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ARCH.2003.22, Rendition: 808975
The image shows an open book or magazine with several pages. The pages appear to contain articles and announcements about the Fogg Art Museum and the Art Department at Harvard. Specifically:
Left Page:
Right Page:
Bottom Page:
The pages show signs of age, with some yellowing and markings, suggesting they are from an older publication. The content is academic and cultural, focusing on art history and museum collections.
The image shows an open book resting on a flat surface, displaying a spread of pages with various clippings, handwritten notes, and typed text. The left page contains three distinct sections of text:
The right page contains a single clipping titled "WATER COLOR BY WINSLOW HOMER LOANED TO FOGG ART MUSEUM." It describes a watercolor painting by Winslow Homer representing fishing boats in Key West, painted during the winter of 1903 and 1904. The text provides details about the painting's colors, composition, and its significance.
There are also some handwritten notes and markings on the pages, including the number "218" and the date "4/27/22." The book appears to be old, with some wear and tear visible on the edges and spine.
This image displays a page from an old museum or gallery bulletin, likely from the early 20th century. The yellowed paper and typewritten text suggest historical provenance, confirmed by the date “May 2nd to 16th, 1922” at the bottom.
The page is divided into several informational sections:
Upper Left: “FOGG ART MUSEUM”
This section announces staff appointments:
It also notes that a selection of plates from Francis Bartlett’s Literatura Scenographica is on exhibition at the Fogg Museum, with prints corrected by Turner displayed.
There is a handwritten note in cursive: “/28/298” and “Harvard University Bulletin,” possibly an internal cataloging annotation.
Upper Right: “WATER COLOR BY WINSLOW HOMER”
This short article announces a watercolor by Winslow Homer, titled Fishing Boats, Key West, loaned to the Fogg Art Museum on May 17, 1922. The piece was painted during the winters of 1903 and 1904, and the article notes that Homer’s tropical scenes are among his finest.
It quotes Mr. Downs from his book on Homer: “For pure beauty of colour and light they have never been surpassed, and it is hard to believe that they ever can be.”
The watercolor is described as showing fishing boats with white and gray water, touches of red and green, and a grayish violet sky. The treatment is noted as broad and simple, with warmth and distinction, adding to the Museum’s collection of modern watercolors.
Center Left: “DEAN OF THE ARCHITECTURAL SCHOOL”
This section announces Dr. G. Harold Edgell’s appointment as Dean of the Harvard School of Architecture, effective next fall. The bio outlines his academic background: graduate of Harvard College (1909), fellow in Renaissance Studies in Rome (1910–1912), Ph.D. from Harvard (1913), Assistant Professor (1914), and recently Associate Professor (1920). He had taught Italian Art in Rome and chaired committees at Harvard.
Bottom Half: “WATER COLORS by ARTHUR POPE”
This is an exhibition announcement hosted by The Ehrich Galleries at 707 Fifth Avenue, New York, running May 2nd to 16th, 1922.
The text explains that the watercolors were painted during a sabbatical year by Arthur Pope, a member of Harvard’s Fine Arts Division. They were created to illustrate landscape painting possibilities in limited color ranges, similar to those used in the mid-19th century. Some paintings, especially of heather subjects in Scotland, use a more extended palette with high color intensity.
Visual Details:
Summary:
This is a historical page from a Harvard-affiliated art bulletin dated May 1922, announcing personnel changes, loaned artworks (notably by Winslow Homer), and a contemporary exhibition of watercolors by Arthur Pope. It serves both as institutional record and public outreach, reflecting early 20th-century art education and museum practices at Harvard University.
The open book is a museum catalog from the Fogg Art Museum. The left page is about the staff of the museum, and the right page is about the exhibition of watercolors by Arthur Pope. The book is opened to page 248, and the text is written in black font. The book has a brown cover, and the pages are yellow. The book is placed on a gray surface.
The image shows an open book with a page displaying text and images. The book appears to be a museum catalog or exhibition guide. The page features a title "WATER COLOR BY WINSLOW HOMER" in bold letters, followed by a smaller subtitle "Represents Fishing Boats, Key West, and Key West, May 1922." Below the title, there is a small image of a watercolor painting depicting fishing boats. The text provides information about the painting, its artist, and its significance. The page also includes a small advertisement for "WATER COLORS by ARTHUR POPE THE EHRICH GALLERIES 707 Fifth Avenue, at 53th Street New York." The book has a brown cover and appears to be well-worn, with some pages showing signs of aging or damage.
The image shows an open book, likely a catalog or exhibition brochure, with two visible pages. The content appears to be related to art, specifically focusing on watercolor paintings. Here’s a detailed description:
Title and Header:
The top of the page features a header that reads:
"FOGG ART MUSEUM"
Below this, there is a paragraph describing the appointment of Edward W. Forbes as Director of the Fogg Art Museum. The text mentions his academic background, including his role as Assistant Professor of Fine Arts and Assistant Director of the Fogg Art Museum, as well as his work with the Boston Museum of Fine Arts and the Busch-Reisinger Museum.
