Archives Scrapbooks

This image displays an open, vintage scrapbook or binder, held open to reveal two pages filled with newspaper clippings from December 1920.

The content on both pages focuses on the Fogg Art Museum (now part of the Harvard Art Museums) and features notices about the prominent French art historian and museum director, M. Léonce Bénédite.

Left Page

The left page contains three distinct clippings:

1. Top Article: Titled "Newell at the Fogg Museum," this article reviews an exhibition of drawings by Kenneth John Newell. It offers a detailed critique, mentioning his technique, use of color, and influence from artists like Dürer, Goya, and Rembrandt.

2. Middle Article (Dec. 4, 1920): Announces an exhibition of etchings by Rembrandt in the Print Room of the Fogg Art Museum. It describes the exhibition as showcasing the full range of Rembrandt’s subjects, his technical mastery, and different periods of his career, noting that "All of the impressions are very fine."

3. Bottom Article (Dec. 11, 1920): Also about the Rembrandt etchings exhibition, this one is essentially a repeat of the middle article, likely a later clipping or a duplicate notice.

Right Page

The right page features two larger clippings, both centered on M. Léonce Bénédite:

1. Top Article (Dec. 11, 1920): A detailed biographical sketch titled "Léonce Bénédite of Harvard." It introduces him as the Director of the Luxembourg and the Rodin Museum in Paris, who is visiting Harvard to give a series of three lectures at the Fogg Art Museum on "Rodin," "Paris de Charavanes," and "J. F. Millet." The article provides a comprehensive background on his life, including his education, his role in the creation of the Luxembourg Museum, his association with figures like Rodin and Whistler, and his academic honors.

2. Bottom Article (Dec. 16, 1920): Headlined "FRENCH ART CRITIC AT FOGG," this is a more concise announcement. It reiterates that M. Léonce Bénédite, the curator of the "Musée Rodin," is giving the first of a series of lectures that afternoon at 4:30 in the Print Room. It confirms the lecture topics and notes the lectures are open to the public. It also mentions that Bénédite was a close friend of Rodin and will speak in tribute to him, with all proceeds from the lectures going to the "Musée Rodin."

General Observations:

• The scrapbook is bound in a dark reddish-brown or maroon material.
• The pages are aged and yellowed, consistent with their 1920 origin.
• The clippings are meticulously pasted, suggesting a deliberate effort to archive these events.
• The articles were likely collected from The Harvard Crimson, given the subject matter and style.
• An "A" and a "2" are handwritten on the top of the left page, possibly for cataloging.

In essence, the image captures a historical record of cultural events at Harvard a century ago, specifically highlighting the Fogg Art Museum’s programming featuring Rembrandt's work and a visiting French art expert, Léonce Bénédite.

The image appears to be an open book or booklet with several newspaper clippings pasted onto the pages. The clippings are from a publication called "The Harvard Crimson" and contain articles about exhibitions and lectures at the Fogg Art Museum at Harvard University in 1920.

The articles discuss a loan exhibition of original drawings by Kenneth John Conant, talks about a French art critic named Léonce Bénédict giving lectures on Rodin and other artists, and mentions an exhibition of etchings by Rembrandt. The clippings are arranged in a column format, and the text is typed in a clear, readable font. The book has a maroon cover with the word "ARCH" written on the top left corner. The book appears to be aged, with some wear and tear visible on the edges and corners.

This image shows a page from a scrapbook or collection of newspaper clippings related to art exhibitions and lectures at the Fogg Art Museum in December 1920. The page contains several newspaper articles cut out and pasted onto the scrapbook page. Here is a detailed description of each clipping:

1. Top Left Clipping:

   • Title: "Herold At the Fogg Museum"
   • Date: Nov. 7, 1920
   • Content: Discusses a loan exhibition of original drawings by Kenneth John Conant at the Fogg Art Museum, Harvard University, through November 13. The article praises Conant's work and describes his technique in detail.

