Archives Scrapbooks

This image shows an open, aged scrapbook or album, its pages filled with newspaper clippings and a photograph, documenting events related to art and culture, primarily centered on the Fogg Art Museum at Harvard University.

The right-hand page, marked with the number "3" at the top, is a collage of several clippings from December 1920 and January 1921.

• Top Section: An announcement from the "SALON FRANÇAIS DE BOSTON" dated Saturday, December 18, 1920, inviting members to conferences led by M. Léonce Bénédite, Director of the Luxembourg and Rodin Museums, on subjects including "Théophile 'Rodin,'" "Paris de Chavanne," and "J. F. Millet." This event, held at the Fogg Museum, was a tribute to M. Wierzbicki and M. Léonce Bénédite.

• Bottom Section: A headline from Thursday, January 6, 1921, announces a "NEW PAINTING IN FOGG" — a "COPY OF GOZZOLI'S FRESCO IN RICCARDI PALACE NOW IN LECTURE ROOM." The article details that a large fresco replica by Russian artist Nicholas Lockoff, depicting "Lorenzo the Magnificent," has been placed in the Fogg Art Museum's lecture room. It describes the subject's attire and the lush, detailed landscape background. The accompanying text notes that the war had interrupted the artist's commission from the Moscow Museum.

• Photograph: A small, yellowed photograph is pasted on the right, showing the fresco painting being installed on a wall by two men. The caption identifies it as "Copy of Fresco by Gozzoli."

The left-hand page is dominated by a single large article titled "FAMOUS FRENCH ART CRITIC TO LECTURE HERE."

• It details the arrival of M. Léonce Bénédite, Director of the Musée du Luxembourg and the Musée Rodin in Paris. He is scheduled to give three lectures in the Fogg Art Museum's Lecture Room on December 16, 17, and 20, 1920, on the subjects "Théophile 'Rodin,'" "Paris de Chavanne," and "J. F. Millet." All lectures are open to the public.
• The article provides extensive biographical information, noting his international prominence, his role as Curator of the Luxembourg Museum since 1888, and his influence on the museum's foreign-art section, which houses more than 200 canvases.

Overall, the scrapbook page captures a moment of significant cultural exchange, highlighting the involvement of a major French art critic, Léonce Bénédite, at Harvard and the acquisition of a notable artistic copy for the museum's educational space. The physical state of the scrapbook—yellowed paper, stained edges, and tape—indicates its age and the care taken to preserve these historical records.

The image appears to be a scanned page from an old book or publication, likely related to art and cultural events. The page contains several articles and notices in a newspaper or magazine format. Here's a detailed description:

1. Top Left Article:

   • Title: "FAMOUS FRENCH ART CRITIC TO LECTURE HERE"
   • Content: It announces that Mr. Leonce Benedite will give three lectures at the Fogg Art Museum. The dates and times of the lectures are provided, along with a brief biography of Mr. Benedite and his contributions to the museums he oversees.

2. Top Right Notice:

   • Title: "Salon Français de Boston"
   • Content: This notice is in French and mentions an event at Copley Plaza on December 18, 1920, at 3 p.m. It also includes a note about a reception in honor of M. Wierzbcicki and M. Leonce Bénédite. There is a note indicating that the invitation is personal and not to be lent.

3. Middle Section Article:

   • Title: "NEW PAINTING IN FOGG"
   • Content: This article discusses the acquisition of a fresco copy by Nicholas Lockoff, a Russian artist, of a piece by Benozzo Gozzoli. The original fresco was created in 1459 and is now located in the Riccardi Palace in Florence. The copy was placed in the Lecture Room of the Fogg Art Museum.

4. Bottom Section Article:

   • Title: "Transcript, January 6, 1921"
   • Content: This section provides a detailed description of the fresco by Gozzoli, including the subject matter, which depicts "Lorenzo the Magnificent" on horseback, surrounded by nobles and a landscape in the background.

The page is printed on aged paper, and there are some visible signs of wear and tear, such as creases and yellowing. The layout is typical of early 20th-century publications, with a mix of text and notices. The articles suggest a focus on art, culture, and historical events.

