods of the art of color printing in Japan, including works by Harunobu, who perfected full color printing in 1765.

2. Public Lectures:

   • A lecture titled "Japanese Prints" by Mr. Arthur D. Ficke is scheduled for Friday, October 29, at 4:30 PM in the Lecture Room of the Fogg Art Museum.
   • The lecture will discuss the history of Japanese prints and the evolution of techniques in color printing.

3. Notable Speakers:

   • Mr. A. D. Ficke, the Curator of Japanese Prints, is featured for his talks on the development of Japanese prints, covering the period from inception to the exhibition's inclusion of works by Harunobu.
   • He is expected to discuss the aesthetic evolution in Japanese art, particularly focusing on the techniques and design of the prints.

4. Public Engagement:

   • There is mention of the general interest in the exhibition and the public's engagement with the topic, particularly the fascination with the history and artistic evolution of Japanese prints.

The articles and advertisements in the newspaper highlight the significance of the Fogg Art Museum's efforts to promote and educate about Japanese art and its historical development.

The image shows pages from a newspaper or magazine, specifically from an edition of the "Gazette" dated around October 1922. The pages focus on an exhibition and lecture series related to Japanese prints at the Fogg Art Museum.

1. Exhibition Announcement:

   • The main event is a loan exhibition of seventy-two Japanese color prints from the collection of Arthur Davison Ficker, curated by Ficker himself.
   • The exhibition is held from October 16 to November 1, 1922.
   • The prints date from 1680 to 1780 and include the work of Harunobu, who pioneered full color printing and perfected the art in 1765.
   • Notable artists mentioned include Moronobu, the first master of Japanese prints, and Kiyonobu, Masanobu, and Hishikawa Moronobu, among others.

2. Lecture Details:

   • There is a lecture titled "Japanese Prints" by Mr. Arthur D. Ficker, scheduled for Friday, October 20, at 4:30 p.m. in the Lecture Room of the Fogg Art Museum.
   • The lecture is open to the public and will cover the development and history of Japanese prints.

3. Additional Articles:

   • Another article on October 25, 1922, discusses Mr. A.D. Ficker's talk on Japanese prints, which connects to the ongoing exhibition.
   • The lecture hall is described as crowded, indicating significant interest in the subject.
   • The lecture covers the aesthetic revolution in Japanese prints, the evolution of the technique, and the use of color blocks to create prints.
   • It highlights the importance of Moronobu, the first master of Japanese prints, and other prominent artists like Kiyonobu and Hishikawa Moronobu.

4. Specific Details:

   • The exhibition includes various sheets decorated with full-color prints, illustrating the evolution of the art form.
   • The exhibition is praised for its significance in the history of Japanese printmaking and the aesthetic revolution it represents.

Overall, the pages provide comprehensive details about the exhibition and lecture series on Japanese prints, highlighting the contributions of notable artists and the historical significance of the art form.

The image shows a collection of newspaper clippings from 1922 detailing an exhibition and lectures on Japanese prints at the Fogg Art Museum, Harvard University.

1. Headlines and Dates:

   • The clippings are dated from October 16 to October 21, 1922.

2. Exhibition Details:

   • The Fogg Art Museum is hosting a loan exhibition of seventy-two Japanese color prints from the collection of Arthur Davison Ficke, who is the Curator of Japanese Prints at the museum.
   • The prints date from 1680 to 1780 and illustrate the first and second periods of the art of color printing, including works by artists such as Harunobu, who perfected full color printing in 1765.
   • The exhibition includes works by Kiyonobu, Masanobu, and other great masters of the time.

3. Lectures:

   • Mr. Arthur D. Ficke, Curator of Japanese Prints, is scheduled to give a lecture titled "Japanese Prints" on Friday, October 20, at 4:30 p.m. in the Lecture Room of the Fogg Art Museum.
   • Another lecture, "What is Going On Tonight," is mentioned with Ficke discussing Japanese prints in connection with the exhibition.

4. Article Descriptions:

   • The articles discuss the history and evolution of Japanese prints, highlighting the aesthetic revolution in Japanese art.
   • The clippings emphasize the rarity and significance of the prints, noting that they are some of the few surviving examples of their kind.
   • The lectures aim to explain the techniques and the development of color printing in Japan, particularly focusing on the use of two and three color blocks.

5. Additional Notes:

   • The clippings also mention the popularity and demand for these prints, which were highly sought after during their time.
   • The exhibition and lectures are intended to be educational, offering insights into the artistic brilliance and techniques of Japanese printmaking.

The clippings collectively provide a comprehensive overview of the historical significance, artistic techniques, and cultural impact of the Japanese prints featured in the exhibition.

The image shows a page from a publication, likely a museum bulletin or newspaper, detailing events and exhibitions at the Fogg Art Museum, dated October 1962. Here are the key points mentioned:

1. Exhibition Announcement:

   • From Monday, October 16, until November first, there will be an exhibition of seventy-two Japanese color prints from the collection of Arthur Davison Ficke, on loan to the Fogg Art Museum.

