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The image displays a document titled "EXHIBITION OF BLAKE'S BOOKS," dated January 15, 1930. The document appears to be a bulletin or announcement from the Harvard University Bulletin, as indicated by the handwritten note beneath the title. The main feature of the document is an illustration titled "The Valley of Dry Bones" (Ezekiel), which is likely a work by William Blake, given the context.

Below the illustration, there is a block of text providing details about the exhibition. The text mentions that the Fogg Art Museum will hold an exhibition of William Blake's books from January 15 to January 27. It highlights that this exhibition is nearly complete, having been recently displayed at the Grolier Club in New York, and may be enhanced by various items from Boston. The text emphasizes the importance of seeing Blake's original works, as his paintings have not been adequately reproduced. It also notes that this exhibition is likely the largest collection of Blake's works ever assembled, surpassing the famous Grolier Club exhibition of 1905.

The document is affixed to a cardboard backing, showing some signs of age and handling.

The image shows a page from a bulletin, specifically from the Harvard Alumni Bulletin, announcing an exhibition of William Blake’s books at the Fogg Art Museum. The exhibition is scheduled from January 15 to January 27, 1920.

The bulletin includes a detailed description of the exhibition:

1. The Fogg Art Museum will hold an exhibition of William Blake’s books.
2. This exhibition is a significant event, as it is the first time the complete collection has been gathered together since the previous exhibition at the Grolier Club in New York, which was held in 1905.
3. The exhibition is likely to include original works and adequate reproductions of Blake’s paintings.
4. The importance of seeing Blake’s works in the originals is highlighted, given his significant variations in each separate volume.
5. Blake is noted for being better known as a poet than a painter, although his paintings are considered a major part of his work.
6. The exhibition is described as the largest ever assembled, surpassing the Grolier Club exhibition of 1905.
7. The bulletin also mentions Blake's significant contributions to Romanticism, starting with his first volume, "Poetical Sketches" (1783), and his early works, including "Songs of Innocence" (1789) and "Songs of Experience" (1789).

The page includes a black-and-white illustration of a Blake painting titled "The Valley of Dry Bones" (Ezekiel), which is part of the exhibition. The page itself appears to be part of an aged newspaper or bulletin, with some visible wear and tear.

The image shows a newspaper clipping or bulletin from the Harvard Alumni Bulletin, detailing an exhibition of William Blake's books. The event is scheduled from January 15 to January 27. The exhibition is being held by the Fogg Art Museum and is described as the largest collection of Blake's works ever gathered together.

The bulletin notes that Blake is primarily known as a poet, but his works are also significant as visual art. It highlights the importance of seeing his paintings and illustrations in the originals, as adequate reproductions have not been made. The exhibition includes various items from Boston, making it a significant gathering of Blake's works.

The clipping also mentions that Blake is better known as a poet than an artist, and it emphasizes the importance of viewing his paintings and illustrations in person. It notes that Blake's first volume, "Poetical Sketches" (1789), placed him among the Romantics and that his "Songs of Innocence" (1789) is particularly renowned for its illuminated printing.

The text includes an illustration titled "The Valley of Dry Bones" from Blake's work "Ezekiel," showcasing his detailed and intricate artwork. The bulletin was likely distributed to inform the Harvard alumni community about this significant cultural event.

The image is a historical document, specifically a bulletin from Harvard University, detailing an exhibition of William Blake's books held at the Fogg Art Museum from January 15 to January 27, 1930.

The bulletin includes the following information:

1. Title and Date:

   • The title at the top of the document reads "EXHIBITION OF BLAKE'S BOOKS," dated January 15, 1930.

2. Image:

   • An illustration titled "The Valley of Dry Bones" (Ezekiel) is prominently featured in the center of the bulletin.

3. Text Content:

   • The text discusses the significance of the exhibition, noting that it is the first complete exhibition of William Blake's books, previously only exhibited in part at the Grolier Club in New York in 1905.
   • It mentions that Blake is better known as a poet than an artist, but the exhibition includes his complete works, emphasizing the importance of viewing his paintings in their original forms.
   • The document highlights that this is likely the largest collection of Blake's works ever gathered together and suggests that no such comprehensive exhibition will ever be seen again.
   • It also mentions Blake's contributions to poetry, starting with "Poetical Sketches" (1783), and his pioneering work in illuminated printing with "Songs of Innocence" (1789).

