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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789956

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The image appears to be a scanned page from a vintage document, likely a bulletin or newspaper clipping, with several articles and notices related to the Fogg Art Museum. Here's a description of the content:

  1. Top Left Section:

    • Title: "THE FOGG ART MUSEUM"
    • Content: This section discusses loans and acquisitions made by the Fogg Art Museum during the second half of the academic year 1916-1917. It mentions specific artworks and collections, including paintings, sculptures, and photographs. Examples include:
      • A painting "Monmouth before James II" by John Singleton Copley.
      • A Sienese panel attributed to Pietro Lorenzetti.
      • A Greek torso by Edward P. Bliss.
      • Drawings from the Uffizi and prints from the Museum of Fine Arts, Boston.
  2. Middle Section:

    • Title: "VALUABLE GIFTS TO FOGG MUSEUM"
    • Content: This section lists additional acquisitions and gifts to the Fogg Art Museum. It includes:
      • A watercolor drawing "The Matterhorn" by John Ruskin.
      • A head pencil drawing "Edinburgh" by J.M.W. Turner.
      • A portrait by Raeburn.
      • A Sienese triptych "The Crucifixion."
      • A Japanese painting of the Kamakura period from the Museum of Fine Arts, Boston.
      • Additional books and photographs added to the collection.
  3. Right Side Section:

    • Title: "PENNELL WILL DISCUSS WAR ART"
    • Content: This notice announces a lecture by Joseph Pennell, a well-known artist, illustrator, and author, scheduled for the Fogg Art Museum. The lecture is titled "The Wonder of War Work" and is open to the public. Pennell has also made sketches of factories and shipyards in England and France.
  4. Bottom Section:

    • Title: "Fogg Art Museum"
    • Content: This section provides more details about the museum's collection and specific exhibits. It mentions primitive Italian paintings lent by Mr. A. Kingsley Porter, a lecturer of architecture at Yale University. The paintings include:
      • A figure of St. Michael by Guariento of Padua.
      • A Madonna and Child by Gregorio Schiavone.

The document is dated from the year 1917, and there are handwritten notes and stamps on the edges, indicating that it has been preserved or referenced over time.

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This image shows a collection of newspaper clippings and handwritten notes mounted on a brown paper background. The clippings are related to the Fogg Art Museum and a lecture by Joseph Pennell. Here is a detailed description of the content:

  1. Top Left Section:

    • Headline: "THE FOGG ART MUSEUM"
    • Date: "Sept 27, 1917"
    • Content: This section discusses the important loans and acquisitions at the Fogg Art Museum during the second half of the academic year 1916-17. It lists various items received, including paintings, sketches, panels, books, photographs, and lantern slides. Notable items include an unfinished historical painting by John Singleton Copley, a Sienese panel attributed to Pietro Lorenzetti, and a Greek torso of a boy.
  2. Middle Section:

    • Headline: "VALUABLE GIFTS TO FOGG MUSEUM."
    • Content: This section reiterates the valuable gifts received by the Fogg Art Museum, including the same items mentioned in the top left section. It also mentions the acquisition of a watercolor drawing by John Ruskin and a pencil drawing by J.M.W. Turner.
  3. Top Right Section:

    • Headline: "PENELL WILL DISCUSS WAR ART"
    • Content: This section announces a lecture by Joseph Pennell at the Fogg Art Museum. The lecture, titled "The Wonder of War Work," is scheduled for 4:30 PM. It mentions Pennell's reputation as an artist, illustrator, and author, and his achievements, including the Grand Prix at several expositions. It also notes his permission from Premier Lloyd George to make drawings of war work in England and his invitation by the French Government to do the same in France.
  4. Bottom Left Section:

    • Headline: "Mr. Pennell to Lecture in Cambridge"
    • Content: This section repeats the information about Joseph Pennell's lecture at the Fogg Art Museum, emphasizing the lecture's subject and the artist's work on war-related drawings and lithographs.
  5. Bottom Right Section:

    • Headline: "Fogg Art Museum"
    • Content: This section discusses the presentation of two primitive Italian paintings lent by Mr. A. Kingsley Porter. It describes the paintings' characteristics and their exhibition at the Fogg Art Museum for about two months.
  6. Handwritten Notes:

    • Various handwritten notes are scattered around the clippings, providing additional context and dates. For example, "Transcript Dec. 12, 1917" and "Dec. 13, 1917" are written at the bottom left, and "Camson Dec. 13, 1917" is written at the top right.

