Archives Scrapbooks

The image appears to be a scanned page from a newspaper or a collection of articles, likely dating back to the early 20th century, judging by the paper quality and the style of the articles. The page contains several articles about the Fogg Art Museum, discussing various exhibitions and events. Here’s a brief summary of the content:

1. Exhibition of Drawings and Prints of Architectural Subjects:

   • This article, dated May 31, 1919, describes the final exhibition for the current season at the Fogg Art Museum. It highlights works by Turner, Ruskin, Prout, and others, focusing on architectural drawings and prints. The exhibition includes panoramic views of Edinburgh, Stirling, Linlithgow Castle, and Palace and Chester, among other works.

2. Old Prints - Rare Works by Piranesi and Others:

   • This article, dated June 18, 1919, discusses the museum's collection of old prints and rare works by Piranesi, Meryon, Canaletto, Callot, and Herman Webster. It mentions Piranesi's etchings of Paris, Canaletto’s engravings of Venice, and Callot’s Paris views.

3. New Sienese Painting at Fogg:

   • This article, dated September 27, 1919, announces the installation of a new Sienese painting by Simone Martin in the Fogg Art Museum. The painting, formerly in the Bonnat Collection in Paris, is described as an important piece.

4. Print Exhibition at Fogg Museum:

   • This article, dated September 25, 1919, details a print exhibition at the Fogg Art Museum featuring early engravings and woodcuts. It lists notable prints, including works by Dürer, Pollajuolo, and Lucas van Leyden.

5. Annual Report on the Fogg Art Museum:

   • This article, dated June 28, 1919, provides a report on the annual activities of the Fogg Art Museum, including the receipt of gifts, loans, exhibitions, and other events.

The articles are presented in a format typical of periodicals from the early 20th century, with typewritten text and some handwritten notes, including dates and possibly personal annotations. The content reflects the interests and exhibitions of the Fogg Art Museum during that time, focusing on European art and architecture.

This image is a scanned page from a periodical or scrapbook, dated around 1919. The page is dedicated to exhibits and activities at the Fogg Art Museum. It contains several news clippings with different dates, discussing various exhibitions of drawings and prints of architectural subjects, rare prints, and other art pieces.

The clippings are glued onto a brown paper background. The text mentions works by artists such as Turner, Ruskin, Prout, Piranesi, Meryon, Canaletto, Callot, and Herman Webster. The exhibits featured a variety of techniques including etchings, lithographs, wood engravings, mezzotints, and more. The periodicals also discuss the acquisition of new art pieces and the museum's ongoing projects and needs.

The clippings are arranged in a somewhat scattered manner, with some overlapping each other. The top left corner of the page has the number "149" written on it, possibly indicating the page number in the scrapbook. The overall condition of the page suggests it is from an older document, with the paper showing signs of aging and wear.

This image displays a collection of four yellowed, vintage newspaper clippings mounted together on a single piece of paper and framed with a simple, light green border.

The clippings are all from the Fogg Art Museum at Harvard University, and they document exhibitions and acquisitions from the year 1919.

Here is a breakdown of the four articles:

1. Top-Left Article: "Exhibition of Drawings and Prints of Architectural Subjects — Works by Turner, Ruskin, Proust and Others" (May 31, 1919):

   • This article details an exhibition of architectural drawings and prints, primarily from the collection of J. E. Vendome.
   • It highlights works by J. M. W. Turner, John Ruskin, and Samuel Prout.
   • Specific pieces mentioned include Turner's "Rivaulx Abbey," "Abbate," and "Crypt of Kirkstall Abbey," as well as Prout’s pen-and-ink drawings of Venice ("Baptistery," "St. Mark's") and Italian towns.
   • It notes the group of Turner drawings is "particularly fine."

2. Top-Right Article: "OLD PRINTS" (Date not fully legible, appears to be May 31, 1919):

   • This article describes an exhibition of rare prints and woodcuts from the museum's collection.
   • It lists several significant items, including:
     • "The Crucifixion" by Bernardo Daddi.
     • Two drawings by Kenneth J. Conant.
     • A Chinese painting by Ch'ang K'uang-tz'u.
     • A watercolor by Winslow Homer.
     • A woodcut by Albrecht Dürer.
   • The article notes the museum is building its collection and aims to add 225 more items to its print collection.

