Archives Scrapbooks

The image shows a collage of various newspaper clippings and a handwritten note, all related to the Fogg Art Museum and its staff. Here's a detailed summary of each section:

1. Top Left Clipping (March 8, 1920):

   • A small monogram by an artist named Lovis Corinth, featuring a crucifixion scene, was acquired by the Fogg Art Museum. The monogram is described as a masterpiece, with intricate and expressive work.

2. Top Center Clipping (March 7, 1920):

   • A. Kingsley Porter, an authority on Medieval Architecture, was appointed Professor of Fine Arts at Harvard. Porter, who studied at Yale and Harvard, is known for his research on Medieval and Romanesque architecture and has published several books.

3. Top Right Clipping (March 21, 1920):

   • The Fogg Art Museum received a painting by the French artist Eugène Delacroix, titled "Entry of the Crusaders into Constantinople." The painting was part of a private collection and was gifted to the museum.

4. Center Left Handwritten Note (March 1920):

   • A note addressed to the Fogg Art Museum from Howard Mumford, mentioning Blake Gibbons.

5. Center Right Clipping (March 12, 1920):

   • A notice about an exhibition of Chinese paintings at the Fogg Art Museum. The paintings are from the collection of Professor Langdon Warner, who is known for his work in Chinese art.

6. Bottom Left Clipping (March 17, 1920):

   • A notice about an exhibition of modern French paintings at the Fogg Art Museum. The exhibition includes works by artists such as Matisse, Picasso, and others.

7. Bottom Right Clipping (March 18, 1920):

   • A notice about a lecture by Professor Paul J. Sachs on the history of art collecting. Sachs is an assistant director at the Fogg Art Museum and is known for his expertise in art history.

The clippings and note collectively highlight the activities, acquisitions, and events at the Fogg Art Museum during March 1920, showcasing its role in art education and preservation.

The image depicts a page from a newspaper clipping or a magazine, dated March 1920, featuring various articles from different sections. Here's a detailed summary of the contents:

1. Top Left Article:

   • Title: "Templeton Exhibit at the Fogg Art Museum"
   • Content: This article discusses a small exhibit representing the Crucifixion, featuring Pietro Lorenzetti's work. The painting is described as a characteristic work of the 14th-century Sienese school, with a vivid depiction of the Crucifixion scene.

2. Top Middle Article:

   • Title: "A. K. Porter Appointed Professor of Fine Arts"
   • Content: This piece announces that A. Kingsley Porter, known for his work on medieval architecture, has been appointed to the position of Professor of Fine Arts at Yale University. His previous roles include Assistant Professor of the History of Art at Yale and Assistant Professor of Art and Design at Columbia.

3. Top Right Article:

   • Title: "Leaves of Absence"
   • Content: Discusses the absences of Henry Yarnams and other staff members. Specifically mentions Henry Yarnams' leave of absence from Harvard University to work on the Museum of Fine Arts in Paris.

4. Center Left Article:

   • Title: "Museum Notes"
   • Content: Notes on various exhibits and events at the Fogg Art Museum, such as the placement of an ancient head sculpture in the 10th-11th century and the presence of a particular piece of art.

5. Center Right Article:

   • Title: "Templeton Collection at Fogg Art Museum"
   • Content: Discusses the Templeton Collection, highlighting pieces from the 13th century, including a work by Sienese artist Simone Martini.

6. Bottom Left Clipping:

   • Title: (Not fully legible, but seems related to an event or specific museum note)
   • Content: Describes the exhibition of a Greek head sculpture, detailing its simplicity and the artist's skill in modeling.

7. Bottom Right Clipping:

   • Title: "Sienese Relief at Fogg Museum"
   • Content: Mentions a temporary loan from the Fogg Art Museum's collection of a relief by Simone Martini, known for its detailed craftsmanship and historical significance.

The page also includes handwritten notes and annotations, such as "To Continue Research Here" and signatures indicating it was from the Fogg Art Museum, Harvard University, and the Blake Exhibition. The overall context suggests a focus on art exhibits, academic appointments, and museum notes from 1920.