Signature:
At the bottom of the left page, there is a handwritten signature that reads:
"Edward W. Forbes"
This is likely the signature of the individual mentioned in the text.
Content:
The text discusses the professional background and qualifications of Edward W. Forbes, highlighting his academic achievements and roles in various art institutions.
Title and Header:
The top of the right page features a bold heading:
"WATER COLOR BY WINSLOW HOMER"
Below this, there is a subheading:
"LOANED TO FOGG ART MUSEUM"
This indicates that the artwork being discussed is a watercolor by Winslow Homer, loaned to the Fogg Art Museum.
Description of the Artwork:
The text describes a watercolor painting by Winslow Homer, depicting Doublies Fishing Boats during winter at Key West. It notes that the painting was created in 1946 and 1904, and that Homer spent the winter of 1903–1904 in Key West. The description praises the painting for its "rare beauty of color" and mentions that it is one of Homer's finest works. The text also highlights the use of light and shadow, with the water shown in shades of gray, green, and blue, and the boats rendered in red at anchor.
Exhibition Details:
The page includes details about the exhibition, mentioning that the painting is part of the Erich Galleries and was displayed at 709 Fifth Avenue, at 55th Street, New York. The catalog is dated May 10th, 1922.
Additional Text:
At the bottom of the right page, there is a paragraph discussing Arthur Pope's watercolor works, titled "WATER COLORS by ARTHUR POPE." It describes the paintings as representing work done over a year by a member of the Faculty of Fine Arts at Harvard University. The text notes the use of a limited range of colors and mentions that many of the works were made to illustrate the possibilities of a limited color similar to the range used in landscape painting during the mid-XIX century. It also references specific works, such as "highest subjects in Scotland," which were done in the neutralest possible intensities of color without neutralization.
This image provides insight into early 20th-century art curation and the documentation of exhibitions, highlighting both institutional appointments and specific artworks.
This image shows an old printed document or catalogue page that likely pertains to an art exhibition or event. On the top left, there is a heading "FOGG ART MUSEUM" followed by a brief article that mentions Edward W. Forbes as director and speaks of a faculty appointment. Beneath this section, another article titled "WATER COLORS by ARTHUR POPE" has a subtitle "THE EHRICH GALLERIES 707 Fifth Avenue, at 55th Street New York" and discusses paintings representing work done at the Fogg Art Museum at Harvard by a member of the Fine Arts Division.
The top right of the image features another article with the heading "WATER COLOR BY WINSLOW HOMER LOANED TO FOGG ART MUSEUM" followed by details of the painting, mentioning places like Bahamas, Key West, and West Indies. It also describes the aesthetic and significance of Winslow Homer's watercolor work.
The paper shows signs of age and wear, with some discoloration and frayed edges. A small, square shadow in the center of the right side possibly indicates where a small picture or plate might have been attached. All the text is typeset in a style typical of the early 20th century, and the date "May 2 to 16th, 1922" at the bottom of the left column indicates when the event or showcase might have taken place. There are also handwritten notations and marks, showing that someone interacted with the document, perhaps taking notes or referencing certain points.
The image shows an open book or scrapbook page containing several clippings of printed text and one small taped section with three square pigment samples or faded swatches of color, likely watercolor paint.
On the left side of the page, there are three separate text clippings:
At the top left is a clipping titled "FOGG ART MUSEUM." It contains information about Edward W. Forbes, the director of the Fogg Art Museum, including his position, contributions, and other academic announcements related to the museum and a dean at the Harvard School of Architecture.
At the bottom left is a clipping titled "WATER COLORS by ARTHUR POPE," which announces an exhibition of watercolors by Arthur Pope at The Ehrich Galleries in New York from May 2nd to 16th, 1922. The text discusses how these paintings were created during a sabbatical year by a Harvard University Fine Arts Division member and emphasizes the high intensity of colors used in the works.
At the upper right is a clipping titled "WATER COLOR BY WINSLOW HOMER LOANED TO FOGG ART MUSEUM," dated May 19, 1922. The text discusses a watercolor painting by Winslow Homer depicting fishing boats in Key West, made during the winter of 1903-1904. It describes the painting’s color style and mentions its recent loan to the Fogg Art Museum as an important addition to their collection of modern watercolors.
To the right side of the page are three square swatches of faded color, arranged vertically. The swatches are pale and seem to be samples or remnants of color, possibly related to the descriptions of watercolors in the text clippings.
Overall, the page appears to be a curated record related to watercolor art and exhibitions, focusing on notable artists and their contributions tied to the Fogg Art Museum and an art gallery exhibition from 1922.
This image shows an album or scrapbook page containing clipped articles, notices, and text related to art exhibitions and events. The page contains details about watercolor exhibitions:
Top-left corner:
Top-right corner:
Bottom-left corner:
Bottom-right corner:
This page represents a carefully curated documentation of notable art events, exhibitions, and artists of the time.
The image shows an old scrapbook/page filled with vintage clipped articles about art exhibitions. It has several small newspaper-style blocks arranged on the page:
There are two pale, blank brownish rectangles on the right side (likely old mounting areas), and the page shows aging with yellowed paper and a bit of handwritten notation.