Archives Scrapbooks

The image shows a page from a book or magazine with a historical article and a portrait. The portrait is of a man, depicted in a formal manner typical of the 18th century, wearing a high-collared coat and a bow tie. The article below the portrait discusses the painting, titled "Gainsborough's Portrait of Count Rumford," and describes it as part of the Fogg Art Museum's collection. The article mentions that the portrait shows Count Rumford in the uniform of the King's American Dragoons and discusses his background and contributions. The text is written in a serif font, and the page appears to be aged, with some smudges and tears on the right-hand side.

This image shows a page from a scrapbook or album containing a clipping from the "Christian Science Monitor" dated February 16, 1922. The clipping features a portrait of Count Rumford, painted by the artist Thomas Gainsborough. The portrait depicts Count Rumford in uniform, likely representing his role as a colonel in the King's American Dragoons. The text accompanying the image provides information about the painting, its donation to Harvard University by Edmund C. Converse, and some biographical details about Count Rumford.

The clipping includes details about Count Rumford's birth in Woburn, Massachusetts, in 1753, his support for the British during the American Revolution, and his subsequent military career. It also mentions his knighthood by George III in 1783 and his contributions to chemical research and philanthropy. The text highlights his founding of the Rumford Medal and his establishment of the Rumford Professorship at Harvard University.

The page appears to be old, with some wear and tear, and the clipping is pasted onto the page with visible adhesive marks. The overall condition suggests that this is part of a historical collection or archive.

This image captures an open, aged scrapbook page, showcasing a historical newspaper clipping preserved on yellowed, brittle paper. The page is part of a collection, as suggested by the handwritten note at the top: “Christian Science Monitor, Feb. 16, ’22” — indicating the clipping is from the February 16, 1922, issue of the newspaper.

The main feature of the page is a large, sepia-toned reproduction of a portrait painting, captioned “Gainsborough’s Portrait of Count Rumford.” Below it, the headline reads: “MUSEUM HAS NEW GAINSBOROUGH,” followed by the sub-headline “Portrait of Count Rumford Recently Bequeathed to Harvard by Edmund C. Converse.”

The article, attributed to author Edmund C. Converse, announces that the Fogg Art Museum at Harvard University has acquired a portrait of Count Rumford — the American scientist and philanthropist Benjamin Thompson — painted by the renowned English artist Thomas Gainsborough. The article notes the portrait depicts Rumford in the uniform of the “King’s American Dragoons” and was bequeathed to Harvard by industrialist Edmund Converse.

The article provides biographical notes on Count Rumford — born in Woburn, Massachusetts in 1753, he sided with the British during the American Revolution, was knighted by George III, and later became known for his scientific researches and philanthropy. The article also mentions the portrait’s provenance and technical assessment, noting that internal evidence suggests it was painted in August or September 1782, making it a late work by Gainsborough and one of his “finest achievements in male portraiture.”

The page itself shows signs of aging: the paper is foxed and yellowed, with some tears along the right-hand edge and a taped patch on the bottom right. The overall presentation is that of a carefully curated historical artifact, preserving a moment in art history when a major Gainsborough portrait entered a prominent American university’s collection. The photograph is credited at the bottom of the portrait as “Courtesy of the Fogg Art Museum.”

The image is a photograph of an open book. The book is an old newspaper, and the page is slightly curled and torn on the edges. The newspaper clipping is dated February 16, 1922. The clipping is about a portrait of Count Rumford that was recently bequeathed to Harvard University. The portrait is of a man with short hair and a light-colored shirt. The portrait is by Edmund C. Converse. The newspaper clipping also includes a brief biography of Count Rumford.

An open book with a black-and-white portrait of a man is placed on a gray surface. The portrait is of Count Rumford, who is wearing a white shirt and a black coat. The text "Gainsborough's Portrait of Count Rumford" is written on the top of the portrait. The book has some text and numbers on the left side of the portrait. The book is slightly torn on the right side.

The image shows an open page from a historical or archival document, likely from a museum or library collection. The page is titled "Gainsborough's Portrait of Count Rumford" and is dated February 14, 1922, as indicated at the top of the page.

Visual Elements:

1. Portrait Illustration:

   • A sepia-toned portrait of a man is prominently displayed at the top of the page. The individual is dressed in formal attire, suggesting a historical or significant figure. The portrait appears to be a reproduction or engraving, with a detailed and classic style.

2. Text Content:

   • Below the portrait, there is a headline that reads: "MUSEUM HAS NEW GAINSBOROUGH", indicating that the museum has acquired a new artwork by the renowned artist Thomas Gainsborough.
   • The subheading states: "Portrait of Count Rumford Recently Bequeathed to Harvard by Edmund C. Converse." This provides context about the subject of the portrait and its recent acquisition by Harvard University.
   • The text elaborates on Count Rumford (Benjamin Thompson), describing him as an English-born American scientist and military officer. It highlights his contributions to science, including his work on heat and his role as a founder of the American Academy of Arts and Sciences and the Rumford Professorship of Physics at Harvard University.
   • The article also discusses the portrait itself, noting that it was painted by Gainsborough in 1787 and is considered one of the artist's finest works in male portraiture. It mentions that the portrait is an oil on canvas, measuring 50 1/2 by 40 1/2 inches, and was bequeathed to Harvard by Edmund C. Converse.