This image shows a page from a scrapbook or document collection containing various clippings and notices related to art and lectures, primarily from the early 1920s. The left side of the page includes a newspaper clipping titled "Famous French Art Critic to Lecture Here," which announces that Mr. Leonce Benedite will give three lectures at the Fogg Art Museum. The right side of the page contains several smaller clippings and notices:

1. An announcement for a meeting of the Salon Français de Boston on December 18, 1920, at Copley Plaza.
2. A notice about a new painting by Nicholas Lockoff, a copy of a fresco by Benozzo Gozzoli, which has been placed in the lecture room of the Fogg Art Museum.
3. A brief description of the painting and its significance.

The overall theme of the page is related to art lectures, exhibitions, and the acquisition of new art pieces for display. The clippings are from various sources, including newspapers and transcripts, and provide information about the art world in the early 20th century.

The image shows an open page of an old book or journal, specifically page 3. The page contains multiple articles and announcements, all printed in a small, dense font. The text is primarily in English, with some French phrases. The top left corner features an article titled "Famous French Art Critic to Lecture Here," which announces lectures by Mr. Léonce Bénédite, the director of the Luxembourg Museum. The article provides details about the dates, times, and subjects of his lectures.

Below this, there is another article about a new painting by Nicolas Lockoff, titled "New Painting in Fogg," which describes the painting and its acquisition by the Fogg Art Museum. The painting is a fresco depicting a large, richly caparisoned horse on a yellow field, surrounded by various creatures and landscapes.

Additionally, there are several smaller announcements and articles on the page, including a notice about a reception for Mr. Léonce Bénédite and an article about the acquisition of a large fresco painting by Nicolas Lockoff for the Fogg Art Museum. The text is printed on aged paper, giving the page a vintage appearance.

The image shows a page from a book that contains two articles. The first article is titled "Famous French Art Critic to Lecture Here" and provides information about Mr. Leone Beneditte, who is a director of the Luxembourg Museum in Paris. The article mentions that Mr. Beneditte will give three lectures on Rodin, Paillet de Chavannes, and Millet at the Fogg Museum in Cambridge, Massachusetts, in December 1920. The second article is titled "New Painting in Fogg" and describes a fresco painting by Nicholas Lockoff, which was recently placed in the Lecture Room of the Fogg Art Museum. The painting depicts a scene from the life of Lorenzo the Magnificent, mounted on a yellow background. The article also mentions that the painting should be copied before it is affected by the effects of time.

The image depicts an open book, likely a newspaper or magazine, with text printed in English. The visible page is numbered "3" at the top, indicating it is part of a larger publication. The content appears to be an article or announcement related to art and cultural events.

Key Details:

1. Title and Context:

   • The headline at the top reads: "FAMOUS FRENCH ART CRITIC TO LECTURE HERE", suggesting the article is about a notable French art critic who will be giving lectures.

2. Main Subject:

   • The article discusses Mr. Leonce Benedite, who is described as the director of the Luxembourg Museum in Paris. It mentions his upcoming lectures scheduled for Thursday, January 6, 1921, at the Fogg Art Museum in Cambridge, Massachusetts.

3. Lecture Details:

   • The lecture is titled "New Painting in Fogg" and will focus on a copy of Gozzoli's fresco in Ricciardi Palace, now on display in the Lecture Room of the Fogg Art Museum. The fresco was executed by Nicholas Lockoff, a Russian artist, during his Christmas vacation in 1919.

4. Content of the Article:

   • The article provides background on Mr. Benedite, highlighting his role as the director of the Luxembourg Museum and his contributions to art curation and education. It also discusses the significance of the fresco, describing it as a large, fresco-like painting depicting the Medici Palace, now known as the Riccardi Palace in Florence.
   • The fresco features notable elements such as the Yellow Horse, the Magistrates, and a bowing court, among other details.

5. Visual Layout:

   • The text is formatted in a typical newspaper style, with columns of text and a clear headline. There are no visible images or illustrations on this page, only text.

6. Additional Information:

   • The article mentions that the fresco is a scaled copy of the original work, executed by Lockoff with permission from the Moscow Museum. It also notes that the fresco is a treasure and that Lockoff sought to acquire the original for the Fogg Art Museum, though financial constraints prevented this.

Summary:

The image shows a page from a publication announcing a lecture by Leonce Benedite, the director of the Luxembourg Museum, on a copy of Gozzoli's fresco displayed at the Fogg Art Museum. The article provides context about Benedite’s background, the significance of the fresco, and the circumstances surrounding its creation and display. The layout is typical of a newspaper or magazine article, with no accompanying visuals.

