Archives Scrapbooks

The image appears to be a scanned copy of an old newspaper or periodical, featuring several articles and notices related to art exhibitions and museum catalogs. The documents are displayed in a collage format, overlapping and layered, which gives the impression of a historical artifact or a compilation of articles from various issues.

The articles mention the Fogg Art Museum in Cambridge, Massachusetts, and discuss exhibitions of architectural drawings and prints, as well as a donation of an art collection by Denman W. Ross. There are also notices about the exhibition of architectural drawings at the Rogers Building of the Massachusetts Institute of Technology and a catalog of mediaeval and Renaissance paintings from the Fogg Art Museum.

The articles are written in a style typical of early 20th-century publications, with varying font sizes and some sections highlighted or underlined for emphasis. The paper has a yellowed appearance, suggesting it is from an older period. The text in the articles is dense and includes details about the artists and the artworks being exhibited, as well as descriptions of the exhibitions and catalogues.

This image appears to be a historical document or a scrapbook page that contains several cut-out newspaper articles or clippings. The clippings are arranged on a brown, aged paper background and are secured with clear tape. The content of the clippings is related to art, architecture, and museum exhibitions, specifically from the early 1920s.

1. The leftmost clipping is titled "D. Ross Donates Art Collection" and is dated December 5, 1919. It discusses a unique display at the Fogg Art Museum, which includes drawings, diagrams, paintings in oil and watercolor, designs, and photographs collected and given by Denman W. Ross. The collection demonstrates theories of design, composition, and color.

2. The top right clipping is titled "Architectural Drawings" and is dated January 6, 1920. It describes an exhibition at the Rogers Building for Architectural Department of the Massachusetts Institute of Technology, featuring about one hundred etchings and pencil and wash drawings of architectural subjects. The exhibition includes works by various artists and is of much artistic interest.

3. The bottom right clipping is titled "Fogg Art Museum Catalogue" and is dated December 16, 1919. It announces the publication of a catalogue of Mediaeval and Renaissance paintings in the museum collection, which is great artistic value and includes various articles by museum staff.

4. There is also a smaller clipping in the center right that mentions Assistant Professor Paul J. Sachs being granted leave of absence for research work in fine arts and to collect works of art in Europe for the Fogg Museum of Fine Arts.

The overall appearance of the document suggests it is a collection of important news articles related to art and architecture from the early 1920s, possibly used for historical or research purposes.

This is an image of a two-page spread from an old, yellowed newspaper or periodical, likely from the early 20th century, mounted on a beige backing and framed behind glass. The paper is visibly aged, with some discoloration, creases, and slight wear, especially near the edges and in the bottom right corner where a small piece of paper has been taped on. The text is printed in a dense, black serif font, typical of early 20th-century newsprint.

The layout consists of several distinct articles, each with a headline in bold capital letters. Based on the visible text, the articles cover art collections and exhibitions at the Fogg Art Museum in Cambridge, Massachusetts, and related academic activities.

Here is a summary of the visible content:

1. D. ROSS DONATES ART COLLECTION (Crimson, Dec. 8, 1919)
   This article details a unique collection of drawings, diagrams, paintings (in oil and watercolor), designs, and photographs donated to the Fogg Art Museum by Dennman W. Ross '75. The collection's purpose is to illustrate Dr. Ross's theories on design, composition, color, and view. It includes works by Professor A. Pope and features experimental pieces that exemplify specific design principles, as well as copies of old masters. The article notes that the collection begins with diagrams illustrating the division of areas based on geometric forms, followed by examples of light/dark color and color intensity, including entertaining children's drawings.

2. ARCHITECTURAL DRAWINGS (Transcript, Jan. 11, 1920)
   This article describes an exhibition of architectural drawings at the Rogers Building of the Massachusetts Institute of Technology. The collection of about 100 drawings, primarily by students, was brought together by Professor Emerson and augmented by contributions from Mr. Edward W. Forbes and Mr. Paul A. Sachs of the Fogg Museum. The article praises the "atmospheric treatment and handling" of the drawings and highlights specific artists and their works, such as Turney, Runkle, Merovin, Constable, Samuel Drury, Charles H. Woodbury, and Kenneth Conant. It notes that the exhibition's value lies in its artistic merit, not just its technical interest.

3. EDGG ART MUSEUM CATALOGUE (Transcript, Jan. 11, 1919)
   This piece announces the publication of a "Handsome Volume of Medieval and Renaissance Paintings in Museum Just Published—'Great Artistic Value'". The book, compiled by Edward W. Forbes, contains about 400 pages of text and 68 reproductions of paintings from the museum's collection, dating from before 1900. It also includes brief essays on the early development of painting in France, Flanders, Germany, Spain, and England. The article states the catalogue should be of great value to students and collectors.

4. Additional Paragraphs

   • A paragraph on the right side of the right page discusses Assistant Professor Paul J. Sachs, who was granted a leave of absence to collect works of art in Europe for the Fogg Museum of Fine Arts. A. Vemans also received leave to cover the second half year.
   • There is a small article at the bottom left, titled "Architectural Drawings, 1920", which appears to be a repeat or continuation of the second article, mentioning the exhibition at the Fogg Art Museum and listing artists whose works are included.