3. Bottom-Left Article: "New Sienese Painting at Fogg" (September 19, 1919):

   • This article announces the acquisition of the first work purchased with funds from the estate of Hervey E. Bliss.
   • The piece is a "Siennese painting" by Simone Martini, titled The Madonna, which was previously in the Bonnat Collection in Paris.
   • It also mentions the museum acquired drawings by John Ruskin and plans to continue Charles Eliot Norton's policy of securing masterpieces from private collectors.

4. Bottom-Right Article: "PRINT EXHIBITION AT FOGG MUSEUM" (August 15, 1919):

   • This article describes a collection of early engravings and woodcuts, including the "Otto Print."
   • It lists various artists and works, such as "Battle of the Nudes" by Antonio Pollaiuolo, "Knight's Death" by Albrecht Dürer, and "Large Passion" and "Life of the Virgin" by Hans Baldung Grien.
   • The woodcuts on display are noted as proofs from Dürer's "Apocalypse" series.

The overall impression is that of a historical scrapbook page, carefully preserving contemporary reports on the early 20th-century activities of the Fogg Art Museum, showcasing its expanding collections and special exhibitions of prints, drawings, and paintings. The paper's faded, yellowed appearance and the typographic style confirm the documents' age.

This image shows a newspaper clipping featuring an article about the Fogg Art Museum. The article discusses various exhibitions and acquisitions at the museum, including a collection of prints by Piranesi, a rare work by Callot, and a new painting by E. Wetzel. The article also mentions the museum's annual exhibition of drawings and prints, which includes works by students from the Harvard University School of Architecture.

The image depicts a collage of newspaper clippings, likely from the late 19th or early 20th century, featuring articles about the Fogg Art Museum. The clippings are arranged on a beige, textured background, suggesting they may have been mounted for display or preservation.

The clippings cover various topics related to the museum, including exhibitions, acquisitions, and the work of specific artists. One prominent article discusses an exhibition of drawings and prints by architectural subjects, highlighting the work of notable artists such as Henry E. Turner, Ruskin, and others. Another article mentions a new painting by Otto P. Wetzel, which was purchased with funds provided by E. Wetzel in memory of his father.

The articles also reference the museum's collection of old prints, rare works by other engravers, and the efforts of the museum's director, Arthur Pope, to acquire and exhibit significant works. There are mentions of the museum's annual exhibition, the need for more space and funding, and the challenges of securing loans for exhibitions.

Overall, the image provides a glimpse into the historical context and activities of the Fogg Art Museum during a specific period, showcasing its role in promoting and preserving art and architectural subjects.

The image is a page from a publication or catalog related to the Fogg Art Museum, likely from the early 20th century. The page is titled "Exhibition of Drawings and Prints in Architecture, Subjects and Works" and is dated May 27, 1919. It appears to be a program or announcement for an exhibition featuring works by notable architects and artists, including Turner, Ruskin, Proute, and Others.

Key Details from the Image:

Header:

• Fogg Art Museum is prominently displayed at the top.
• The title of the exhibition is "Exhibition of Drawings and Prints in Architecture, Subjects and Works".
• The date is clearly marked as May 27, 1919.

Main Content:

The page provides a detailed description of the exhibition, highlighting the following:

1. Exhibited Works:

   • The exhibition features drawings and prints by various artists, including Turner, Ruskin, Proute, and others.
   • The works are described as being in pencil, ink, and wash, and they represent a wide range of subjects, including architecture, urban scenes, and landscapes.

2. Artists Featured:

   • Turner: Known for his romantic and impressionistic style, the page mentions several of his works, including views of Edinburgh, Stirling, and other locations.
   • Ruskin: His works are noted for their detailed and expressive qualities, with mentions of his drawings of Venice and other architectural subjects.
   • Proute: His works are described as delicate and precise, with examples of Italian architecture and landscapes.