2. Lecture Announcements:

   • October 20 (Friday):
     • Lecture titled "Japanese Prints" by Mr. Arthur D. Ficke at 4:30 p.m. in the Lecture Room of the Fogg Art Museum.
   • November 1:
     • Mr. Ficke will discuss the subject in connection with the exhibition. This will be held from 3:30 to 4:30 p.m.

3. Lecture Details:

   • Mr. A. D. Ficke's lecture on October 20 will cover the history of Japanese prints, starting from 1680, and their development through different periods:
     • Early use of two and three colors.
     • Work by early masters like Moronobu and the advancements by Harunobu and Shunsho.
     • The full realization of the possibilities of full-color printing by 1765.
     • The peak periods of Japanese print art, featuring artists such as Utamaro, Hokusai, and Hiroshige.
   • The exhibition includes examples from these periods, focusing on the development of color printing techniques.

4. Study Series:

   • From September 1, 1962, to June, there is a Keeper of the Study Series featuring Deman Waldo Ross, Ph.D.

5. Additional Notes:

   • The exhibition aims to demonstrate the historical progression and artistic techniques of Japanese prints, with a particular focus on the use of color.
   • The lecture will be open to the public, and Mr. Ficke is noted as a curator of Japanese prints and an expert in the field.

This detailed schedule and description highlight the museum's efforts to educate the public on the historical and artistic significance of Japanese prints.

This image shows a scanned page from a scrapbook, diary, or a collection of documents. The page contains several newspaper clippings and handwritten annotations, primarily discussing events related to Japanese prints at an art museum. The clippings are dated from October 1922 and feature articles and notices about lectures and exhibitions at the Fogg Art Museum.

One clipping headlines "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS" with the date October 7, 1922. The associated article talks about Mr. A. D. Ficke, who was the lecturer at the Fogg Art Museum, and his exploration of Japanese prints, mentioning important elements like the printing technique and the historical context of the art.

Another clipping announces a lecture titled "Japanese Prints" by Mr. Arthur D. Ficke on Friday, October 20, at the Fogg Art Museum.

There's also a clipping referencing an exhibit that was open to the public, which showcases Japanese prints from 1680 to 1780.

Handwritten notes on the clippings include dates such as "Sept. 1st 1922" and "Oct 24, '22" and a note indicating an event is at 4:30. At the bottom right, a handwritten note reads "American Art News Oct. 7, '22" suggesting a reference to the publication the clippings may have come from.

The page is numbered "61" in the top right corner, suggesting it is part of a larger collection or book. The items are carefully pasted onto the page, and the paper shows a brownish tinge, implying age and historical value.

Lastly, the left side shows the edges of other pages, indicating this page is part of a bounded volume.

This image shows an open scrapbook or album page containing multiple newspaper clippings and articles pasted on it. The clippings all relate to an exhibition and lectures on Japanese prints held at the Fogg Art Museum in October 1922.

The articles mention Arthur Davison Ficke, who was the curator of Japanese prints at the museum at that time. They describe a loan exhibition of seventy-two Japanese color prints from 1680 to 1780, illustrating early color printing techniques involving two or three color blocks, including works by artists like Harunobu, Moronobu, Kiyonobu, Masanobu, Kiyomitsu, and Toyonobu.

Various dates are visible on the clippings, including October 14, 1922, October 20, 1922, and October 21, 1922. Guidelines about lectures and talks on Japanese prints by Mr. Ficke, including one on October 20 at 4:30 PM in the lecture room of the Fogg Art Museum, are noted.

The page is labeled "61" at the top center, indicating it is part of a larger collection. The clippings present details about the significance of the prints, techniques of early Japanese printmaking, and importance of the exhibition. There is also a small clipping titled "What is Going On Tonight" referring to a lecture at Harvard University related to the exhibition. The overall presentation is neat, with the articles carefully arranged and glued onto the page.

The image shows a book with a few pages open. The book appears to be an old one, with the pages having a yellowish tint. The book is opened at two pages that have text written on them. The text seems to be an article from a newspaper, with the title "FOGG ART MUSEUM" written at the top of the left page. The text is written in black ink, and the pages have a few creases and folds.

The image shows a book open to a page with a clipping from a newspaper or magazine. The clipping is from an article titled "Fogg Art Museum" and is dated October 14, 1922. The article discusses an exhibition of Japanese art prints at the Fogg Art Museum, Harvard University. The exhibition, which ran from Monday, October 16, until November 2, 1922, showcased a loan exhibition of seventy-two Japanese color prints from the collection of Arthur Davison Ficke, who was the curator of Japanese Prints at the museum. The article provides details about the exhibition, including the dates and times of lectures by Ficke on Japanese prints, and describes the significance of the prints on display, which date from 1680 to 1780 and include the work of artists such as Harunobu, Kiyomitsu, Masanobu, Kiyomitu, and Tonobu. The clipping also mentions that Ficke had loaned a collection of Japanese prints to the museum, which had previously been shown at the Tokyo Art Museum.