The overall impression is of a historical document capturing the vibrant art and academic scene surrounding the Fogg Art Museum and MIT at the turn of the 20th century. The image is presented as a preserved archival item, carefully mounted for display and longevity.

The image appears to be a page from a newspaper or magazine article featuring a collection of architectural drawings. The article discusses an exhibition of architectural drawings held at the Massachusetts Institute of Technology (MIT) in 1919. The drawings were donated by Dr. Ross and showcased various techniques and styles of architectural representation. The article highlights the significance of the exhibition for architectural students and provides details about the opening hours and location of the exhibition at the Rogers Building on Boylston Street.

The image shows a page from a magazine or a catalog, likely from the early 20th century, based on the style of the text and layout. The page is divided into several sections, each containing text and some illustrations or diagrams.

The top left section is titled "D. ROSS DONATES ART COLLECTION," which suggests that this section is about an art collection donated by an individual named D. Ross. The text describes the collection and its significance, mentioning the donation of various artworks, including drawings, diagrams, paintings, and photographs, to a museum.

The top right section is titled "ARCHITECTURAL DRAWINGS," which indicates that this section is about architectural drawings. The text discusses the importance of architectural drawings in the field of architecture, highlighting the contributions of specific individuals and institutions.

The bottom left section is titled "FINE ARTS CATALOGUE," which suggests that this section is about a catalog of fine arts. The text provides information about the catalog, including its publication details and the artworks featured in it.

The bottom right section is titled "HANDSOME VOLUME OF MEDIEVAL AND RENAISSANCE PAINTINGS," which indicates that this section is about a book or catalog featuring medieval and Renaissance paintings. The text describes the book, its contents, and its significance in the field of art history.

Overall, the image provides a glimpse into the world of art and architecture in the early 20th century, showcasing various collections, catalogs, and publications related to these fields.

The image shows a page from a catalog or publication related to an art exhibition. The page is titled "Architectural Drawings" and is part of the Fogg Art Museum collection. The content appears to be a detailed description of an exhibition of architectural drawings held at the Rogers Building of the Massachusetts Institute of Technology (MIT). The exhibition was organized by Professor Emerson and featured works by Mr. Edward W. Forbes, the Curator of the Fogg Art Museum.

Key Details from the Image:

1. Exhibition Overview:

   • The exhibition showcases architectural drawings, including sketches, plans, and studies by various artists and architects.
   • The drawings are described as illustrating principles of design, such as the use of light and shade, color, and representation.

2. Content of the Exhibition:

   • The exhibition includes a variety of architectural drawings, such as:
     • Wash drawings by Salbury Cathedral.
     • Pen-and-ink drawings by Canaletto, Piranesi, Weber, and Turner.
     • Watercolor sketches by Meryon.
     • Architectural studies by Mr. Edward W. Forbes.
   • The drawings cover a range of subjects, including:
     • Architectural details (e.g., the interior of the Grand Central Station in New York).
     • Urban scenes (e.g., the Boulevard Haussmann in Paris).
     • Historical buildings (e.g., the Church of Notre-Dame in Paris, the Hotel de Ville in Paris, and the Canal du Nord).

3. Exhibition Details:

   • The exhibition was held in the Rogers Building at MIT.
   • It was open to the public free of charge from Monday, January 2, 1919, to Sunday, January 6, 1919, with hours from 10:00 A.M. to 5:00 P.M..
   • The exhibition was curated by Professor Emerson, with contributions from Mr. Edward W. Forbes, the Curator of the Fogg Art Museum.

4. Additional Information:

   • The page also mentions Assistant Professor Paul J. Sachs, who had been granted leave of absence from the Fogg Art Museum to study art in Europe.
   • There is a reference to a handsome volume of medieval and Renaissance paintings published by the Fogg Art Museum, which is noted for its artistic value and scholarly content.

5. Visual Elements:

   • The page includes a small, faint illustration or sketch in the top left corner, likely depicting an architectural drawing or related artwork.
   • The text is formatted in a classic, formal style typical of early 20th-century museum catalogs.

Summary:

The image depicts a page from a catalog or publication detailing an architectural drawing exhibition held at MIT in 1919. The exhibition featured a diverse collection of architectural drawings, including works by notable artists and architects, and was curated by Professor Emerson with contributions from Mr. Edward W. Forbes, the Fogg Art Museum's curator. The page also provides logistical details about the exhibition and references related publications and scholars.

The image is a scanned copy of a newspaper clipping about the Fogg Art Museum, featuring a brown paper background with black text. The clipping is divided into sections, each containing information about the museum's collections and exhibitions.

