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ARCH.2003.21, Rendition: 789968
The image appears to be a scanned copy of an old paper with multiple typed articles about the Fogg Art Museum and related exhibitions. The paper is yellowed, suggesting it is quite old, and it has some visible creases and wear. The articles are titled "Fogg Art Museum" and discuss different exhibitions and events, including one about a retrospective loan exhibition of French art. There are also references to Captain André Morize speaking and addressing the University of Harvard. The text is organized into several columns, each with a different heading and description of the exhibitions and events. The bottom of the page is signed by Ernest C. Sherburne, and there is a note on the bottom left that says "American Art News April 5, 1919."
This image shows a collection of newspaper clippings related to exhibitions at the Fogg Art Museum, dated from March 29 to April 9, 1919. The clippings are arranged on a piece of aged, yellowed paper, likely from the same era. The content of the clippings details various art exhibitions and acquisitions at the museum, focusing on both contemporary and historical art pieces.
The top left clipping, dated March 29, 1919, discusses an exhibition of original drawings by old and modern masters, including works by Whistler, Burne-Jones, Turner, the two Behams, Schäuffelein, Altdorfer, Van Dyck, Rubens, Jordaeans, Claude Lorrain, Rodin, Tintoretto, Correggio, Giulio Romano, and Guardi. It highlights a drawing by Antonio Pollaiuolo and mentions that the exhibition will continue until April 5.
The top right clipping, dated April 5, 1919, announces a Retrospective Loan Exhibition of French Art at the Fogg Art Museum from April 9 to April 23. The exhibition is a tribute to the service of French officers at Harvard University during the war. It will include paintings, tapestries, sculpture, and furniture from various periods of French art. A lecture by Captain André Morize is scheduled for the opening day.
The bottom left clipping, titled "Fogg Art Museum Accessions," details new additions to the museum's collection of drawings, including works by Tiepolo, Fragonard, Watteau, and Rubens. It also mentions a small panel by Simeone Martini and preparations for the Retrospective Loan Exhibition of French Art.
The bottom center clipping, titled "Captain Morize Speaks," describes Captain André Morize's speech at the opening of the exhibition. The speech discusses the historical and modern French art represented in the collection and commemorates the service of French officers at Harvard during the war.
The bottom right clipping, titled "French Art Exhibit in Fogg," provides additional details about the exhibition, including the lenders and the artistic importance of the works on display. It mentions specific artists and lenders, such as Grenville Winthrop, J.P. Morgan, Harris Whittemore, Adolph Lewisohn, Philip Lehman, and the Duveen Brothers.
The clippings are neatly arranged and taped to the paper, suggesting they were compiled as a record or souvenir of the events and exhibitions at the Fogg Art Museum during that period.
This image displays a collection of five aged, yellowed newspaper clippings, likely from the Harvard Crimson, meticulously arranged and mounted on a larger, similarly aged piece of paper. The clippings are all related to art exhibitions at the Fogg Art Museum at Harvard University in early 1919.
Here is a breakdown of the clippings:
Top Left (Dated March 4, 1919): This article announces an exhibition of "original drawings by old and modern masters." It highlights works by artists like Whistler, Burne-Jones, Turner, the two Behams, Schäuffelein, Altdorfer, Van Dyck, Rubens, Jordans, Claude Lorraine, Rodin, Tintoretto, Correggio, Giulio Romano, and Guardi. It singles out a drawing by Antonio Pollaiuolo, noted for its engraving of "The Battle of Naked Men," as the "most important drawing in the collection." The exhibition was scheduled to run until April 5.
Top Right (Dated April 5, 1919): This clipping announces the "Retrospective Loan Exhibition of French Art," which will be held from April 9 to April 23, 1919. The exhibition is described as a "testimonial to the devoted service of French officers at Harvard University during the war." It features important examples of paintings, tapestries, sculpture, and furniture, many of which have never been publicly shown in the country. It also announces a lecture by Captain André Morize in the Lecture Room of the Fogg Art Museum at 3 p.m. on the opening day, Wednesday, April 9.
