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The image is a newspaper clipping from the Boston Transcript, dated Sunday, April 17, 1932. The article is titled "Glimpse of the Great Loan Exhibition" and discusses an exhibition of historical art and artifacts.

Key points from the article include:

1. Historical Artifacts:

   • The "Boulogne Psalter," an illuminated manuscript produced in England around 1220, which was later taken to St. Louis in 1270 and then to Gerald.
   • The "Hours of Jeanne d'Evreux," made in Paris around 1325-1328 for Jeanne d'Evreux, the third wife of Charles IV of France.
   • The "Belles Heures du Duc de Berry," made in Paris around 1405-1409 for Jean, Duc de Berry.
   • The "Très Riches Heures du Duc de Berry," made by the Limbourg brothers around 1411-1416.
   • A 13th-century Bible Moralisée, executed in a monastery near Paris for St. Louis.
   • A 15th-century manuscript of the "Hours of Étienne Chevalier," illuminated by Jean Fouquet.
   • A 15th-century manuscript of the "Grandes Heures de Rohan."
   • A 16th-century manuscript of the "Heures de Henri II."
   • A series of miniatures depicting the life of St. Louis, made around 1330.
   • Rare Limoges plaques in the enamel of the 12th century, loaned by Mrs. Gardner.

2. French Paintings:

   • The exhibition includes works by old and new masters, such as Degas, Corot, Courbet, André Chardin, Vigée Le Brun, David, and others.
   • Notable pieces include Degas' "Little Dancer," a bronze sculpture, and works by Simon Marmion, Cornelis de Lyon, and others.
   • The article highlights the diversity and richness of the French painting tradition, from primitive art to modern works.

3. Exhibition Details:

   • The exhibition is open to the public every day from 9 A.M. to 5 P.M.
   • It features a variety of artifacts, including manuscripts, paintings, and sculptures.
   • The exhibition is described as a comprehensive survey of French art and culture, showcasing the evolution of artistic styles and techniques over centuries.

The article provides a detailed overview of the exhibition, highlighting its significance and the breadth of the collection on display.

The image is a newspaper clipping from the Boston Transcript dated April 17, 1949, titled "Glimpse of the Great Loan Exhibition." The article discusses an exhibition at the Fogg Art Museum featuring a collection of French paintings and manuscripts.

Key points from the article include:

1. French Paintings and Manuscripts:

   • The exhibition showcases a variety of French art from different periods and artists.
   • Notable works include the "Boulogne Paschal" and the "Paëron David," both dating from the 13th century.
   • The "Horae Beatae Mariae Virginis" from Tours, created around 1480-1500, is highlighted for its illuminations.
   • Manuscripts such as the "Bible Moralisée" and "Hours of John Duke of Bedford" are also featured.

2. Retrospective Loan:

   • The article mentions the loan from Harvard University, specifically from the Dibner Library, and the Fogg Museum's collection.
   • The loan includes significant medieval manuscripts and illuminated manuscripts from the 12th to the 15th centuries.

3. Exhibition Details:

   • The exhibition is held in the Northeast corner of the Main Gallery.
   • It runs from April 9 to April 23, with public viewing hours from 9 A.M. to 5 P.M. daily.
   • An address given by Captain André Morice of the French Army and a conference on "Modern French Painting" were part of the opening events.

4. Specific Highlights:

   • The exhibition features works by Simon Marmion, who created a half-ruined scene with a group of serene and dandified horsemen.
   • The article also mentions a manuscript from the Abbey of St. Martial at Limoges, dating from around 1160, containing a detailed depiction of the life of Christ.

5. Additional Artifacts:

   • There are also several pieces of furniture and items from the French Army, including upholstered chairs and sofas from various periods.

The overall theme of the article is to highlight the rich and diverse historical and artistic treasures presented in the exhibition at the Fogg Art Museum.

