Archives Scrapbooks

The image shows a scan of a page from a book or a newspaper, likely from the early 20th century, judging by the style of the text and the date stamps. Here are the key elements visible in the image:

1. Top Section:

   • The text mentions an exhibition of Rembrandt's works at the Fogg Art Museum, dated March 30, 1922.
   • It highlights that the exhibition includes notable paintings and drawings, with contributions from various collectors and galleries.
   • The text describes the pieces that will be on display, such as a self-portrait, "Death of the Virgin," and "Jupiter and Mercury received by Philemon and Baucis."

2. Center Section:

   • A black-and-white illustration is present, which appears to depict a "Twelfth Century Romanesque Capital."
   • The caption describes it as one of twelve French Capitals donated to the Fogg Art Museum.
   • The illustration shows two figures, one possibly an angel, and the other facing away.

3. Bottom Section:

   • The text is about traveling fellowships awarded in 1922-23, with seventeen winners chosen for study in Europe.
   • It lists the names and fields of study for each winner.
   • The text also mentions a lecture on Rembrandt as an etcher, scheduled for April 7, 1922.

The page is aged, and the text is in a traditional newspaper or journal style. The illustration is monochrome, and the overall layout suggests it is an article from a historical publication.

This image shows a page from a scrapbook or a collection of clippings, likely from newspapers or magazines, focusing on a Rembrandt exhibition at the Fogg Art Museum. The page is dated from March 30, 1922, to April 4, 1922.

Key Elements:

1. Articles about the Rembrandt Exhibition:

   • The top article, dated March 30, 1922, discusses the opening of an exhibition of Rembrandt's works at the Fogg Art Museum. It mentions contributions from notable collectors such as J.P. Morgan, Felix Warburg, Ernesto G. Fabbri, and Otto H. Kahn. The article highlights some of the featured works, including self-portraits, "Death of the Virgin," and "Jupiter and Mercury received by Philemon and Baucis."
   • Another article, also dated March 30, 1922, provides more details about the exhibition, emphasizing its uniqueness and the effort to showcase every phase of Rembrandt's career, including etchings, religious paintings, landscapes, and portraits.

2. Photograph of a Twelfth Century Romanesque Capital:

   • A black-and-white photograph is included, depicting a twelfth-century Romanesque capital. The caption explains that it shows the Angel appearing to Zacharius in the Temple and is part of a set of twelve French capitals donated to the Fogg Art Museum.

3. Travelling Fellowships Awarded:

   • An article dated March 29, 1922, lists the names of seventeen men awarded Sheldon Travelling Fellowships for the year 1922-23. It details the subjects they will pursue in their advanced studies.

4. Lecture on Rembrandt as Etcher:

   • The article dated April 4, 1922, announces a lecture by Miss Laura H. Dudley on Rembrandt as an etcher, scheduled for Friday, April 7, at 4:30 o'clock, in connection with the Rembrandt exhibition.

The page is neatly organized with the articles and photograph placed in a manner that suggests it was carefully compiled for reference or documentation purposes. The articles are from "The Crimson," which is likely a newspaper, possibly associated with Harvard University.

This image displays an open scrapbook page, likely from the early 20th century, featuring a collection of newspaper clippings from April 1922 related to an exhibition of Rembrandt's works at the Fogg Art Museum.

The page is filled with several yellowed, newspaper clippings pasted onto aged paper. The clippings are primarily from the Crimson, a newspaper likely associated with Harvard University, as indicated by the datelines such as "Crimson, March 30 '22" and "Crimson, April 4, 1922."

Here is a breakdown of the main clippings:

• Top Left: A large article titled "REMBRANDT COLLECTION AT FOGG" (dated March 30, 1922) announces the exhibition, which opened on that date and would run until April 12. It highlights the significance of the event, noting it's "a remarkable collection of paintings and drawings not ordinarily accessible to the public." It mentions key contributors, including J. P. Morgan '89, and lists important works such as "Death of the Virgin," "Jupiter and Mercury received by Philemon and Baucis," and portraits by Rembrandt.

• Top Right: A smaller clipping features a black-and-white photograph of a stone sculpture, identified as a "TWELFTH CENTURY ROMANESQUE CAPITAL." The caption explains it depicts "the Angel appearing to Zacharias in the Temple" and notes it is one of twelve French capitals donated to the Fogg Art Museum. This clipping is dated "Crimson, April 1, 1922."

