Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.22, Rendition: 808932
The image is a newspaper clipping from Saturday, May 7, 1921. It features an article titled "U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS." The article announces the establishment of a new chair at the University of Pennsylvania, which will provide instruction in the science of painting and the care, preservation, and restoration of paintings. Carel F. L. de Wild, a renowned restorer of old masters and expert in painting techniques, has been invited to take the chair and has accepted, beginning his duties in September.
The article includes a photograph of Professor Carel F. L. de Wild, who is described as having a distinguished career in the field of art conservation. It mentions that the course will cover various subjects, including the history, composition, and properties of pigments, painting grounds, picture hygiene, and the restoration of paintings. The article highlights de Wild's extensive experience, including his work with famous collections such as the Widener, Morgan, and Frick collections, and his contributions to the art world through his restorations of renowned paintings.
The paper appears to be aged, with a yellowed appearance, and there is a handwritten note at the top that reads, "This will interest you," followed by "7/7" and a checkmark, possibly indicating that the reader found the content of interest and marked it for further review.
The image shows a newspaper clipping from Saturday, May 7, 1921, with the headline "U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS." The article discusses the University of Pennsylvania's newly created chair for instruction in the science of painting and the care, preservation, and restoration of paintings. The chair has been accepted by Carel F. L. de Wild, a restorer of old masters and an expert in the technical aspects of painting. The article goes on to describe the course that will be offered, its duration, and the subjects it will cover. It also provides biographical information about Carel F. L. de Wild, including his background in art restoration and his work with various famous collections. There is a photograph of Carel F. L. de Wild included in the clipping. The article is signed by "Kleinb." at the bottom. There are some handwritten notes on the clipping, including a checkmark and some text that appears to be partially legible.
This image displays a vintage newspaper clipping, dated Saturday, May 7, 1921, pasted onto a light blue background. The clipping is rectangular, slightly yellowed with age, and shows signs of wear, particularly a torn lower right corner.
The article features a bold headline:
“U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS”
The sub-headline elaborates:
“Carol F. L. de Wild Accepts Call of Institution to Occupy Newly Created Chair That Will Equip Specialists to Act as Curators of Collections”
The article announces the establishment of a new chair at the University of Pennsylvania (U. of P.) dedicated to the science of painting and its care, preservation, and restoration — a field described as unique in America and the world at the time. It details the appointment of Carol F. L. de Wild, a New York-based expert in the restoration of old masters, as the inaugural chairholder. He is scheduled to begin his duties in September.
Key details from the article include:
The article further notes that de Wild, a native of Holland, began studying art at the Hague’s Academy of Fine Arts at age 13. He has been professionally restoring paintings since 1911 and has cared for major collections like those of the Widener, Morgan, and Frick families. His notable restorations include Rembrandt’s “Anatomy Lesson,” Hals’ “Regents of the Old Men’s Almshouse,” and van Ravesteyn’s “Reception by the Magistrate of the officers of the Schutters.”
Handwritten annotations in pencil appear at the top of the clipping:
The name “Klein” is visible at the bottom right, possibly indicating the newspaper’s section or the reporter’s name.
Overall, the clipping is a historical document highlighting an early, pioneering university program in art conservation and the appointment of a respected European restorer to lead it.
The image is a newspaper clipping with a photograph of a man and text. The clipping is mounted on a gray background. The headline reads "U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS," indicating that the University of Pennsylvania will offer instruction in the methods and maintenance of paintings. The article is dated Saturday, May 7, 1921.
The photograph shows a man with a mustache, wearing a suit and tie. His name, "Carrel F. L. de Wild," is mentioned in the text, identifying him as an expert in the field. The article describes de Wild as an authority on the "science of painting" and highlights his expertise in the care, preservation, and restoration of old master paintings. He is noted for his work in the restoration of artworks, including those by famous artists such as Rembrandt, Rubens, and Van Dyck.
