Archives Scrapbooks

The image shows an open book page with a list of images and their corresponding page numbers, along with the names of the lenders for each image. The left page contains images numbered from 103 to 113, while the right page contains images numbered from 114 to 124. Each entry is structured as follows:

• The image title (e.g., "A Tropical Stream," "Rain, Canadian River," "Storm, Brittany").
• The page number where the image appears.
• The name of the lender (e.g., "Lent by Mrs. George H. Monks," "Lent by Charles Stetson, Esq.").

The text is printed in a serif font on a cream-colored background. The pages are numbered at the bottom with "14" on the left and "15" on the right. The book appears to be part of a collection or exhibition catalog, as the lenders' names are associated with the displayed images.

This image shows an open book or catalog with a list of numbered items, likely describing artworks or photographs on display in an exhibition. Each item includes a title and the name of the person who lent the piece. The list is organized in two columns, one on each page.

Left Page (Page 14):

1. 103. A Tropical Stream - Lent by Mrs. George H. Monks
2. 104. Rain, Canadian River - Lent by Charles Stetson, Esq.
3. 105. Rain, Canadian River - Lent by Charles Stetson, Esq.
4. 106. A Salmon River - Lent by Charles Stetson, Esq.
5. 107. Storm, Brittany - Lent by Morris Carter, Esq.
6. 108. Street in Spain - Lent by Robert D. Andrews, Esq.
7. 109. Spanish Interior - Lent by Mrs. Robert J. Clark
8. 110. A Willow Snow - Lent by George R. Agassiz, Esq.
9. 111. Boston in War Time - Lent by G. Peabody Gardner, Jr., Esq.
10. 112. Market Day, Spain - Lent by Franklin H. Beebe, Esq.
11. 113. Crater Lake, Oregon - Lent by John T. Spaulding, Esq.

Right Page (Page 15):

1. 114. The Marsh in Autumn, Cape Cod - Lent by Edward J. Holmes, Esq.
2. 115. Freshly Fallen Snow - Lent by John Ames, Esq.
3. 116. The Snow Storm - Lent by John Ames, Esq.
4. 117. Grand View, Grand Canyon - Lent by John Ames, Esq.
5. 118. Zion Canyon, Utah - Lent by John Ames, Esq.
6. 119. Entrance to Zion Canyon - Lent by John Ames, Esq.
7. 120. Newfoundland - Lent by Robert J. Edwards, Esq.
8. 121. Marsh in Winter - Lent by Robert J. Edwards, Esq.
9. 122. Grand Canyon - Lent by Robert J. Edwards, Esq.
10. 123. Autumn - Lent by John Dane, M.D.
11. 124. Orizaba Mountain - Lent by Mrs. Cameron Bradley

The text is neatly printed, and the layout is simple and clear, typical of an exhibition catalog or collection inventory. The items listed seem to cover a variety of landscapes and scenes, from tropical streams to mountain vistas, and include both natural and urban settings.

This image displays an open booklet or catalog, laid flat, showing two facing pages—numbered 14 and 15—at the bottom center of each page. The pages are printed on cream-colored paper with black, serif typeface, and are set against a neutral, muted gray background.

The content is a numbered list of artworks, likely from an art exhibition or loan collection. Each entry includes:

1. A catalog number (e.g., 103, 104, etc.).
2. The title of the artwork.
3. The name of the lender, credited as “Lent by [Name], Esq.” or “Lent by [Name], M.D.” or “Lent by [Name]” (without a title).

Key observations:

• Page 14 (Left): Contains entries 103 to 113.

  • Titles include “A Tropical Stream,” “Rain, Canadian River” (listed twice, as 104 and 105), “A Salmon River,” “Storm, Brittany,” “Street in Spain,” “Spanish Interior,” “A Willow Snow,” “Boston in War Time,” “Market Day, Spain,” and “Crater Lake, Oregon.”
  • Notable lenders: Mrs. George H. Monks, Charles Stetson, Esq., Morris Carter, Esq., Robert D. Andrews, Esq., Mrs. Robert J. Clark, George R. Agassiz, Esq., G. Peabody Gardner, Jr., Esq., Franklin H. Beebe, Esq., and John T. Spaulding, Esq.

• Page 15 (Right): Contains entries 114 to 124.