This image shows a scrapbook or journal page with multiple clippings of printed text adhered to the page. The articles appear to come from newspapers or magazines, featuring small articles about art, lectures, and exhibitions. Most of the clippings are in English, with some text in French. The layout has a vintage feel, as the cut-out clippings are affixed unevenly on the page.

Highlights include:

1. Top Left: Headline reading "Famous French Art Critic to Lecture Here," discussing lectures by Mr. Leonce Benedite, a director of the Luxembourg Museum.

2. Center Right: French text announcing a meeting or event.

3. Bottom Center: An article titled "New Painting in Fogg," discussing a new fresco created by Nicholas Lockoff, a reproduction of Gozzoli’s fresco from the Riccardi Palace.

The page is slightly discolored and shows signs of age, with visible wear along the edges. The overall tone reflects archival documentation of historical artistic and academic events.

This image features an open book or scrapbook containing various newspaper clippings. The pages are yellowed with age, suggesting the materials are quite old.

On the left page, at the top, there is a heading that reads "FAMOUS FRENCH ART CRITIC TO LECTURE HERE," followed by details pertaining to a lecture by Mr. Léonce Bénédite, who will give three lectures in Fogg Art Museum. There is mention of Mr. Bénédite being the "Director of Luxembourg Museum," and the article provides some background information on his career and expertise. The text is well-organized into columns and surrounded by margins on all sides.

On the right page, the clipping at the top left corner appears to discuss a salon hosted by "LIEUTENANT COMTE V. DE WERBICKI" and a literary dialogue during the war. Most of the text is in French and relates to a reception held in his honor.

The larger article on the right page, titled "NEW PAINTING IN FOGG," talks about "A COPY OF GOZZOLI'S FRESCO IN RICCARDI PALACE NOW IN LECTURE ROOM DONE BY NICHOLAS LOCHOFF." This article relates to the reproduction of a painting that was done during Christmas vacation and is now displayed in the Fogg Art Museum. There's mention of the original painting in the Medici Palace, now known as the Riccardi Palace, in Florence.

The edges of the pages are frayed and worn, and the top corner of the book is bent backward, slightly obscuring some text. The interior of the book has remained relatively flat, and the printed material is still quite legible. The photograph overall provides a sense of historical research or archival work.

The image shows a scrapbook or a scrapbook-style page containing several newspaper clippings and a printed notice pasted onto a yellowed page. The clippings include articles and announcements written in both English and French.

Key elements on the page:

• On the left side, there is an article titled "FAMOUS FRENCH ART CRITIC TO LECTURE HERE," announcing that Mr. Léonce Bénédite will give three lectures at the Fogg Art Museum in December 1920. The article highlights his background, including his role as director of the Musée du Luxembourg and his significance in the art world.
• Centered on the page is a clipping dated Thursday, January 6, 1921, titled "NEW PAINTING IN FOGG," describing a copy of Gozzoli's fresco in the Riccardi Palace that is now in the lecture room, done by Nicholos Lockoff. The article gives detailed information about the fresco and the artist.
• Above that, there is a smaller piece in French, about a meeting of the Salon Français de Boston scheduled for December 18, 1920.
• On the top right corner, there is another clipping, "TRANSFERRED FRESCO," describing a fresco by Benozzo Gozzoli, which was originally in the Riccardi Palace, Florence, and has been transferred to the Fogg Museum.

The overall tone of the page is historical and art-focused, documenting events and art acquisitions related to the Fogg Art Museum and important figures in the art world during the early 20th century. The page edges are slightly worn and discolored, indicating age.

An aged scrapbook page filled with small newspaper clippings about French art. The page is yellowed and worn, with a handwritten “3” at the top and rough torn edges along the spine. On the left is a column titled “FAMOUS FRENCH ART CRITIC TO LECTURE HERE,” announcing lectures by a French critic (Leonce Benedite) at the Fogg Art Museum. In the center, a larger clipping discusses a new painting in the Fogg, describing a copy of Gozzoli’s fresco in the Riccardi Palace and mentioning Nicholas Lockoff. To the right are several smaller bilingual notices (English and French) about French art events in Boston, including a meeting of the Salon Français de Boston. The clippings are arranged in three vertical blocks, creating a collage-like page of early 20th-century arts news.