3. Page Layout:

   • The page has a structured layout typical of historical newspapers or museum bulletins. The portrait is centered at the top, with the headline and descriptive text below it.
   • There is a small, faint watermark or design in the top right corner, which might indicate the publication or institution responsible for the document.
   • The page number "38" is visible in the top left corner, suggesting this is part of a larger publication or archive.

4. Additional Details:

   • The text includes a reference to the "Poet Art Museum" and mentions that the portrait is now hanging in the gallery of the Fogg Art Museum at Harvard University.
   • The article provides historical context about Count Rumford's life, including his role during the American Revolution and his scientific achievements.

Overall Impression:

The image depicts a historical document that announces the acquisition of a significant artwork—a portrait of Count Rumford by Thomas Gainsborough—by Harvard University. The document combines visual art (the portrait) with detailed textual information about the subject, the artist, and the historical and scientific importance of Count Rumford. The layout and style suggest it is from an early 20th-century publication, likely a museum bulletin or a newspaper article.

This image shows an open book or scrapbook page with a pasted newspaper article. The article includes an illustration of a person dressed in 18th or 19th-century attire, featuring a high collared coat and a cravat or neckcloth. The article's headline reads "MUSEUM HAS NEW GAINSBOROUGH," referring to a portrait by the artist Gainsborough. Below the headline, smaller text provides additional details about the portrait and its significance, with mentions of Harvard, Edmund C. Converse, the American Academy of Arts and Sciences, and the Boston Provident Institution for Savings, suggesting a historical and cultural context to the article's subject. There is also reference to historical figures and the provenance of the portrait. The page shows signs of aging with yellowing paper and some wear along the edges.

This image shows an open book or scrapbook containing a page with a black-and-white portrait and newspaper clippings. The portrait is labeled "Gainsborough's Portrait of Count Rumford" and illustrates an individual in 18th-century attire, including a suit with detailed drapery and a high cravat.

Below the portrait are two newspaper articles. The larger left article, titled "Museum Has New Gainsborough," discusses the work, describing it as a portrait of Count Rumford recently donated to Harvard by Edmund C. Converse. Text emphasizes Count Rumford's historical significance and achievements. The smaller right clipping provides additional descriptive context about the portrait, such as attire and historical connections.

The page is aged, with yellowed paper, handwritten margin notes, and visibly taped clippings. The entry feels archival, intended to preserve information about the artwork and its historical relevance.

The image shows a page from an old scrapbook or album. The top of the page has a black-and-white printed portrait illustration of a man identified as Count Rumford. The portrait appears to be in a classical style, showing the man in historical attire with a high-collared coat and ruffled shirt typical of the late 18th century.

Above the portrait, there is handwritten text that reads "Christian Science Monitor, Feb. 16, '22," indicating the date (February 16, 1922) and possibly the source of the clipping.

Beneath the portrait, there are two newspaper clippings with printed text. The headline of the clipping on the left reads "MUSEUM HAS NEW GAINSBOROUGH," and it announces that the portrait of Count Rumford, recently bequeathed to Harvard by Edmund C. Converse, is now in the collection of the Fogg Art Museum. It gives some biographical details of Count Rumford, mentioning his English descent, military service, and contributions to science and philanthropy.

The right clipping provides more information about the portrait, noting that the artwork is by Gainsborough and that it shows Count Rumford in the uniform of the King's American Dragoons. It mentions that the painting was completed in August or September 1783 and highlights the technical qualities and significance of the artist.

The page shows some signs of age, with slightly yellowed paper and a worn binding visible on the right side. The content and style suggest that this is a historical archival page dedicated to documenting the acquisition and significance of the Gainsborough portrait of Count Rumford.

This is a page from an old scrapbook or clipping book. The center features a large sepia-toned reproduction of Gainsborough’s portrait of Count Rumford (a half‑length gentleman in 18th‑century dress). The face in the portrait has been obscured with a rectangular tan block. Below the image is a caption reading something like “Gainsborough’s Portrait of Count Rumford,” with a small credit line (likely the museum).

Around the portrait are newspaper clippings pasted to the page. The left clipping has a bold headline, “MUSEUM HAS NEW GAINSBOROUGH,” and discusses the portrait’s bequest to Harvard by Edmund C. Converse. There are additional short articles and notes about the portrait and its historical context. The page shows signs of age: faded paper, worn edges, and handwritten notes along the top edge.