The image displays an open, two-page spread from a scrapbook or album, with each page containing several typed and handwritten documents, as well as some clippings. Here is a detailed summary of each page:

Left Page:

1. Top Left Corner:

   • Handwritten note dated March 1920, mentioning "Museum Work" and "Page 168."

2. Center:

   • Typewritten document titled "Fogg Art Museum, Harvard University, Blake Exhibition," detailing an exhibition. The document describes a painting, "The Entombment," noting its somber mood, the artist's use of types, and the influence of the Venetian school. It mentions that the painting has been loaned by the Museum of Fine Arts, Boston.

3. Bottom:

   • Typewritten document detailing an exhibition at the Fogg Art Museum, describing a terracotta head from the 2nd or 3rd century B.C. The piece, a cast of a woman's head, is praised for its realistic portrayal and its significance as an example of Hellenistic sculpture.

Right Page:

1. Top Right Corner:

   • Handwritten note dated March 21, 1920, titled "Museum Work."

2. Top Center:

   • Typewritten document announcing A. Kingsley Porter as Professor of Fine Arts at Yale, highlighting his credentials and his previous role at Harvard.

3. Middle Right:

   • Typewritten document titled "To Continue Research Here," mentioning that Harvard will continue research in medieval architecture, with Professor Porter expected to continue his work at Harvard before moving to Yale.

4. Middle Left:

   • Typewritten document about the appointment of Dr. Henry R. Morss as Assistant Director of the Fogg Museum, including his role in the Red Cross and his responsibilities in the Museum's education department.

5. Bottom Right:

   • Typewritten document titled "Leaves of Absence," detailing the leaves granted to several professors at Harvard for research and work in Europe.

6. Bottom Left:

   • Typewritten document about an exhibition at the Fogg Art Museum, describing a painting, "The Sienese Tapestry," from the 1430s. It includes a detailed description of the work, its probable origin, and its significance.

The documents collectively reflect administrative activities, exhibitions, and academic appointments related to the Fogg Art Museum and Harvard University during the early 20th century.

The image displays several newspaper clippings from March 1926, each detailing different events and announcements related to the Fogg Art Museum at Harvard University and the art world in general.

1. Top Left Article - "At the Fogg Art Museum" (Transcript, March 8, 1926):

   • This article discusses a sculpture by Pietro Lombardo, an artist from Siena in the 15th century, which is on display at the Fogg Art Museum. The sculpture is described as having a characteristic workmanship of the period, with a debate on whether it represents a Madonna or another saint due to its serene and dignified temperament.

2. Top Center Article - "A. K. Porter Appointed Professor of Fine Arts" (Transcript, March 4, 1926):

   • Arthur Kingsley Porter has been appointed as the new Professor of Fine Arts at Harvard University, starting from July 1, 1926. Porter is noted for his expertise in medieval architecture and has previously served as an assistant professor at Yale and Columbia University.

3. Top Right Article - "Transcript, March 25, 1926":

   • This article announces a new exhibition at the Fogg Art Museum featuring drawings by Auguste Rodin. The drawing that is attracting the most attention is a mechanical drawing, praised for its precision.

4. Middle Left Article - "Museum Notes" (Transcript, March 19, 1926, Page 16):

   • The Fogg Art Museum is undergoing continuous research, and Harvard University has appointed Dr. Paul J. Sachs to oversee the development and preservation of monuments in France. Dr. Sachs is currently engaged in writing a book. Additionally, Harvard University has acquired a Roman head, which is a notable addition to its collection.

5. Middle Right Article - "Leaves of Absence" (Harvard Alumni Bulletin, March 18, 1926):

   • Assistant Director of the Fogg Art Museum, Mr. Paul J. Sachs, has been granted a leave of absence for the second half of the academic year to conduct research in Europe. Professor Henry A. Yeomans will cover Sachs' responsibilities during his absence.

