Archives Scrapbooks

The image appears to be a photograph of a collection of newspaper clippings and handwritten notes, seemingly related to the history and activities of the Fogg Art Museum at Harvard University. The documents are dated and provide information about various exhibitions, artworks, and historical events involving the museum. Here's a breakdown:

1. Handwritten Notes:

   • There is a handwritten note on a piece of paper indicating "Museum Work March 1920" and "Page 168," followed by the title "Fogg Art Museum Harvard University Blake Exhibition." This suggests the notes are part of a research or exhibition record.

2. Newspaper Clippings:

   • There are several clippings referencing the Fogg Art Museum.
   • One clipping dated "Transcript, Feb. 28, 1920" discusses a painting in the museum by Pietro Lorenzetti, an artist from Siena in the 14th century.
   • Another clipping dated "March 9, 1920" talks about A.K. Porter, a professor of fine arts at Yale University, being appointed as a professor at the Fogg Art Museum.
   • A clipping dated "March 20, 1920" discusses a drawing by Dürer titled "The Designer of the Lute."
   • Another clipping dated "March 18, 1920" mentions "Leaves of Absence" for Harvard Alumni, detailing the leave of absence for Assistant Professor Paul J. Sachs to work on research for the museum.
   • A clipping dated "March 27, 1920" talks about a panel representing the Madonna and Child by Neroccio di Landi.
   • A clipping dated "April 9, 1920" discusses a Sienese relief at the Fogg Museum.

3. Layout:

   • The documents are arranged in a somewhat scattered manner, with some overlapping and others standing upright.
   • The handwriting and print are legible and provide context for the activities and exhibitions at the Fogg Art Museum during the 1920s.

The collection seems to be a historical record of the museum's activities, with a focus on its exhibitions, acquisitions, and the contributions of notable scholars and artists.

The image is a collage of various newspaper clippings and handwritten notes, likely related to art and museum exhibitions in 1920. The clippings are arranged on a brown paper background and are dated between February 28, 1920, and April 9, 1920. The central and largest clipping announces the appointment of A. K. Porter as a Professor of Fine Arts at Yale, highlighting his expertise in mediaeval architecture. Other clippings discuss exhibitions at the Fogg Art Museum, including a small pinnacle of an altarpiece by Pietro Lorenzetti and a brown ink drawing by Dürer. There is also a note about A. K. Porter's research and teaching background, mentioning his studies and travels in Europe and his connection with the French Government during the war. Additionally, there are mentions of other professors and their appointments or leaves of absence, such as Paul J. Sachs, Henry A. Yeomans, Francis W. Peabody, Oakes Ames, and Robert F. Foerster. The handwritten notes include a reference to a Blake Exhibition at Harvard University and a mention of the exhibition of works by Neroccio di Landi and Francesco di Giorgio. The overall theme seems to be the art world and academic appointments in the early 1920s.

This image displays a single, aged, light-brown or tan paper scrapbook page, likely from the early 20th century, enclosed in a clear protective sleeve. The page is a collage of several newspaper clippings and a single handwritten note, all mounted together.

Here is a detailed description of the page’s contents:

Overall Layout:
The page is arranged with several rectangular newspaper clippings, most featuring a yellowed, aging paper tone and black print. Some have visible headlines and bylines, including the masthead “Transcript” with dates from March 1920. A large, vertically oriented white piece of paper with handwritten text is positioned on the left side.

Handwritten Note (Left Side):
Mounted vertically on the left is a white piece of paper with black cursive handwriting. It reads:

Museum Sketh
March 1920.
Page 168.
[Illegible signature or title]
Fogg Art Museum
Harvard University
Blake Exhibition

This appears to be a label or notation from the museum’s records, likely indicating this scrapbook page was compiled for the “Blake Exhibition” at the Fogg Art Museum in March 1920 and corresponds to page 168 of an internal document or catalog.

Newspaper Clippings:

1. Upper Left Clipping (Transcript, Feb. 28, 1920):

   • Headline: “A small pinnacle of an altarpiece, representing the Crucifixion, by Pietro Lorenzetti...”
   • Discusses a 14th-century painting by Pietro Lorenzetti recently acquired by the Fogg Art Museum. It describes the painting’s emotional and dramatic qualities, the figures (Mary, Magdalen, St. John), and mentions its previous attribution to the Royal Academy in London in 1879. It notes the vivid colors: bright red, blue, and orange yellow.

2. Upper Center Clipping (Cameron, March 1920):

   • Headline: “A. K. PORTER APPOINTED PROFESSOR OF FINE ARTS”
   • Announces the appointment of A. Kingsley Porter as Professor of Fine Arts at Yale University. It details his background: graduate of Yale in 1904, studied at the School of Architecture at Columbia, traveled in Europe, served as a lecturer and assistant professor at Yale since 1915. He is noted as a leading American authority on mediaeval architecture, singled out by the French government to assist in post-WWI reconstruction in France. The article mentions his research will be embodied in a future book and that he will continue his research at Harvard.

