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The image appears to be a page from a scrapbook or a collection of newspaper clippings related to an art exhibition. The central focus is on an exhibition of Rembrandt's works at the Fogg Museum, which took place in 1922. Here is a detailed summary of the contents:

1. Headline and Introduction:

   • The main headline reads "Rembrandt Collection at Fogg Museum."
   • The article notes that the collection includes some of the greatest drawings and paintings by Rembrandt.
   • The exhibition was open to the public from March 29 and was set to remain until April 12.
   • The collection featured a notable array of paintings and drawings, including works from private collections and museums.

2. Artworks Mentioned:

   • The article highlights specific paintings such as "The Virgin" and "Sapphira and Her Husband" from the collection of Mr. J. P. Morgan Jr.
   • Other notable works include drawings and paintings from the collections of Mr. Felix M. Warburg, Mr. Ernst G. Faber, and Mr. and Mrs. Henry Goldman, among others.

3. Reviews and Commentary:

   • A review by Jerome Klein from the Boston Transcript dated March 31, 1922, praises the exhibition.
   • The review emphasizes the rarity and significance of the collection, noting that it is the first time many of these works have been exhibited together.
   • The reviewer highlights Rembrandt's mastery in portraiture, landscapes, and religious paintings, and his ability to convey human emotion and spiritual depth.

4. Additional Clippings:

   • There is a clipping about a lecture on Rembrandt by Dr. Sachs at the Fogg Art Museum on April 7, 1922.
   • Another clipping mentions the presentation of a twelfth-century Romanesque capital to the Fogg Art Museum.
   • A third clipping discusses the awarding of a traveling fellowship to a student named Stanley Hayter.

5. Image:

   • The page includes a photograph of a twelfth-century Romanesque capital, which is described as being donated to the Fogg Art Museum.

Overall, the image captures a historical moment in the art world, documenting a significant exhibition of Rembrandt's works and related events at the Fogg Museum in 1922.

The image shows a newspaper clipping spread from an old magazine or newspaper. It appears to focus on the Rembrandt Collection at the Fogg Art Museum.

1. Top Left Section:

   • The headline reads "REMBRANDT COLLECTION AT FOGG."
   • An announcement states that an exhibition of Rembrandt's works will open at the Fogg Art Museum on March 21st and continue until April 12th.
   • Notable contributors to the exhibition include Mr. J. P. Morgan, Mr. Felix Warburg, Mr. Otto H. Kahn, and the Duveneck School, among others.
   • The exhibition includes some of Rembrandt’s most famous paintings and drawings, such as the "Death of the Virgin," which was previously received by Philemon and Ranulph.

2. Top Right Section:

   • A photograph of a person standing next to an artwork, dated April 1, 1922, labeled as "Crompton."
   • The image is captioned with an unspecified title related to the exhibition.

3. Middle Left Section:

   • A review by Simon titled "REMBRANDT ON REVIEW," dated March 3, 1922.
   • This review discusses the exhibition, highlighting various aspects of Rembrandt's works, from his early to late paintings and drawings.
   • It notes the rarity and significance of the collection, showcasing his mastery and diverse artistic expression.

4. Middle Right Section:

   • A smaller article titled "THE REMBRANDT EXHIBITION," dated March 27, 1922.
   • It mentions the exhibition's opening and the rare pieces displayed, including those from private collections.

5. Bottom Left Section:

   • Another article titled "TWELFTH CENTURY ROMANESQUE CAPITAL."
   • This piece depicts an image of an angel from a twelfth-century French capital and notes it is part of the Fogg Art Museum’s donation.

6. Bottom Right Section:

   • An announcement titled "TRAVELLING FELLOWSHIPS AWARDED" and "LECTURE ON REMBRANDT AS EICHER," dated April 7, 1922.
   • It mentions awards for fellowships and a scheduled lecture by Laura H. Dudley at the Fogg Art Museum, focusing on Rembrandt.

Overall, the clippings detail the significant exhibition of Rembrandt's works at the Fogg Art Museum, its notable contributions, and related scholarly activities and events.