The image is of a newspaper clipping from the Boston Transcript, dated Thursday, April 17, 1919. The headline is "Glimpse of the Great Loan Exhibition," and it provides a detailed description of various artifacts and artworks on display. The exhibition, held at the Fogg Art Museum, features a range of items including the "Boulogne Psalter," the "Palterium Davitis," and the "Evangelia Quattro" from different historical periods and regions. The article also mentions paintings by French masters, including works by Simon Marmion, Jean Bourdichon, and others. The exhibition was open to the public every day from 9 A.M. to 5 P.M. until April 23. The text is accompanied by a black-and-white photograph titled "Northeast Corner of the Main Gallery in the Fogg Art Museum," showing part of the exhibition.

The image is a page from a Boston newspaper dated Thursday, April 18, 1949, detailing an art exhibition titled "Glimpse of the Great Loan Exhibition."

Main Article Summary:

The exhibition features a variety of historical artifacts and artworks, particularly focusing on French items from different periods.

Key Highlights:

1. Boulogne Painter's Work:

   • The Boulogne Painter was active around the turn of the 17th to 18th century, creating works similar to "Palmer Davidis."
   • St. Louis in 1270 is mentioned in connection with Bishop of Cambrai and the Virgin Mary.
   • The famous "Horae Beatae Mariae Virginis" manuscripts date from around 1480-1500, showcasing detailed illuminations.

2. Louis XI:

   • A notable case contains eight frescoes from the "Bible Moralisée," a luxurious Bible from the French royal workshop during the 15th century.
   • The style of the miniatures is indicative of the late 15th century, possibly created in Paris for Saint Louis.

3. Fogg Museum Exhibits:

   • The final exhibit in this group is a manuscript from the Abbey of St. Martial, containing about 1160 miniatures depicting the life of Christ.
   • Additionally, two Limoges plaques from the 12th century are on loan from Mrs. George Blumenthal.

French Paintings:

The lower section discusses French paintings from the Fogg Art Museum, part of the "Retrospective Loan Exhibition at the Copley Hall."

1. Old Masters:

   • Simon Marmion’s works include depictions of the Nativity and Presentation in the Temple.
   • Paintings by notable artists like Courbet, Corot, and Millet are mentioned, alongside other significant works.
   • Simon Vouet's "The Toilet of Venus" is highlighted, depicting Venus at her toilette with cherubs.

2. Modern Masters:

   • Works by Manet, Degas, Monet, Renoir, Cézanne, and others are displayed.
   • The modern section includes a variety of genres: portraits, landscapes, and still lifes.
   • Specifically, Renoir's "The Reader" and Monet's "Water Lilies" are noted.

Exhibition Details:

• The exhibition opened on Wednesday, April 9.
• It featured a speech by Captain André Morizet, a French Army officer and former mayor.
• The exhibition runs every day from 9 A.M. to 5 P.M.

Overall, the article provides an in-depth look at the historical significance and artistic beauty of the items displayed, emphasizing both their cultural and aesthetic value.

The image is a newspaper clipping from the Boston Transcript dated April 17, 1949. The article is titled "Glimpse of the Great Loan Exhibition" and discusses the Retrospective Loan Exhibition at the Fogg Art Museum, Harvard University.

The article provides an overview of several notable pieces of French art on display. Key highlights include:

1. The "Boulogne Paschal": A work produced in imitation of Anglo-Saxon art, likely from the 13th century, and associated with the Psalter of St. Louis.
2. The "Horae Beatae Mariae Virginis": A manuscript from Tours, dated around 1480-1500, illuminated by Jean Bourdichon, a painter at the court of Louis XI.
3. The "Bible Moralisée": An illuminated manuscript from the 13th century, containing eight leaves of the finest French workmanship from the 15th century.
4. The "Horae Martii": A manuscript from the Abbey of St. Martial at Limoges, dated around 1160, depicting the life of Christ.
5. Other works: The exhibition features pieces by artists such as Jean Pucelle, Corot, Courbet, and others, including etchings, lithographs, drawings, and black-and-white pictures.

