Archives Scrapbooks

The image appears to be a page from a newspaper, specifically from "The Harvard Crimson," dated May 8, 1920, and May 15, 1920. It contains several articles and announcements related to the Fogg Art Museum at Harvard University during the early 20th century.

1. Announcement of Lectures on Ancient Art:

   • The first section mentions a lecture titled "Mnesicles and Callimachus, Architects" by Mr. William B. Dinsmoor of Columbia University, scheduled for Friday, May 14, at 4:30 PM in the Fogg Art Museum.

2. Ribera's "Saint Jerome":

   • The central part of the page discusses the acquisition and exhibition of Ribera's "Saint Jerome," a painting secured by Mr. Sachs and paid for by a friend of the museum. The painting, dated 1640, is described as a fine example of the Spanish master's work and is compared to the style of Edouard Manet. The painting was formerly in the Pourtalès and Baron Léon de Bersières collections.

3. Reopening of the Gallery:

   • The announcement notes that the gallery of medieval and Renaissance paintings is reopening after a complete rearrangement. The reopening will be marked by an interesting exhibit of drawings by old and modern masters and notable engravings in the print room. The recently made charcoal sketch portrait of President Lowell by John Singer Sargent will also be exhibited, along with rare drawings by Rembrandt, Dürer, Ferdinand Bol, and Perugino, and a choice group of old illuminated manuscripts.

4. Lecture on "The Fine Arts as a Career":

   • On Friday, May 21, at 8 PM, Professor Frank Jewett Mather, Jr., of Princeton University, will give a lecture titled "The Fine Arts as a Career." The lecture will be held in the Lecture Room of the Fogg Art Museum and will be open to all members of the University and the public. It is part of a series of lectures aimed at bringing into closer relationship students working in different fields of art.

5. New Masterpiece in Fogg:

   • The Crimson article from May 15, 1920, describes the recent acquisition of a monumental painting of Saint Jerome, which is considered the artist's best work. The painting is noted for its realistic rendering, dignified figure, and fine handling of flesh, recalling the Apostles in the Prado and the Saint Jerome in the Naples Gallery. The painting is signed and dated 1640 and is installed in the Gallery of Mediaeval and Renaissance Paintings.

6. Other Artworks:

   • The page also mentions other artworks, including a head attributed to Palma Vecchio, a "Diana" by Tintoretto, and a panel by Simone Martini, among others, that have been acquired or are on exhibit.

The page is slightly aged and shows signs of wear, with some stains and tears, indicating its historical significance.

This is a vintage scrapbook page or clippings of articles from the Harvard University Gazette in 1920, centered around art and cultural events at the Fogg Art Museum in May of that year. The page is aged with a yellowish-brown tone, indicating its age and historical context.

Key contents and layout:

1. Top Left Corner:

   • A vertical clipping announces a lecture titled "Recent Discoveries in Dynamic Symmetry," by Mr. Jay Hambidge on May 12, 1920, at the Fogg Art Museum. The layout is neat, with the text aligned vertically along the edge.

2. Central Articles:

   • A large section focuses on the Fogg Art Museum's reopening of its medieval and Renaissance painting gallery.
     • The article mentions a new artwork by Jusepe de Ribera titled "Saint Jerome," dated 1640, which has been reorganized in the gallery.
     • The piece describes the painting's style and Ribera's historical importance, comparing it to later artists like Édouard Manet.
     • Other acquisitions and loans are mentioned, including works by Van der Weyden and Geraad David.
   • The article also highlights a lecture by Mr. William B. Dinsmoor on May 14, 1920, about ancient architecture at the Fogg Art Museum.

3. Lower Central Article:

   • A notice about a new masterpiece acquired by the Fogg Art Museum: Ribera's "Saint Jerome." It reiterates the significance and quality of the painting and its historical context.
   • The article also mentions the recent reopening of the gallery and the display of President Lowell’s charcoal portrait by John Singer Sargent.