6. Bottom Left Article - "Transcript, March 17, 1926":

   • This article reports on a new exhibition at the Fogg Art Museum featuring works by Maurice and Charles Prendergast. The exhibition includes oil paintings, watercolors, and monotypes, with significant works from various stages of their careers.

7. Bottom Center Article - "Sienese Relict to Fogg Museum" (Transcript, April 7, 1926):

   • A tempera painting by an unknown Sienese artist of the 14th century has been donated to the Fogg Art Museum. This painting, depicting the Madonna and Child, is noted for its characteristic charm and delicacy.

These clippings highlight the vibrant activities and academic contributions of the Fogg Art Museum and its staff during this period.

The image is a collage of newspaper clippings related to the Fogg Art Museum at Harvard University, dated March 1920. Here's a detailed summary of each section:

1. Top Left Section:

   • Headline: "Transcript - March 28, 1920"
   • Article: Discusses a small painting by Pietro Lorenzetti, an artist from Siena in the 14th century, now on loan to the Fogg Art Museum. The painting depicts the Crucifixion and is noted for its dramatic temperament and characteristic work of the period. It was previously in the Fairfax Murray Collection and exhibited at the Royal Academy in 1879.

2. Top Center Section:

   • Headline: "A. K. Porter Appointed Professor of Fine Arts"
   • Article: Announces that A. Kingsley Porter, an expert on medieval architecture, has been appointed Professor of Fine Arts at Yale. Porter was previously the Assistant Professor of the History of Art at Yale and is known for his work on medieval architecture. He is also involved in developing plans for the reconstruction and preservation of monuments in France damaged during World War I.

3. Top Right Section:

   • Headline: "Transcript - March 29, 1920"
   • Article: Describes an exhibition at the Fogg Art Museum featuring drawings by Pierre Dujardin, a French artist. The drawings illustrate a mechanical device for drawing perspective lines, which could be used to teach perspective in art.

4. Bottom Left Section:

   • Headline: "Museum Notes - March 1920"
   • Article: Discusses an ancient Greek head sculpture that was placed on exhibition at the Fogg Art Museum. The sculpture is noted for its simplicity and grace, and it was modeled around the 6th or 7th century B.C.

5. Bottom Center Section:

   • Headline: "Leaves of Absence"
   • Article: Lists faculty members who are taking leaves of absence. Notable mentions include:
     • Charles Eliot Norton, who is taking a leave to work in Fine Arts.
     • Professor Henry Yeomans, who is on leave to serve as Exchange Professor at the University of Paris.

6. Bottom Right Section:

   • Headline: "Transcript - April 9, 1920"
   • Article: Announces the loan of a painting by Siena artist Simone Martini to the Fogg Art Museum. The painting, titled "Madonna and Child," is noted for its beauty and the artist's skill in capturing the delicate details of the figures.

Each clipping provides insight into the activities and collections of the Fogg Art Museum in 1920, including acquisitions, exhibitions, faculty appointments, and leaves of absence.

The image is a collection of newspaper clippings from "Transcript" dated March 1920, detailing various events and appointments related to the Fogg Art Museum and Harvard University.

1. Top Left Clipping (March 18, 1920):

   • Describes a painting by Pietro Lorenzetti, representing the Crucifixion, on indefinite loan from the Fogg Art Museum.
   • The painting is noted for its dramatic temperature and vivid colors, particularly the reds and blues.
   • It was formerly in the Fairfax Murray Collection and later exhibited in the Royal Academy in 1879.

2. Top Center Clipping (March 9, 1920):

   • Announces the appointment of A. Kingsley Porter as Professor of Fine Arts at Yale, with an emphasis on Medieval Architecture.
   • Porter, who was an Assistant Professor at Harvard, had previously worked on plans for the reconstruction of French monuments damaged during World War I.