2. Top Right Clipping:

   • Title: "LEONCE BENEDITE AT HARVARD"
   • Date: Dec. 11, 1920
   • Content: Announces a series of lectures by M. Leonce Benedite, director of the Luxembourg and Rodin Museums in Paris, at the Fogg Art Museum. The lectures are on Rodin, Puvis de Chavannes, and Jean Francois Millet, and they are open to the public.

3. Middle Left Clipping:

   • Title: "FOGG ART MUSEUM"
   • Date: Dec. 4, 1920
   • Content: Announces an exhibition of etchings by Rembrandt in the Print Room of the Fogg Art Museum. The exhibition showcases the artist's range of subjects, mastery of technical processes, and work at different periods of his career.

4. Middle Right Clipping:

   • Title: "FRENCH ART CRITIC AT FOGG"
   • Date: Dec. 16, 1920
   • Content: Provides details about the lectures given by M. Leonce Benedite at the Fogg Art Museum. The lectures cover Rodin, Puvis de Chavannes, and J.F. Millet, and they are given in French and open to the public.

5. Bottom Left Clipping:

   • Title: "Lectures by M. Leonce Benedite"
   • Date: Dec. 11, 1920
   • Content: Reiterates the information about the lectures by M. Leonce Benedite at the Fogg Art Museum, including the dates and subjects of the lectures.

6. Bottom Right Clipping:

   • Title: "FOGG ART MUSEUM"
   • Date: Dec. 11, 1920
   • Content: Repeats the announcement of the Rembrandt etchings exhibition at the Fogg Art Museum.

The scrapbook page has a maroon binding, and the clippings are neatly arranged and pasted onto the page. The text is in English, and the articles provide detailed information about the art exhibitions and lectures at the Fogg Art Museum in December 1920.

A book is open on a table, with the page on the left side featuring a red border. It contains text that is printed on paper, with a few lines of text on the right side. The text is written in black ink, and the page is slightly folded. The page on the right side is blank. The book is placed on a gray surface.

The image shows an open book with two pages displaying black-and-white text. The left page has a heading "FOGG ART MUSEUM" and contains text that reads "Etchings by Rembrandt are now on exhibition in the Print Room of the Fogg Art Museum. They illustrate the entire range of subjects used by the artist, his mastery of the technical processes he employed, and show his work at different periods of his career." The right page has a heading "FRENCH ART CRITIC AT FOGG" and contains text that reads "Lectures by M. Léonce Bénédite, Director of the Luxembourg Galleries and of the Lecture Room Rodin, Paris, will give three lectures in the Lecture Room of the Fogg Art Museum at 4:30 o'clock on the following afternoons." The text is organized in a structured format with headings and subheadings.

The image shows an open book or catalog, likely from the Fogg Art Museum, dated December 1, 1920. The page is divided into two columns of text, with a mix of typed and handwritten annotations. The content appears to be a program or announcement for an exhibition and lectures related to French art.

Key Details Observed:

Left Column:

• Handwritten Annotations:

  • The top of the page has handwritten notes, including the word "FARGO" and some numerical markings, possibly indicating page numbers or cataloging information.
  • There are additional handwritten notes interspersed throughout the text, suggesting someone has marked or highlighted specific sections for reference.

• Typed Text:

  • The main body of text is typed and discusses an exhibition of etchings by Rembrandt at the Fogg Art Museum.
  • The exhibition is noted to be held in the Print Room of the Fogg Art Museum, showcasing Rembrandt's mastery over a range of subjects and technical processes across different periods of his career.
  • The prints are described as being on exhibition for several weeks.

Right Column:

• Typed Text:
  • This section announces a lecture series by M. Léonce Bénédite, the Curator of the Musée Rodin in Paris.
  • The lecture is titled "French Art Critic at Fogg" and is scheduled for Thursday, December 16, at 4:30 p.m. in the Lecture Room of the Musée Rodin at the Fogg Art Museum.
  • The lecture will focus on Rodin, and it is noted that Bénédite will speak in French, with translations available.
  • The text also mentions that the lecture is part of a series, with additional sessions on Monday, December 20, at 4:30 p.m., and Thursday, December 23, at 4:30 p.m., all open to the public.

