Archives Scrapbooks

This image shows an open book containing several articles and a photograph. The articles are related to the Fogg Art Museum, including discussions about its collections, exhibitions, and staff. Notably, one article mentions that the museum houses a collection of masterpieces of painting and highlights the work of artists such as Masaccio, Gozzoli, and Fra Angelico. Another article discusses an exhibit of watercolor paintings at the Fogg Art Museum. There is also a photograph of a painting, which appears to be a work by Fra Angelico, titled "The Crucifixion." The book also contains a note at the bottom that refers to an article in the Burlington Magazine, dated November 1921, about Fra Angelico. The pages show signs of age with some stains and wear.

This image shows an open scrapbook or journal with various clippings and notes pasted onto the pages. Here's a detailed description of the contents:

1. Left Page:

   • Article Clipping: There is a newspaper clipping titled "FOR ALL ARTISTS" dated December 15, 1921. The article discusses the Fogg Museum's collection, highlighting its extensive and valuable artworks. It mentions specific pieces like the Masaccio Crucifixion and a Fra Angelico painting. The article also talks about the museum's policy of holding frequent special exhibits and its appeal to both connoisseurs and general art enthusiasts.
   • Note: Below the article, there is a handwritten note that says "See Burlington Magazine Nov. 1921 p. 209," which appears to be a reference to further reading on the subject.

2. Right Page:

   • Article Clipping: There is a newspaper clipping titled "GRANTED LEAVE OF ABSENCE" dated December 17, 1921. The article discusses Dr. Samuel Eliot Morison's acceptance of a professorship of American history at Oxford and his granted leave of absence from his current duties. It also mentions two new appointments at the university: Mr. Arthur Davison Ficke as the curator of Japanese prints at the Fogg Museum and Mr. Ingersoll Bowditch as a faculty member at the Peabody Museum.
   • Photograph: A black-and-white photograph of a painting is prominently displayed. The painting appears to be a religious scene, likely a crucifixion, with a figure on the cross and other figures standing nearby. The painting is framed and has a triangular top.
   • Article Clippings: Below the photograph, there are two more clippings. One is titled "Exhibit of Water Colors at Fogg" dated December 13, 1921, and discusses an exhibition of watercolor paintings at the Fogg Art Museum. The other is titled "FOGG ART MUSEUM" dated December 24, 1921, and also mentions the exhibition of watercolors at the museum.
   • Note: There is a handwritten note that says "Top:-NEW PAINTING AT FOGG MUSEUM" and provides additional details about a new painting by Fra Angelico that has been added to the museum's collection.

The overall theme of the page seems to be related to art and the Fogg Museum, with a focus on its collection, exhibitions, and recent acquisitions. The scrapbook appears to be a collection of articles and notes related to these topics.

This image displays an open, aged scrapbook or bound volume, likely from the early 20th century, with news clippings pasted onto its yellowed pages. The clippings, all dated around December 1921, focus on the Fogg Art Museum at Harvard University and its activities.

Here's a breakdown of the visible content:

Left Page:

• Main Article: "FOR ALL ARTISTS" (Dec. 17, '21)
  • Discusses the Fogg Museum's collection as both a valuable resource for connoisseurs and a place for genuine art lovers.
  • Highlights specific works, including a new Masaccio Crucifixion and Fra Angelico's "Gonza" fresco, noting the latter's value and the museum's strength in early Italian art.
  • Praises the museum's exhibitions for their "thricefold interest": they serve as subjects for study by members of the Fine Arts Department, are valuable for artists themselves, and possess intrinsic artistic merit, citing Professor Pope's "artistic ability".
• Handwritten note at the bottom of the page:
  • Reads: "Fra Angelico article / See / Burlington Magazine / Nov. 1921 p. 209". This provides a reference to a related article in a scholarly art journal.

