Archives Scrapbooks

The image is a scanned page from a book or a collection of clippings. The page contains a photograph of a painting titled "St. Jerome" by the artist Ribera, also known as "Lo Spagnoletto" (1588-1656). The painting is described as a notable example of Ribera’s work, showcasing his mastery of depicting ascetic figures with powerful and realistic techniques. The artwork is associated with the Fogg Art Museum at Harvard University, which acquired it as a recent gift from a member of the Society of Friends of the Fogg Art Museum.

The page also includes several clippings and notes. To the left, there is a mention of the "Harvard Library Notes" section, which discusses Florentine picture books and their relevance to the exhibition at the Fogg Art Museum. The notes also mention a discussion by Miss Dudley on Florentine woodcuts and a short notice on the Sacre Rappresentazioni from the perspective of the student of the drama. Additionally, there is a mention of Dr. Ross on Henry R. Newman, the collector of the Savonarola books, adding a personal touch to the exhibition.

On the right side of the page, there is an event notice for a reception to honor Monsieur Vincent d’Indy, a distinguished French composer, scheduled for Tuesday, December 3, 1921, in the Fogg Art Museum. The event is organized by the Division of Fine Arts, the 47 Workshop, and the Division of Music. All members of the Faculty of Arts and Sciences and their families, as well as students taking courses in the Divisions of Fine Arts and Music and in the 47 Workshop, are invited. The University Glee Club, under the leadership of Dr. A. T. Davison '06, will sing at the reception.

This image appears to be a page from a scrapbook or a collection of clippings. The page contains several newspaper clippings and articles.

1. At the top, there is a clipping from the "New York Evening Post, Saturday Graphic" dated October 22, 1921. It features a black-and-white photograph of a painting titled "St. Jerome" by Ribera ("Lo Spagnoletto") (1588-1656). The painting depicts a shirtless man with a beard, holding a skull and resting his hand on a stone. The caption mentions that the painting is a recent gift to the Fogg Art Museum, Harvard University, by a member of the Society of Friends of the Fogg Art Museum. It praises the work as a remarkable example of Ribera's consummate draughtsmanship and masterly technique.

2. Below the photograph, there is another clipping from the "Tribune" dated October 3, 1921, discussing the Fogg Art Museum. It mentions the current number of the Harvard Library Notes, which is devoted to "Florentine Picture Books," and is a delightful companion for visiting the Florentine Illustrated Books exhibition at the Fogg Art Museum. The article lists various contributors and topics covered in the notes.

3. On the right side of the page, there is a clipping titled "To Honor Monsieur V. D'Indy," dated December 3, 1921. It announces a reception to be given in honor of Monsieur Vincent d'Indy, a distinguished French composer, at the Fogg Art Museum on Tuesday afternoon, December 6, from 4:30 to 6 o'clock. The reception is organized by the Division of Fine Arts, the 47 Workshop, and the Division of Music, and invites members of the Faculty of Arts and Sciences, their families, students, and the University Glee Club.

The overall page is a collection of clippings related to art and cultural events, particularly focusing on the Fogg Art Museum and its exhibitions and events. The clippings are glued onto the page, and some handwritten notes or markings are visible, suggesting that this is part of a personal collection or archive.

This image displays an open page from an old, bound scrapbook or clipping album, with aged, yellowed paper and visible signs of wear. The page contains several newspaper clippings from 1921, centered around the Fogg Art Museum (now part of the Harvard Art Museums) at Harvard University.

The most prominent feature is a large clipping from the New York Evening Post, dated Saturday, October 22, 1921. At the top of this clipping is a black-and-white reproduction of a painting, identified in the caption as:

“St. Jerome by Ribera (“Lo Spagnoletto”) (1588-1656), a recent gift to the Fogg Art Museum, Harvard University, by a member of the Society of Friends of the Fogg Art Museum. It is a remarkable example of the work of this Spanish realistic master, in which the powerful, ascetic figure of the saint is rendered with Ribera’s consummate draughtsmanship and masterly technique.”

