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ARCH.2003.21, Rendition: 789956
The image appears to be a scanned page from a vintage document, likely a bulletin or newspaper clipping, with several articles and notices related to the Fogg Art Museum. Here's a description of the content:
Top Left Section:
Middle Section:
Right Side Section:
Bottom Section:
The document is dated from the year 1917, and there are handwritten notes and stamps on the edges, indicating that it has been preserved or referenced over time.
This image shows a collection of newspaper clippings and handwritten notes mounted on a brown paper background. The clippings are related to the Fogg Art Museum and a lecture by Joseph Pennell. Here is a detailed description of the content:
Top Left Section:
Middle Section:
Top Right Section:
Bottom Left Section:
Bottom Right Section:
Handwritten Notes:
The overall layout suggests a curated collection of news articles and notes about the Fogg Art Museum's activities and the lecture by Joseph Pennell in 1917.
This image displays a vintage, yellowed, mimeographed or typewritten bulletin from the Fogg Art Museum, dated September 7, 1917, with various handwritten annotations and later dates added.
The document is a one-page newsletter or announcement, consisting of three primary columns of typed text, with additional handwritten notes and dates scattered across the page. The paper is visibly aged, with foxing and creases, and is mounted or enclosed in a clear protective sleeve.
Left Column: “THE FOGG ART MUSEUM”
Middle Column: “VALUABLE GIFTS TO FOGG MUSEUM”
Right Column: “PENNELL WILL DISCUSS WAR ART”
This is a historical institutional record, likely a staff or donor bulletin, documenting significant acquisitions and upcoming events at the Fogg Art Museum shortly after the United States entered World War I. The mention of Joseph Pennell’s “War Art” lecture ties the museum’s activities directly to the contemporary global conflict. The later annotations from “Cannon” (1947) suggest the document was preserved and possibly recataloged decades later, underscoring its archival value. The document provides a fascinating snapshot of early 20th-century art museum operations and cultural engagement during wartime.
This image is of a bulletin from the Fogg Art Museum at Harvard University, dated September 7, 1917. The bulletin contains two main sections, one titled "The Fogg Art Museum" and the other "Valuable Gifts to Fogg Museum." The "Valuable Gifts to Fogg Museum" section lists the gifts and acquisitions made by the museum during the academic year 1916-17, including paintings, sketches, panels, books, and lantern slides. The "The Fogg Art Museum" section mentions a lecture by Mr. Joseph Pennell, a well-known illustrator, on the subject of "The Wonder of War Work" at 4:30 PM today.
The image depicts a vintage document that appears to be a bulletin or announcement from the Fogg Art Museum, dated September 7, 1917. The document is printed on both sides and is enclosed in a protective plastic sleeve, suggesting its historical significance and fragility. The paper has a yellowish hue, indicating its age.
The front side of the document is divided into two columns. The left column is titled "THE FOGG ART MUSEUM" and lists several acquisitions made by the museum during the academic years 1916-17 and 1917-18. These acquisitions include paintings, sketches, and panels from various donors, such as Edward D. Bettons, John Singleton Copley, and Mrs. J. Pierpont Morgan. The list also includes specific artworks like "Monmouth before James II" by John Singleton Copley and "A Sienese panel, 'A Nativity'" attributed to Pietro Lorenzetti.
The right column is titled "VALUABLE GIFTS TO FOGG MUSEUM" and provides additional details about the acquisitions. It mentions that the museum received 229 books, 414 photographs, and 17 lantern slides during the academic year 1916-17. The principal acquisitions are highlighted, including a portrait of a boy by J. Pierpont Morgan and a series of volumes and drawings from various donors.
The back side of the document continues with more details about the acquisitions, including a water color drawing by J. M. Turner and various other artworks. It also mentions that the museum has received a Japanese painting of the Kamakura period and a portrait of a boy from Pietro Lorenzetti.
Additionally, the document announces that Mr. Joseph Pennell, a well-known artist, illustrator, and author, will give a lecture titled "The Wonder of War Work" at 4:30 PM in the Fogg Art Museum. The lecture is open to the public, and no tickets are required. The document also mentions that Mr. Pennell's paintings and pencil illustrations are on exhibition both at Grand Prix and at several expositions, and his honors have been conferred upon him by Premier Lloyd George.
The document concludes with information about an exhibition of prehistoric Italian paintings at the Fogg Art Museum, featuring works by the Byzantine painter St. Michael and a Gothic Guarnerio di Padu. The exhibition includes a painting of the Madonna and Child, both representing Italian primitives at the Kunsthistorisches Museum in Vienna.
Overall, the document serves as a historical record of the Fogg Art Museum's acquisitions and events during the specified period, highlighting the contributions of various donors and the museum's commitment to preserving and exhibiting art.
The image shows a scanned page from a publication titled "Harvard Alumni Bulletin," dated September 7, 1917. The page is divided into two main columns, each containing distinct sections of text. Here is a detailed description:
This document provides a historical record of the Fogg Art Museum's activities and acquisitions during the early 20th century.
This is an image of a collection of old newspaper clippings, organized and pasted onto a surface (likely a scrapbook or archival paper). The clippings are related to art, museums, and lectures. Specifically, one prominent column titled "Valuable Gifts to Fogg Museum" details a list of important items donated to the Fogg Art Museum during the academic year of 1916–1917.
The clippings are visibly aged, yellowed, and annotated with handwritten notes (e.g., dates like "Dec 15, 1917"), titles, and other brief markings, presumably for organization or archival purposes. The paper edges appear to have some slight tearing or fraying, indicating its historical nature.
The image shows a single page of a newsletter or newspaper article, which appears to be historical, judging from the yellowing of the paper and the typographic style used. It is dated at the top with handwritten notes stating "November 4, 1917" and "Oct. 3, 1917" along with some signatures or initials that are not clearly legible. The content on the page seems to be related to the Fogg Art Museum and discusses various topics relevant to the museum's activities around that time.
There are several articles on the page, and the headers can be read as follows:
The texts are in a column layout typical of newspapers, and they include detailed descriptions of art pieces, artists, and museum news. The bottom of the page features short blurbs titled "Mr. Pennell to Lecture in Cambridge" and "Fogg Art Museum". There are also annotations made by hand in blue ink across the document, possibly by a reader noting particular dates or referring to comments or summaries pertaining to the articles.
The condition of the paper suggests it is quite old, and the information is historical, referring to events and acquisitions that took place predominantly in 1917.
This image shows a collection of old newspaper clippings from various dates in 1917 and 1918. The articles focus on significant events and acquisitions involving The Fogg Art Museum (now part of the Harvard Art Museums) including loans, gifts of paintings, sketches, panels, slides, and artifacts from various donors.
Key figures mentioned include Edward D. Bettens, Mr. Joseph Pennell, Pietro Lorenzetti, T.A. Perkinson, R.N. Burnham, John K. Wright, Charles E. Perkins, Henry Goldman, and Charles Walker. Notable items gifted include historical paintings, portraits, pieces of Etruscan ware, Japanese paintings, and slides added to the library and museum's equipment.
The clippings are fragile, showing signs of wear and aging such as yellowing and torn edges. Scattered handwritten annotations can be seen on them, noting dates or important points. The textual content primarily highlights the cultural and historical importance of the acquisitions and the individuals involved in the donations or events at the museum.