3. Upper Right Clipping (Transcript, March 24, 1920):

   • Headline: “Among the early prints and drawings now on exhibition at the Fogg Art Museum...”
   • Describes a brown ink drawing by “Direr” (likely Dürer), titled “The Designer of the Lute.” It explains the drawing’s technical interest as a demonstration of perspective drawing techniques — using a string and frame to transfer a 3D scene onto a flat panel.

4. Center Right Box (White Background):

   • Headline: “LEAVES OF ABSENCE”
   • Mentions Assistant Professor Paul J. Sachs, Associate Director of the Fogg Art Museum, who has been granted leave to collect works of art in Europe for the museum’s second half-year. Also mentions Professor Henry A. Yeomans has been extended leave to cover the second half year to serve as Exchange Professor from Harvard to the Provincial Universities of France. It notes he was previously serving as Exchange Professor at the University of Paris.

5. Lower Right Clippings:

   • Clipping 1 (Transcript, March 27, 1920): Headline: “ON EXHIBITION AT FOGG ART MUSEUM.” Describes a small painting by Mr. J. Templeman Coolidge, representing the Madonna and Child, attributed to the Sienese master Neroccio. Notes Neroccio was active in the late 15th century and was a sculptor and painter.
   • Clipping 2 (Transcript, April 7, 1920): Headline: “Sienese Relief at Fogg Museum.” Describes a temporary loan of a relief of the Madonna and Child, likely a work by a Sienese master under Donatello’s influence. Notes the child’s head lacks the passion of earlier works but retains the “poetic tenderness of feeling” characteristic of the Sienese masters of the 15th century. Also mentions “The double lines of the lady drapery are characteristic of Sienese work.”

6. Lower Center Clipping (Bottom):

   • Partially obscured and difficult to read, but mentions “Sienese Relief” and “Fogg Art Museum.” It may reference the same artifact or discuss additional details about the exhibition.

Overall Context:
This scrapbook page serves as a historical artifact documenting the activities and acquisitions of the Fogg Art Museum at Harvard University in early 1920. The content includes news of new museum acquisitions (Lorenzetti painting, Dürer drawing, Neroccio painting, Sienese relief), faculty appointments and leaves (Porter at Yale, Sachs and Yeomans at Harvard), and exhibition updates (the “Blake Exhibition”). The handwritten label confirms its origin as a museum record.

The page provides a vivid snapshot of the scholarly and curatorial world of an American university art museum during the early 20th century, highlighting its international connections, focus on medieval and Renaissance art, and the active role of its staff in both academia and art collection.

The image shows a collage of newspaper clippings and handwritten notes, likely from the early 20th century. The clippings appear to be related to the Fogg Art Museum at Harvard University, featuring articles about the museum's exhibitions, acquisitions, and personnel. The handwritten notes are in different fonts and styles, suggesting they may be from various sources or individuals. The image has a slightly blurry effect, adding to the sense of nostalgia and historical context.

The image shows a page of a newspaper with several articles and news pieces. The articles are printed in black ink on a beige background. The newspaper page has a collage-like appearance, with different articles and headlines arranged in a somewhat haphazard manner. Some of the articles are partially visible, while others are cut off or partially obscured. The text is printed in various fonts and sizes, with some headlines in bold and others in smaller, more standard fonts. The overall impression is of a busy and information-rich page, with a variety of news stories and updates presented to the reader.

The image shows a scanned document that appears to be a page from the Fogg Art Museum's archives, dated March 18, 1920. The document is a transcript or typed record, likely from a museum or academic context, and is preserved in a protective sleeve. Here is a detailed description:

Content Overview:

The page is divided into several sections, each discussing different topics related to art, exhibitions, and appointments. The text is typed, with handwritten annotations and signatures visible.

Left Column:

• Title/Heading: "A small painted head of a Carved Bodin Head, which may be assigned to the 10th-12th century."
  • This section describes an artifact—a small painted head of a carved bodin head—on exhibition at the Fogg Art Museum. It mentions that the head represents the simplicity and grace of its modeling and is likely from the 10th–12th century.
  • The head is noted to be in good condition, with some details such as the face missing but the overall expression still intact.
  • The artifact is part of a collection and is described as being supported by one of the three great collectors of the Great Period.

Center Column:

• Title/Heading: "A. K. PORTER APPOINTED PROFESSOR OF FINE ARTS AT MEDIEVAL ARCHITECTURE ON PASTEUR LECTURE."
  • This section announces the appointment of A. Kingsley Porter as Assistant Professor of Medieval Architecture at Yale University.
  • Porter is noted as a leading American authority on medieval architecture, having accepted an appointment at Yale as Assistant Professor of the History of Art.
  • He has been appointed to teach a course on medieval architecture, which he has developed and refined over years of study and travel in Europe.
  • Porter is also the author of several works on medieval architecture and is considered a leading scholar in the field.
  • The appointment is significant, as Porter is expected to continue his research on medieval architecture, which has made him one of the world’s leading authorities in the subject.

Right Column:

• Title/Heading: "LEAVES OF ABSENCE."