Right Page:

• Headline: "GRANTED LEAVE OF ABSENCE" (Dec. 17, '21)
  • Announces Dr. Samuel Eliot Morison’s leave to accept a professorship at Oxford.
  • Also notes Professor Paul J. Sachs’s leave for the second half of the year.
  • Announces two new appointments: Mr. Arthur Davison Ficke as curator of Japanese prints, and Mr. Ingersoll Howditch to replace Charles P. Bowditch.
• Headline: "Exhibit of Water Colors at Fogg" (Dec. 17, '21)
  • Describes the current exhibition of watercolors and drawings made by Professor Arthur Pope during his stay in Europe (Paris, London, Liddesdale, Scotland).
  • The exhibition runs until Thursday, December 22.
  • Notes that many works were made to illustrate color limitations of 19th-century landscape painters.
• Headline: "FOGG ART MUSEUM" (Dec. 24, '21)
  • Reiterates the details of the watercolor exhibition by Professor Pope, noting it will remain until Thursday, December 29.
• Photograph Captioned: "Top—NEW PAINTING AT FOGG MUSEUM" (Dec. 17, '21)
  • Shows a large, triangular Italian altarpiece, identified as a painting by Fra Angelico titled "the Crucifixion."
  • The article states this is a significant addition to the museum's collection of Italian primitives, purchased from the bequest of Harvey E. Wetzel '11.
  • A handwritten annotation ("Dec. 17, '21") is visible on the photo's caption area.

The overall theme of the clippings is the academic and curatorial activity at the Fogg Museum, with a particular focus on Italian Renaissance art (Fra Angelico) and watercolor painting (Arthur Pope). The scrapbook appears to be a curated collection of press coverage, likely assembled by an interested party or institution to document these events. The visible wear, yellowing paper, and handwritten notes give it the character of a historical archive.

The image shows an open book with two pages, each containing text and images. The book appears to be a magazine, possibly from the early 20th century, based on the style of the text and the layout. The left page has a heading that reads "GRANTED LEAVE OF ABSENCE" and "New Appointments Announced," followed by a paragraph of text. Below the text, there is an image of a man standing in front of a painting. The right page has a heading that reads "FOR ALL ARTISTS" and "The Fogg Museum," followed by a paragraph of text. Below the text, there is an image of a painting of Jesus Christ on the cross. The book is open to pages 208 and 209.

The image is of an open book with two pages visible. The pages are from a magazine or journal, with articles and images. The left page has a heading "GRANTED LEAVE OF ABSENCE" and a subheading "Dr. Morrison to Accept Professorship of American History at Oxford." The text discusses Dr. Samuel Elliot Morrison, who has been granted leave from Harvard University to accept a professorship at Oxford University. The right page has a heading "FOR ALL ARTISTS" and an image of a painting of the Crucifixion. The text discusses the Fogg Museum, which is a valuable storehouse of valuables for connoisseurs and those who know about art. It also mentions the museum's collection of works by modern artists and its policy of holding frequent special exhibits.

The image depicts an open page from a publication titled "Burlington Magazine," dated November 1921, page 209. The page features a combination of text and an illustration, likely from an art or cultural review or commentary.

Text Content:

• Left Column:

  • The text discusses the Fogg Art Museum in Cambridge, Massachusetts, and its policies regarding the possession and display of artworks. It emphasizes the museum's role in collecting and showcasing works by artists, particularly those who are not yet widely recognized. The text highlights the museum's commitment to acquiring pieces by emerging artists, including a mention of John Sargent, a recent gift to the museum.
  • The article also touches on the challenges of managing a small museum, noting that it cannot hold all objects continuously and must prioritize certain collections or themes for display.

• Right Column:

  • The text announces two new appointments at the University of Oxford:
    1. Dr. Samuel Eliot Morrison has been granted leave of absence from his position as Professor of American History at Oxford to pursue research in the United States.
    2. Professor Paul J. Sachs has been granted leave of absence to collect books, photographs, and works of art for the Fogg Art Museum in the second half of the current year.
  • Additionally, the text mentions an exhibit of watercolors at the Fogg Art Museum, featuring works by Arthur Pope, a holder of the Sachs Research Fellowship at the University for the academic year 1920–21. The exhibition includes drawings and paintings in watercolors, made during the past year chiefly in Paris, London, and Lidderdale, Scotland, and will remain on display until Thursday, December 29.

Illustration:

• On the right side of the page, there is a black-and-white illustration of a crucifixion scene. The artwork depicts Jesus Christ on the cross, flanked by two figures, likely Mary and John, and includes a triangular frame that resembles a triangular halo or mandorla, a common motif in religious art. The style and composition suggest it is a religious painting, possibly from the Renaissance or Baroque period, given the classical framing and dramatic composition.

