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ARCH.2003.22, Rendition: 808984
The image you provided appears to be a page from a historical newspaper or magazine, specifically from "The Sunday Herald" dated October 1, 1922. The page has a tan-colored background, and the text is printed in black, giving it an antique appearance. The title at the top reads "In the World of Art," written in a decorative, serif font. Below this title, there are several articles discussing art exhibitions and collections at museums, particularly focusing on the Fogg Art Museum in Cambridge, Massachusetts.
One of the articles is titled "Mother and Child" and is attributed to Andrea Mantegna. This appears to be a print or illustration of the artwork, though it is not a photograph of the actual painting. The print shows a figure holding a child, which is a common subject in Renaissance art, specifically in depictions of the Virgin Mary holding the Christ Child.
The text accompanying the illustration and the other articles provides context about the exhibitions, including the acquisition of prints and drawings by various artists from the 15th and 16th centuries. It also discusses the historical significance of these artworks and their impact on the development of art.
There are additional notes and annotations on the page, possibly added later, which indicate dates and descriptions related to the artifacts being discussed. These are handwritten and are not part of the original publication. The page itself shows signs of age, with some wear and staining, which adds to the historical value of the image.
This image is a page from "The Sunday Herald," a Boston newspaper dated October 1, 1922, featuring a section titled "In the World of Art" by F.W. Coburn. The article discusses a collection of prints, etchings, and original drawings recently acquired by Harvard University and displayed at the Fogg Museum of Art. The collection includes works by various artists and is meant to be of interest to both students and the public.
A central illustration titled "Mother and Child" by Andrea Mantegna is prominently displayed. The caption beneath the image describes it as a particularly attractive piece.
The article mentions that the exhibition includes 15th-century paste prints, woodcuts made from illustrations in printed books, engravings by various artists, and works by Spanish masters. It also notes the presence of a "Zuloaga etching of three Dasque women" and a "Zuloaga etching of three Dasque women, presumably the artist's cousins who appear in the big picture 'My Uncle Daniel and his Family,' at the Museum of Fine Arts."
The right column of the page features another article titled "Early Engravings," discussing the beginnings of the art of book illustration as exemplified in German and Italian engravings of the 15th and 16th centuries displayed at the Fogg Museum. It covers the history of print-making from woodcuts to lithographs and etchings, highlighting the artistry of artists like Albrecht Dürer, Hans Holbein, and others.
This image shows an open, aged newspaper or magazine spread, likely from a bound volume or scrapbook, resting against its dark red binding. The page is visibly yellowed and brittle, with some tears and wear along the edges, indicating its age.
The date at the top reads: “THE SUNDAY HERALD, BOSTON, OCTOBER 1, 1922”.
The main feature is a lengthy article titled “In the World of Art” by F. W. Corbin.
The article discusses the print room at the Fogg Art Museum (then at Harvard University), praising the collection of prints, etchings, and original drawings as a “great educational centre.” It highlights the rarity and quality of the works, particularly noting the acquisition of two fifteenth-century paste prints. The article mentions the acquisition of a group of woodcuts by Andrea Mantegna, including the famous “Mother and Child.”
A reproduction of Mantegna’s “Mother and Child” is centrally placed on the page, labeled with the artist’s name. Beneath it are two handwritten notes on small slips of paper:
The article also mentions other notable works, such as the Judgment of Paris and images from Marecanto, and notes that many acquisitions were made within the past year.
On the far right side of the spread, a separate column titled “EARLY ENGRAVINGS” begins, continuing the discussion of art history and the origins of book illustration.
Overall, the page serves as a historical record of art criticism and museum exhibitions from 1922, showcasing the contemporary appreciation for Old Master prints and the growing prestige of the Fogg Art Museum’s collection. The handwritten notes suggest a collector or researcher actively cataloging or annotating these articles.
The image shows an open book with two pages facing each other. The left page contains a text titled "In the World of Art" by F. W. Coburn, accompanied by a black-and-white illustration of a seated figure, possibly a mother and child. The right page has a continuation of the text and a smaller illustration at the bottom. The book appears to be from the early 20th century, with the date October 1, 1922, visible at the top of the left page. The text discusses the importance of art in education and the influence of various art forms on society. The illustrations are simple line drawings, typical of the era.