Bottom Left (Dated April 5, 1919): Titled "Fogg Art Museum Accessions," this article details new additions to the museum's collection, particularly drawings in the Print Room. It mentions fine examples of Tiepolo and Fragonard, a rare drawing by Watteau, and a character study by Rubens. It also refers to the upcoming "Retrospective Loan Exhibition of French Art" (April 9-23), which will be shown alongside a panel depicting "Christ on the Cross" by Simone Martini. The article further describes an impressive display of Impressionist paintings from the Durand-Ruel galleries, including works by Monet, Manet, Sisley, Pissaro, Degas, and Renoir, including a painting by Pissaro depicting a Parisian street scene.
Bottom Middle (Dated April 9, 1919): This clipping, titled "CAPTAIN MORIZES SPEAKS," reports on the opening of the loan exhibition and the lecture by Captain André Morize. It notes that the exhibition had a "double appeal": it was comprised of valuable loans from major American collections representing the history and scope of modern French art, and it was assembled as a memorial to seven French officers who taught at the University during the war. Captain Morize, the Assistant Professor of French Literature, opened the exhibition with a speech.
Bottom Right (Dated April 9, 1919): Titled "FRENCH ART EXHIBIT IN FOGG," this article provides details on the tribute exhibition. It states that Captain André Morize addressed a meeting in the Fogg Art Museum at 3 o'clock on April 9, when the retrospective loan exhibition opened. The exhibit was open to all University members and the public from 9 to 5 o'clock until April 23. The article mentions the artistic importance given to the works and lists some of the lenders and artists, including Watteau, Boucher, Fragonard, Aubin, Harris Whittmore, J.P. Morgan '09, Philip Lehman, Duveen Brothers, Houdon, Falconet, and Clodion. It notes that the 19th century is represented by the "best work of famous French masters."
Overall Description:
The image is a historical document—a curated scrapbook clipping—that provides a comprehensive view of the art world at Harvard in the spring of 1919. It details two significant exhibitions: one focused on drawings by a wide range of Western masters, and another, more prominent, a large-scale retrospective loan exhibition of French art. This second exhibition served not only as a display of art but as a formal act of gratitude to French officers who served at Harvard during World War I, with Captain André Morize playing a key role in its opening. The clippings are all dated in March and April 1919, reflecting the events as they were happening. The overall tone is formal and celebratory, highlighting the cultural and academic prestige of the Fogg Art Museum.
This image appears to be a vintage newspaper clipping or announcement from the Fogg Art Museum at Harvard University. The clipping provides information about two upcoming exhibitions at the museum:
A retrospective loan exhibition of French art, running from April 9th to April 23rd, 1919. The exhibition features important examples of French art from the 13th century to the present day, including paintings, tapestries, sculpture, and furniture. Many of the works have never been publicly shown before.
A lecture by Captain Andre Moriz on French art, to be held on April 9th, 1919, at 3pm in the Lecture Room of the Fogg Art Museum. The lecture will cover French art from the 13th century to the present day.
The clipping also mentions that the museum has recently acquired a number of important additions to its collection of drawings, including works by Tiepolo, Fragonard, and Watteau.
Overall, the image provides details about two upcoming events at the Fogg Art Museum, showcasing French art from various periods and featuring a lecture by an expert on the subject.
The image is a photograph of a vintage newspaper clipping featuring several articles and announcements related to the Fogg Art Museum at Harvard University. The clipping is bordered with a thin white frame and appears to be mounted on a piece of cardboard or paper, giving it a historical and archival feel. The text is printed in a serif typeface, which was common in newspapers of the early 20th century.