Additional Details:

• The page includes a handwritten note at the bottom right corner, reading "Fogg Art Museum" and "Fra Angelico article", indicating that the illustration may be related to an article or commentary on Fra Angelico, a renowned Italian Renaissance painter known for his religious works.
• The page also features a stamp or marking in the top left corner, reading "LARS", possibly indicating a catalog or archival reference.

Overall Context:

The page appears to be part of a scholarly or artistic journal, discussing museum practices, academic appointments, and an art exhibition. The inclusion of the crucifixion illustration, along with the reference to Fra Angelico, suggests a focus on religious art or a review of a related exhibition or article. The layout and content reflect the early 20th-century style of art and cultural criticism.

The image is a page from an old book or scrapbook, featuring a newspaper clipping about the Fogg Art Museum. The page is yellowed and worn, with a brown cover visible on the left side.

• Newspaper Clipping:
  • The clipping is titled "GRANTED LEAVE OF ABSENCE" and features a photo of a painting.
  • The article discusses the Fogg Art Museum's exhibit of water colors at the Fogg Art Museum, which will remain open until Thursday, December 22.
  • The exhibit includes works by Fra Angelico, Samuel Eliot Morison, and others.
• Book or Scrapbook:
  • The page is part of a larger book or scrapbook, with other clippings and notes visible on adjacent pages.
  • The book or scrapbook appears to be from the early 20th century, based on the style of the clippings and the language used.
• Background:
  • The background of the image is a light gray color, which helps to highlight the details of the page.

Overall, the image provides a glimpse into the past, showcasing a piece of history from the early 20th century. The newspaper clipping and the book or scrapbook offer a unique perspective on the art world of the time, highlighting the importance of the Fogg Art Museum and its exhibits.

The image depicts a page from an old book or scrapbook, featuring a newspaper clipping about the Fogg Art Museum. The clipping is titled "GRANTED LEAVE OF ABSENCE" and discusses the museum's collection of watercolors, including works by Fra Angelico and other notable artists. The article also mentions the museum's acquisition of a new painting, "The Crucifixion," which is described as a significant addition to its collection.

In addition to the newspaper clipping, the page includes handwritten notes and annotations, suggesting that the book or scrapbook was used by someone who was interested in art history or the Fogg Art Museum specifically. The overall appearance of the page suggests that it is a historical document that provides insight into the museum's collection and activities during a particular time period.

The image depicts a worn, aged book or scrapbook opened to a page with yellowed newspaper clippings and handwritten notes. The page is divided into two columns, featuring articles from "The Harvard Crimson" dated December 1921. The left column contains an article titled "For All Artists," discussing the Fogg Museum's collection and its policy of holding frequent special exhibits. The right column includes an article titled "Granted Leave of Absence," announcing the leave of absence granted to Dr. Samuel Eliot Morison and Professor Paul J. Sachs. A black-and-white image of a painting is also present on the right side of the page.

A handwritten note at the bottom of the page references an article about Fra Angelico in the Burlington Magazine, November 1921, page 209. The page appears to be part of a scrapbook or archive related to art history, specifically the Fogg Museum. The overall appearance suggests that the book has been handled extensively over time, with signs of wear and aging evident throughout.

The image presents a vintage, open book with yellowed pages, featuring a collection of newspaper clippings and handwritten notes. The book is bound in dark red leather, with the pages turned to reveal a collage of articles and ephemera.

Newspaper Clippings:

• The left page contains a clipping from an article titled "FOR ALL ARTISTS," discussing the Fogg Museum's collection of paintings.
• The right page features a clipping with the headline "GRANTED LEAVE OF ABSENCE," announcing Dr. Morison's leave of absence to accept a professorship at Oxford.
• Another clipping on the right page showcases an exhibit of watercolors at the Fogg Art Museum.

Handwritten Notes:

• A note on the bottom-right corner of the right page reads, "Fra Angelico article See Burlington Magazine Nov. 1921 p. 209."

Visual Elements:

• A black-and-white photograph of a painting is inserted between the pages, depicting a scene with three figures in a triangular frame.
• The background of the image is a plain gray color, providing a neutral backdrop for the book and its contents.

Overall, the image appears to be a curated collection of art-related materials, possibly created by an art historian or enthusiast. The inclusion of newspaper clippings, handwritten notes, and a photograph suggests a personal and informative approach to exploring the world of art.