  • Titles include “The Marsh in Autumn, Cape Cod,” “Freshly Fallen Snow,” “The Snow Storm,” “Grand View, Grand Canyon,” “Zion Canyon, Utah,” “Entrance to Zion Canyon,” “Newfoundland,” “Marsh in Winter,” “Grand Canyon,” “Autumn,” and “Orizaba Mountain.”
  • Notable lenders: Edward J. Holmes, Esq., John Ames, Esq. (lending multiple works), Robert J. Edwards, Esq., John Dane, M.D., and Mrs. Cameron Bradley.

The repetition of “Rain, Canadian River” (items 104 and 105) suggests either two distinct works with the same title or a cataloging error.

The overall impression is that of a formal, early 20th-century exhibition catalog, meticulously documenting loans from private collectors, many of whom are addressed with the honorific “Esq.” The geographic diversity of the artwork titles—ranging from Cape Cod and Boston to Spain, Utah, Oregon, and Mexico (Orizaba Mountain)—suggests a broadly curated collection of landscape and genre paintings.

In summary: This is a two-page spread from an art exhibition catalog listing 22 artworks (numbers 103–124), each with its title and lender’s name, presented in clean, formal typography on cream paper. It reflects a curated collection drawn from private donors of the period.

The image depicts an open book with two pages facing each other. The book appears to be a collection of poetry or prose, as it contains a list of titles and authors. The text is organized in a structured format, with each entry consisting of a title, followed by the author's name and a brief description or excerpt. The entries are numbered, and the page numbers are indicated at the bottom of each page. The overall layout is clean and easy to read, with a simple font and ample spacing between the entries. The book seems to be a valuable resource for anyone interested in literature or poetry.

The image shows an open book with a table of contents. The table of contents lists various entries, each corresponding to a lent by a specific individual. The entries are numbered, and each entry includes a title and the name of the person who lent it. The titles range from "A Tropical Stream" to "Orizaba Mountain," and the names of the lenders include Esq., Esq., and M.D. The table of contents is divided into two columns, with the left column listing the entries and the right column listing the lenders.

The image shows an open book displaying a list of titles and their corresponding lenders. The pages are numbered 14 and 15, and the content appears to be part of a catalog or index, likely from a collection of photographs or artworks. Each entry includes a title followed by the name of the lender, often accompanied by the suffix "Esq." (Esquire) or other titles such as "M.D." (Medical Doctor), indicating the formal nature of the lending arrangement.

Left Page (Page 14):

• 103 A Tropical Stream – Lent by Mrs. George H. Monks
• 104 Rain, Canadian River – Lent by Charles Stetson, Esq.
• 105 Rain, Canadian River – Lent by Charles Stetson, Esq.
• 106 A Salmon River – Lent by Charles Stetson, Esq.
• 107 Storm, Brittany – Lent by Morris Carter, Esq.
• 108 Street in Spain – Lent by Robert D. Andrews, Esq.
• 109 Spanish Interior – Lent by Mrs. Robert J. Clark
• 110 A Willow Snow – Lent by George R. Agassiz, Esq.
• 111 Boston in War Time – Lent by G. Peabody Gardner, Jr., Esq.
• 112 Market Day, Spain – Lent by Franklin H. Beebe, Esq.
• 113 Crater Lake, Oregon – Lent by John T. Spaulding, Esq.

Right Page (Page 15):

• 114 The Marsh in Autumn, Cape Cod – Lent by Edward J. Holmes, Esq.
• 115 Freshly Fallen Snow – Lent by John Ames, Esq.
• 116 The Snow Storm – Lent by John Ames, Esq.
• 117 Grand View, Grand Canyon – Lent by John Ames, Esq.
• 118 Zion Canyon, Utah – Lent by John Ames, Esq.
• 119 Entrance to Zion Canyon – Lent by John Ames, Esq.
• 120 Newfoundland – Lent by Robert J. Edwards, Esq.
• 121 Marsh in Winter – Lent by Robert J. Edwards, Esq.
• 122 Grand Canyon – Lent by Robert J. Edwards, Esq.
• 123 Autumn – Lent by John Dane, M.D.
• 124 Orizaba Mountain – Lent by Mrs. Cameron Bradley

Observations:

• The titles suggest a variety of subjects, including natural landscapes (e.g., rivers, snow, canyons), urban scenes (e.g., streets, markets), and historical or war-related imagery (e.g., "Boston in War Time").
• The lenders are individuals with formal titles, such as "Esq." (Esquire), "M.D." (Medical Doctor), and "Mrs." (Mrs.), indicating a formal or institutional context, possibly an art gallery, museum, or private collection.
• The format is consistent, with each entry clearly numbered and formatted for easy reference.

This page appears to be part of a catalog or inventory, likely used to document the source of loaned items for an exhibition or archive.