The image is of a newspaper with a large headline that reads "In the World of Art" in bold letters. The article is titled "Early Engravings" and is written by F. W. Coburn. The article discusses the beginnings of book illustration, including examples from German and Italian engravings of the fifteenth and sixteenth centuries. The article also mentions the Fogg Art Museum at Harvard University and its collection of woodcuts and engravings. The image also shows a drawing of a mother and child.
The image shows an open page from a newspaper titled "The Sunday Herald", dated October 1, 1922, from Boston. The page is divided into two main sections:
The page provides a comprehensive overview of an art exhibition focusing on early engravings, highlighting the historical and artistic significance of the works on display. It combines textual analysis with a visual example of one of the featured pieces, offering readers insight into the evolution of printmaking and the importance of these artifacts in art history. The article serves both as a promotional piece for the exhibition and an educational resource on the subject of early engraving.
This image shows an open newspaper or magazine spread entitled "The Sunday Herald, Boston, October 1, 1922." The spread is dedicated to art and features a section with the header "In the World of Art." The left side of the page prominently displays an image captioned "MOTHER AND CHILD BY ANDREA MANTEGNA," depicting an artwork of a seated woman holding a child on her lap, both figures draped in clothing evocative of the period the artist lived in. The right side of the spread contains a column titled "EARLY ENGRAVINGS" with text describing the beginning of the collection of Italian engravings at the Fogg Museum. There are various paragraphs detailing different artworks and exhibits.
The page is slightly yellowed with age, and the text is set in a classic newspaper column format with small, tightly packed lettering that was typical of the time. The physical newspaper is placed on top of additional newspaper or magazine pages underneath, presenting a layered look with their edges exposed. It lies on a surface that is neutral in color, highlighting the historical artifact prominently.
The image shows an old scrapbook or album page with several newspaper clippings glued onto it. The clippings are primarily about art, prints, and an exhibition at the Fogg Art Museum.
The largest clipping is titled "In the World of Art" by F. W. Coburn, from The Sunday Herald, Boston, dated October 1, 1922. It discusses prints, etchings, and original drawings recently acquired by Harvard University, focusing on the significance of these art pieces for students and the university's art department. It also mentions an exhibition of prints and engravings.
In the center of the page is a black and white image of a drawing titled "Mother and Child" by Andrea Mantegna.
Below the image, there's a small note dated Sept. 29, 1922, mentioning a collection of recently acquired prints being shown in the Print Room of the Fogg Art Museum.
To the right of this note is another clipping titled "Fogg Art Museum," dated Sept. 30, 1922, from Gazette. It talks about an exhibition of prints recently acquired by the Fogg Art Museum, highlighting works from the Fifteenth Century, including prints by various renowned artists such as Andrea Mantegna.
On the far right edge, there's a partial clipping titled "EARLY ENGRAVINGS" dated Oct 2, '22. It discusses the beginnings of the art of book illustration with German and Italian engravings from the Fifteenth and Sixteenth Centuries displayed at the Fogg Museum.
Overall, the page documents historical art and print exhibitions focused on Renaissance engravings and drawings acquired and displayed by Harvard's Fogg Art Museum in the early 1920s.
The image shows a page from an old newspaper (The Sunday Herald), dated October 1, 1922, with the headline "In the World of Art." At the center is a printed illustration labeled "Mother and Child by Andrea Mantegna." Surrounding the illustration is a detailed article discussing art, museums, and exhibitions, focusing on engravings and illustrations.
Below the central article and illustration are handwritten notes and a clipping dated "Sept. 30, 1922." This section refers to recent acquisitions displayed in the Print Room of the Fogg Art Museum, listing exhibits such as prints, engravings, and historical works.
The page appears to be part of a scrapbook or archival collection, evidenced by its slightly aged paper and bound edges. There is another column of text to the right side (cut off) likely describing topics in art history and engravings. The handwriting and typewritten clippings add to the preserved historical context of the piece.
A page from a vintage art column. It’s The Sunday Herald (Boston), October 1, 1922, in a bound volume. The main headline is “In the World of Art,” with a decorative logo and byline “By F. W. Coburn.” Center stage is a large, detailed engraving-like illustration of a mother holding a child, captioned “MOTHER AND CHILD” by Andrea Mantegna.
Around the illustration are columns of text about art topics, including “Early Engravings” and notes on printmaking and collections. There are also two clipped inserts attached to the page—one describing an exhibition at the Fogg Art Museum (Harvard) featuring fifteenth-century prints and other Renaissance engravings.
The page is aged, with a sepia-toned paper and small serif typography, and you can see the red-brown binding along the left edge.