The painting depicts a bare-chested, bearded, ascetic Saint Jerome seated in deep shadow, holding a skull—a classic symbol of mortality and penitence—in his right hand. The artwork is notable for its dramatic use of chiaroscuro (strong contrast between light and dark), characteristic of Ribera’s Baroque style.

Beneath this main article are two smaller clippings:

1. “FOGG ART MUSEUM” (From The Harvard Crimson, Oct. 8, ‘21):
   This brief article announces an exhibition of “Florentine Picture Books” currently on display at the Fogg Art Museum, as featured in that issue of the Harvard Library Notes. It mentions lectures and contributions related to the exhibition by figures such as Miss Dudley, George Norbert Kates, and Mrs. Newman.

2. “TO HONOR MONSIEUR V. DINDY” (From The Harvard Crimson, Dec. 5, ‘21):
   This notice announces a reception to be held on Tuesday, December 6, 1921, from 4:30 to 6 p.m. at the Fogg Art Museum to honor the distinguished French composer Monsieur Vincent d’Indy. The event, under the auspices of the Division of Fine Arts and in collaboration with other university groups and the University Glee Club, was to include a performance by the University Glee Club led by Dr. A. T. Davison ’06.

In the upper left of the main article, there are handwritten annotations: “X” and “Y”, likely for indexing or cataloging purposes by the scrapbook’s original owner. The entire page serves as a historical record of cultural events, acquisitions, and exhibitions at Harvard in 1921.

The book is open, and the pages are facing each other. The left page has a newspaper clipping with a photo of a man and some text. The right page has a paragraph of text and a few words in a different font. The book's cover is red, and the pages have a yellowish hue. The book is placed on a gray surface.

The image shows an open book with a clipping pasted on one of the pages. The clipping is from the "New York Evening Post" and is dated October 22, 1921. The clipping features a black-and-white photograph of a painting of a man with a beard, holding a skull, and wearing a robe. The clipping also includes a description of the painting and its significance. The book appears to be a collection of clippings or articles related to art and culture.

The image shows an open book, likely a catalog or exhibition guide, featuring a page from the Fogg Art Museum at Harvard University. The page is dated October 22, 1921, and is titled "New York Evening Post Saturday Graphic."

Key Elements in the Image:

1. Photograph:

   • A black-and-white photograph of a male figure is prominently displayed at the top of the page. The figure is depicted in a dramatic, contemplative pose, holding a skull in one hand and gesturing with the other. The photograph is labeled as "St. Jerome by Ribera ('Lo Spagnoletto') (1588-1659), a recent gift to the Fogg Art Museum, Harvard University, by a member of the Society of Friends of the Fogg Art Museum."
   • The caption describes the artwork as a powerful example of Spanish realism, highlighting its ascetic figure and masterful technique.

2. Text Content:

   • Below the photograph, there is a detailed description of the artwork, emphasizing its significance and the circumstances of its acquisition.
   • Additional text on the page discusses various topics related to the Fogg Art Museum, including:
     • A mention of Miss Dudley discussing Florentine art and the Sacre Rappresentazione (sacred representations) from the 15th century.
     • References to George Arthur Plimpton, Margaret Ross, and Henry R. Newman, who contributed to the museum's collection.
     • An announcement of a reception to honor Monseigneur V. Dindy, a distinguished French composer, scheduled for Tuesday, December 6, 1921, at the Fogg Museum.
     • Details about the reception, including the time (4:30 p.m.), the location (the 47th Workshop of the Fine Arts course in the Division of Fine Arts), and the participation of faculty, students, and members of the University Club and Music and Art Club.

3. Layout and Design:

   • The page has a clean, formal layout typical of early 20th-century publications. The text is typed, and the photograph is centered above the descriptive text.
   • The left margin includes handwritten notes or markings, such as "LARC" and other annotations, suggesting the page may have been part of a personal or institutional collection.

4. Contextual Clues:

   • The inclusion of both an artwork description and an event announcement indicates that this page serves a dual purpose: showcasing a recent acquisition and promoting an upcoming museum event.
   • The reference to the Society of Friends of the Fogg Art Museum highlights the collaborative nature of art acquisition and museum support during this period.