The image shows an open scrapbook with two pages filled with newspaper clippings and a photograph. The focus of the page is an article titled "REMBRANDT COLLECTION AT FOGG" from the Cambridge Chronicle, dated March 30, 1922. The article discusses an exhibition of Rembrandt's works at the Fogg Art Museum, highlighting that the collection includes some of his greatest drawings and paintings, some of which have never been shown in the United States before. Notable contributors to the collection include Mr. J. P. Morgan, Mr. Felton, Mr. Otto H. Kahn, Mr. D. H. Warburg, Mr. Duven, and Mr. Knoedler.

Another clipping, titled "REMBRANDT ON REVIEW" from the same date, further elaborates on the exhibition, mentioning that the show features 120 items, including 70 paintings, 30 drawings, and 20 etchings. This collection, assembled by Mr. Charles R. and Mrs. John Jay Knox, is described as one of the most complete representations of Rembrandt's work ever shown in the country.

Additionally, there is a photograph of a twelfth-century Romanesque capital depicting the Angel appearing to Zacharias in the Temple, donated to the Fogg Art Museum. A smaller clipping at the bottom mentions the awarding of Travelling Fellowships to graduates of Harvard, including an honorable mention to Edward M. Robinson of the Architecture School for a thesis on the "Development of the Gothic Style in France."

On the right side, another clipping announces a lecture on Rembrandt by Miss Laura H. Daddow at the Fogg Art Museum on April 7, 1922, at 4:30 pm in the Lecture Room of the Print Department.

The image shows an open page from a vintage newspaper, specifically the Harvard Crimson, dated April 1, 1922. The page contains several articles and illustrations related to art exhibitions and events:

1. Main Article - Rembrandt Collection at Fogg:

   • The primary article discusses an exhibition of Rembrandt's works at the Fogg Art Museum, opening on April 15. This notable collection includes some of the greatest drawings and paintings by Rembrandt.
   • The exhibition is a rare public showing of Rembrandt’s works, organized by Mr. F. P. Morgan, and includes contributions from several prominent collectors and institutions, such as the Metropolitan Museum in New York, Mr. Otto H. Kahn, and others.
   • The exhibition will feature one of the artist's most celebrated works, "The Death of the Virgin," along with etchings, paintings, and drawings.

2. Rembrandt on Review:

   • This section highlights that the Fogg Museum is displaying one of the most unusual collections of Rembrandt's work, showcasing a wide variety of the artist’s phases and styles.
   • The article mentions the accessibility of these works to the public, emphasizing the importance of the spontaneous expression of Rembrandt’s thoughts.

3. The Rembrandt Exhibition:

   • This brief section lists some of the notable works and contributors to the exhibition, including pieces from the Morgan collection, drawings from the British Museum, and works from private collectors.

4. Traveling Fellowship Awards:

   • This article announces the awarding of the Sheldon Traveling Fellowships to several individuals from the university, based on their contributions to the arts. The recipients include Dean Z. Triantafyll, A. M. Friend, Jr., W. A. Campbell, and others.

5. Twelfth Century Romanesque Capital:

   • An image and description of a twelfth-century Romanesque capital depicting the Angel appearing to Zacharias in the Temple, donated to the Fogg Art Museum.

6. Letter on Rembrandt as Etcher:

   • An announcement about a lecture by the Loeb Exhibition of the Fogg Art Museum, where Miss Laura H. Dudley will discuss "Rembrandt as an Etcher" at the Museum on Friday, April 7.

The page is a rich source of historical and artistic information, focusing on the exhibition of Rembrandt’s works and other art-related news at Harvard University during 1922.

The image shows a page from a historical newspaper, specifically from the "Sun" newspaper dated April 1, 1922. The page includes several articles related to an exhibition of Rembrandt's works at the Fogg Art Museum.

1. Main Headline:

   • "Rembrandt Collection at Fogg"
   • The article discusses an exhibition of Rembrandt's works, including some of his greatest drawings and paintings, which opened on March 30, 1922, and ran until April 12, 1922. The exhibition features rare and significant pieces from various collections, including those of Mr. J. P. Morgan, Mr. Felis Warburg, Mr. Otto H. Kahn, and Duveen Brothers.

2. Key Highlights:

   • The exhibition includes one of the artist's rare etchings, "The Death of the Virgin," which was recently acquired by Philemon and Bernice.
   • The collection showcases various phases of Rembrandt's career, including his early and late works, etchings, landscapes, portraits, and drawings.