4. Right Column:

   • A clipping announces a lecture titled "The Fine Arts as a Career," presented by Professor Frank Jewett Mather, Jr., of Princeton University, on May 21, 1920, at the Fogg Art Museum.
     • The lecture is part of a series organized by departments of Fine Arts, Dramatic Literature, and Music, aimed at students and the public.
   • Another clipping below it lists a second lecture on ancient art by William B. Dinsmoor on May 17, 1920.

5. Annotations:

   • Handwritten notes are present, likely added by the compiler of the scrapbook, such as dates and transcriptions. For example, "Gazette May 8, 1920" is noted at the top.

Overall Impression:

This page offers a snapshot of early 20th-century academic and cultural life at Harvard, focusing on art history, lectures, and new acquisitions at the Fogg Art Museum. It reflects an interest in preserving and sharing knowledge about art and history, with a focus on prominent artists and classical works.

This image displays a weathered, yellowed clipping from the Boston Gazette, dated May 8, 1920, detailing upcoming cultural events at Harvard University’s Fogg Art Museum. The clipping, showing signs of age with brown stains and worn, torn edges, primarily advertises a series of lectures on ancient art and the museum’s re-opening after renovations.

Key events advertised include:

• Lecture Series on Ancient Art: Scheduled for Friday, May 14, and Monday, May 17, at 4:30 p.m. in the Fogg Art Museum. The speaker is Mr. William B. Dinsmoor of Columbia University, who will discuss “Mnesicles and Callimachus, Architects” (May 14) and “Rebuilding the Acropolis at Athens” (May 17).

• Re-opening of the Fogg Art Museum: Announced for Friday, May 14, from 3 to 5 p.m. The event features a newly acquired monumental painting, Ribera’s “Saint Jerome”, which is highlighted in its own article dated May 8, 1920. The text describes the painting as a masterpiece, noting its realistic rendering, deep shadows, and brilliant flesh tones. The article mentions Ribera’s nickname “lo Spagnuolo” and compares this work favorably to his other known pieces, such as those in the Prado and Naples.

• Lecture on “The Fine Arts as a Career”: Scheduled for Friday, May 21, at 8:00 p.m. in the Lecture Room of the Fogg Art Museum. The speaker is Professor Frank Jewett Mather, Jr., of Princeton University, under the auspices of the Departments of Fine Arts, Dramatic Literature, and Music. The lecture is open to the public and University members.

The clipping also includes smaller announcements for a lecture on May 12 (“Recent Discoveries in Dynamic Symmetry,” by Mr. Jay Hambridge) and mentions a charcoal sketch portrait of President Lowell by John Singer Sargent — which is “now on exhibition” — alongside other old illuminated manuscripts and drawings.

The layout of the clipping is fragmented, with multiple newspaper columns cut and pasted together, creating an overlapping, collage-like effect. The text is in a classic serif font typical of early 20th-century newspapers, and the various articles are dated with small captions such as “Gazette. May 8, 1920” or “Gazette. May 15, 1920.”

Overall, the clipping serves as a historical artifact documenting early 20th-century art education, museum culture, and public engagement with fine arts at Harvard University.

Note: The OCR provided contains a few inaccuracies, like “Mniesicles” instead of “Mnesicles,” “Callimachus,” and “Riberan,” misread as “Ribera” (which is correct, as the painter’s name is Jusepe de Ribera, often referred to as Ribera). The text in the image is otherwise accurately rendered in the description above.

The image shows a page from an old newspaper with text printed on it. The page appears to be from the year 1920, as indicated by the date mentioned in the top left corner. The text is printed in black ink on a yellowed, aged paper. The page contains several columns of text, including headings and subheadings. The text appears to be an article about an exhibition of medieval and Renaissance paintings at the Fogg Art Museum of Harvard University. The article mentions the opening of the gallery, the artist Ribera, and the paintings on display.

The image depicts a page from a newspaper or magazine, dated May 14, 1920. The page is filled with various articles and announcements, suggesting it is a section dedicated to cultural and artistic events. The layout is typical of early 20th-century publications, with multiple columns and a mix of headlines and body text.

