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This image shows a newspaper clipping from the Boston Transcript dated Thursday, April 17, 1919. The headline reads "Glimpse of the Great Loan Exhibition." The article discusses an exhibition at the Fogg Art Museum in Harvard University, highlighting various artworks on display.

The main body of the article describes the exhibition's collection of French manuscripts, including the "Boulogne Psalter," the "Psalterum Davidis," and other illuminated manuscripts from the 9th to 15th centuries. It also mentions rare Limoges plaques and a manuscript from the Abbey of St. Martial at Limoges, dating from around 1160.

There is a photograph of the northeast corner of the main gallery, showing a display case with manuscripts, and another smaller photograph labeled "With Retrospective Loan," which appears to show a group of people, possibly attendees or staff, engaged in conversation or activity.

The article provides details about the exhibition, including the participation of Captain André Morize, who gave an address at the exhibition's opening, and Professor Arthur Pope, who gave a conference on "Modern French Painting." The exhibition was open to the public from 9 A.M. to 5 P.M. and continued until Wednesday, April 23.

The text is typical of newspaper reporting from the early 20th century, with a focus on historical and cultural significance. The layout includes multiple columns of text and some photographs, which are characteristic of the era's printing technology.

This image is a page from the Boston Transcript dated Thursday, April 17, 1919. The page is titled "Glimpse of the Great Loan Exhibition" and discusses an art exhibition at the Fogg Art Museum of Harvard University. The page includes two photographs: one labeled "Northeast Corner of the Main Gallery in the Collection" and another smaller one labeled "With Retrospective Loan."

The text on the page describes various illuminated manuscripts and French paintings on display. It mentions works such as the "Boulogne Psalter," the "Psalterum Davidis," the "Evangelia Quattuor," and the "Horae Beatae Mariae Virginis." The article also discusses the "Bible Moralisee" and other manuscripts from the 13th century, as well as works from the Abbey of St. Martial at Limoges.

The section on "FRENCH PAINTINGS" describes old and new works of masters in the Retrospective Loan Exhibition. It mentions artists such as Degas, Corot, Courbet, André, Chardin, Vigée Lebrun, Monet, Renoir, and Delacroix. The article details specific paintings, including a diptych by Simon Marmion, portraits by Corneille de Lyon, and a Crucifixion by the School of Avignon.

The article concludes by noting that the exhibition will continue through Wednesday, April 23, and is open to the public every day from 9 A.M. to 5 P.M. It also mentions lectures and addresses given by Captain André Morize and Professor Arthur Pope.

This image shows a single, aged newspaper page from the Boston Transcript, dated Thursday, April 17, 1919. The page is visibly yellowed with time and has tattered, uneven edges, particularly along the top and right sides, suggesting it is a physical clipping or a scanned page from a bound volume.

The main headline, in a large, bold serif font, reads: “Glimpse of the Great Loan Exhibition.”

The article provides an in-depth preview of a major art exhibition held at the Fogg Art Museum (now part of the Harvard Art Museums) at Harvard University. It details both illuminated manuscripts and French paintings being displayed on loan.

Key features of the article include:

• Photograph: A black-and-white photograph on the left side is captioned “Northeast Corner of the Main Gallery in the Collection.” It depicts a large, ornate, framed tapestry or painting hanging on a wall in a grand gallery. A bench is visible below it, and a person can be seen sitting in the foreground.
• Manuscript Section: The article describes priceless illuminated manuscripts, including:
  • The “Boulogne Psalter,” imitating Anglo-Saxon work, dated to around 1250.
  • The “Psalterium Davidis,” also from ~1250.
  • The “Evangelia Quatuor,” from Tours, circa 1374.
  • The “Horae Beatae Mariae Virginis” from Tours, circa 1480-1500.
  • A 9th-century manuscript from the school of St. Gall.
  • An 1160 manuscript from the Abbey of St. Martial, featuring rare Limoges plaques.
• Paintings Section: Titled “FRENCH PAINTINGS,” this section highlights works by masters such as Simon Marmion, Corot, Courbet, Degas, Manet, Renoir, Delacroix, and Cézanne.
  • It provides detailed commentary on a diptych by Simon Marmion, describing its figures and narrative.
  • It emphasizes the significance of the Degas drawings, noting their “intensely personal touch and the inimitable style of the master-painter at his best.”
  • It also mentions a Cézanne landscape as a “masterpiece of the geological structure of the cliffs and ground.”
• Event Details:
  • The exhibition opened on Wednesday, April 9.
  • Captain André Morize of the French Army gave an address at the opening.
  • Professor Arthur Pope gave a conference on “Modern French Painting” on the afternoon of Wednesday, April 16.
  • The exhibition was scheduled to continue through Wednesday, April 23.
  • It was open daily from 9 A.M. to 5 P.M.

