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The image shows a page from a newspaper dated Thursday, March 24, 1921. The newspaper is titled "Every Woman," edited by Helen Woodlock, and it is identified as "Stock Price."

The main content of the page includes several articles and notices:

1. National Gallery of Art Commission Formed (August 1921):

   • The article reports on the formation of a commission for the National Gallery of Art, initiated by Edward Willis Redfield of Center Bridge, Pennsylvania. The commission aims to establish a national art gallery in Washington, D.C.
   • The commission includes notable artists and art experts such as William Merritt Chase, Charles W. Hawthorne, and others.
   • The gallery will focus on American paintings, sculpture, and decorative arts, with plans to acquire European, Oriental, and other art forms as well.
   • The commission will be supported by the government and private donors, with an estimated cost of over seven million dollars.

2. Society:

   • This section discusses various social events and activities, including a lecture on French and Italian art by Professor Charles R. Morey of Princeton University.
   • It mentions a reception hosted by Mrs. Henry White and a musicale at the home of Mrs. Charles D. Stewart.
   • There is also a note about a lecture on the Morgan collection of illuminated manuscripts by Professor Morey.

3. Morgan Art is Shown:

   • This article announces that medieval illuminated manuscripts from the Morgan collection are on loan to the Fogg Museum of Harvard University.
   • The manuscripts include rare and valuable items such as the "Hours of Henry VIII" and the "Book of Hours of Isabella d'Este."
   • The exhibition aims to provide an opportunity for the study of these artworks, which are described as some of the finest examples of illumination.

4. Smaller Notices:

   • There is a notice about a lecture on French miniature painting by Professor Morey.
   • Another notice mentions a lecture on the art of illumination by Professor Morey, highlighting the importance of these manuscripts in art history.

The page is part of a larger newspaper, and the content is focused on art, society, and cultural events.

The image shows a page from a publication dated Thursday, March 24, 1921, titled "EVERY WOMAN." The page is divided into three columns with various articles and headlines. The main article on the left, titled "National Gallery of Art Commission Formed," discusses the establishment of a commission for the Smithsonian Institution to oversee the National Gallery of Art in Washington. The article lists prominent members of the commission, including Edward Willis Redfield, and outlines the commission's responsibilities, such as acquiring and preserving art, and promoting art education and appreciation.

In the middle column, an article titled "Society" describes a meeting of the Philadelphia Art Alliance, which will feature lectures and an exhibition of manuscripts from the Fogg Museum. The article mentions notable pieces, such as a 13th-century French manuscript and a 14th-century Italian manuscript, and provides details about the event.

The right column includes an article titled "MORGAN ART IS SHOWN," which reports on an exhibition of medieval illuminated manuscripts from the Morgan Library in New York, also displayed at the Fogg Museum. The article highlights the historical and artistic significance of the manuscripts, some of which date back to the 12th and 13th centuries, and notes that this is the first time these manuscripts have been shown in public.

Overall, the page focuses on art-related news, including the formation of an important art commission, and significant art exhibitions featuring historical manuscripts.

The image is a page from a newspaper dated March 24, 1921. The main focus of the page is on two distinct articles.

1. Left Side: "National Gallery of Art Commission Formed"

   • This article discusses the formation of a new National Gallery of Art Commission. The commission, appointed by the Smithsonian Institution, aims to promote the acquisition of artworks and study methods for exhibiting these works to the public. The board includes prominent figures such as Edward Willis Redfield from the Center Bridge, Pennsylvania, and others including prominent artists and art historians.
   • The National Gallery of Art Commission will be responsible for managing and curating the collection, ensuring it is developed and supported by a broad range of public and private resources.

2. Right Side: Various Articles on Art and Society

   • Society Article:

     • This article discusses a society event centered on manuscripts of interest and importance, specifically focusing on manuscripts from the Fogg Museum of Art in Cambridge, Massachusetts. Manuscripts include texts from the French, Spanish, and Italian periods. The manuscripts are showcased in the exhibition, which includes a mix of historical and literary importance.

   • Morgan Art Article:

     • This part mentions the exhibition of medieval illuminated manuscripts at the Fogg Museum. The manuscripts are from the Morgan Library and Museum in New York City. The article highlights the significance of these manuscripts in representing the art and culture of the Middle Ages, particularly from the XIIth to the XIIIth centuries.

   • Additional Notes:

     • The article includes a brief mention of an event or lecture scheduled to discuss medieval illuminated manuscripts, with specific reference to a book titled "Medieval Illuminations" by Professor Charles W. Easton.

Overall, the page covers significant developments in the field of art and art history, focusing on the establishment of a new commission for a national gallery and the importance of illuminated manuscripts in art history and culture.