3. Review:

   • A review by an unnamed critic on March 31, 1922, highlights the uniqueness of the exhibition, which includes many works rarely seen in the United States. The critic notes that the exhibition provides a comprehensive overview of Rembrandt's artistic development, showcasing his mastery and the evolution of his style.

4. Twelfth Century Romanesque Capital:

   • An image of a twelfth-century Romanesque capital, depicting the Angel appearing to Zacharias in the Temple, is featured. This capital is part of a set of twelve French capitals donated to the Fogg Art Museum.

5. Traveling Fellowship Awards:

   • Another article lists the recipients of traveling fellowships from the John Simon Guggenheim Memorial Foundation. Notable recipients include Charles H. Adams, A. M., of Princeton University; Henry C. Adams, of the University of Wisconsin; and others from various institutions.

6. Lecture on Rembrandt:

   • An article mentions a lecture on Rembrandt at the Fogg Art Museum on April 7, 1922, at 4:30 PM, given by Miss Laura H. Doddie of the Museum Print Department. The lecture is part of the museum's print series.

The page also includes some other minor articles and advertisements, but the primary focus is on the Rembrandt exhibition and related events.

The image shows an open book containing several newspaper clippings related to an exhibition of Rembrandt's works at the Fogg Art Museum, which was open from March 20 to April 12. The clippings provide details about the exhibition and reviews.

1. Top Left Clipping (March 20, 1922)

   • The article announces the Rembrandt collection at the Fogg Art Museum.
   • It highlights the notable collection of paintings and drawings, including contributions from Mr. J. P. Morgan, Mr. Felix Warburg, Mr. Otto Kahn, Mr. Duveen Brothers, and Mr. Otto H. Kahn.
   • The exhibition includes famous works like "The Artist in his Studio" and "The Death of the Virgin," among others.

2. Top Middle Clipping (April 1, 1922)

   • This clipping features a photograph of a Romanesque capital from the 12th century, donated to the Fogg Art Museum.
   • It is described as depicting the Angel appearing to Zacharias in the Temple.

3. Middle Left Clipping (March 30, 1922)

   • A review of the Rembrandt exhibition, noting its significance and the rarity of some pieces being displayed.
   • The review mentions the exhibition's inclusion of Rembrandt's first etchings, rare paintings, and drawings, emphasizing the artist's great power and humanity.

4. Middle Right Clipping (March 27, 1922)

   • This article provides further details on the Rembrandt exhibition, mentioning the inclusion of rare and notable works.
   • It highlights the breadth of the exhibition, including etchings, drawings, and paintings from different phases of Rembrandt's career.

5. Bottom Left Clipping (March 27, 1922)

   • An announcement about the Fogg Art Museum's traveling fellowship awards.
   • It lists the recipients and their respective institutions, including the University of Chicago and Harvard University.

6. Bottom Right Clipping (April 7, 1922)

   • An announcement for a lecture titled "Rembrandt as Etcher," given by Miss Laura H. Dudley at the Fogg Art Museum.
   • The lecture is part of a series and is scheduled for Friday, April 7, at 4:30 PM.

The clippings together provide a comprehensive overview of the Rembrandt exhibition, its significance, and related events at the Fogg Art Museum.

This image shows a page from a book or journal, possibly an exhibition catalog or a collector’s journal. The page includes several sections of text, each accompanied by a date penned in cursive, indicating that someone annotated the page on specific dates.

The largest heading reads "REMBRANDT COLLECTION AT FOGG," which is dated "Thursday 30.3.22," suggesting an exhibition was taking place at the Fogg Art Museum on March 30, 1922. The text describes an exhibition of Rembrandt's works, noting particular sponsors and contributors. A second section titled "REMBRANDT ON REVIEW" dated "March 3, 1922," discusses an ongoing exhibition of Rembrandt's works at the Fogg Museum, emphasizing the rarity and uniqueness of the collection, and highlighting several works on display.

To the right of the text is a black-and-white photograph of a sculpture with the caption "TWELFTH CENTURY ROMANESQUE CAPITAL," dated "April 1, 1922." This sculpture depicts the Angel appearing to Zechariah in the Temple, and it's mentioned as being part of a set of twelve French Capitals donated to the Fogg Art Museum.