The page is laid out in two columns of dense, black serif text, typical of early 20th-century newspapers. The overall tone is academic and enthusiastic, aimed at informing the public about the cultural and historical significance of the objects on display. The physical condition of the page adds a layer of historical authenticity, transporting the viewer back to the moment the exhibition was first announced.

The image is of a newspaper clipping from the Boston Transcript dated April 17, 1919. The clipping contains an article titled "Glimpse of the Great Loan Exhibition." The article discusses an exhibition of French paintings at the Fogg Art Museum at Harvard University. The article mentions that the exhibition includes works by notable French artists such as Simon Marmion, Jean Fouquet, and others. The article provides details about the artworks, their historical context, and the significance of the exhibition. The clipping also includes a photograph of a painting by Simon Marmion titled "The Adoration of the Magi."

The image depicts a newspaper clipping featuring an article about an exhibition of French paintings at the Fogg Art Museum. The clipping appears to be from a newspaper, with a torn edge and a somewhat aged appearance, suggesting it is from an older publication. The article is titled "Glimpse of the Great Loan Exhibition" and is dated April 17, 1919.

The article discusses the exhibition, which features a collection of French paintings and illuminated manuscripts. The text is divided into several sections, each focusing on different aspects of the exhibition. The first section provides an overview of the exhibition, mentioning the works of various artists and the historical significance of the pieces. It highlights the importance of the exhibition in showcasing French art and its influence on the art world.

The second section delves into specific pieces on display, including a manuscript from the Abbey of St. Martial of Limoges, dating back to around 1160. This manuscript contains 166 miniatures depicting the life of Christ. The article also mentions other notable works, such as the "Hours of Jean, Duc de Berry," which is described as one of the finest illuminated manuscripts in existence.

The third section of the article discusses the historical context of the exhibition, mentioning the imitative Anglo-Saxon work of the 13th century and the influence of French art on other European countries. It also highlights the significance of the exhibition in providing a comprehensive view of French art history.

The article concludes with a mention of the exhibition's opening date and the expected duration, inviting readers to visit the Fogg Art Museum to experience the exhibition firsthand. The clipping also includes a small photograph of one of the illuminated manuscripts on display, showcasing the intricate details and artistry of the piece.

Overall, the newspaper clipping provides a detailed overview of the French painting exhibition at the Fogg Art Museum, highlighting the historical significance and artistic value of the works on display. It serves as a promotional piece, encouraging readers to visit the exhibition and appreciate the beauty and craftsmanship of French art.

The image is a scanned page from a publication titled "Glimpse of the Great Loan Exhibition", dated Thursday, April 19, 1917. It appears to be a catalog or descriptive guide for an art exhibition, likely held at the Fogg Art Museum at Harvard University. The page is divided into two main sections, each accompanied by descriptive text and a photograph.

Left Section: "French Paintings"

• Title: "Northeast Corner of the Main Gallery in the Collection of the Fogg Art Museum"
• Content: This section describes the French paintings on display, highlighting notable works and artists. Key points include:
  • The exhibition features old and new works by masters of French art, loaned from the Fogg Art Museum and other sources.
  • Notable artists mentioned include Simon Marmion, Jean Fouquet, Jean Hey, Jean Bellegambe, and Jean Clouet.
  • Specific works are described, such as Marmion's "Virgin and Child," Fouquet's "Virgin and Child with St. John the Baptist," and Clouet's "Virgin and Child with St. John the Baptist."
  • The text emphasizes the historical and artistic significance of these works, noting their origins, styles, and the contexts in which they were created.
• Photograph: The left side includes a black-and-white photograph showing a gallery space with framed artworks displayed on the walls. The photograph provides a visual representation of the exhibition setting, with several paintings visible in the background.