The article mentions that the exhibition is open to the public from April 9 to April 23, and it will be open daily from 9 A.M. to 5 P.M. The piece also notes that a conference on "Modern French Painting" was held on April 9, featuring a speech by Professor Arthur Pope.

The article also includes a brief description of the Fogg Museum's collection and the significance of the loaned items, highlighting their historical and artistic value.

The image is a newspaper clipping from the Boston Transcript, dated April 17, 1939. The article provides a detailed description of the "Great Loan Exhibition" at the Fogg Art Museum, focusing on French paintings.

The exhibition features a variety of significant artworks from different periods, including:

• A "Boulogne Psalter" from the 13th century.
• A "Palmer Davidis" manuscript from about 1250.
• The "Evangéliaire Quatuor" from Tours, dated around 1325.
• A "Horae Mariae Virginis" illuminated manuscript from Tours, around 1480-1500.
• A Bible Moralisée, likely from the 13th century.
• The "Horae Beatae Mariae Virginis" from Tours, dated 1450.
• Manuscripts from the Abbey of St. Martial at Limoges, including one from the 12th century.
• Various works by artists such as Jean Fouquet, Simon Marmion, and others.

The article also mentions the presence of contemporary artworks by artists like Corot, Courbet, and Degas, among others. The exhibition is described as a significant opportunity to see these masterpieces together, with a detailed mention of the various techniques and styles displayed in the works.

The exhibition runs through April 23, with public hours from 9 AM to 5 PM daily. The article includes a speech by Captain André Morize of the French Army, who gave an address at the opening, and a conference on "Modern French Painting" by Professor Arthur Pope on April 16.

This image shows an old, yellowed newspaper clipping titled "Glimpse of the Great Loan Exhibition." The clipping appears worn and slightly torn on the edges. The article discusses various artworks and manuscripts included in a retrospective loan exhibition at the Fogg Art Museum. One visible photograph on the left side depicts the "Northeast Corner of the Main Gallery in the Collection," showing a large framed painting hung on a wall in a gallery room.

The text refers to French paintings and illuminated manuscripts, mentioning specific items like the "Boulogne Psalter," "Bible Moralisée," and works by artists such as Simon Marmion. The article also notes contributions by individuals and museums lending items for the exhibition. It highlights notable pieces and describes the significance of various artworks, styles, and techniques, emphasizing the exhibition's value and public accessibility.

Handwritten notes are visible at the top of the clipping, reading: "Boston Transcript, Thursday, April 17, 1919." The page number "145" is written on the left edge. The overall appearance suggests the article is from the early 20th century and focuses on an art exhibition featuring historical and valuable works.

The image depicts an old, yellowed newspaper clipping titled "Glimpse of the Great Loan Exhibition" from the Boston Transcript, dated Thursday, April 17, 1919. The text describes art pieces in the exhibition, including manuscripts, paintings, and other valuable artworks from French masters. The central section of the clipping includes a photograph labeled "Northeast Corner of the Main Gallery in Loan Collection," showing a gallery display with paintings on the walls and a bench. There is a header "French Paintings" indicating the importance of French art in the retrospective loan exhibition at the Fogg Art Museum. The article discusses various notable works and mentions specific artists like Bertin, Gerald, and Jean Bourdichon, highlighting their contributions to art history. The text covers details about the exhibit's hours of operation and notable attendees like Captain André Morize who spoke at the opening. The clipping's edges are frayed and worn, indicating its age and the delicate nature of the paper.

This image displays a newspaper clipping featuring an article with the headline "Glimpse of the Great Loan Exhibition." The article appears to be discussing an art exhibition, specifically those in the "Glimpse of the Great Loan Exhibition." The visible text mentions elements pertaining to the art world, such as specific historical periods (13th century), various paintings, locations (Bourges and Chartres), and other art-related terms. The newspaper has aged over time, as evident by the yellowing of the paper.