3. Top Right Clipping (March 20, 1920):

   • Describes an exhibit at the Fogg Art Museum featuring woodcuts by Dürer, including "The Designers of the World" and "The Four Horsemen of the Apocalypse."
   • The exhibit demonstrates the use of a mechanical device for perspective drawing, showing the positioning of the string and the use of a pinhole to project images.

4. Middle Left Clipping:

   • Discusses the "Blake Exhibition" at the Fogg Art Museum.
   • Details the loan of a bust of a Greek head, identified as a Roman copy of the 5th century B.C., from the museum's collection.

5. Middle Center Clipping:

   • Mentions a "Museum Note" about the Fogg Art Museum's Blake Exhibition.
   • Provides a brief note about the Blake Exhibition and its significance.

6. Middle Right Clipping (March 18, 1920):

   • Describes the appointment of Frances W. Peabody and Oakes Ames as assistant professors and the reappointment of other faculty members in the medical school.
   • Also discusses the absence of Professor Henry Yarrow for research in Paris.

7. Bottom Left Clipping:

   • Discusses an exhibit at the Fogg Art Museum, including a bust of a Greek head and other works, with a specific focus on the head's representation of a Roman copy from the 5th century B.C.

8. Bottom Center Clipping:

   • A note from the Fogg Art Museum detailing the exhibition of a bust and other pieces, focusing on the significance and historical background of the items.

9. Bottom Right Clipping (March 25, 1920):

   • Mentions a temporary loan to the Fogg Art Museum of a painting by Siena master, possibly by a Siena master named Domenico di Bartolo.
   • Describes the painting's characteristics and the historical context of Siena's art.

The overall content reflects the scholarly and artistic activities at Harvard and the Fogg Art Museum during the early 1920s, including exhibitions, academic appointments, and notable historical pieces on loan.

The image shows a scrapbook page containing various vintage newspaper clippings. The articles are mostly related to art and academic appointments.

1. The central clipping announces that A. K. Porter has been appointed Professor of Fine Arts. It highlights his authority on medieval architecture and notes his present position as a lecturer at Yale.

2. Adjacent clippings include:

   • Details of Porter's professional background, mentioning his studies and travels in Europe.
   • A transcription from March 8, 1920, discussing the impact of a piece of architecture representing the Crucifixion by Pietro Lorenzetti.
   • A note about several individuals being granted leave of absence from their academic roles, relevant to March 9, 1920.
   • Further research notes regarding medieval architecture expected to be continued by Porter at Harvard.
   • Additional information pertaining to art exhibitions and Harvard Museum activities.

3. There is a handwritten note stating "Museum Work, March 1920, Page 168. Fogg Art Museum Harvard University Blake addition."

4. Overall, the page is yellowed with age, and the clippings are various sizes, carefully arranged to fit within the scrapbook's layout. Some clippings are annotated with handwritten notes indicating the source or date.

This is an image of a collection of newspaper clippings pasted onto a piece of paper or cardboard. The clippings appear to be from different articles, as indicated by various headings and typesetting styles. Some of the headlines that can be read are "A. K. Porter Appointed Professor of Fine Arts" and "Leaves of Absence". The articles pertain to academic appointments, leaves, museum exhibits, and artistic reviews.

It looks like an archival document, as indicated by the handwritten notes at the edges such as "Museum Loan - March 19, 20," "Page 168," "Title page Art Museum Harvard University" and "Baker Collection." These notes suggest that the clippings were assembled for specific record-keeping or research purposes related to a museum loan and possibly associated with Harvard University and a Baker Collection.

The image shows a collection of newspaper clippings and handwritten notes arranged on a brownish-orange sheet of paper. The clippings and notes are related to the Fogg Art Museum and include various articles, announcements, and transcriptions dated around 1920. Topics covered include the appointment of A.K. Porter as Professor of Fine Arts, descriptions and reviews of art pieces and exhibitions at the Fogg Art Museum, leave of absence notices for museum staff, and other museum-related updates. The handwriting in the central note reads:

• Museum Notes
• March 1920
• Page 168
• Title Fogg Art Museum Harvard University Blake Exhibition

The clippings are yellowed with age and provide a historical glimpse into the art museum activities and academic appointments related to fine arts during that time.

