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ARCH.2003.21, Rendition: 789991
The image appears to be a scanned page of a historical document, possibly a bulletin or newsletter, related to an exhibition of William Blake's works at the Fogg Art Museum in 1920. The page contains various articles and announcements about the exhibition, including dates, speakers, and details about the works on display. The text is arranged in a newspaper-style format with headlines, bylines, and brief descriptions. The paper itself shows signs of age, with some yellowing and creases, indicating that it is quite old. The page is laminated or placed in a plastic sleeve to preserve it.
This image shows a collection of newspaper clippings and announcements related to an exhibition of William Blake's works at the Fogg Art Museum, dated from January 1920. The clippings are arranged on a brown, aged piece of paper, likely an archival document or a scrapbook page. Here is a detailed description of the content:
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The overall theme of the clippings is the exhibition of William Blake's works at the Fogg Art Museum, including various lectures, talks, and extensions of the exhibition. The clippings provide detailed information about the events and the significance of the collection.
This image displays a historical, yellowed newspaper clipping, likely from January 1920, documenting events surrounding an exhibition of the works of William Blake at the Fogg Art Museum. The clipping, which shows signs of age with frayed edges and discoloration, is a collage of several distinct news items and announcements, most dated January 24-26, 1920, and published in the Crimson newspaper.
The content is arranged in a scrapbook or dossier style and covers the following key points:
Exhibition Overview: An article from January 24, 1920, announces that a “remarkable collection of the works of William Blake” is on display at the Fogg Art Museum. It highlights that the collection is drawn from prestigious collectors such as Mr. W. A. White, Mr. John P. Morgan, and Mr. Henry E. Huntington, and it represents the most comprehensive assembly of Blake’s works shown to date. It notes that Blake was one of the few artists who designed, engraved, colored, and sold his own books and that the exhibition includes valuable works from several Boston collectors.
Lecture Schedule: Several articles detail a series of lectures and events accompanying the exhibition.
Exhibition Updates: A piece dated January 24, titled “Blake Paintings Remain at Fogg,” reports that a portion of Blake’s works, which had previously been shown at the Fogg Museum and then lent to the Grolier Club, will be returned to the Fogg Museum for the next fortnight. The remainder of the collection will be moved to the owners' homes.
Extended Exhibition and Additions: A final note, undated but from the same period, announces that the exhibition has been re-arranged and extended to remain open until February 6. It mentions the removal of some books and drawings to make room for other items, including two small portraits of Blake (one by Phillips, one by Linnell), and several of his letters—one mentioning his ill health—that are on display. It also notes that copies of Blake’s prophetic books, except for Milton, are still on view, along with watercolor drawings showing Blake’s first conceptions for the “Job” “inventions.” A recently added item is a copy of “Europe: a Prophecy,” finished with a light wash.
The entire clipping serves as a historical record, capturing the academic and cultural excitement surrounding one of the first major exhibitions of William Blake’s work in the United States, featuring lectures, musical performances, and a dynamic display curated for a university and public audience.
The image shows a vintage newspaper clipping about an exhibition of William Blake's works at the Fogg Art Museum. The clipping contains several articles about the exhibition. The main article describes the collection of William Blake's works that was on display, including paintings, drawings, and books. It notes that the collection belonged to several prominent collectors and that William Blake himself was both a painter and a poet. The article also mentions that the exhibition would be open until January 27, 1920. There are also smaller articles about lectures and events related to the exhibition.
The image shows a piece of paper with several pieces of paper attached to it. The paper is brown and appears to be old. The pieces of paper are white and have black text on them. The pieces of paper are attached to the brown paper with tape. The image is slightly blurry, and the edges of the paper are slightly torn. The pieces of paper have text that seems to be from a newspaper or magazine. The text includes information about an exhibition of the works of William Blake at the Fogg Art Museum. The exhibition features a collection of Blake's works, including paintings, engravings, and manuscripts. The text also mentions that the exhibition will be open until January 27th.
The image depicts a historical document, likely a newspaper clipping or printed notice, dated January 26, 1920. It is formatted as a printed announcement or advertisement, featuring details about an exhibition of works by William Blake at the Fogg Art Museum. The document is presented in a clear plastic sleeve, suggesting it is preserved as part of an archive or collection.
Exhibition Overview:
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The image shows a historical announcement from January 26, 1920, promoting an exhibition of William Blake’s works at the Fogg Art Museum. It details the exhibition’s contents, dates, and related lectures, emphasizing the significance of Blake’s artistic and literary contributions. The document is preserved in a protective sleeve, suggesting its importance for historical or academic reference.
This image shows a collection of clippings and articles about an exhibition of William Blake's works at the Fogg Art Museum, likely compiled on a single piece of aged, yellowed paper. The clippings include handwritten notes and text describing different aspects of the exhibition, lectures, and events related to the display of William Blake's works, including his paintings, engravings, and poetry. The paper edges are worn and irregular, indicating the historical nature of the document. The text mentions specific dates and details about William Blake’s contributions as a painter and poet, as well as the significance of his exhibited works.
A vintage scrapbook collage on brown paper. Several small newspaper clippings are arranged around a central clipping. The headlines and text are about William Blake and an exhibition at the Fogg Art Museum, including notes about the collection, lectures, and a talk on “Blake as a Painter.” The papers are aged, yellowed, and torn at the edges, giving an old-fashioned, archival look. A protective sleeve or frame edge is visible around the page.
The image presents a photograph of a collection of newspaper clippings primarily focusing on art-related topics. These clippings appear to be quite old, given the yellowing of the paper and the vintage typography. Several articles mention the work and exhibitions related to William Blake, a renowned British artist and poet. There are dates visible within the text suggesting the clippings are from around 1930.
The clippings are laid out overlapping one another and cover the entire visual frame. Some of the edges are torn or frayed, contributing to the historical and used appearance of the documents. The type of events advertised, such as lectures and exhibitions, along with the mention of specific locations and collections, suggests that these clippings were likely gathered by someone with an interest in art and possibly in the works of Blake himself.
The image shows a collection of newspaper clippings on aging, yellowed paper, likely from around the early 1920s. The clippings appear to be announcements and articles related to exhibitions of works by William Blake at the Fogg Art Museum. Some of the headlines visible are:
The text discusses the significance and details of Blake's works, including his illustrations for "Job," and mentions various collectors and locations tied to this exhibition. There are references to collectors like Mr. W. A. White, Mr. John P. Morgan, Mr. Henry E. Huntington, and Mr. Edward Newton, along with details on the scheduling of talks and lectures about Blake's art. The paper shows signs of age, such as wrinkles, tears, and frayed edges. Handwritten notes are visible on the clippings, adding to the impression of historical documentation.