The article further explains that de Wild will be giving a series of lectures and laboratory sessions at the University of Pennsylvania. These sessions will cover topics such as the history, composition, and properties of paints, the techniques of various painting vehicles, the scientific removal of varnish from paintings, and the restoration of craquelure (a network of fine cracks on the surface of old paintings).
De Wild's background is detailed, mentioning his early career as a painter and his subsequent focus on the restoration of old paintings. He is described as having received encouragement and guidance from Jacob Maris and having studied under notable artists and museum curators. His expertise is underscored by his association with prestigious institutions such as the Imperial and Royal Museums of Vienna and Berlin, and the Queen's Museum of Holland.
The article concludes with a mention of de Wild's reputation and the significance of his work in the art world, emphasizing the value of his teachings for both amateur and professional curators.
A piece of paper with text on it is placed on a gray surface. The text is written in black ink and is divided into two sections. The first section reads, "U. of P. Will Teach the Technique and Care of Paintings." The second section has a picture of a man and some text that reads, "Carel F. L. de Wild Accepts Call of Invitation to Occupy Newly Created Chair That Will Equip Specialists to Act as Curators of Collections."
The image shows a scanned page from a newspaper or magazine dated Saturday, May 7, 1922. The page features a headline and accompanying text about an upcoming educational event.
The prominent headline reads:
"U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS"
Below the headline, a subheading states:
"Carel F. L. de Wilde Accepts Call of Institution That Will Occupy Newly Created Chair To Equip Specialists to Act as Curators of Collections"
The article discusses the establishment of a new chair at the University of Pennsylvania (U. of P.) focused on teaching the technique and care of paintings. It highlights the appointment of Carel F. L. de Wilde as the first occupant of this newly created position.
Purpose of the Chair:
Carel F. L. de Wilde:
Course Details:
De Wilde's Background:
Visual Element:
At the top of the page, there is a handwritten note that reads:
"Havil will interest you"
This suggests that someone may have marked the article for someone's attention, possibly indicating its relevance or interest to a particular individual named "Havil."
The page reflects the early 20th-century interest in art conservation and the formalization of specialized education in this field. The article emphasizes the importance of preserving cultural heritage through expert knowledge and training.
This image features a newspaper clipping adhered to a plain, light gray background. The article is dated Saturday, May 7, 1921, and is headlined "U OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS." The article seems to discuss a new position related to teaching art conservation or curation at the University of Pennsylvania, as denoted by "U. of P." The clipping includes several paragraphs of text and mentions individuals and aspects related to art and painting conservation. The top of the clipping contains a handwritten note that appears to be the date "May 7, 1921" and perhaps a signature or a note. There is also a checkmark to the left of the header, possibly indicating something significant or to be noted about the article.
This image shows a newspaper clipping dated Saturday, May 7, 1921. The headline reads: "U. OF P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS." The article announces that Carel F. L. de Wild has accepted a position at the University of Pennsylvania to occupy a newly created chair for teaching the science of painting and the care, preservation, and restoration of paintings.
There is a black-and-white portrait photograph of Carel F. L. de Wild included in the article, showing a man in formal attire.
The text describes Carel de Wild's background, achievements, and the scope of the course he will teach. It mentions that the course is designed for specialists and curators and will cover various topics such as pigment history, painting techniques, and picture hygiene. The article highlights de Wild's extensive experience, including his training, awards, and notable works restored.
There is handwriting at the top of the clipping, which appears to say "This will interest you" with some initials or marks next to it. A large check mark is also drawn beside the handwritten note.
This image is a scanned newspaper clipping dated Saturday, May 7, 1921. The article headline reads: "U. of P. WILL TEACH THE TECHNIQUE AND CARE OF PAINTINGS." It discusses how Carel F. L. de Wild will be teaching at the University of Pennsylvania in a newly created position focused on the science of painting, its conservation, and restoration.
The article includes details about the courses he will teach, his background, and his reputation in the field. There's also a small, blurred image of the professor included within the text. The handwritten notes and markings, including a note and an arrow, are visible at the top right corner of the clipping. The color of the paper suggests it is aged, with some slight tears and worn edges.