• Title Section
  • The title "D. ROSS DONATES ART COLLECTION" is prominently displayed at the top of the clipping.
  • Below the title, the subtitle "Paintings on View in Fogg Demonstrative Theories of Design and Color" provides context for the article.
• Article Section
  • The main article discusses the Fogg Art Museum's collection of paintings, highlighting their significance in demonstrating design and color theories.
  • The article mentions that the museum has a diverse range of paintings, including works by famous artists such as Dr. Ross.
  • It also notes that the museum's collection is not limited to paintings, but also includes other forms of art, such as drawings and watercolors.
• Exhibition Section
  • The clipping includes information about an upcoming exhibition at the Fogg Art Museum, featuring works by contemporary artists.
  • The exhibition is described as a showcase of innovative and thought-provoking art, highlighting the museum's commitment to showcasing new and emerging talent.
• Catalogue Section
  • The clipping also includes a section on the Fogg Art Museum's catalogue, which provides detailed information about the museum's collections and exhibitions.
  • The catalogue is described as a comprehensive resource for art enthusiasts and scholars, offering insights into the museum's extensive collection of artworks.
• Additional Sections
  • The clipping includes additional sections that provide information about the Fogg Art Museum's events and programs.
  • These sections highlight the museum's commitment to engaging with the community and promoting art education.

In summary, the image is a scanned copy of a newspaper clipping about the Fogg Art Museum, featuring a brown paper background with black text. The clipping includes sections on the museum's collection, exhibitions, catalogue, and events, providing a comprehensive overview of the museum's activities and offerings.

The image depicts a yellowed newspaper clipping, likely from the early 20th century, featuring an article about an art collection. The article is titled "D. Ross Donates Art Collection" and discusses the donation of a collection of paintings to the Fogg Art Museum by Denman W. Ross. The article highlights the significance of the collection, which includes works by prominent artists such as Dr. Ross himself, and notes that it will be displayed at the museum.

The clipping also includes a smaller article titled "Architectural Drawings" that discusses an exhibition of architectural drawings at the Rogers Building for Architectural Department of Massachusetts Institute of Technology. The article mentions that the exhibition features drawings by various architects, including Paul J. Sachs, and notes that it will be open to the public.

Overall, the image provides insight into the art world of the early 20th century and highlights the importance of donations to museums and exhibitions.

The image presents a yellowed, aged newspaper clipping featuring three distinct articles, each with its own unique content and historical significance.

Article 1: "D. Ross Donates Art Collection"
The first article, dated December 5, 1919, is titled "D. Ross Donates Art Collection." It discusses a collection of artworks donated by D. Ross to the Fogg Art Museum, comprising various mediums such as drawings, diagrams, paintings, and photographs. The article highlights the significance of this donation, noting that it showcases the principles of design and color theory.

Article 2: "Architectural Drawing Exhibition at Rogers Building"
The second article, also dated December 5, 1919, is titled "Architectural Drawing Exhibition at Rogers Building." It announces an exhibition of architectural drawings at the Rogers Building, featuring works by notable architects and artists. The article provides details about the exhibition, including the dates and times it will be open to the public.

Article 3: "Fogg Art Museum Catalogue"
The third article, dated December 19, 1919, is titled "Fogg Art Museum Catalogue." It reviews a recently published catalogue of the Fogg Art Museum's collection, praising its comprehensive and well-organized presentation of the museum's holdings. The article highlights the catalogue's value to students and scholars of art history.

Overall Impression
The newspaper clipping appears to be a historical document, providing insight into the cultural and artistic landscape of the time. The articles suggest a strong interest in art and architecture, as well as a commitment to education and scholarship. The yellowed paper and aged appearance of the clipping add to its historical significance, making it a valuable resource for researchers and historians.

The image presents a vintage newspaper clipping, likely from the early 20th century, featuring a collection of articles and advertisements related to art exhibitions. The clipping is yellowed with age and has visible signs of wear, including tears and creases.

Main Points:

• Article 1: D. Ross Donates Art Collection
  • Date: December 5, 1919
  • Description: An article about Dr. Denman W. Ross donating an art collection to the Fogg Art Museum
  • Details: The collection includes paintings, drawings, diagrams, and photographs demonstrating theories of design and color
• Article 2: Architectural Drawings Exhibition
  • Date: January 12, 1920
  • Description: An article about an exhibition of architectural drawings at the Rogers Building
  • Details: The exhibition features over 100 etchings and semi-dry wash drawings of architectural subjects
• Article 3: Fogg Art Museum Catalogue
  • Date: November 12, 1919
  • Description: An article about the publication of a catalogue of the Fogg Art Museum's collection
  • Details: The catalogue contains 400 pages of reading matter and 100 illustrations of the original paintings
• Advertisement: Architectural Drawings Exhibition
  • Date: January 6, 1920
  • Description: An advertisement for the architectural drawings exhibition at the Rogers Building
  • Details: The exhibition will be held from January 12 to 21, with hours listed

Summary:

The image showcases a collection of vintage newspaper clippings from the early 20th century, featuring articles and advertisements related to art exhibitions and collections. The clippings provide information about various art exhibitions, including one at the Fogg Art Museum and another at the Rogers Building, as well as the publication of a catalogue for the Fogg Art Museum's collection. The articles highlight the importance of art education and the contributions of notable artists and collectors to the field. Overall, the image provides a glimpse into the art world of the early 20th century and the efforts of institutions and individuals to promote art appreciation and education.