The image shows a scanned document that appears to be a page from the Fogg Art Museum's archives, dated March 18, 1920. The document is a transcript or typed record, likely from a museum or academic context, and is preserved in a protective sleeve. Here is a detailed description:

Content Overview:

The page is divided into several sections, each discussing different topics related to art, exhibitions, and appointments. The text is typed, with handwritten annotations and signatures visible.

Left Column:

• Title/Heading: "A small painted head of a Carved Bodin Head, which may be assigned to the 10th-12th century."
  • This section describes an artifact—a small painted head of a carved bodin head—on exhibition at the Fogg Art Museum. It mentions that the head represents the simplicity and grace of its modeling and is likely from the 10th–12th century.
  • The head is noted to be in good condition, with some details such as the face missing but the overall expression still intact.
  • The artifact is part of a collection and is described as being supported by one of the three great collectors of the Great Period.

Center Column:

• Title/Heading: "A. K. PORTER APPOINTED PROFESSOR OF FINE ARTS AT MEDIEVAL ARCHITECTURE ON PASTEUR LECTURE."
  • This section announces the appointment of A. Kingsley Porter as Assistant Professor of Medieval Architecture at Yale University.
  • Porter is noted as a leading American authority on medieval architecture, having accepted an appointment at Yale as Assistant Professor of the History of Art.
  • He has been appointed to teach a course on medieval architecture, which he has developed and refined over years of study and travel in Europe.
  • Porter is also the author of several works on medieval architecture and is considered a leading scholar in the field.
  • The appointment is significant, as Porter is expected to continue his research on medieval architecture, which has made him one of the world’s leading authorities in the subject.

Right Column:

• Title/Heading: "LEAVES OF ABSENCE."

  • This section discusses the grant of leave of absence for Henry A. Sachs, who is the Assistant Director of the Fogg Art Museum.
  • Sachs has been granted a leave of absence for the second half of the academic year to conduct research in Europe for the Museum of Fine Arts.
  • The leave is intended to allow Sachs to continue his work on the second volume of the Provincial Exchange Professor series, which he has been serving as an exchange professor at the University of Paris.
  • The leave is effective from March 18, 1920.

• Additional Notes:

  • The section also mentions an exhibition at the Fogg Art Museum featuring works by Nowell Coolidge, representing the Madonna and Child, and Landi, an artist from the 16th century.
  • Another artist, Francesco di Giorgio, is noted for his work in the 15th century, with a small panel by him on display.

• Handwritten Annotations:

  • There are handwritten notes and signatures on the page, including:
    • "Museum Note" with the date March 1920.
    • "Page 168" indicating the page number.
    • "Fogg Art Museum" and "Harvard University" written in cursive.
    • "Blanche Exhibition" is also noted, possibly referring to an exhibition or event.

Visual Elements:

• The document is typed on aged, light-brown paper, giving it a historical appearance.
• The text is neatly organized into columns, with clear headings and subheadings.
• Handwritten notes and signatures are visible, suggesting the document was used for record-keeping or annotation purposes.
• The page is encapsulated in a protective sleeve, likely for preservation.

Contextual Clues:

• The document reflects early 20th-century academic and museum practices, with a focus on art history, exhibitions, and faculty appointments.
• The mention of Yale University, Harvard University, and the Fogg Art Museum situates the document within an elite academic and cultural environment.
• The detailed descriptions of artworks and appointments suggest the document was part of an official record or newsletter.

Conclusion:

This image depicts a historical document from the Fogg Art Museum, dated March 18, 1920, detailing an exhibition of a medieval bodin head, the appointment of A. Kingsley Porter as a professor of medieval architecture at Yale, and the grant of leave of absence for Henry A. Sachs to conduct research in Europe. The document includes typed content with handwritten annotations, reflecting its use in an academic and museum setting.