Archives Scrapbooks

The image appears to be a page from a printed newspaper or magazine, likely from the early 20th century given the style of the content and the aged appearance of the paper. The page contains multiple articles and advertisements. At the top, there is a black and white portrait of a man, identified as a "Portrait of Count Rumford," by artist Thomas Gainsborough. Below the portrait, there is a detailed description and a note indicating the portrait was painted in the summer of 1783. The man depicted in the portrait is wearing a uniform of the King's American Dragoons.

To the right of the portrait, there is an article about a loan collection of drawings by Old Masters displayed at the Fogg Art Museum, Harvard University. The article lists notable works by artists such as Rembrandt, Dürer, and others, and mentions the importance of the collection.

Below the portrait and the article about the loan collection, there are two main columns of text. The left column discusses public lectures to be given in French by Professor Emile F. Gautier of the University of Algiers. The lectures are scheduled for Wednesday afternoons at 4:30 p.m. in the Lecture Room of the Fogg Art Museum. The topics of the lectures are listed, and it is mentioned that the lectures will be open to the public.

The right column has a headline that reads "Gainsborough's 'Count Rumford' Is Hung in the Fogg Art Museum" and provides details about the portrait of Count Rumford by Thomas Gainsborough, including his background and the significance of the portrait.

At the bottom of the page, there are advertisements for lectures that will take place on a specific date. The page has a vintage feel, with the paper showing signs of aging and some text annotations and handwritten notes, likely added at a later date.

This image shows a page from a historical document or scrapbook, containing various clippings and handwritten notes. The page is primarily filled with text from different sources, and there is a notable oval portrait at the top left corner. Here's a detailed breakdown:

1. Portrait of Count Rumford:

   • The oval portrait at the top left is labeled "Portrait of Count Rumford." It is described as a Gainsborough painting bequeathed to the University by Edmund Cogswell Converse. The portrait shows Count Rumford in the uniform of the King’s American Dragoons, in which he was a Colonel in 1783. The painting was done in the summer of the same year.

2. Text Clippings:

   • Gazette Public Lectures in French: This section announces a series of public lectures in French by Professor Emile F. Gautier, Professor of Geography at the University of Algiers and Exchange Professor from France to Harvard University. The lectures are on the "Near East" and are scheduled for Wednesday afternoons at 4:30 o'clock in the Lecture Room of the Fogg Art Museum. The specific dates and titles of the lectures are listed.
   • Professor Gautier to Lecture Today: This note indicates that Professor E. F. Gautier will give the second lecture in his series on the Near East on March 8, 1922, at 4:30 in the Lecture Room of the Fogg Art Museum. The lecture is on "The Near East, native country of all religions."

3. Drawing by Old Masters Exhibition:

   • This section describes a notable loan collection of drawings by old masters on exhibition at the Fogg Art Museum of Harvard University. The collection includes works by Italian, Flemish, German, Dutch, English, Spanish, and French schools, with specific mention of drawings by Rembrandt and Dürer.

4. Lectures Today:

   • This section lists lectures scheduled for March 8, 1922, including "Donatello" by Professor C. K. Post at 12 o'clock in the Fogg Lecture Room, "Forms of Social Conflict" by Professor T. N. Carver at 10 o'clock in Harvard 2, and "Colloids" by T. W. Richards at 12 o'clock in the T. Jefferson Coolidge Laboratory Lecture Room.

5. Handwritten Notes:

   • There are several handwritten notes and annotations on the page, including dates and signatures, indicating that this page was part of a personal collection or scrapbook.

The overall layout suggests that this page was used to compile information about lectures, exhibitions, and notable historical figures, with a focus on Count Rumford and the activities at the Fogg Art Museum. The document appears to be from the early 1920s, as indicated by the dates mentioned.

This image displays an open, aged book or scrapbook with a maroon cloth cover, resting on a light-colored surface. The left-hand page is visibly numbered "39" in the top right corner. The page contains a collage of newspaper clippings and typed articles, primarily from 1922.

The most prominent feature is a central black-and-white oval portrait print of a young man in 18th-century attire, identified below as "PORTRAIT OF COUNT RUMFORD." The accompanying text explains that it is a Gainsborough painting, bequeathed to Harvard University by Edmund Cogswell Converse, showing Count Rumford in the uniform of the King's American Dragoons (painted in 1783). The portrait has been "Hung in the Fogg Art Museum."