The image is a page from a newspaper dated Thursday, March 24, 1921. The page contains several articles and headlines, including:

1. National Gallery of Art Commission Formed (August 1921):

   • The board of regents of the Smithsonian Institution held a special meeting to form a commission aimed at promoting the acquisition of artworks for the National Gallery of Art.
   • The commission, led by the Smithsonian, includes members from various art institutions and universities across the country.
   • The primary goals of the commission are to acquire, study, and exhibit artworks, with an initial budget of about seven million dollars.
   • The commission is tasked with developing a plan for the gallery, including the construction of a suitable building in Washington D.C.
   • Notable members include Edward Willis Redfield, Daniel C. Gilman, and John G. Jewett.

2. Society:

   • This section discusses the exhibition of medieval manuscripts from the Fog Museum of Art in Cambridge.
   • The manuscripts are from the Morgan Library and include works from various schools, including Spanish, French, and English.
   • The manuscripts are displayed as part of a lecture and exhibition, with an opening on April 5, 1921.

3. Morgan Art is Shown:

   • This article elaborates on the medieval illuminated manuscripts being lent to the Fog Museum of Art from the Morgan Library.
   • The manuscripts date back to the 9th century and are part of a significant collection that includes works from the 12th, 13th, and 14th centuries.
   • The exhibition aims to highlight the importance of these manuscripts to the study of art and culture.

The newspaper page also includes some editorial notes and cross-references to other articles and events. The page is dated in the upper section and includes a price tag of 10 cents.

The image shows a page from the March 24, 1921, issue of "Every Woman," a magazine edited by N. Woodlock Stock. The page contains two articles:

1. "National Gallery of Art Commission Formed" (August, 1921):

   • The article reports the formation of the Commission for the National Gallery of Art, a Smithsonian Institution initiative.
   • The commission's primary goal is to promote the advancement of the arts in the United States by acquiring and exhibiting artworks.
   • The board of regents consists of prominent figures, including Edward Willis Redfield, Denman W. Ross, and others.
   • The commission aims to develop the National Gallery of Art as a center for the appreciation and study of fine arts.
   • The commission includes various committees focusing on different art forms like modern European painting, ancient European art, sculpture, architecture, and decorative arts.
   • The article also mentions an upcoming exhibition of medieval illuminations at the Fogg Museum, which includes a significant fragment from the 13th century.

2. "Morgan Art is Shown: Medieval Illuminated Manuscripts are Lent to the Fogg Museum" (April 1, 1921):

   • This article discusses the loan of medieval illuminated manuscripts from the Morgan Library to the Fogg Museum.
   • The manuscripts, which are from the 12th to the 14th centuries, include works from various European regions, such as England, France, Spain, and Italy.
   • The exhibition aims to highlight the importance of these manuscripts and their significance in the field of illuminated art.
   • The article notes that the manuscripts are part of a broader collection of rare books and artworks from the Morgan Library.

The page is neatly organized with the articles clearly separated and dated, providing historical context for the development of art institutions and exhibitions during the early 20th century.

The image is a newspaper clipping from the New York Tribune, dated Thursday, March 24, 1921. It contains several articles and announcements:

1. Main Article: National Gallery of Art Commission Formed

   • The headline announces the formation of the board of regents of the Smithsonian Institution responsible for creating a National Gallery of Art in Washington, D.C.
   • The Commission's goal is to promote the establishment of a national gallery, including the acquisition of art and fostering public interest in art.
   • The members of the commission include prominent figures such as:
     • Edward Willis Redfield of Center Bridge, Pennsylvania
     • Dennis W. Ross
     • Edwin H. Blashfield of New York
     • Daniel C. French of Massachusetts
     • Herbert Adams of New York
     • Henry Watson Kent
     • Charles L. Hutchinson of Chicago
     • John Barton Payne of Chicago
     • William Henry Holmes of Washington, D.C.
     • Charles D. Walcott, the Secretary of the Smithsonian Institution
   • The article mentions that the commission will solicit opinions from art experts and the public to guide its work.
   • The commission aims to encourage the development of Washington as a center for art and culture.

2. Society Column

   • This column includes a brief announcement about Mrs. Potter Palmer and her plans to visit Washington, D.C. for a meeting concerning the National Gallery of Art.

3. Art Exhibit Announcement: Morgan Art is Shown

   • The article highlights an exhibit of medieval illuminated manuscripts lent to the Fogg Museum by J. Pierpont Morgan.
   • The collection includes manuscripts from various regions and periods, including examples from France, England, Italy, Spain, and Germany, dating from the 9th to the 16th centuries.
   • The exhibition features works by notable artists and schools, and it is noted for its exceptional quality and historical significance.