The overall layout suggests a curated collection of news articles and notes about the Fogg Art Museum's activities and the lecture by Joseph Pennell in 1917.

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This image displays a vintage, yellowed, mimeographed or typewritten bulletin from the Fogg Art Museum, dated September 7, 1917, with various handwritten annotations and later dates added.

The document is a one-page newsletter or announcement, consisting of three primary columns of typed text, with additional handwritten notes and dates scattered across the page. The paper is visibly aged, with foxing and creases, and is mounted or enclosed in a clear protective sleeve.


Main Content Sections:

  1. Left Column: “THE FOGG ART MUSEUM”

    • This is a summary of loans and acquisitions received during the second half of the academic year 1916-17.
    • It lists specific artworks donated or loaned, including:
      • An unfinished historical painting, “Monmouth before James II,” by John Singleton Copley.
      • A Siense panel, “A Nativity,” attributed to Pietro Lorenzetti.
      • A Greek torso of a boy from Mrs. Edward P. Bliss.
      • 11 volumes of reproductions, 229 books, 414 photographs, and 2110 lantern slides.
      • Watercolor drawings: “The Matterhorn” by John Ruskin, and “Edinburgh” by J. M. W. Turner.
      • Loans of 16th/17th-century velvets and drawings from the Wyant, Martin, and Bone collections.
      • Portraits and works from Charles A. Walker, Henry Goldman, Charles B. Perkins, and R. N. Burnham.
      • A piece of Etruscan ware from John K. Wright.
      • A Japanese painting of the Kamakura period from the Museum of Fine Arts, Boston.
  2. Middle Column: “VALUABLE GIFTS TO FOGG MUSEUM”

    • This section is nearly identical to the left column, reiterating the same list of acquisitions and loans for the 1916-17 academic year, with the same specific artworks and donors mentioned. It functions as a duplicate summary.
  3. Right Column: “PENNELL WILL DISCUSS WAR ART”

    • This announces a lecture by Mr. Joseph Pennell, a well-known artist, illustrator, and author.
    • The lecture, titled “The Wonder of War Work,” was scheduled for 4:30 o’clock at the Fogg Museum.
    • The text notes that Pennell was permitted by Premier Lloyd George to make drawings of war work in England and that his sketches had already been published as lithographs.
    • It mentions he was invited by the French Government to do the same in France, but went “wise to that country” and failed to get important results (a humorous or ironic aside).
    • In the United States, he made another series of lithographs at the Museum of Fine Arts, Boston, and the lecture would discuss this work.
    • The lecture was free and open to the public.

Handwritten Annotations and Later Dates:

  • Top Left: “Harvard Museum Bulletin / Sept 7, 1917” handwritten in cursive.
  • Top Right: “Cannon / Dec 13, 1947” written in pencil, suggesting a later owner or archivist.
  • Near Top Middle: “14” written in pencil.
  • Left Side (middle): “Transcript / Dec 12, / 13/17” handwritten on a pasted-in piece of paper or a note.
  • Middle Column (bottom): “Cannon, 27/17” and “October 1917” handwritten.
  • Right Column (bottom): “Cannon / Dec. 10, / 1947” again.
  • Bottom Right: A short paragraph titled “FOGG ART MUSEUM” (partially obscured by the handwritten date), describing an exhibition of two primitive Italian paintings lent by Mr. A. Kingsley Porter, with details about the paintings (Byzantine Gothic Guardian of Padua and a Madonna and Child by Gregorio Schiavone).