3. Exhibition Context:

   • The exhibition is open to the public during the spring semester, and visitors are encouraged to explore the drawings and prints in the museum's print room and final exhibition hall.
   • The page emphasizes the educational value of the exhibition, inviting students and the public to view the works.

4. Notable Works Mentioned:

   • Turner: Drawings include views of Edinburgh, Stirling, and other romantic landscapes.
   • Ruskin: Works include detailed studies of Italian architecture, such as Venice and Milan.
   • Proute: His drawings are noted for their delicate pencil work and architectural precision.

Additional Sections:

• Old Prints: A section titled "Old Prints" discusses rare works by other engravers and artists, including Arthur Pope, John Flaxman, and others. It mentions the museum's collection of prints and engravings, highlighting notable pieces such as those by John Baptist Pyne and William Blake.
• New Sienese Painting at Fogg: A brief mention of a new Sienese painting by Simone Martini, part of the Bonnat Collection, now on display at the museum.
• Print Exhibition at Fogg Museum: A note about an upcoming print exhibition featuring early engravings and woodcuts, including works by Antonio Pollaiolo, Albrecht Dürer, and others.

Visual Layout:

• The page is formatted with clear headings and subheadings, making it easy to navigate.
• The text is dense and informative, aimed at art enthusiasts, students, and the general public.
• The page includes a small illustration or photograph at the bottom, though it is not clearly visible in the image provided.

Overall Impression:

The page serves as a comprehensive guide to an art exhibition at the Fogg Art Museum, showcasing a diverse collection of drawings and prints by influential artists. It highlights the educational and cultural value of the exhibition, inviting visitors to explore the works in detail. The inclusion of additional sections about old prints and new paintings suggests that the Fogg Art Museum was actively curating and displaying a wide range of art during this period.

The image shows a vintage, yellowed scrapbook page or display sheet with several newspaper clippings pasted on it. The clippings are arranged in columns and discuss the Fogg Art Museum, with headings such as “FOGG ART MUSEUM,” “OLD PRINTS,” and “New … Painting at Fogg” plus other article fragments about exhibitions and student work. The page has worn, torn edges and a small handwritten note or number (149) at the top. The overall look is archival and aged, like a collage of old museum news clippings.

This image is a collage of aged, yellowed newspaper clippings mounted together with visible wear at the edges. The clippings discuss exhibitions, artwork, and events related to the Fogg Art Museum. The topics include architectural drawings, prints, and rare works of art. Some text highlights exhibitions of Turner, Ruskin, and other notable artists, along with descriptions of specific artworks and prints. There is also mention of student work and donations to the museum. The text is printed in columns, featuring articles, headlines, and annotations, while an old-fashioned aesthetic limits heavy decorative style. Handwritten and printed marks are visible in small areas, reflecting historical documentation practices.

The image shows several newspaper clippings pasted onto a piece of paper or a scrapbook page. The clippings contain articles about art exhibitions, specifically referencing the Fogg Art Museum. The articles are dated, with dates such as "Aug 7, 1925," suggesting that these clippings are from historical newspapers. The text discusses various exhibitions and notable artworks or collections, but due to the resolution and the size of the text, the details of these articles are difficult to discern.

The condition of the clippings and the paper they are attached to suggests age, with discoloration and some tears at the edges. The arrangement of the articles does not follow a uniform pattern; they seem to be placed to fit within the confines of the paper sheet.

The image shows a collection of aged newspaper articles, presumably related to the Fogg Art Museum. The articles are clipped and adhered to a piece of cardboard or paper, with evident yellowing and wear around the edges. The articles cover topics such as exhibitions of drawings and prints, student work, and specific pieces of art displayed at the museum. The text varies in font size and style, indicating it spans different time periods. Some articles have handwritten notes and dates, such as "Feb. 23, 1915," "Feb. 24, 1914," and "Dec. 16, 1914." Each article appears to discuss various aspects of the museum’s activities, such as exhibitions of architectural subjects, prints by famous artists, rare works of art, and new acquisitions. There's also mention of specific artwork by Simone Martini. The overall presentation of the clippings suggests this is an archival collection preserved for historical reference.