4. Context:

   • The bulletin notes that the exhibition is significant for its timing, coinciding with the Linell sale of the previous spring and the removal of one of the largest collections of Blake's works from California.

The overall tone of the document emphasizes the rarity and importance of the exhibition, highlighting Blake's contributions to both poetry and visual arts.

The image is of an exhibition bulletin from the Fogg Art Museum, detailing an exhibition of William Blake's books held from January 15 to January 27.

Key points from the bulletin:

1. Exhibition Details:

   • The Fogg Art Museum is hosting a comprehensive exhibition of William Blake's books.
   • The exhibition dates are January 15 to January 27.

2. Significance:

   • This exhibition is described as virtually a complete showcase of Blake's works, a rare occurrence since his paintings are often displayed separately.
   • The bulletin suggests that seeing Blake's works in their original form is important because reproductions do not fully capture their essence.

3. Comparison to Other Exhibitions:

   • The exhibition is noted as the largest gathering of Blake's works since the famous Grolier Club exhibition in New York in 1905.
   • It is implied that such a comprehensive collection of Blake’s works might not be seen again.

4. Additional Information:

   • The exhibition includes a notable piece titled "The Valley of Dry Bones" from the Book of Ezekiel.
   • The exhibition coincides with significant events, including the sale of the last major Linnell collection and the relocation of one of the largest exhibitions of Blake’s works from California.

5. About William Blake:

   • Blake is recognized both as a poet and an artist.
   • His first volume, "Poetical Sketches" (1783), is mentioned.
   • His lyrical works include the famous "Songs of Innocence" (1789), which began his illuminated printing process, involving hand-painted decorations and text impressions in colored ink.

Overall, the bulletin emphasizes the rarity and importance of this exhibition, highlighting the unique opportunity to see an extensive collection of William Blake's original works.

The image is a printed bulletin from the Fogg Art Museum, dated January 18, 1926, announcing an exhibition of William Blake's books. The exhibition was scheduled to run from January 15 to January 27, 1926. The bulletin features an illustration titled "The Valley of Dry Bones" (Ezekiel) by William Blake.

The text on the bulletin provides details about the exhibition:

1. Exhibition Details: The Fogg Art Museum is hosting an exhibition of William Blake's books, which were previously displayed at the Grolier Club in New York. The exhibition is significant because it includes a large number of Blake's works, which are rarely seen together.

2. Significance of Blake's Works: The bulletin emphasizes the importance of seeing Blake's original works, as reproductions cannot fully capture the intricacies of his art. Blake is noted for his dual role as a poet and artist, with his poems often accompanied by his own illustrations.

3. Historical Context: The exhibition is described as the largest collection of Blake's works gathered since the Grolier Club exhibition of 1904. It is unlikely that such a comprehensive collection will be seen again.

4. Blake's Artistic Evolution: The bulletin mentions that Blake's works are gradually finding their final resting places in public institutions, from which they cannot be removed. It highlights Blake's progression as an artist, starting with his early works like "Poetical Sketches" and evolving to more complex and illuminated prints like "Songs of Innocence" and "Songs of Experience."

5. Notable Works: The bulletin specifically mentions "Songs of Innocence" (1789) and "Songs of Experience," noting that Blake began to surround his text with decorations and colored ink illustrations.

Overall, the bulletin serves as an announcement and an informative piece about the significance of William Blake's works and the rarity of the exhibition.

This image is a scan of a magazine page announcing an exhibition of William Blake's books. The headline reads "EXHIBITION OF BLAKE'S BOOKS," with "January 15, 1920" handwritten underneath. Below that, "Harvard Alumni Bulletin" is written in cursive.

The page features a black-and-white illustration titled "The Valley of Dry Bones" (Ezekiel) at the center. This illustration depicts a vivid scene inspired by the biblical story from the Book of Ezekiel, showcasing skeletal figures rising from the ground with an angelic figure above them.

The text below the illustration provides details about the exhibition hosted by the Fogg Art Museum. The exhibition will be held from January 15 to January 27, and it will include virtually the complete exhibition recently shown at the Grolier Club in New York, with additional works. The text emphasizes the significance of seeing Blake's original paintings and provides a brief overview of Blake's artistic achievements, noting his high rank as a poet and his development of "illuminated printing."