Overall Impression:

This is a historical institutional record, likely a staff or donor bulletin, documenting significant acquisitions and upcoming events at the Fogg Art Museum shortly after the United States entered World War I. The mention of Joseph Pennell’s “War Art” lecture ties the museum’s activities directly to the contemporary global conflict. The later annotations from “Cannon” (1947) suggest the document was preserved and possibly recataloged decades later, underscoring its archival value. The document provides a fascinating snapshot of early 20th-century art museum operations and cultural engagement during wartime.

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This image is of a bulletin from the Fogg Art Museum at Harvard University, dated September 7, 1917. The bulletin contains two main sections, one titled "The Fogg Art Museum" and the other "Valuable Gifts to Fogg Museum." The "Valuable Gifts to Fogg Museum" section lists the gifts and acquisitions made by the museum during the academic year 1916-17, including paintings, sketches, panels, books, and lantern slides. The "The Fogg Art Museum" section mentions a lecture by Mr. Joseph Pennell, a well-known illustrator, on the subject of "The Wonder of War Work" at 4:30 PM today.

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The image depicts a vintage document that appears to be a bulletin or announcement from the Fogg Art Museum, dated September 7, 1917. The document is printed on both sides and is enclosed in a protective plastic sleeve, suggesting its historical significance and fragility. The paper has a yellowish hue, indicating its age.

The front side of the document is divided into two columns. The left column is titled "THE FOGG ART MUSEUM" and lists several acquisitions made by the museum during the academic years 1916-17 and 1917-18. These acquisitions include paintings, sketches, and panels from various donors, such as Edward D. Bettons, John Singleton Copley, and Mrs. J. Pierpont Morgan. The list also includes specific artworks like "Monmouth before James II" by John Singleton Copley and "A Sienese panel, 'A Nativity'" attributed to Pietro Lorenzetti.

The right column is titled "VALUABLE GIFTS TO FOGG MUSEUM" and provides additional details about the acquisitions. It mentions that the museum received 229 books, 414 photographs, and 17 lantern slides during the academic year 1916-17. The principal acquisitions are highlighted, including a portrait of a boy by J. Pierpont Morgan and a series of volumes and drawings from various donors.

The back side of the document continues with more details about the acquisitions, including a water color drawing by J. M. Turner and various other artworks. It also mentions that the museum has received a Japanese painting of the Kamakura period and a portrait of a boy from Pietro Lorenzetti.

Additionally, the document announces that Mr. Joseph Pennell, a well-known artist, illustrator, and author, will give a lecture titled "The Wonder of War Work" at 4:30 PM in the Fogg Art Museum. The lecture is open to the public, and no tickets are required. The document also mentions that Mr. Pennell's paintings and pencil illustrations are on exhibition both at Grand Prix and at several expositions, and his honors have been conferred upon him by Premier Lloyd George.

The document concludes with information about an exhibition of prehistoric Italian paintings at the Fogg Art Museum, featuring works by the Byzantine painter St. Michael and a Gothic Guarnerio di Padu. The exhibition includes a painting of the Madonna and Child, both representing Italian primitives at the Kunsthistorisches Museum in Vienna.

Overall, the document serves as a historical record of the Fogg Art Museum's acquisitions and events during the specified period, highlighting the contributions of various donors and the museum's commitment to preserving and exhibiting art.

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The image shows a scanned page from a publication titled "Harvard Alumni Bulletin," dated September 7, 1917. The page is divided into two main columns, each containing distinct sections of text. Here is a detailed description:

Left Column:

  • Header: The top of the column features the title "THE FOGG ART MUSEUM" in bold, capitalized text.
  • Content: The text discusses the acquisitions made by the Fogg Art Museum during the academic year 1916–17. It summarizes important loans and additions to the museum's collection, including:
    • Loans from Edward D. Bettens, John Singleton Copley, and others.
    • Gifts such as watercolors, drawings, and prints, including works by John Ruskin, J. M. W. Turner, and others.
    • Notable acquisitions include:
      • A watercolor drawing by John Ruskin titled "Edinburgh" by J. M. W. Turner.
      • A drawing by Charles A. Walker titled "Interior of a Cathedral" in watercolor.
      • A portrait by Henry B. Perkins titled "The Musician" by Holbein.
      • A portrait by Charles B. Perkins titled "Holy Family Triptych" by Florentine School.
      • A portrait by Antonio Moro titled "Diana" by Tintoretto.
      • A piece by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A Japanese painting from the Kamakura period by Henry Goldman.
      • A watercolor drawing by John Ruskin titled "Edinburgh" by J. M. W. Turner.
      • A drawing by Charles B. Perkins titled "Holy Family Triptych" by Florentine School.
      • A Sienese Triptych by Holbein.
      • A portrait by Antonio Moro titled "Diana" by Tintoretto.
      • A portrait by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A piece by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A Japanese painting from the Kamakura period by Henry Goldman.
      • A watercolor drawing by John Ruskin titled "Edinburgh" by J. M. W. Turner.
      • A drawing by Charles B. Perkins titled "Holy Family Triptych" by Florentine School.
      • A Sienese Triptych by Holbein.
      • A portrait by Antonio Moro titled "Diana" by Tintoretto.
      • A portrait by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A piece by Antonio Moro titled "The Crucifixion" by John K. Wright.
  • Additional Notes: The text also mentions that the museum has acquired lantern slides and photographs for educational purposes.

Right Column:

  • Header: The top of the column features the title "VALUABLE GIFTS TO FOGG MUSEUM" in bold, capitalized text.
  • Content: This section details specific valuable gifts added to the Fogg Art Museum's collection, including:
    • Paintings, sketches, and panels added to the collection.
    • A list of notable acquisitions, such as:
      • An unfinished historical painting by John Singleton Copley titled "Nativity" from Edward D. Bettens.
      • A watercolor drawing by John Ruskin titled "Edinburgh" by J. M. W. Turner.
      • A drawing by Charles B. Perkins titled "Holy Family Triptych" by Florentine School.
      • A portrait by Antonio Moro titled "Diana" by Tintoretto.
      • A portrait by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A Japanese painting from the Kamakura period by Henry Goldman.
      • A watercolor drawing by John Ruskin titled "Edinburgh" by J. M. W. Turner.
      • A drawing by Charles B. Perkins titled "Holy Family Triptych" by Florentine School.
      • A Sienese Triptych by Holbein.
      • A portrait by Antonio Moro titled "Diana" by Tintoretto.
      • A portrait by Antonio Moro titled "The Crucifixion" by John K. Wright.
      • A piece by Antonio Moro titled "The Crucifixion" by John K. Wright.
  • Additional Notes: The section also mentions that the museum has added lantern slides and photographs to its collection.

Footer:

  • The bottom of the page includes handwritten notes and signatures:
    • "Mr. Pennell Lecture in Cambridge" is noted, indicating an upcoming lecture by Mr. Pennell at the Fogg Art Museum.
    • The date "Dec. 12, 1917" is handwritten at the bottom left.
    • There are additional handwritten notes and signatures, including "Cummins" and "Dec. 15, 1917", likely indicating the date the page was reviewed or annotated.

Overall Layout:

  • The page is formatted in a traditional newspaper or bulletin style, with clear headings and organized text.
  • The content is informational, focusing on art acquisitions and museum activities.
  • Handwritten annotations suggest the page was part of an archival or reference collection.

This document provides a historical record of the Fogg Art Museum's activities and acquisitions during the early 20th century.

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The image presents a newspaper clipping from the Fogg Art Museum, featuring a beige background with a transparent plastic cover. The clipping is divided into three columns, each containing a distinct article.

Left Column:
The left column is titled "THE FOGG ART MUSEUM" and discusses the museum's recent acquisitions, including paintings, sketches, and panels. The article highlights the addition of 239 books to the library and 114 photographs and 213 lantern slides to the museum's collection.