Design and Layout:

• The page has a classic, formal layout typical of early 20th-century museum catalogs or programs.
• The text is neatly typed in a serif font, with clear headings and subheadings.
• The handwritten notes add a personal touch, indicating that the book may have been used by a researcher, curator, or visitor to the museum.

Overall Impression:

The image depicts a historical document from the Fogg Art Museum, serving as both an exhibition announcement and a lecture schedule. The combination of typed content and handwritten annotations suggests active engagement with the material, possibly for research or planning purposes. The focus on Rembrandt's etchings and Rodin's art highlights the museum's emphasis on European masters during this period.

This is an image of a page from what appears to be a scrapbook or album, containing several articles and clippings related to art exhibitions and lectures. The articles are pasted onto the page, and the text appears to focus on events and notable personalities associated with the Fogg Art Museum and other art institutions.

Some prominent features of the page:

1. Top-left section: A detailed article discussing an exhibition, likely at the Fogg Museum, with an emphasis on the works of a specific artist and detailed commentary on the display.
2. Top-right section: Another long article entitled “Léonce Bénédite at Harvard,” discussing the involvement of M. Léonce Bénédite, presumably a French art critic or director, and events at the Fogg Museum.
3. Bottom-left section: Smaller clippings announcing exhibits of etchings by Rembrandt and scheduled public lectures by Léonce Bénédite, the curator of the Musée Rodin.
4. Bottom-right section: Another small notice highlighting a lecture series about French art and works, explicitly addressing the collaboration between art critics and institutions.

The page has an aged aesthetic, with browned edges of the clippings signifying historical content. Text is organized, legible, and neatly arranged, consistent with archival or memory preservation practices.

The image depicts an open book or journal with two visible pages containing printed text. These pages seem to contain articles or announcements related to art and museum exhibitions. At the top of the left page, there is a heading that reads "FOGG ART MUSEUM" with a subheading containing the date "Nov. 6, 1924." Below it, an article describes an exhibition of etchings by Rembrandt at the Fogg Art Museum, mentioning the techniques and historical significance of the artist's work. The exhibition seems to focus on showcasing the distinct stages of Rembrandt's etching process.

The right page features several smaller articles or notices, with one titled "FRENCH ART CRITIC AT FOGG" describing a series of lectures provided by a French art critic at the Fogg Art Museum.

Additionally, there are small annotations in what appears to be pencil, indicating corrections or notes made by a reader. Overall, the image provides a historical context for the art-related activities and academic discussions taking place at the Fogg Art Museum in 1924.

This image shows a scrapbook page with multiple newspaper clippings and articles pasted on it. The clippings are about art exhibitions and lectures, most notably involving the Fogg Art Museum and Léonce Benedite, the director of the Luxembourg Gallery and the Musée Rodin in Paris.

Key points observed:

• Articles are dated around 1920.
• Several clippings mention exhibitions of etchings by Rembrandt at the Fogg Art Museum.
• Léonce Benedite is highlighted as a notable figure, with references to his lectures at the Fogg Art Museum and his role as Director of the Luxembourg Gallery and Musée Rodin.
• Topics covered include architectural drawings, Rembrandt etchings, and Rodin art exhibitions.
• The articles describe lecture schedules, public exhibitions, and Benedite’s credentials and contributions to the art world.
• The newspaper clippings are arranged somewhat methodically with handwritten date annotations next to some.

Overall, this page appears to document early 20th-century art events and notable figures associated with the Fogg Art Museum and European art institutions.

• A page from an old bound book or scrapbook with a red cover spine.
• The page is yellowed and shows several small newspaper-style clippings glued to it.
• At the top are two tall, narrow clippings arranged side by side; below them are several shorter rectangular notices.
• The clippings are about art museum exhibitions and lectures, notably references to the Fogg Art Museum (Fog g Art Museum) and Rembrandt etchings, as well as other lecture notices.
• The text is dense and in serif type, with aging and slight fraying at the edges.
• A page number (looks like “2”) is handwritten near the top.
• Overall, it’s a vintage collage of exhibition notices embedded in a book.