At the bottom right corner of the page, there is another note dated "Thursday 6-4-22," which mentions a lecture on Rembrandt at the Fogg Art Museum by Miss Laura M. Dudley of the Museum Print Department.

The overall condition of the page is aged, with some discoloration and a distinct fold on the upper right corner. Some of the text is slightly obscured due to the binding of the book. The handwritten dates imply that someone was tracking or referencing these events over a period of time. The layout suggests the material might be from a publication that covers museum exhibitions, collections, and related art news or scholarly activities.

The image shows a page from a scrapbook or a book with several newspaper clippings attached to it. The clippings primarily discuss art exhibitions and events related to Rembrandt and the Fogg Art Museum.

On the left side, there are two main clippings titled "REMBRANDT COLLECTION AT FOGG" and "REMBRANDT ON REVIEW," both dated March 30, 1922, from "Crimson." These discuss an exhibition of Rembrandt's works opening at the Fogg Art Museum, including private collections and notable paintings.

In the middle, there is a larger photograph of a Romanesque capital, labeled "TWELFTH CENTURY ROMANESQUE CAPITAL." The caption below the photograph reads: "Depicting the Angel appearing to Zacharius in the Temple. This is one of the set of twelve French Capitals donated to the Fogg Art Museum."

Below the photograph, there are smaller clippings about "The Rembrandt Exhibition," a "Travelling Fellowship Awarded" dated March 29, 1922, and details about a "Lecture on Rembrandt as Etcher" scheduled for April 7, 1922, by Laura H. Dudley of the Fogg Art Museum.

The various newspaper clippings are typed articles, mostly focused on art exhibitions, fellowships, and lectures associated with Rembrandt and the Fogg Art Museum. Handwriting, including dates and the word "Crimson," appears at the top of the clippings. The overall page has an archival or historical research look.

The image shows an open book with text and images on both sides of the page. The text on the left side of the page is about the Rembrandt Collection at Fogg, which is an exhibition of Rembrandt's works. The text on the right side of the page is about the Twelfth Century Romanesque Capital, which is a set of twelve French Capitals donated to the Fogg Art Museum. The image in the middle of the page shows a black-and-white photograph of two people standing in front of a stone structure.

The image shows an open book or catalog, likely from an art museum or gallery, detailing an exhibition of works by Rembrandt. The page is dated March 30, 1922, and is part of the "Rembrandt Collection at Fogg," as indicated at the top of the page. The content is structured into several sections, including:

1. Exhibition Announcement:

   • The page announces an exhibition of Rembrandt's works at the Fogg Art Museum, which will open on April 12, 1922. It highlights that the exhibition includes paintings, drawings, and etchings, with notable contributors such as Mr. J. Morgan and Mr. E. Q. Fabbri.
   • It mentions that some of the greatest drawings and paintings will be on display, including works like "The Death of the Virgin" and "The Artist's Portrait of Himself."

2. Exhibition Overview:

   • The text describes the exhibition as a remarkable reflection of Rembrandt's power, his humanity, and his divergent appeal. It emphasizes that many of the works are being exhibited for the first time, including some of Rembrandt's finest landscapes, portraits, and mythological subjects.

3. Exhibition Details:

   • The exhibition is noted to be part of the Loan Exhibition of paintings and drawings, organized by the Fogg Art Museum.
   • It includes private collections from New York and elsewhere, with works drawn upon for public viewing.

4. Image and Caption:

   • On the right side of the page, there is an image labeled "TWELFTH CENTURY ROMANESQUE CAPITAL." The caption describes the image as depicting the Angel appearing to Zacharias in the Temple, and notes that this is one of a set of twelve French capitals donated to the Fogg Art Museum.

5. Additional Text:

   • The left side of the page contains more detailed descriptions and annotations, likely providing further context about the exhibition, its significance, and related events. There is also a mention of a lecture on Rembrandt as an etcher, scheduled for Friday, April 7, 1922, at 4:30 p.m., to be given by Miss Laura H. Dudley in the Lecture Room of the Fogg Art Museum.

The overall design and layout suggest this is a formal catalog or program for an art exhibition, with a mix of textual descriptions and visual elements to inform readers about the event and its contents. The page appears to be part of a larger document, as indicated by the visible page numbers and the structured format.