At the top of the page, there is a headline that reads "RIBERA'S 'SAINT JEROME'" followed by a subheading that mentions "Feature of Re-opening of Gallery of Medieval and Renaissance Paintings after a complete rearrangement." This article likely discusses the reopening of a gallery, highlighting a particular painting by Ribera as a centerpiece.

Below this, there is another headline that reads "New Masterpiece in Fogg Art Museum." This article seems to announce the acquisition of a new artwork by the Fogg Art Museum, indicating its significance and possibly providing details about the piece.

Further down the page, there is an announcement for "Lectures on Ancient Art" by Mr. William B. Dinsmoor, scheduled for May 21 at 4:30 PM. This suggests an educational event aimed at discussing ancient art, possibly part of a series or a special program.

Another section of the page features an article about "Fine Arts as a Career," with a lecture by Professor Frank Jewett Mather Jr. of Princeton University, scheduled for May 15 at 8:00 PM. This article likely provides insights into pursuing a career in the fine arts, possibly aimed at students or aspiring artists.

The page also includes smaller articles and announcements, such as details about an exhibit of old engravings, a lecture on "The Fine Arts," and other cultural events. The overall theme of the page is the promotion of art and cultural education, with a focus on both historical and contemporary artistic endeavors.

The text is printed in a serif font, typical of the period, and the page has a slightly aged appearance, with some discoloration and wear, indicating its historical nature. The layout is dense, with multiple articles vying for attention, reflecting the rich cultural scene of the time.

The image depicts a historical document, likely a page from a museum bulletin or newsletter, dated Friday, May 14, 1920. The document is titled "Fogg Museum of Art, Harvard University" and appears to be a program or announcement for lectures and events related to art. The content is organized into several sections, each detailing upcoming lectures, exhibitions, and notable acquisitions.

Key Elements of the Document:

1. Header Information:

• Date: Friday, May 14, 1920.
• Title: "Lectures on Ancient Art."
• Event Details: The first lecture is titled "Mneseides and Callimachus, Architects", delivered by Mr. William B. Dinsmoor of Columbia University. It is scheduled for 4:30 P.M. at the Fogg Art Museum.

2. Main Content:

• Lecture on "Saint Jerome" by Ribiera:
  • The document announces the reopening of the Fogg Art Museum after a complete rearrangement of paintings.
  • A significant feature of the reopening is the acquisition of a painting by Ribiera, titled "Saint Jerome."
  • The painting is described as a resplendent example of the artist's work, featuring the saint in a meditative pose, holding a skull in one hand and a stone in the other.
  • The document highlights the modern realism and technical mastery of Ribiera, noting his influence on artists such as Velázquez.
  • The painting is part of the Portatile collection, acquired through the generosity of Mr. Sachs, a friend of the museum.

3. Additional Lectures:

• Lecture on Fine Arts as a Career:
  • Scheduled for Friday evening, May 21, at 8 o'clock.
  • Delivered by Professor Frank Jewett Matthiessen of Princeton University.
  • The lecture will take place in the Lecture Room of the Fogg Art Museum and is open to the public.

4. New Masterpiece in the Fogg Gallery:

• The document announces the recent acquisition of a monumental painting of Saint Jerome by the Spanish master Ribiera.
  • The painting is noted for its overemphasis on detail, exaggerated features, and dramatic use of light and shadow.
  • It is compared to works by artists such as Rembrandt and Van Dyck, emphasizing its historical and artistic significance.
  • The painting is part of the Praeger Gallery and is now on display in the Praeger and Saint Jerome Room of the Fogg Art Museum.

5. Layout and Design:

• The document is formatted in a typewritten style, typical of early 20th-century printed materials.
• It includes handwritten annotations in the margins, such as:
  • "Lecture on Ancient Art" and "Lectures on Ancient Art" written vertically along the left margin.
  • "May 14, 1920" and "May 15, 1920" noted in the top right corner.
  • Other marginalia, such as "Mr. Jay Havemeyer" and "Page 8, 1920", suggest it may have been part of a larger collection or archive.