The page itself shows signs of aging, such as yellowing and slight tearing around the edges, suggesting it has been preserved or stored for a long period.

This image shows an aged document titled "EXHIBITION OF BLAKE'S BOOKS January 15 1926." The document, which seems to be a page from an exhibition catalog or brochure, is dedicated to showcasing the works of William Blake.

The page appears to be mounted on a larger, slightly tattered paper with a burnt orange or brownish hue. The document itself exhibits signs of aging, like discoloration and minor tears on the edges. The top part of the document features an illustration captioned "The Valley of Dry Bones" (Ezekiel), which is a reference to an artwork depicting a scene from the biblical Book of Ezekiel.

Below the illustration, there is typewritten text that provides context for the exhibition. It mentions that the exhibition will be held at the Fogg Art Museum and describes the significance of the books on display. The text highlights how Blake, primarily known for his poetry, also received recognition for his art, though reproductions of his paintings were not widely seen at that time.

The passage speaks of Blake's importance both as a poet and as an artist. It explains that this exhibition is probably the largest that has ever been put together of Blake's works, referencing its scope in comparison to the collection held at the famous Grolier Club in the fall of 1905. The document seems to promote the exhibition as a unique event, stressing that such a comprehensive collection might never be seen together again.

This piece serves as a historical record, not only of Blake's work but also of the early 20th-century appreciation for his contributions to art and literature.

The image shows a page from a bulletin or publication titled "Exhibition of Blake's Books", dated January 15, 1920, and associated with the Harvard Alumni Bulletin. The page features an article discussing an upcoming exhibition of William Blake's books, organized by the Fogg Art Museum. The exhibition is scheduled to take place from January 15 to January 27, and it will include a nearly complete collection of Blake's works, previously exhibited at the Grolier Club in New York.

Key Elements of the Image:

1. Title and Date:

   • The title at the top reads: "EXHIBITION OF BLAKE'S BOOKS".
   • Below the title, there is a handwritten note that reads: "January 15, 1920" and "Harvard Alumni Bulletin".

2. Illustration:

   • A black-and-white illustration is prominently displayed in the center of the page. The illustration depicts a dramatic, surreal scene with a figure emerging from a cave or hollow structure. The figure appears to be holding a staff or rod and is surrounded by dark, shadowy forms. The artwork is labeled as "The Valley of Dry Bones (Ezekiel)", indicating it is one of Blake's illustrations, likely from his illuminated books.

3. Text Content:

   • The article discusses the significance of the exhibition, noting that it comes between two major events: the Linell sale and the removal of Blake's works from public libraries and museums.
   • It highlights Blake's dual role as both a poet and an artist, emphasizing that his poems can be reprinted but adequate reproductions of his paintings have never been made.
   • The article stresses the importance of seeing the original works, as Blake often made significant variations in each separate volume.
   • It also mentions that this exhibition is likely the largest collection of Blake's works ever gathered, surpassing the famous Grolier Club exhibition of 1905.
   • The text provides historical context about Blake's work, noting his ranking among the Romantics and his innovative techniques, such as engraving his poems on copper plates and adding colored ink impressions.

4. Design and Layout:

   • The page has a clean, formal layout typical of early 20th-century publications.
   • The text is typeset in a serif font, and the illustration is centered and framed, drawing attention to its artistic value.
   • The page appears to be part of a larger document or bulletin, as suggested by the visible edges of the paper and the protective sleeve in which it is stored.

Overall Impression:

The image conveys a sense of historical and artistic significance, focusing on William Blake's contributions to literature and art. The combination of the handwritten date, the formal title, the evocative illustration, and the detailed text underscores the importance of the exhibition and Blake's enduring legacy. The page serves as both an announcement and a celebration of Blake's work.

The image shows a page from a bulletin or magazine with a heading that reads "Exhibition of Blake's Books" and a date of "January 15, 1920." The page features a black-and-white illustration of a scene from one of William Blake's works, possibly "The Valley of Dry Bones" (Ezekiel). The text on the page discusses an exhibition of Blake's books and prints at the Fogg Art Museum, which was held from January 15 to January 27, 1920. The exhibition was described as the largest collection of Blake's works ever gathered together, surpassing even the famous Grolier Club exhibition of 1905. The page also mentions that Blake's works are finding final resting places in public libraries and museums, and that his poems on copper, surrounded by decorations, are now included in every anthology of poetry.