Right Section: "With Retrospective Loan Exhibition"

• Title: This section discusses a retrospective loan exhibition, likely featuring works from earlier periods or collections.
• Content: The text describes various artifacts and artworks, including:
  • Manuscripts and Illuminations: References to illuminated manuscripts, such as the "Bible Moralisée" and the "Hours of Beatrice Marie Virginis," which are noted for their historical and artistic value.
  • Miniatures and Drawings: Mentions of miniatures depicting the life of Christ, Limoges plaques, and drawings by artists such as Corot, Mou-Mou-Mou-Mou, and André Marchand.
  • Furniture and Decorative Arts: Descriptions of French furniture, including chairs, tables, and cabinets, as well as tapestries and other decorative objects.
  • Exhibition Details: The text provides logistical information, such as the exhibition's opening date (Wednesday, April 9) and hours (9 A.M. to 5 P.M. daily).
• Photograph: The right side includes a black-and-white photograph depicting a scene from the exhibition. It shows a group of people, likely visitors or attendees, standing in front of a display. The photograph captures a moment of interaction with the exhibition, providing a glimpse into the visitor experience.

Overall Layout and Design

• The page is formatted in a classic, early 20th-century style, with clear headings, descriptive text, and accompanying photographs.
• The text is dense and informative, aimed at art enthusiasts, scholars, or visitors to the exhibition.
• The photographs serve to illustrate the exhibition spaces and some of the artworks on display, enhancing the reader's understanding of the content.

Key Themes

• Art Historical Context: The text emphasizes the historical and cultural significance of the artworks, situating them within their respective periods and artistic traditions.
• Exhibition Logistics: Practical details about the exhibition, such as dates, times, and notable features, are provided for visitors.
• Visual Representation: The photographs offer a tangible connection between the written descriptions and the actual exhibition, bridging the gap between text and visual experience.

This page serves as both a descriptive guide and a visual document, offering readers a comprehensive overview of the exhibition's contents and atmosphere.

This is an old, yellowed newspaper clipping titled "Glimpse of the Great Loan Exhibition." It appears to be from the Boston Transcript dated Thursday, April 17, 1919. The article discusses an art exhibition at the Fogg Art Museum (likely at Harvard University), focusing on French paintings and other European works.

The page includes a header, text columns, and a black-and-white photograph in the top left depicting the "Northeast Corner of the Main Gallery in the Collection" with a framed piece of art hung on a wall. There are noticeable tears and wear around the edges of the page, reflecting its age. The text explores illuminated manuscripts, medieval relics, and works from various noted European artists.

The image shows an old newspaper clipping mounted on a brown backing. The main headline reads “Glimpse of the Great Loan Exhibition.” There is a large black-and-white photograph of a framed painting on the left, with a long column of text in the center describing the exhibit. At the bottom left, a smaller section is titled “FRENCH PAINTINGS,” discussing Old and New Works in a Retrospective Loan Exhibition at the Fogg Art Museum. The clipping and backing are aged, with torn and worn edges, giving it a vintage, early-20th-century appearance.

This image displays a newspaper clipping featuring an article with the headline "Glimpse of the Great Loan Exhibition." The article appears to be discussing an art exhibition, specifically those in the "Glimpse of the Great Loan Exhibition." The visible text mentions elements pertaining to the art world, such as specific historical periods (13th century), various paintings, locations (Bourges and Chartres), and other art-related terms. The newspaper has aged over time, as evident by the yellowing of the paper.

In the bottom-left corner of the image, there's a small photograph showing a corner of a gallery with paintings on the wall, emphasizing the art focus of the article. The words "Northeast Corner of the Main Gallery in the Fogg Art Museum" can be seen below the photograph, suggesting that this is a location where the exhibition took place.

The rest of the page contains columns of text, with the headline "FRENCH PAINTINGS" emphasized in bold. The content presumably continues the discussion about different aspects of the exhibition, mentioning historical details and specific artworks. There are visible fold marks on the paper, indicating that the newspaper may have been folded in the past.

The image depicts an old, yellowed newspaper clipping titled "Glimpse of the Great Loan Exhibition" from the Boston Transcript, dated Thursday, April 17, 1919. The text describes art pieces in the exhibition, including manuscripts, paintings, and other valuable artworks from French masters. The central section of the clipping includes a photograph labeled "Northeast Corner of the Main Gallery in Loan Collection," showing a gallery display with paintings on the walls and a bench. There is a header "French Paintings" indicating the importance of French art in the retrospective loan exhibition at the Fogg Art Museum. The article discusses various notable works and mentions specific artists like Bertin, Gerald, and Jean Bourdichon, highlighting their contributions to art history. The text covers details about the exhibit's hours of operation and notable attendees like Captain André Morize who spoke at the opening. The clipping's edges are frayed and worn, indicating its age and the delicate nature of the paper.