6. Visual Condition:

• The document appears aged, with yellowed paper and faint stains, indicating its historical nature.
• The text is clear and legible, though some areas show slight wear or discoloration.

Overall Context:

The document serves as an artistic and educational announcement, highlighting the Fogg Art Museum's role in showcasing significant artworks and hosting lectures on art history and theory. It reflects the cultural and academic environment of early 20th-century America, emphasizing the museum's commitment to art education and the acquisition of important masterpieces. The inclusion of detailed descriptions and comparisons to other artists underscores the museum's effort to engage the public with art history and criticism.

An archival collage of old newspaper clippings mounted on orange-brown backing paper. The clippings are about art lectures and museum exhibitions from May 1920, with headlines such as Ribera’s “Saint Jerome” and notes about new acquisitions at the Fogg Art Museum (Harvard). The pieces are torn and arranged in a loose grid, with dense columns of text in black print. The overall look is vintage and documentary, like a scrapbook page from an art history display. The top margins show date lines (e.g., Lafayette, May 8, 1920; Friday, May 14) and other event details.

This image shows a vintage newspaper or magazine clipping mounted on a textured orange-toned backing. The document contains typed text arranged in multiple columns. The content seems to be related to art, possibly exhibitions, museums, and lectures. Each section elaborates on different events, lectures, and reviews, specifically related to art and architecture during May 1920.

Handwritten notes are visible in black ink, dating the subjects and events mentioned in the text (e.g., "May 14, 1920" and "May 15, 1920"). Larger text headings, such as "Lecture on The Fine Arts as Career" and "New Masterpiece in Fogg," give insight into the type of content—discussing art appreciation, museum acquisitions, and cultural events. Several references are made to specific artists, museums like the Fogg Art Museum, and scholars/luminaries involved in art and architecture.

The piece also contains smaller cut-out sections of text that seem to have been pasted onto the main surface. These additional clippings provide related information, possibly regarding other lectures or exhibitions. The overall presentation is archival and historical in nature.

The image you've provided is a photograph of a page from a periodical or newspaper. The top of the document has the title "Exhibition" followed by the date "Friday, May 5, 1940." Several articles are visible on the page, mainly pertaining to art exhibitions, lectures, and artifacts.

One of the highlighted articles is titled "RIBERA'S 'SAINT JEROME' Feature of Re-opening of Gallery of Medieval and Renaissance Paintings in the Fogg Art Museum." This article discusses details regarding the artwork by the Spanish master Ribera and its display at the Fogg Art Museum.

Another prominent article, "New Masterpiece in Fogg," dated "Thursday, May 2, 1940," also describes a recent acquisition by the Fogg Art Museum, again referring to Ribera's portrayal of Saint Jerome, commending its realistic restoration and elaborate display.

The articles are indicative of events related to fine arts and museum exhibitions, suggesting that the page likely originates from a newspaper that has a focus on cultural events or an arts section. The page is slightly worn, with the top right corner torn, indicating that the paper has aged and possibly been archived or kept as a memento.

The image shows an aged scrapbook page or a collage of newspaper clippings, dated around May 1920. The clippings are about lectures and exhibitions at the Fogg Art Museum, Harvard University. Events include:

1. A lecture titled "Mnesicles and Callimachus, Architects" by Mr. William B. Dinsmoor of Columbia University, scheduled for Friday, May 14, 1920, at 4:30 p.m.
2. Details about an event featuring Ribera's "Saint Jerome" on May 17, 1920, as part of the gallery of Medieval and Renaissance Paintings in the Fogg Art Museum. The clipping describes the painting and the significance of its acquisition.
3. Information on a lecture titled "The Fine Arts as Career" by Professor Frank Jewett Mather Jr. of Princeton University, scheduled for Friday evening, May 21, 1920, at eight o'clock.
4. An announcement about a new masterpiece in Fogg, referring to the recent acquisition of Ribera's monumental painting of Saint Jerome.

The page includes handwritten notes of dates and titles, indicating careful archival of the historical events and exhibitions at a prominent art museum.