To the right and below the portrait are several blocks of text, including:

1. "Public Lectures in French": An announcement for a series of lectures in French by Professor Emile F. Gautier, a professor at the University of Algiers and Exchange Professor at Harvard, to be held from March to April 1922. The lectures, focusing on "Near East" topics, will be in the Lecture Room of the Fogg Art Museum and illustrated with lantern slides.

   • A smaller, separate box highlights a lecture for "Professor Gautier to Lecture Today" on "The Near East, native country of all religions," scheduled for 4:30 PM.

2. "LECTURES TODAY": A schedule listing events for "Today" (presumably February 25, 1922, as noted on the page), including lectures on "Donatello," "Forms of Social Conflict," and "Colloids."

3. A handwritten annotation in cursive script, dated "American Art Review Feb. 25, '22", points to the article about the Rumford portrait. Another handwritten note appears to be a signature or name, "L. C. Luce," dated "2-26-22," written over the portrait's descriptive paragraph.

4. A smaller clipping in the top right corner, titled "DRAWINGS BY OLD MASTERS", discusses an exhibition at the Fogg Art Museum featuring works by Rembrandt and Dürer, including a study for "The Knight of the Needle."

The clippings are arranged on aged, yellowed paper, and the overall presentation suggests a carefully curated collection of historical news items related to Harvard University's art and lecture activities in the early 1920s. The handwriting adds a personal, archival element to the document.

A book is open to a page with the number 39. It has a picture of a man in the middle, with a text box underneath. There are several pieces of paper attached to the page. The paper on the left side has a list of dates and titles, while the paper on the right side has a picture of a man and a text box. The book is open to a page with the number 39.

The image shows an open book with text on both pages. The left page has a portrait of Count Rumford and text about him. The right page has text about an exhibition of drawings by old masters at the Fogg Art Museum. The text on both pages is in French. The book appears to be a collection of essays or articles.

The image depicts the interior pages of an old book, likely from the early 20th century, judging by the style of the text and the format. The book appears to be a catalog or program, possibly for an art museum or cultural institution, given the content and layout.

Key Features:

1. Portrait of Count Rumford:

   • On the left side of the page, there is a black-and-white portrait of a man labeled as "Portrait of Count Rumford."
   • Below the portrait, there is a caption that describes the painting as a Gainsborough portrait bequeathed to the University by the will of Edmund Cogswell Converse. Count Rumford is noted as a celebrated soldier, statesman, and scientist who was a Colonel in the King's American Dragoons and served in the summer of 1776.
   • The portrait is dated "Cambridge, Mass., Feb. 18, 1922."

2. Text Content:

   • The right side of the page contains text that appears to be a description or commentary related to the portrait or the individual depicted. It discusses Count Rumford's background, achievements, and contributions, including his role in the American Revolution and his scientific work.
   • The text is formatted in a formal, historical style, typical of museum catalogs or academic publications.

3. Handwritten Annotations:

   • There are handwritten notes and markings on the page, suggesting that the book has been used or studied by someone. The handwriting includes names, dates, and other notations, such as "Gainsborough's 'Portrait of Count Rumford'" and "Boston: Gainsborough's Portrait."
   • These annotations indicate that the book may have been part of a collection or used for research or reference purposes.

4. Page Layout and Design:

   • The page is neatly organized, with a clear division between the portrait on the left and the descriptive text on the right.
   • The text is typeset in a classic serif font, consistent with early 20th-century printing styles.
   • The page number "34" is visible at the top left corner, indicating this is part of a larger volume.

5. Additional Context:

   • The presence of a portrait and detailed biographical information suggests that this book may be part of an art museum catalog, a historical archive, or a collection of biographical sketches.
   • The mention of "Gainsborough" and "Edmund Cogswell Converse" indicates a connection to art and philanthropy, further supporting the idea that this is an art-related publication.

Conclusion:

The image shows a page from a historical catalog or publication featuring a portrait of Count Rumford, accompanied by a detailed description of his life and contributions. The handwritten annotations suggest active use, possibly for research or study, and the overall design and content point to a formal, academic, or museum-related context.