  • This section discusses the grant of leave of absence for Henry A. Sachs, who is the Assistant Director of the Fogg Art Museum.
  • Sachs has been granted a leave of absence for the second half of the academic year to conduct research in Europe for the Museum of Fine Arts.
  • The leave is intended to allow Sachs to continue his work on the second volume of the Provincial Exchange Professor series, which he has been serving as an exchange professor at the University of Paris.
  • The leave is effective from March 18, 1920.

• Additional Notes:

  • The section also mentions an exhibition at the Fogg Art Museum featuring works by Nowell Coolidge, representing the Madonna and Child, and Landi, an artist from the 16th century.
  • Another artist, Francesco di Giorgio, is noted for his work in the 15th century, with a small panel by him on display.

• Handwritten Annotations:

  • There are handwritten notes and signatures on the page, including:
    • "Museum Note" with the date March 1920.
    • "Page 168" indicating the page number.
    • "Fogg Art Museum" and "Harvard University" written in cursive.
    • "Blanche Exhibition" is also noted, possibly referring to an exhibition or event.

Visual Elements:

• The document is typed on aged, light-brown paper, giving it a historical appearance.
• The text is neatly organized into columns, with clear headings and subheadings.
• Handwritten notes and signatures are visible, suggesting the document was used for record-keeping or annotation purposes.
• The page is encapsulated in a protective sleeve, likely for preservation.

Contextual Clues:

• The document reflects early 20th-century academic and museum practices, with a focus on art history, exhibitions, and faculty appointments.
• The mention of Yale University, Harvard University, and the Fogg Art Museum situates the document within an elite academic and cultural environment.
• The detailed descriptions of artworks and appointments suggest the document was part of an official record or newsletter.

Conclusion:

This image depicts a historical document from the Fogg Art Museum, dated March 18, 1920, detailing an exhibition of a medieval bodin head, the appointment of A. Kingsley Porter as a professor of medieval architecture at Yale, and the grant of leave of absence for Henry A. Sachs to conduct research in Europe. The document includes typed content with handwritten annotations, reflecting its use in an academic and museum setting.

• It’s a scrapbook page with aged, brown/orange paper backing.
• The center features a long clipping headed “A. K. Porter Appointed Professor of Fine Arts” with details about his background (authority on medieval architecture) and university positions, framed by smaller text blocks.
• Surrounding the center are several smaller newspaper clippings with headings such as “Leaves of Absence,” “Exhibitions,” and other museum/academic notes.
• On the left is a white card with handwritten notes that read something like “Museum News March 1920. Page 168. Blake Exhibition.”
• The page shows signs of age (torn edges, dense small-type print) and appears to be a page from a 1920s-era scrap or clipping book about the Fogg Art Museum/Harvard.

This image is a photograph of a scrapbook page containing several clipped articles and handwritten notes. The articles are typed and cut from newspapers or publications, pasted onto a brown backing paper, possibly aged or discolored with time. Some focused themes include academic appointments, exhibitions, or writings about fine arts and architecture.

Notable article headlines include "A.K. Porter Appointed Professor of Fine Arts," with details about his expertise and academic position, and smaller articles on topics such as architecture and art history. Handwritten annotations in black ink can be seen on the page, providing additional context like "Museum Work, March 1920" and other descriptive notes or references.

The clippings are arranged to maximize the use of space and are from different sizes and sources. The paper itself shows some signs of wear, with slightly torn edges and a vintage aesthetic.

This is an image of a collection of newspaper clippings pasted onto a piece of paper or cardboard. The clippings appear to be from different articles, as indicated by various headings and typesetting styles. Some of the headlines that can be read are "A. K. Porter Appointed Professor of Fine Arts" and "Leaves of Absence". The articles pertain to academic appointments, leaves, museum exhibits, and artistic reviews.

It looks like an archival document, as indicated by the handwritten notes at the edges such as "Museum Loan - March 19, 20," "Page 168," "Title page Art Museum Harvard University" and "Baker Collection." These notes suggest that the clippings were assembled for specific record-keeping or research purposes related to a museum loan and possibly associated with Harvard University and a Baker Collection.

The image shows a scrapbook page containing various vintage newspaper clippings. The articles are mostly related to art and academic appointments.

1. The central clipping announces that A. K. Porter has been appointed Professor of Fine Arts. It highlights his authority on medieval architecture and notes his present position as a lecturer at Yale.

2. Adjacent clippings include:

   • Details of Porter's professional background, mentioning his studies and travels in Europe.
   • A transcription from March 8, 1920, discussing the impact of a piece of architecture representing the Crucifixion by Pietro Lorenzetti.
   • A note about several individuals being granted leave of absence from their academic roles, relevant to March 9, 1920.
   • Further research notes regarding medieval architecture expected to be continued by Porter at Harvard.
   • Additional information pertaining to art exhibitions and Harvard Museum activities.

3. There is a handwritten note stating "Museum Work, March 1920, Page 168. Fogg Art Museum Harvard University Blake addition."

4. Overall, the page is yellowed with age, and the clippings are various sizes, carefully arranged to fit within the scrapbook's layout. Some clippings are annotated with handwritten notes indicating the source or date.