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ARCH.2003.22, Rendition: 808977
The image is a page from "The Literary Review" dated April 22, 1922. The page features a review of a book titled "A History of Sculpture: A History of European and American Sculpture from the Early Christian Period to the Present Day" authored by Allan Marquand. The review is written by Alan Marquand from Princeton University.
Key points from the review:
Comprehensiveness: The review highlights that the book is more comprehensive than other existing works on the history of sculpture, including Andre Michel's "History of Sculpture" and more accurate than Vasari's "Lives of the Italian Artists."
Author's Background: Professor Paul, the author of the book, is noted for his expertise in Greek literature, Greek sculpture, and his general knowledge of European and American sculpture.
Scope and Structure: The book covers sculpture from early Christian, Byzantine, and medieval times to the Baroque and Rococo periods, and then to modern times. It includes detailed discussions on various countries and periods, such as Scandinavian, Spanish, English, Italian, and American sculpture.
Critique: The reviewer praises the book for its detailed and accurate descriptions but notes some inconsistencies and errors. For instance, the reviewer questions the accuracy of some dates and the interpretation of certain sculptures.
Illustrations: The review mentions the book's illustrations, noting that while they are generally good, some are not as clear or detailed as they could be.
Specific Criticisms: The reviewer points out specific issues, such as the misidentification of certain sculptures and the lack of clarity in some descriptions. For example, the reviewer disagrees with the interpretation of a sculpture called "Prudence" and questions the dating of certain works.
Overall, the review is generally positive, acknowledging the book's comprehensive scope and detailed analysis, but it also provides constructive criticism on specific points.
The image displays an open book, specifically a review article from "The Literary Review" dated April 22, 1922. The article being reviewed is "A History of Sculpture: An Introduction to the Appreciation of the Fine Arts" by Chandler Rathfon Post, published by Harvard University Press in 1921. The review, written by Allan Marquand, praises the book as the most interesting history of European sculpture in the English language, commending its comprehensive coverage and clear analysis of various sculptural periods and styles from early Christian to the present day. The review notes that the book is well-illustrated and provides excellent general and special introductions, making it accessible to both casual readers and experts. The review also highlights the author's personal knowledge of sculpture and fair characterization of different national accomplishments. The book is described as having a good index, bibliography, and excellent printing and illustrations.
The image is a page from a book titled "The Literary Review," dated April 22, 1922. The page includes a review of a book titled "A History of Sculpture: 'A History of European and American Christian Sculpture from the Early Christian Period to the Present Day'" by Chandler R. Post, published by Harvard University Press in 1921.
The review, authored by Allan Marquand from Princeton University, discusses several key aspects of the book:
General Overview: Marquand commends the book for being comprehensive and insightful, particularly in its coverage of European and American sculpture from the early Christian period to the present day.
Structure and Content: Marquand notes that the book is well-structured and covers a wide range of historical periods, including Gothic, Romanesque, Baroque, Rococo, and modern styles. The author, Chandler Post, effectively traces the evolution and development of these styles.
French Influence: Marquand highlights the book's detailed analysis of French sculpture and its influence on other European countries, especially noting the stylistic nuances and transitions.
Specific Highlights: The review mentions specific artistic periods, such as the French Gothic era, and discusses the significance of Gothic sculpture in Europe and the differences between French and English Gothic styles.
Literary Analysis: Marquand also touches on the literary aspects of the text, noting how the author's analysis of sculpture is intertwined with broader historical and cultural contexts.
Stylistic Nuances: The review points out the book’s ability to discuss stylistic changes and the influence of various artistic movements, like the Baroque and Rococo periods.
Personal Opinion: Marquand mentions that the book provides a thorough and balanced view, with a keen eye for detail, and effectively captures the essence of the artistic movements discussed.
The review is well-organized and provides a comprehensive insight into the book's strengths and the depth of its coverage of the history of European and American sculpture.
The image displays a page from the April 22, 1922, issue of "The Literary Review." The page includes a book review of "A History of Sculpture" by Chandler Ratton Post, published by the University of Chicago Press. The review is written by Allan Marquand from Princeton University.
The review discusses Post's book, which covers European and American sculpture from the early Christian period to the present day. Marquand praises the book as the most comprehensive and readable history of European sculpture, noting that it is better than many other works in the field, such as Venturi's "Storia dell'Arte Italiana." Marquand highlights the book's clear and engaging style, which is accessible to both experts and general readers. He commends Post's ability to trace the evolution of sculpture through various periods and schools, such as Gothic, Renaissance, Baroque, and Rococo, and his detailed descriptions of styles and techniques.
Marquand also points out that the book's illustrations are excellent, with a clear distinction between the various styles and periods. He notes that the book is particularly strong in its treatment of French sculpture and its influence on other European countries.
The review concludes with a brief mention of the book's structure, noting its organization into specific periods and styles, and its detailed index, which enhances the book's usability. Marquand's overall assessment is highly positive, emphasizing the book's readability, comprehensiveness, and value to both scholars and enthusiasts of sculpture.
The image shows an open book, specifically a page from "The Literary Review" dated April 22, 1922. The page includes a review of the book "A History of Sculpture: A History of European and American Christian Sculpture from the Early Christian Period to the Present Day," authored by Chandler Rathfon Post, published by Princeton University Press in 1921.
The review, written by Allan Marquand from Princeton University, provides a detailed critique of Post's work. Marquand commends Post's comprehensive and accurate history of European and American sculpture, highlighting its readability and scholarly value. The review discusses the book's organization, which covers various periods and styles, including Gothic, Renaissance, Baroque, Rococo, Neoclassical, and modern sculpture. Marquand praises Post's ability to convey the essence of each period and his keen insights into the historical and artistic context.