The clipping is a glimpse into early 20th-century efforts to establish significant cultural institutions in the United States and promote the arts.

The image shows a photograph of a dated printed newspaper page, specifically from Thursday, March 24, 1921. The page contains several articles, with the most prominent headline reading "National Gallery of Art Commission Formed." The printed text details the formation of the National Gallery of Art Commission, discussing the involvement of different individuals and the aim of promoting art curation and national art collections.

To the right of the main article is a column titled "Society," which talks about social events and the interests of the society scene during that period, including references to art exhibitions and notable figures in the community.

Another highlighted article with the heading "MORGAN ART IS SHOWN" discusses medieval illuminated manuscripts being lent to the Fogg Museum.

There are visible signs of aging on the paper, such as discoloration and frayed edges. Some handwritten marks and annotations are also visible; one on the top margin marks the number "16," repeated on the right-hand side margin as well. Additionally, there is a handwritten note in blue ink at the top of the left-hand column, although the writing is hard to decipher from the image. The paper is part of a bound volume, indicated by the alignment to the left side, suggesting it has been preserved in a book or collection of newspaper pages.

The image shows a scrapbook or a book page with multiple newspaper clippings pasted on it. The clippings contain various headlines and articles related to art, society, and museum exhibitions. Some headlines visible are:

• "National Gallery of Art Commission Formed" dated August 1921, discussing the formation of the National Gallery of Art Commission by the Smithsonian Institution.
• "Society," featuring brief society-related news.
• "Morgan Art is Shown," about an important loan exhibition of illuminated manuscripts at the Fogg Art Museum, dated April 2, 1921.
• Another smaller clipping mentions a lecture by Professor Edward K. Rand related to medieval illuminated manuscripts at the Fogg Art Museum.

The page seems to date back to the early 1920s and reveals historical interest in art and museum activities. Handwritten annotations are present on some of the clippings. The edges of the page are slightly worn, indicating age.

The image shows an open book with two pages visible. The left page features a newspaper clipping with the headline "EVERY WOMAN STOCK PRICE SOCIETY" and a date of March 24, 1921. The clipping discusses the formation of the National Gallery of Art Commission and mentions the involvement of prominent figures like Edward W. Adams and Daniel Chester French. The right page has a smaller clipping titled "MORGAN ART IS SHOWN," which talks about an exhibition of illuminated manuscripts at the Fogg Art Museum in Cambridge. The book appears to be a collection of clippings or articles, possibly related to art and cultural events from the early 20th century.

The image shows an open page from a historical newspaper or publication dated Thursday, March 24, 1921. The page is titled "EVERY WOMAN'S STOCK PRIZE" and is edited by N. WOODLOCK. The layout includes several distinct sections and articles, as follows:

Main Content:

1. National Gallery of Art Commission Formed:

   • The article discusses the formation of a new commission to promote the development of the National Gallery of Art at Washington, D.C. It highlights the board of regents, which includes prominent individuals such as Edward Willis Redfield, Denman W. Ross, and others. The commission aims to acquire fine arts and establish the gallery as a national art center.

2. Society Section:

   • This section provides updates on social events and activities. It mentions a lecture by Prof. Morgan on Medieval Illuminated Manuscripts, scheduled for Thursday, March 24, 1921, at 4:30 P.M. in the Fogg Art Museum. The lecture is described as part of a series, with a focus on the Morgan Library's collection of illuminated manuscripts.

3. Morgan Art Is Shown:

   • A subheading announces the display of Medieval Illuminated Manuscripts from the Morgan Library at the Fogg Art Museum. The article emphasizes the importance of these manuscripts, noting their exceptional quality and historical significance. It highlights the diversity of the collection, including works from Spain, England, and France, and mentions specific examples such as the IXth century Mozarabic Psalter and the XIII century Psalter.

Visual Elements:

• The page features typed text in a classic newspaper style, with clear headings and subheadings.
• The layout includes columns of text, typical of early 20th-century newspapers.
• There is a small illustration or graphic near the bottom left, depicting what appears to be a medieval manuscript or illuminated page, reinforcing the theme of the article on illuminated manuscripts.
• The page number "9" is visible at the top right, and the date "THURSDAY, MARCH 24, 1921" is prominently displayed at the top.

Overall Context:

The page reflects the cultural and artistic interests of the early 1920s, focusing on the establishment of national art institutions and the appreciation of medieval art, particularly illuminated manuscripts. The inclusion of a lecture announcement and a display of rare manuscripts suggests a strong emphasis on art education and public engagement with historical art forms.