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ARCH.2003.22, Rendition: 808989
This image depicts a page from a book or a scrapbook, showing several newspaper clippings and handwritten notes related to a lecture and exhibition about Japanese prints held at the Fogg Art Museum. The clippings contain details about the exhibition, including the dates of the exhibition, the curators involved, and the featured artists. The page has a vintage appearance, with aged paper and faded ink, suggesting it is from the early 20th century. The handwritten notes and timestamps, such as "Oct. 14, '22" and "Oct. 21, '22," indicate that the individual who compiled this page was recording information about the events as they happened. The content highlights the historical context and the importance of the exhibition and lecture at the time.
This image shows a page from a scrapbook with several newspaper clippings glued onto it. The clippings are related to the Fogg Art Museum and a lecture series on Japanese prints. The clippings are dated around October 1922 and discuss an exhibition of Japanese color prints and a lecture given by Mr. A. D. Ficke, the Curator of Japanese Prints at the Fogg Art Museum. The clippings provide details about the exhibition, including the dates, the artists whose works are featured, and the techniques used in the prints. The text mentions various Japanese printmakers such as Moronobu, Kiyonobu, Masanobu, Kiyomitsu, and Toyonobu. The clippings also describe the history and development of Japanese print art, from the first and second periods of the art of color printing to the work of Harunobu, who was the first to realize the possibilities of full color printing. The clippings are from different newspapers, as indicated by the headers and footers, such as "Gazette," "Crimson," and "American Art News."
This image shows an open, bound volume, likely a scrapbook or clippings album, containing newspaper articles from October 1922. The articles are all related to a significant exhibition of Japanese color prints at the Fogg Art Museum.
The volume has a dark red or maroon hardcover binding and is open to a double-page spread. The left page contains several articles, while the right page features a larger, single-column article and a small inset box. All pages are aged, with a yellowish-cream color, and show signs of wear, such as creases and slight discoloration from handling.
The content of the articles focuses on an exhibition titled “Japanese Prints,” curated by Arthur Davison Ficke, who had recently been appointed Curator of Japanese Prints at the museum. The exhibition featured seventy-two Japanese color prints from Ficke’s own collection and ran from Monday, October 16, until November 1, 1922.
Key details from the clippings:
The clippings are clearly curated to document the event, with newspaper names like “Gazette,” “Crimson,” and “American Art News” handwritten or typed at the top of each article, along with dates such as October 14, 16, 20, and 21, 1922. The overall impression is of a meticulously preserved historical record of an important cultural event in early 20th-century America.
The image shows a book with a few pages open. The book appears to be an old one, with the pages having a yellowish tint. The book is opened at two pages that have text written on them. The text seems to be an article from a newspaper, with the title "FOGG ART MUSEUM" written at the top of the left page. The text is written in black ink, and the pages have a few creases and folds.
The image shows a book open to a page with a clipping from a newspaper or magazine. The clipping is from an article titled "Fogg Art Museum" and is dated October 14, 1922. The article discusses an exhibition of Japanese art prints at the Fogg Art Museum, Harvard University. The exhibition, which ran from Monday, October 16, until November 2, 1922, showcased a loan exhibition of seventy-two Japanese color prints from the collection of Arthur Davison Ficke, who was the curator of Japanese Prints at the museum. The article provides details about the exhibition, including the dates and times of lectures by Ficke on Japanese prints, and describes the significance of the prints on display, which date from 1680 to 1780 and include the work of artists such as Harunobu, Kiyomitsu, Masanobu, Kiyomitu, and Tonobu. The clipping also mentions that Ficke had loaned a collection of Japanese prints to the museum, which had previously been shown at the Tokyo Art Museum.
The image shows a page from a newsletter or program titled "Fogg Art Museum", dated October 16, 1922. The page is divided into several sections, each detailing events, lectures, and exhibitions related to Japanese art, particularly Japanese prints. Here is a detailed description:
Header:
Main Sections:
The page is a promotional and informational document aimed at museum visitors, detailing upcoming lectures and exhibitions focused on Japanese prints. It emphasizes the historical and artistic significance of the prints, the techniques used, and the contributions of key artists like Harunobu. The content reflects the museum's commitment to educating the public about Asian art and its influence on global art history.