• Center: A smaller article titled "REMBRANDT ON REVIEW" (dated March 30 '22) praises the exhibition as potentially the best Rembrandt show in the country, highlighting the public accessibility of private collection works, including his etchings, portraits, and mythological subjects. It concludes by emphasizing the "great power, his humanness and his divergent appeal" demonstrated in the artworks.

• Bottom Left: A column titled "THE REMBRANDT EXHIBITION" details a private view held for Harvard University's art department and mentions that Mr. Morgan will lend his early portrait and etching collection. The clipping is dated "Crimson, April 4 '22."

• Bottom Center: A short column titled "Traveling Fellowship Awards" (dated April 4 '22) lists students awarded fellowships from the Corporation of Harvard University. Most of them will spend their year of study or travel in Europe, with one exception for studying in the United States.

• Bottom Right: Another clipping (dated April 4, 1922) announces a "Lecture on Rembrandt as Etcher" by Miss Laura H. Dudley of the Museum Print Department, scheduled for Friday, April 7, at 4:30 PM in conjunction with the exhibition.

The scrapbook pages themselves show signs of age, with some discoloration and wear along the edges. The red binding of the scrapbook is visible along the left and bottom edges of the image. The overall impression is one of a carefully preserved historical record of a significant art event.

An open book with a red border on the left side contains text and a picture. The text is written in a black font, and the picture is a black-and-white image of two people. The text is written in a slanting manner and is divided into sections. The image is of two people standing in front of a stone structure. The image has a watermark on the bottom right corner.

The image shows an open book with text and images on both sides of the page. The text on the left side of the page is about the Rembrandt Collection at Fogg, which is an exhibition of Rembrandt's works. The text on the right side of the page is about the Twelfth Century Romanesque Capital, which is a set of twelve French Capitals donated to the Fogg Art Museum. The image in the middle of the page shows a black-and-white photograph of two people standing in front of a stone structure.

The image shows an open book or catalog, likely from an art museum or gallery, detailing an exhibition of works by Rembrandt. The page is dated March 30, 1922, and is part of the "Rembrandt Collection at Fogg," as indicated at the top of the page. The content is structured into several sections, including:

1. Exhibition Announcement:

   • The page announces an exhibition of Rembrandt's works at the Fogg Art Museum, which will open on April 12, 1922. It highlights that the exhibition includes paintings, drawings, and etchings, with notable contributors such as Mr. J. Morgan and Mr. E. Q. Fabbri.
   • It mentions that some of the greatest drawings and paintings will be on display, including works like "The Death of the Virgin" and "The Artist's Portrait of Himself."

2. Exhibition Overview:

   • The text describes the exhibition as a remarkable reflection of Rembrandt's power, his humanity, and his divergent appeal. It emphasizes that many of the works are being exhibited for the first time, including some of Rembrandt's finest landscapes, portraits, and mythological subjects.

3. Exhibition Details:

   • The exhibition is noted to be part of the Loan Exhibition of paintings and drawings, organized by the Fogg Art Museum.
   • It includes private collections from New York and elsewhere, with works drawn upon for public viewing.

4. Image and Caption:

   • On the right side of the page, there is an image labeled "TWELFTH CENTURY ROMANESQUE CAPITAL." The caption describes the image as depicting the Angel appearing to Zacharias in the Temple, and notes that this is one of a set of twelve French capitals donated to the Fogg Art Museum.

5. Additional Text:

   • The left side of the page contains more detailed descriptions and annotations, likely providing further context about the exhibition, its significance, and related events. There is also a mention of a lecture on Rembrandt as an etcher, scheduled for Friday, April 7, 1922, at 4:30 p.m., to be given by Miss Laura H. Dudley in the Lecture Room of the Fogg Art Museum.

The overall design and layout suggest this is a formal catalog or program for an art exhibition, with a mix of textual descriptions and visual elements to inform readers about the event and its contents. The page appears to be part of a larger document, as indicated by the visible page numbers and the structured format.

This image shows a page from a book or journal, possibly an exhibition catalog or a collector’s journal. The page includes several sections of text, each accompanied by a date penned in cursive, indicating that someone annotated the page on specific dates.