This image shows an open book with various newspaper clippings and articles pasted onto the pages. The left-hand side of the page features an announcement for public lectures in French by Professor Emile G. Gauthier on topics related to Geography of the Near East. The schedule and topics for these lectures are clearly listed, along with details that the lectures will be delivered at Harvard University.

On the right-hand side of the page, there is an article titled "Gainsborough's 'Count Rumford' Hung in the Fogg Art Museum," which is partially seen, discussing a painting by Gainsborough that was recently loaned to Harvard University. Below this article, there are snippets of other texts which seem to be additional lecture announcements and information related to academic events or exhibitions.

The book itself has a maroon or reddish spine, and the pages seem yellowed with age. The articles have been carefully arranged on the pages, suggesting that this book serves as a scrapbook or a compilation for reference or personal interest.

This is a collage or scrapbook page featuring various newspaper clippings and an image of a portrait. Here's a breakdown of the visual elements on the page:

1. Central Portrait:

   • A black-and-white reproduction of a painting is prominently displayed. It is identified as a portrait titled “Portrait of Count Rumford,” painted by Gainsborough.
   • Beneath the image is a descriptive caption explaining the portrait and its historical significance. It mentions Count Rumford (Benjamin Thompson), his achievements, and the painting’s history.

2. Newspaper Clippings:

   • Surrounding the portrait, there are small clippings of text, mainly about lectures, events, and announcements. These include:
     • Public lectures in French by Professor Emile F. Gautier, discussing topics related to the “Near East.”
     • Information on the display of Gainsborough’s “Count Rumford” at Harvard University’s Fogg Art Museum.
     • Miscellaneous notices about academic lectures and classes.

3. Handwritten Notes:

   • Some sections have handwritten annotations and dates, marking the featured lectures or events.

4. Page Layout:

   • The page is mounted in a book or scrapbook with a visible red cover. The edges of other pages are visible on the left.

This page serves as an archival record of historical and educational activities, specifically focusing on Count Rumford and related academic events.

The image shows a scrapbook or album page with a series of clippings and a portrait. The portrait is an oval-shaped black and white image of a man dressed in 18th-century attire, identified as Count Rumford. The face in the portrait is blurred.

The clippings contain text related to Count Rumford, public lectures in French, and art exhibitions.

Key pieces of text include:

• A caption under the portrait reads: "PORTRAIT OF COUNT RUMFORD. A Gainsborough painting recently bequeathed to the University by the will of Edmund Cogswell Converse, Rumford, celebrated as a soldier and statesman, was a native of Woburn, Massachusetts. The portrait shows him in the uniform of the King's American Dragoons in which he was a Colonel in 1783. This picture was painted in the summer of the same year."

• A news clipping titled "Public Lectures in French" outlines a series of lectures given by Professor Emile F. Gautier of the University of Algiers and Exchange Professor from Harvard University, on topics related to the Near East and geography.

• An article titled "Gainsborough's 'Count Rumford'" from the American Art News dated February 18, 1922, describes Count Rumford as a soldier and statesman, mentioning his birth in Woburn, Massachusetts, his military service in the King's American Dragoons during the American Revolution, and philanthropic achievements including founding the Rumford Medal.

• Another clipping mentions lectures taking place at Harvard, listing topics such as "Donatello," "Forms of Social Conflict," and chemistry lectures.

Overall, the page appears to document historical and academic information, focusing on Count Rumford and related university events and exhibitions.

• A vintage scrapbook page.
• At the top center is a large oval black-and-white portrait of a man, with the face blurred or covered by a square. The portrait has an old-fashioned, Gainsborough-like look.
• Surrounding the portrait are several small clipped newspaper or magazine notices. Many appear to be captions or article snippets about the painting and its subject, including a prominent caption that reads something like “Portrait of Count Rumford” and “Gainsborough’s Count Rumford.”
• The page also contains multiple small blocks of text about lectures and museum notices, with headings such as “LECTURES TODAY” and “Professor Gautier to Lecture Today,” suggesting this page is part of a larger collection on art and lectures.
• The paper is aged, with yellowed pages and handwritten marginal notes, giving an antique, scrapbook feel.