Final Description:
The image depicts a page from a Fogg Art Museum newsletter dated October 16, 1922, detailing upcoming lectures and exhibitions on Japanese prints. The page highlights lectures by Mr. A. D. Ficke, the Curator of the Arthur Davison Ficke Collection, scheduled for October 16, 20, and 21, 1922, focusing on the history, techniques, and evolution of Japanese prints from the 17th to 18th centuries. The content emphasizes the significance of Harunobu and other masters in the development of color printing and the cultural impact of Japanese prints on Western art. The page is typed, with handwritten notes and page numbers, and includes a signature from "American Art News".
This image shows a scanned page from a scrapbook, diary, or a collection of documents. The page contains several newspaper clippings and handwritten annotations, primarily discussing events related to Japanese prints at an art museum. The clippings are dated from October 1922 and feature articles and notices about lectures and exhibitions at the Fogg Art Museum.
One clipping headlines "SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS" with the date October 7, 1922. The associated article talks about Mr. A. D. Ficke, who was the lecturer at the Fogg Art Museum, and his exploration of Japanese prints, mentioning important elements like the printing technique and the historical context of the art.
Another clipping announces a lecture titled "Japanese Prints" by Mr. Arthur D. Ficke on Friday, October 20, at the Fogg Art Museum.
There's also a clipping referencing an exhibit that was open to the public, which showcases Japanese prints from 1680 to 1780.
Handwritten notes on the clippings include dates such as "Sept. 1st 1922" and "Oct 24, '22" and a note indicating an event is at 4:30. At the bottom right, a handwritten note reads "American Art News Oct. 7, '22" suggesting a reference to the publication the clippings may have come from.
The page is numbered "61" in the top right corner, suggesting it is part of a larger collection or book. The items are carefully pasted onto the page, and the paper shows a brownish tinge, implying age and historical value.
Lastly, the left side shows the edges of other pages, indicating this page is part of a bounded volume.
This image shows an open scrapbook or album page containing multiple newspaper clippings and articles pasted on it. The clippings all relate to an exhibition and lectures on Japanese prints held at the Fogg Art Museum in October 1922.
The articles mention Arthur Davison Ficke, who was the curator of Japanese prints at the museum at that time. They describe a loan exhibition of seventy-two Japanese color prints from 1680 to 1780, illustrating early color printing techniques involving two or three color blocks, including works by artists like Harunobu, Moronobu, Kiyonobu, Masanobu, Kiyomitsu, and Toyonobu.
Various dates are visible on the clippings, including October 14, 1922, October 20, 1922, and October 21, 1922. Guidelines about lectures and talks on Japanese prints by Mr. Ficke, including one on October 20 at 4:30 PM in the lecture room of the Fogg Art Museum, are noted.
The page is labeled "61" at the top center, indicating it is part of a larger collection. The clippings present details about the significance of the prints, techniques of early Japanese printmaking, and importance of the exhibition. There is also a small clipping titled "What is Going On Tonight" referring to a lecture at Harvard University related to the exhibition. The overall presentation is neat, with the articles carefully arranged and glued onto the page.
This image shows a scrapbook page containing multiple clippings from articles and announcements. The subject of the clippings appears to relate to an exhibition at the Fogg Art Museum focused on Japanese prints. The page includes detailed information about lectures and events featuring Arthur Davison Ficke, a curator of Japanese prints. There is a heavy emphasis on the historical development and significance of Japanese art spanning from 1680 to 1780, highlighting specific techniques like full-color printing.
Some of the clippings specify dates—October 14, 1922 and October 20, 1922—along with details of announcements, such as the lecture topics and exhibition duration. Notes handwritten in the margins suggest additional commentary or organization.
This is a page from a scrapbook or album, filled with small newspaper clippings about an exhibition of Japanese prints at the Fogg Art Museum. The page has a yellowed, aged look with a dark red hardcover spine on the left. The clippings are arranged in a collage and include headlines such as “SPEAKS ON DEVELOPMENT OF JAPANESE PRINTS,” “WHAT IS GOING ON TONIGHT,” and “TO SPEAK ON JAPANESE PRINTS AT FOGG TODAY.”
Content-wise, the notices describe an exhibition of Japanese color prints (from the collection of Arthur Davison Ficke), with dates, times, and lecture details. There are mentions of lectures by Mr. A. D. Ficke, discussion of the history and technique of Japanese prints, and notes about what will be on display during the exhibition (dates around October and November, with a 4:30 p.m. lecture). The overall impression is that this page documents multiple related announcements for a historic art exhibition and its accompanying talks.