The largest heading reads "REMBRANDT COLLECTION AT FOGG," which is dated "Thursday 30.3.22," suggesting an exhibition was taking place at the Fogg Art Museum on March 30, 1922. The text describes an exhibition of Rembrandt's works, noting particular sponsors and contributors. A second section titled "REMBRANDT ON REVIEW" dated "March 3, 1922," discusses an ongoing exhibition of Rembrandt's works at the Fogg Museum, emphasizing the rarity and uniqueness of the collection, and highlighting several works on display.

To the right of the text is a black-and-white photograph of a sculpture with the caption "TWELFTH CENTURY ROMANESQUE CAPITAL," dated "April 1, 1922." This sculpture depicts the Angel appearing to Zechariah in the Temple, and it's mentioned as being part of a set of twelve French Capitals donated to the Fogg Art Museum.

At the bottom right corner of the page, there is another note dated "Thursday 6-4-22," which mentions a lecture on Rembrandt at the Fogg Art Museum by Miss Laura M. Dudley of the Museum Print Department.

The overall condition of the page is aged, with some discoloration and a distinct fold on the upper right corner. Some of the text is slightly obscured due to the binding of the book. The handwritten dates imply that someone was tracking or referencing these events over a period of time. The layout suggests the material might be from a publication that covers museum exhibitions, collections, and related art news or scholarly activities.

The image shows a page from a scrapbook or a book with several newspaper clippings attached to it. The clippings primarily discuss art exhibitions and events related to Rembrandt and the Fogg Art Museum.

On the left side, there are two main clippings titled "REMBRANDT COLLECTION AT FOGG" and "REMBRANDT ON REVIEW," both dated March 30, 1922, from "Crimson." These discuss an exhibition of Rembrandt's works opening at the Fogg Art Museum, including private collections and notable paintings.

In the middle, there is a larger photograph of a Romanesque capital, labeled "TWELFTH CENTURY ROMANESQUE CAPITAL." The caption below the photograph reads: "Depicting the Angel appearing to Zacharius in the Temple. This is one of the set of twelve French Capitals donated to the Fogg Art Museum."

Below the photograph, there are smaller clippings about "The Rembrandt Exhibition," a "Travelling Fellowship Awarded" dated March 29, 1922, and details about a "Lecture on Rembrandt as Etcher" scheduled for April 7, 1922, by Laura H. Dudley of the Fogg Art Museum.

The various newspaper clippings are typed articles, mostly focused on art exhibitions, fellowships, and lectures associated with Rembrandt and the Fogg Art Museum. Handwriting, including dates and the word "Crimson," appears at the top of the clippings. The overall page has an archival or historical research look.

This is a scrapbook-style page containing a collection of newspaper clippings and an image. Here's a breakdown:

1. Top Left Newspaper Article:

   • A clipping titled "REMBRANDT COLLECTION AT FOGG."
   • The article mentions an exhibition of Rembrandt's works at Fogg Art Museum, highlighting notable drawings and paintings, along with contributions by private collectors.

2. Center:

   • A black-and-white image labeled "TWELFTH CENTURY ROMANESQUE CAPITAL."
   • Below the image is a caption describing it as depicting "the Angel appearing to Zacharius in the Temple."
   • It mentions that this piece is part of a set of twelve French Capitals donated to the Fogg Art Museum.

3. Additional Newspaper Articles:

   • There are smaller newspaper articles scattered around, with titles like "REMBRANDT ON REVIEW," "TRAVELLING FELLOWSHIP AWARDS," and another announcement about a lecture on "Rembrandt as Etcher" scheduled for April 7, 1922.

4. Book Margins and Layout:

   • The scrapbook layout contains handwritten notes (e.g., "Cambridge, April, 1922") and is neatly arranged with taped or glued clippings.
   • The scrapbook is bound in a book with red binding visible on the left edge.

• A page from a scrapbook opened to a collage of newspaper clippings.
• The page has aged, tan paper with several small articles about the Rembrandt collection at the Fogg Art Museum.
• A large black-and-white photograph dominates the upper right, showing a Twelfth-Century Romanesque capital with carved figures.
• A caption beneath the photo reads: “TWELFTH CENTURY ROMANESQUE CAPITAL.”
• Surrounding the image are multiple clipped columns of text, including headings like “REMBRANDT COLLECTION AT FOGG” and notes about exhibitions, a review titled “Rembrandt on Review,” and a small notice about a lecture on Rembrandt’s etching.
• The page has handwritten notes at the top and resembles a page from a 1920s-era scrapbook.