The clipping contains multiple articles, each with a distinct heading. The top left article is titled "FOGG ART MUSEUM," and it discusses an exhibition of original drawings by old and modern masters. Notable artists mentioned include Whistler, Burne-Jones, Turner, Rubens, Jordaens, and others. The article also mentions a drawing by Antonio Pollaiuolo, "The Battle of the Naked Men," and highlights the museum's acquisitions of important drawings.
Below this, another article titled "CAPTAIN MORIZE SPEAKS" announces a lecture by Captain André Morize in the Lecture Room of the Fogg Art Museum. The article provides details about the lecture, including the date, time, and the subject matter, which is a retrospective loan exhibition of French art.
Further down, an article titled "FRENCH ART EXHIBIT IN FOGG" elaborates on the French art exhibition, mentioning that it will be open to the public daily from 9 to 5 o'clock until April 23. The article highlights the significance of the exhibition, which features important examples of French art from the 19th century and earlier periods. It also mentions that the exhibition includes works by famous French masters and will be of interest to both art students and the general public.
The bottom left corner of the clipping contains a signature, "Ernest C. Sherburne," indicating that this clipping may have been part of a personal collection or archive.
Overall, the clipping provides a snapshot of the cultural and academic activities at the Fogg Art Museum during the period it was published, highlighting the museum's role in showcasing significant art exhibitions and lectures.
The image shows a scanned page from a publication titled "Fogg Art Museum Scrapbook", dated April 8, 1917. The page contains a collection of newspaper clippings and articles related to the Fogg Art Museum, highlighting various exhibitions, lectures, and acquisitions. Here is a detailed breakdown of the content:
The image is a historical document capturing the activities of the Fogg Art Museum in April 1917. It highlights the museum's role in hosting exhibitions, lectures, and acquiring new artworks, particularly during a time of war. The content reflects the museum's dedication to preserving and showcasing art, as well as its engagement with the academic and military communities of the era.
The image presents a page from a newspaper, featuring a collection of articles and advertisements related to the Fogg Art Museum. The page is yellowed with age, indicating its vintage nature.
Here are the key elements of the image:
In summary, the image showcases a vintage newspaper page with articles and advertisements related to the Fogg Art Museum. The page is yellowed with age, and the text is written in black ink. The background of the image is a plain gray color.
The image presents a collection of newspaper clippings, likely from the early 20th century, featuring articles about art exhibitions at the Fogg Art Museum. The clippings are arranged on a piece of aged paper with a brownish hue, suggesting they have been preserved for an extended period.
Key Features:
Conclusion:
The image is a valuable historical artifact that provides insight into the art world of the early 20th century. The newspaper clippings offer a unique perspective on the exhibitions held at the Fogg Art Museum, showcasing the museum's role in promoting art and culture during that era.
The image is a scanned copy of a yellowed, aged newspaper clipping featuring an article about the Fogg Art Museum.
The clipping is torn and worn, with visible creases and tears along its edges, and is placed on a white background. The article is titled "FOGG ART MUSEUM" and is divided into five sections, each discussing a different aspect of the museum's activities.
The first section describes an exhibition of original drawings by old and modern masters, highlighting the works of notable artists such as Whistler, Burne-Jones, and Turner. The second section announces a retrospective loan exhibition of French art, showcasing important examples of French art from the thirteenth century to the present day. The third section discusses the museum's accessions, including a drawing by Antonio Pollainolo and a panel representing Christ on the Cross by Simone Martini. The fourth section features a speech by Captain Morize, who discusses the loan exhibition and its significance. The final section provides information about the French Art Exhibit in Fogg, including the address by Captain Morize and the exhibit's contents.
Overall, the image provides a glimpse into the Fogg Art Museum's activities during a specific period, highlighting its commitment to showcasing important works of art and promoting cultural exchange.
The image presents a collection of aged newspaper clippings, likely from 1919, featuring articles about the Fogg Art Museum at Harvard University. The clippings are arranged in a images format, with some partially overlapping or cut off.
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