Middle Column:
The middle column is titled "VALUABLE GIFTS TO FOGG MUSEUM" and focuses on the museum's valuable gifts. It mentions the acquisition of 11 volumes of reproductions of drawings in the Uffizi, 158 photographs of prints, and 11 volumes of reproductions of drawings in the Uffizi.

Right Column:
The right column is titled "PENNELL WILL DISCUSS WAR ART" and discusses the upcoming lecture by Mr. Joseph Pennell, an illustrator and author, on "The Wonder of War Work." The article also mentions that Pennell has been invited to give a lecture in the Fogg Art Museum at 4:30 o'clock today.

Additional Information:
The clipping includes handwritten notes and dates, such as "Dec. 12, 1917" and "Dec. 15, 1917," which suggest that the clipping was likely used as a reference or research material. The clipping also features a signature in the top-right corner, which appears to be a stamp or a handwritten note.

Overall:
The image provides a glimpse into the Fogg Art Museum's activities and acquisitions during the early 20th century. The clipping highlights the museum's efforts to expand its collections and provide educational programs for the public.

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The image depicts a yellowed newspaper clipping, likely from the 1910s, featuring an article about the Fogg Art Museum. The clipping is divided into two columns, with the left column titled "THE FOGG ART MUSEUM" and the right column titled "VALUABLE GIFTS TO FOGG MUSEUM."

The article discusses the museum's acquisitions during the second half of the academic year 1916-17, including paintings, sketches, and panels. It also mentions the addition of 229 books to the library and 414 photographs and 2118 lantern slides given to the museum.

The clipping appears to be a news article or press release from the time period, providing information about the museum's collections and activities. The yellowed paper and handwritten notes suggest that it may have been preserved for historical or archival purposes.

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The image depicts a vintage newspaper clipping, likely from the early 20th century, featuring three articles related to the Fogg Art Museum. The clipping is yellowed and torn, with handwritten notes and dates in the margins.

The leftmost article, titled "THE FOGG ART MUSEUM," discusses the museum's acquisitions during the second half of the academic year 1916-17. It highlights various donations, including paintings, sketches, and panels, as well as loans from other institutions.

The middle article, titled "VALUABLE GIFTS TO FOGG MUSEUM," provides more information on the gifts received by the museum during the same period. It lists specific artworks and donors, showcasing the museum's growing collection.

The rightmost article, titled "PENNELL WILL DISCUSS WAR ART," announces an upcoming lecture by Joseph Pennell, a well-known artist and illustrator, at the Fogg Art Museum. The lecture will focus on Pennell's experiences as a war artist and his work documenting factories and shipyards engaged in war efforts.

The clipping also includes handwritten notes and dates, suggesting that it was used for research or reference purposes. Overall, the image provides a glimpse into the history of the Fogg Art Museum and its activities during the early 20th century.

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The image presents a scanned or photographed collection of aged newspaper clippings, carefully arranged and preserved in a protective sleeve. The clippings, which appear to be from 1917, are yellowed with age and feature black text.

Newspaper Clippings:

  • The leftmost clipping is titled "THE FOGG ART MUSEUM" and provides information about the museum's acquisitions during the second half of the 1916-17 academic year.
  • The middle clipping, titled "VALUABLE GIFTS TO FOGG MUSEUM," discusses the various paintings, sketches, and panels added to the museum's collection.
  • The rightmost clipping, titled "PENNELL WILL DISCUSS WAR ART," announces a lecture by well-known artist and author Mr. Joseph Pennell at the Fogg Art Museum.

Handwritten Notes:

  • Each clipping features handwritten notes in the top-left and top-right corners, as well as at the bottom.
  • The notes appear to be dates, with the top-left corner of each clipping bearing the date "Sept 07, 1917," "Dec 15, 1917," and "Dec 12, 1917," respectively.
  • The bottom of each clipping features additional handwritten notes, including "Manuscript," "December 1917," and "October 1917."

Background:

  • The background of the image is a plain white surface, providing a clean and neutral backdrop for the newspaper clippings.

Overall, the image showcases a collection of historical newspaper clippings related to the Fogg Art Museum, carefully preserved and presented in a protective sleeve.