In the bottom-left corner of the image, there's a small photograph showing a corner of a gallery with paintings on the wall, emphasizing the art focus of the article. The words "Northeast Corner of the Main Gallery in the Fogg Art Museum" can be seen below the photograph, suggesting that this is a location where the exhibition took place.

The rest of the page contains columns of text, with the headline "FRENCH PAINTINGS" emphasized in bold. The content presumably continues the discussion about different aspects of the exhibition, mentioning historical details and specific artworks. There are visible fold marks on the paper, indicating that the newspaper may have been folded in the past.

The image is a scanned page from a publication titled "Glimpse of the Great Loan Exhibition", dated Thursday, April 19, 1917. It appears to be a catalog or descriptive guide for an art exhibition, likely held at the Fogg Art Museum at Harvard University. The page is divided into two main sections, each accompanied by descriptive text and a photograph.

Left Section: "French Paintings"

• Title: "Northeast Corner of the Main Gallery in the Collection of the Fogg Art Museum"
• Content: This section describes the French paintings on display, highlighting notable works and artists. Key points include:
  • The exhibition features old and new works by masters of French art, loaned from the Fogg Art Museum and other sources.
  • Notable artists mentioned include Simon Marmion, Jean Fouquet, Jean Hey, Jean Bellegambe, and Jean Clouet.
  • Specific works are described, such as Marmion's "Virgin and Child," Fouquet's "Virgin and Child with St. John the Baptist," and Clouet's "Virgin and Child with St. John the Baptist."
  • The text emphasizes the historical and artistic significance of these works, noting their origins, styles, and the contexts in which they were created.
• Photograph: The left side includes a black-and-white photograph showing a gallery space with framed artworks displayed on the walls. The photograph provides a visual representation of the exhibition setting, with several paintings visible in the background.

Right Section: "With Retrospective Loan Exhibition"

• Title: This section discusses a retrospective loan exhibition, likely featuring works from earlier periods or collections.
• Content: The text describes various artifacts and artworks, including:
  • Manuscripts and Illuminations: References to illuminated manuscripts, such as the "Bible Moralisée" and the "Hours of Beatrice Marie Virginis," which are noted for their historical and artistic value.
  • Miniatures and Drawings: Mentions of miniatures depicting the life of Christ, Limoges plaques, and drawings by artists such as Corot, Mou-Mou-Mou-Mou, and André Marchand.
  • Furniture and Decorative Arts: Descriptions of French furniture, including chairs, tables, and cabinets, as well as tapestries and other decorative objects.
  • Exhibition Details: The text provides logistical information, such as the exhibition's opening date (Wednesday, April 9) and hours (9 A.M. to 5 P.M. daily).
• Photograph: The right side includes a black-and-white photograph depicting a scene from the exhibition. It shows a group of people, likely visitors or attendees, standing in front of a display. The photograph captures a moment of interaction with the exhibition, providing a glimpse into the visitor experience.

Overall Layout and Design

• The page is formatted in a classic, early 20th-century style, with clear headings, descriptive text, and accompanying photographs.
• The text is dense and informative, aimed at art enthusiasts, scholars, or visitors to the exhibition.
• The photographs serve to illustrate the exhibition spaces and some of the artworks on display, enhancing the reader's understanding of the content.

Key Themes

• Art Historical Context: The text emphasizes the historical and cultural significance of the artworks, situating them within their respective periods and artistic traditions.
• Exhibition Logistics: Practical details about the exhibition, such as dates, times, and notable features, are provided for visitors.
• Visual Representation: The photographs offer a tangible connection between the written descriptions and the actual exhibition, bridging the gap between text and visual experience.

This page serves as both a descriptive guide and a visual document, offering readers a comprehensive overview of the exhibition's contents and atmosphere.