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ARCH.2003.22, Rendition: 808957
The image is a scanned page from an old book or archive, featuring a photograph of a religious painting. The painting depicts the crucifixion of Jesus Christ, with a triangular shape at the top containing a haloed figure (likely an angel or a saint) and a wreath. Below this, Jesus is shown on the cross with two figures on either side, presumably Mary Magdalene and John the Evangelist, both with halos, indicating their sanctity. At the bottom of the painting, a kneeling figure, possibly a saint or a nun, is depicted in prayer.
The photograph appears to be from a publication titled "Saturday Graphic," dated January 14, 1922, from the "N.Y. Evening Post." There is a caption at the bottom of the image that reads, "One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University."
The page also includes text discussing newly acquired works at Harvard's Fogg Museum of Art, edited by Margaret E. Gilman. The text describes various artworks and their significance, including a Greek helmeted head and a Crucifixion by Ambrogio Lorenzetti, among others. The overall aesthetic of the page is aged, with sepia tones and a sense of historical documentation.
This image shows a page from a scrapbook or archive with multiple items pasted onto it. The central piece is a photograph of a religious artwork, specifically a crucifixion scene, which appears to be an engraving or print of a painting. The artwork is triangular in shape and depicts Jesus Christ on the cross, flanked by two figures, likely the Virgin Mary and Saint John the Evangelist, who are both shown with halos. The top of the artwork features a dove above a tree, possibly symbolizing the Holy Spirit.
Above the central image, there is a handwritten note that reads "January 14, 1922," and "N.Y. Evening Post." Below the image, there is a caption that states, "One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University."
To the right of the central image, there is a printed article with the title "Newly Acquired Works at Harvard." The article discusses acquisitions at the Fogg Museum of Art, Harvard University, mentioning two Greek heads from the fifth century B.C., a Crucifixion by Ambrogio Lorenzetti, and a fresco by Benozzo Gazzoli. The article also mentions other recent acquisitions and the growth of the museum.
The page appears to be from a Saturday Graphic publication, as indicated by the text in the top left corner. The overall appearance suggests that this is a page from a historical archive or scrapbook, likely documenting art and cultural events from the early 20th century.
This image shows an open, aged scrapbook or album with a maroon cloth binding. The visible page is a clipped article from the Saturday Graphic, dated January 17, 1922 — a date written in cursive handwriting at the top of the clipping. The page also bears a handwritten notation in the top right corner: “N.Y. Evening Post.” and the number “33”.
The focal point is a large, sepia-toned reproduction of a triptych-style painting of the Crucifixion.
Below the image, a caption reads:
“One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University.”
This indicates the artwork is by the early Italian Renaissance master Fra Angelico (c. 1395–1455) — likely his Crucifixion with the Virgin and St. John the Evangelist Mourning (c. 1420–23), now in the Fogg Museum’s collection.
To the right of the main clipping, another smaller article titled “Notable Recent Works at Harvard” appears, referencing:
Additionally, the right-hand page (adjacent to the clipping’s margin) shows fragments of other newspaper columns, indicating this was a densely packed scrapbook.
This is a carefully preserved historical scrapbook page from 1922, reflecting contemporary public interest in fine art — specifically the rare display of Fra Angelico’s religious masterpieces in America. The handwritten annotations and placement suggest a personal collection or research document, capturing a pivotal moment in American art history when such Renaissance works became accessible to the public through institutions like Harvard’s Fogg Museum.
The aged paper, handwritten notes, and newspaper clippings evoke a sense of scholarly or personal fascination with art history during the early 20th century.
An old book is opened to a page that contains a black-and-white photo of a painting. The painting depicts Jesus Christ on a cross with his arms outstretched. On the left side of the cross is the Virgin Mary, and on the right side is St. John. Below the cross is a text that reads "One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University." On the right side of the page is a newspaper article.
An open book is placed on a table. The book is titled "Saturday Graphic" and has a date of January 17, 1922, written on the left side. The book has a black and white image of a painting of Jesus Christ on the cross with Mary and John on either side. The painting is placed on a triangle-shaped frame. The book has a red cover with a white border.