This image shows an open book with two pages featuring a neatly organized list. The list has entries numbered sequentially from 103 to 124, each featuring titles, likely names of artworks, scenes, or subjects (e.g., "A Tropical Stream," "Rain, Canadian River," "Storm, Brittany"). Each entry includes the name of the person who lent the item for display or participation, characterized as "Esq." or "Mrs." for formal identification. The pages are light beige, printed in a serif font, and are cleanly formatted. On the bottom of each page is a central page number: "14" on the left and "15" on the right. The overall appearance is elegant and professional.

This image displays an open book or catalog with two pages visible. The pages contain a numbered list of titles, presumably works of art, alongside the names of individuals who have lent these items, indicated by "Lent by" followed by the lender's name and title, such as "Esq." (Esquire) or "Mrs." The text entries are evenly spaced and organized in a column format with the numbers aligning on the left side and the titles in line with one another.

The titles of the works hint at a variety of subjects, including landscapes and natural phenomena from different locations ("A Tropical Stream," "Rain, Canadian River," "Storm, Brittany," "Crater Lake, Oregon") and potentially historical or cultural scenes ("Boston in War Time," "Street in Spain", "Market Day, Spain"). The use of "Esq." and formal titles as well as the nature of the artworks suggests a formal exhibition or collection catalog from a gallery, museum, or similar institution.

The pages are numbered 14 and 15 at the bottom, indicating their sequence in the publication. The simple, serif typeface and the minimalist presentation are typical of traditional exhibition catalogs or academic publications. The background is a neutral grey, suggesting this may be a photograph taken of the open book on a solid surface.

This image shows two pages from a book or catalog, listing titles along with the names of the people who lent the works. The left page is numbered 14 and the right page is numbered 15.

The left page lists items numbered 103 to 113, with titles such as:

• 103 A Tropical Stream (Lent by Mrs. George H. Monks)
• 104 and 105 Rain, Canadian River (Lent by Charles Stetson, Esq.)
• 106 A Salmon River (Lent by Charles Stetson, Esq.)
• 107 Storm, Brittany (Lent by Morris Carter, Esq.)
• 108 Street in Spain (Lent by Robert D. Andrews, Esq.)
• 109 Spanish Interior (Lent by Mrs. Robert J. Clark)
• 110 A Willow Snow (Lent by George R. Agassiz, Esq.)
• 111 Boston in War Time (Lent by G. Peabody Gardner, Jr., Esq.)
• 112 Market Day, Spain (Lent by Franklin H. Beebe, Esq.)
• 113 Crater Lake, Oregon (Lent by John T. Spaulding, Esq.)

The right page lists items numbered 114 to 124, with titles such as:

• 114 The Marsh in Autumn, Cape Cod (Lent by Edward J. Holmes, Esq.)
• 115 Freshly Fallen Snow (Lent by John Ames, Esq.)
• 116 The Snow Storm (Lent by John Ames, Esq.)
• 117 Grand View, Grand Canyon (Lent by John Ames, Esq.)
• 118 Zion Canyon, Utah (Lent by John Ames, Esq.)
• 119 Entrance to Zion Canyon (Lent by John Ames, Esq.)
• 120 Newfoundland (Lent by Robert J. Edwards, Esq.)
• 121 Marsh in Winter (Lent by Robert J. Edwards, Esq.)
• 122 Grand Canyon (Lent by Robert J. Edwards, Esq.)
• 123 Autumn (Lent by John Dane, M.D.)
• 124 Orizaba Mountain (Lent by Mrs. Cameron Bradley)

Each entry is formatted with the title in capitalized letters, followed by the phrase "Lent by" and the lender's name and title in italics. The pages have a clean, classic typographic style.

• A two-page spread from an old book, opened flat on a light gray background.
• The pages are a cream color with small, serif type and a formal, catalog-like layout.
• The left page lists items numbered 103 to 113, each with a title (e.g., “A Tropical Stream,” “Rain, Canadian River,” “A Salmon River,” “Boston in War Time,” etc.) and a note that the item was “Lent by” a named person (often followed by “Esq.” or “Jr., Esq.”).
• The right page continues with items 114 to 124, including titles like “The Marsh in Autumn, Cape Cod,” “Freshly Fallen Snow,” “Grand View, Grand Canyon,” and “Orizaba Mountain,” all with the donor attribution.
• At the bottom of each page there are small bracketed page numbers [14] on the left and [15] on the right.
• The overall impression is that this is a donor or lending catalog for a collection of photographs or prints, showing the titles and the people who lent them.