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ARCH.2003.22, Rendition: 808911
The image shows an open page from a book or catalog, listing artwork by John S. Sargent. The page is divided into two columns. Each entry includes a number, the title of the artwork, and the lender's information. Here is a detailed summary of the entries:
Left Column:
47. Deering Garden, Florida
48. Florida
49. Camping near Lake O'Hara
50. Lake O'Hara
51. The Brook
52. A Glacier
53. On the Somme
54. Fresh Snow
55. Tarpon
56. A Mountain Stream
Right Column:
57. In Tuscany
58. Santa Maria della Salute (Venice)
59. La Riva degli Schiavoni (Venice)
60. The Piazzetta (Venice)
61. The Bridge of Sighs (Venice)
62. Bedouin Camp (Syria)
63. Bedouin Women
64. Syrian Gypsies
65. Bedouins
66. Black Tent
67. Arab Gypsies in a Tent
68. In a Levantine Port
The page numbers at the bottom of each column are [8] for the left column and [9] for the right column.
The image shows two open pages of an exhibition catalog or book that lists artworks by John S. Sargent. Each page is numbered, with the left page numbered 8 and the right page numbered 9. The listed artworks include the title, a brief description, and the lender of each piece. Below is the detailed summary of the listed artworks:
Page 8: JOHN S. SARGENT
Page 9:
The image shows a page from a catalog or exhibition listing by John S. Sargent. The page is divided into two sections, each listing different works or subjects associated with Sargent.
On the left side, the entries are numbered from 47 to 56 and include:
On the right side, the entries are numbered from 57 to 68 and include:
The catalog entries include the names of the locations, and the names of the individuals or institutions that lent the works to the exhibition.
The image displays a page from a catalog or an exhibition booklet dedicated to the works of the artist John S. Sargent. The page is divided into two columns, each listing various paintings along with the locations or themes they depict and the lenders of the pieces.
On the left column:
On the right column:
The page numbers are indicated at the bottom of each column, with 8 on the left and 9 on the right.
The image displays two facing pages from a catalog or exhibition booklet featuring artworks by John Singer Sargent. The pages are numbered 8 and 9.
Left Page (Page 8):
Right Page (Page 9):
Each artwork is identified by a number and title, and the page indicates the lender of each piece. The lenders include individuals, institutions, and museums such as George R. Agassiz, Edward W. Forbes, John S. Sargent, C. M. Loeffler, Fogg Art Museum of Harvard University, and the Brooklyn Museum. The artworks cover various locations and subjects, ranging from landscapes in Florida and Tuscany to scenes in Venice and Syria.
The image displays a page from an exhibition catalog or a similar document listing artworks by John S. Sargent. Each entry includes the title of the artwork, its location subject if specified, and the lender of the piece. Here is a detailed summary of the artworks listed:
Left Column:
Right Column:
The entries are numbered from 47 to 68. The page appears to be part of a larger document, as indicated by the bracketed numbers at the bottom of each column ([8] for the left column and [9] for the right column).
This is an image of an open book or catalog showing a list of titles alongside names indicating who lent these items. The titles seem to be the names of artworks or photographic works. On the left page, the top reads "JOHN S. SARGENT," indicating that this list could be of works by or related to John Singer Sargent, a well-known American artist. The right page does not have a header visible, suggesting it may continue with the same topic or another section.
Listed on the left page are titles like "Deering Garden, Florida," "Florida," and "Camping near Lake O'Hara," with corresponding lenders such as "George R. Agassiz, Esq." and "Fogg Art Museum of Harvard University." On the right page, the locations mentioned are more varied, including "In Tuscany" and several sites in Venice like "Santa Maria della Salute" and "The Bridge of Sighs." These works are noted as being lent by individuals and the "Brooklyn Museum."
The visible page numbers at the bottom are [8] and [9], indicating this may be a small portion of a larger collection or exhibition catalog. This catalog format suggests the items listed might have been part of an exhibition where different collectors or institutions loaned their pieces for the event.
The image shows two pages from a book or catalog listing artworks by John S. Sargent, along with titles and the sources from which these works were lent.
The left page (page 8) lists artworks numbered 47 to 56:
The right page (page 9) lists artworks numbered 57 to 68:
At the top of both pages is the name "JOHN S. SARGENT," indicating the artist of the listed works. The pages are from a catalog or exhibition booklet showing the provenance of the artworks on loan from various individuals and institutions.
The image shows an open book with two pages displayed. The pages are filled with text and appear to be from a catalog or a book about art. The left page has the title "JOHN S. SARGENT" at the top, followed by a list of artworks with their respective numbers, locations, and the names of the lenders. The artworks are titled "DEERING GARDEN, FLORIDA," "FLORIDA," "CAMPING NEAR LAKE O'HARA," "LAKE O'HARA," "THE BROOK," "A GLACIER," "ON THE SOMME," "FRESH SNOW," "TARPON," and "A MOUNTAIN STREAM." The right page has the title "IN TUSCANY" at the top, followed by a list of artworks with their respective numbers, locations, and the names of the lenders. The artworks are titled "SANTA MARIA DELLA SALUTE (Venice)," "LA RIVA DEGLI SCHIAVONI (Venice)," "THE PIAZZETTA (Venice)," "THE BRIDGE OF SIGHS (Venice)," "BEDOUIN CAMP (Syria)," "BEDOUIN WOMEN," "SYRIAN GIPSIES," "BEDOUINS," "BLACK TENT," and "ARAB GIPSIES IN A TENT." The book's pages are white, and the text is black.
The image shows an open book with two pages visible. The left page is numbered 8, and the right page is numbered 9. The content appears to be a catalog or list of artworks, likely from an exhibition or collection.
This image depicts a structured and formal listing of artworks, likely used for reference or exhibition purposes.