The review also notes specific sections and styles, such as the Gothic period's transition from the thirteenth to the fourteenth century, and Post's analysis of French Gothic sculpture. Marquand appreciates the book's detailed analysis and the author's command of the language, emphasizing that Post's work is both scholarly and accessible to a broader audience. The review concludes by mentioning the book's extensive illustrations, which are well-chosen and effectively support the text.
The image is a page from the "The Literary Review," dated April 22, 1932. This page features several book reviews and literary critiques.
Title: A History of Sculpture
Author: Arthur Fairbanks, Ph.D., LL.D.
Publisher: Harper and Brothers, New York; Cambridge University Press, London
Price: $15
Reviewed by: Allan Marquand, Princeton University
Marquand praises "A History of European and American Sculpture from the Early Christian Period to the Present Day" as an important contribution to the field of art history. He notes that while there are several books on art history, few specifically focus on the history of sculpture in a detailed and comprehensive manner.
The book is commended for its broad scope, covering the evolution of sculpture from early Christian times through the modern era, including various movements like Greek, Romanesque, Gothic, Renaissance, Baroque, Rococo, and neoclassical periods. Marquand particularly appreciates the book's ability to highlight significant works and artists while also discussing the historical and cultural contexts in which these works were created.
However, Marquand points out that the book's treatment of some subjects, such as French Gothic sculpture, might lack depth and could benefit from more detailed analysis. He also mentions that while the general introductions are excellent, the specific sections on individual works sometimes lack sufficient critical insights.
This section briefly mentions the publication of a book focusing on the history and art of the Low Countries (Belgium, the Netherlands, and Luxembourg). The review highlights the book's detailed exploration of the region's contributions to art, particularly its painting, sculpture, and architecture.
The review discusses a book on Byzantine mosaics, emphasizing the importance of the subject and praising the book for its thorough analysis and rich illustrations.
This critique covers a book that explores the Baroque period across Central Europe, particularly in Spain, Spanish America, and Italy. It praises the author's vivid descriptions and comprehensive approach to the Baroque style in various art forms.
This section critiques the tendency of some art historians to focus too narrowly on specific details, losing sight of the broader artistic and historical context. It references several works, including those by Professor Post and a study on Peloponnesian painting, noting both their strengths and limitations.
A review of a book about Saracenic (Islamic) pottery, praising its meticulous research and insightful commentary on the intricate art and history of ceramic works from the Islamic world.
The page ends with a discussion on the state of art history literature, noting that many books are either too broad or too specialized. It mentions a need for more balanced and comprehensive works that provide both general overviews and detailed analyses. Specifically, it critiques the lack of a definitive book on German art history and praises a new publication that attempts to fill this gap.
Overall, the page provides a detailed and critical look at several important works in the field of art history, offering both praise and constructive criticism.
The image shows an open book or scrapbook with a page that contains several newspaper or magazine clippings pasted onto it. The page is numbered 598 at the top left corner and is from "The Literary Review," dated April 22, 1922.
The main clipping is an extensive review titled "A History of Sculpture," which discusses the book "A History of European and American Sculpture from the Early Christian Period to the Present Day" by Chandler Rathfon Post. The review is written by Allan Marquand from Princeton University. The article analyzes the book's approach, content, and coverage of European sculpture across various periods, including the Baroque and Rococo, and mentions other art historical perspectives and comparisons.
The clippings have a yellowed, aged appearance, consistent with old paper, and are pasted neatly on the page. The edges of the clippings are slightly uneven, indicating they were cut out from original printed material. Some corrections or marks in pencil are visible on the page, but the text remains readable. The page's right edge shows some wear and minor damage.
The image shows a scanned page from a publication titled "THE LITERARY REVIEW, APRIL 22, 1922." It appears to be a review or an article from the literary review section discussing "A History of Sculpture." The text references European and American sculpture from the early Christian period to the present day, and it mentions a book by Chandler Rathfon Post, published by Harvard University Press in 1921.
The text includes a detailed analysis of the content and provides some critiques and comments on the work's coverage of sculpture history. Several historical terms and styles are mentioned, such as Gothic, Byzantine, and Renaissance, indicating the depth and scope of the subject matter.
The page has some physical wear, indicative of the document's age; it has yellowed edges, some creases, and what appears to be tape reinforcing or repairing the binding on the left side of the page. There are handwritten numbers at the top, possibly referencing a cataloging or filing system.
The image shows an open page from a vintage book titled "The Literary Review", dated April 23, 1922. The page features a review of a book titled "A History of Sculpture" by Charles Ratcliffe Post, published by Harvard University Press in 1921. The review is authored by Allan Marquand, a professor at Princeton University.
Title and Author:
Reviewer:
Content Overview:
Scope of the Book:
Critical Analysis:
Visual and Physical Characteristics:
Additional Notes:
The image depicts a detailed and thoughtful book review from The Literary Review (April 23, 1922) of Charles Ratcliffe Post's "A History of Sculpture". The review highlights the book's comprehensive coverage of European and American sculpture from early Christian to modern times, its readability, and its utility for both students and experts. The page is part of a well-preserved vintage book, showcasing the typographic style and layout of early 20th-century publishing.
The image shows a page from a book titled "The Literary Review" dated April 22, 1922. The page is open to a review of a book titled "A History of Sculpture" by Charles Rathbone Post. The review is written by Allan Marquand and discusses the book's comprehensive coverage of European and American sculpture from early Christian times to the present day. The review highlights the book's strengths, including its detailed descriptions and illustrations, and its value as a standard reference work for many years to come. The page also includes a section on the development of sculpture in the Low Countries and a discussion of the general similarities in medieval iconography as well as the specific influences of France and the eastern Mediterranean.