The image depicts an open book, likely a historical or artistic publication, featuring a detailed illustration on the left page. The illustration is a black-and-white depiction of a religious scene, showcasing a crucifixion. At the center of the illustration is a figure of Jesus Christ on the cross, with arms outstretched and a crown of thorns on the head. Flanking the cross are two figures: one on the left appears to be the Virgin Mary, dressed in dark robes and kneeling in prayer, while the figure on the right is John the Evangelist, dressed in lighter robes and gesturing with one hand. The background includes architectural elements, such as a triangular pediment and columns, giving the scene a solemn and grand atmosphere.
Below the illustration, there is a caption that reads:
"One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University."
The right page contains text, which appears to be an article or essay discussing the artwork, its historical context, and its significance. The text is formatted in a dense, columned style typical of early 20th-century publications. At the top of the right page, there is a header that reads:
"SATURDAY GRAPHIC"
and a handwritten note above it that says:
"January 17, 1922, N.Y. Evening Post."
The overall presentation suggests that this is a page from a newspaper or magazine, possibly The Saturday Graphic, dated January 17, 1922, and published by the New York Evening Post. The illustration and accompanying text highlight the significance of the artwork by Fra Angelico, emphasizing its status as a masterpiece and its display at the Fogg Art Museum at Harvard University. The book's worn edges and aged appearance indicate that it is an antique or historical document.
The image is a photograph of an open magazine or book, showing a full-page reproduction of an artwork. The artwork appears to be a classic religious painting depicting a crucifixion scene. On the cross, there is a figure, and at the base of the cross, there are three other figures, which are traditionally interpreted as Mary, mother of Jesus, John the Apostle, and possibly Mary Magdalene, in a typical configuration for such scenes. Below the image, there is a caption that reads: "One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University." The surrounding area shows other pages of the magazine or book, with visible text and a dateline at the top left corner that reads "January 17, '25."
The depiction of these figures is stylized, as consistent with Fra Angelico's work, an artist well-known for religious frescoes and paintings from the early Renaissance period. The image itself has a sepia tone, which might be due to the age of the publication or the type of reproducing the artwork within it.
The image shows an old newspaper clipping mounted on a page, titled "SATURDAY GRAPHIC," featuring an artwork and text annotations. The date handwritten above the clipping indicates "January 17, 1922," along with "N.Y. Evening Post."
The artwork depicted is a religious painting, likely a reproduction of a piece by Fra Angelico, as noted in the caption. It illustrates the crucifixion of Christ, framing Jesus on the cross in a triangular composition with Mary on his left and another figure—possibly John the Evangelist—on his right. The background features architectural details and a tree-like ornament or symbolic element above the crucifix.
Accompanying the image are textual pieces discussing the artwork and its exhibition at the Fogg Art Museum at Harvard University. The art is identified as "one of the three masterpieces by Fra Angelico now in this country." The clipping is mounted for preservation in what appears to be a scrapbook or archival album.
The image shows a page from an old scrapbook or album, likely containing newspaper clippings. The main clipping on the left side displays a black-and-white photograph of a religious artwork, specifically a crucifixion scene. The artwork depicts Jesus Christ on the cross with a halo, with two figures at the base of the cross, one kneeling and one standing, both also with halos. The piece has a triangular or pointed top with ornamental elements above the cross. Below the photograph is a caption that reads: "One of the three masterpieces by Fra Angelico now in this country, on exhibition at the Fogg Art Museum, Harvard University."
The clipping is from the "Saturday Graphic," and there is a handwritten date at the top of the page reading "January 14, 1922," along with "N.Y. Evening Post." To the right of the photograph is another newspaper clipping, titled "Newly Acquired Works at Harvard," which discusses various art acquisitions for the Harvard University Museum of Art, including the work shown in the photograph. The right side of the page has more clipped text, but it is only partially visible in the image. The overall scene conveys a historical documentation of art and museum exhibitions from the early 20th century.