Summary:

The image depicts a page from a 1921 Fogg Art Museum catalog or exhibition guide. It features a photograph of "St. Jerome" by Ribera, accompanied by a detailed description of the artwork and its donation. Additionally, the page includes an announcement for a reception honoring Monseigneur V. Dindy, providing details about the event and its participants. The layout and content reflect the formal and educational nature of early 20th-century museum publications.

This image shows an open book or catalog showcasing a photograph or a print of an artwork on the right page. The artwork depicts a torso and arms of a shirtless individual who appears to be sitting. The person in the artwork seems to be holding an object, possibly a rock, in their left hand and is looking down towards their right, which is obscured.

The print is accompanied by text that reads "St. Jerome by Ribera ('Lo Spagnoletto') (1588-1656), a recent gift to the Fogg Art Museum, Harvard University, by a member of the Society of Friends of the Fogg Art Museum. It is a remarkably complete work of the Spanish realist master, in which the powerful, ascetic figure of the saint is rendered with Ribera's consummate draughtsmanship and earthy technique." This text indicates that the image is of a work portraying Saint Jerome created by the Spanish painter Ribera.

On the left page, there’s additional text that includes references to the "Fogg Art Museum" and mentions of various topics related to the museum's offerings and events.

The top of the right page shows a masthead or headline mentioning "New York Evening Post" dated "OCTOBER 22, 1921," suggesting that the open book or catalog might be a historical newspaper.

The exterior of the pages suggests that the book's binding is a red or maroon color, and the entire image has a vintage or antiquated look, with yellowing pages that indicate age.

This image shows a page from a scrapbook containing a newspaper clipping with text and a visual of a painting.

• The painting: The image features a figure, identified as "St. Jerome" by Jusepe de Ribera (Lo Spagnoletto). It depicts a powerful and ascetic portrayal of St. Jerome, characterized by a stark, dramatic lighting typical of Ribera's works and a masterful technique. This painting was donated to the Fogg Art Museum, Harvard University, by a member of the Society of Friends of the museum. The text describes it as a remarkable example of Ribera's artistic skill.

• The clippings: Articles from different publications appear glued to the scrapbook page. They include:

  • A dated entry from the New York Evening Post (Saturday Graphic, October 22, 1921).
  • A small piece regarding the Fogg Art Museum and their offerings, dated similarly around the same year.
  • A note about an event honoring Monsieur V. d'Indy at the museum.

Overall, the scrapbook preserves information about art history and notable events linked to the museum.

The image shows an open scrapbook or album with three newspaper clippings pasted on the right-hand page. The top clipping features a sepia-toned image of a painting called "St. Jerome" by Ribera (Lo Spagnoletto), dated 1588-1656. This painting depicts a powerful, ascetic figure of Saint Jerome, with a muscular, bare-chested upper body, holding a skull in one hand. The clipping is from the New York Evening Post, Saturday Graphic, dated October 22, 1921. The caption notes that this painting is a recent gift to the Fogg Art Museum at Harvard University and praises Ribera's masterful technique.

Below the painting clipping, there are two smaller newspaper clippings. The one on the left discusses the Fogg Art Museum's current number of Harvard Library Notes, mentioning an exhibition on Florentine woodcuts and other related topics. The clipping to the right announces a reception to honor Monsieur Vincent d'Indy, a distinguished French composer, which will be held at the Fogg Museum under the auspices of various university divisions.

The scrapbook page has some handwritten annotations near the clippings, adding dates and brief notes. The album itself has thick, yellowed pages suggesting it is quite old.

This is a page from an old scrapbook or album. It features a large black-and-white clipping of a painting titled “St. Jerome by Ribera (‘Lo Spagnoletto’)” (1588–1656). The top of the clipping is labeled with a New York newspaper header and the date October 22, 1921. The photograph shows a muscular, shirtless man with a cloth draped over part of his body; the figure’s face has been obscured by a rectangular block. The caption explains that the work was a gift to the Fogg Art Museum at Harvard University from a member of the Friends of the Fogg Art Museum, praising Ribera’s draughtsmanship and technique. Below the main image are two smaller newspaper clippings about the Fogg Art Museum and other related notices. The page is aged and has handwritten marginal notes, and the binding of the book is visible on the left.