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The image is a collection of newspaper clippings from 1917, primarily focusing on art museums and their collections. Here is a detailed summary of the contents:

1. Herald, May 13, 1917 - "Growth of the Collection at Fogg Museum":

   • The article discusses the recent additions to the Fogg Art Museum's collection.
   • Notable gifts include watercolors by John La Farge and James McNeill Whistler, and a bronze by Antoine-Louis Barye.
   • The museum received Japanese prints, Chinese porcelain, and other significant artworks from various donors.
   • The article mentions the museum's policy of accepting only high-quality pieces and the importance of these additions to the collection.

2. Harvard Museums Closed to Public - April 1, 1917:

   • Harvard's museums were closed to the public due to the United States' entry into World War I.
   • The closure was a precautionary measure to protect the collections from potential damage.
   • The article notes that the museums will remain closed until the war's conclusion.

3. Denver Paper, April 1917 - Concerning Denver Art Association:

   • The article highlights a loan of a Sargent watercolor to the Denver Art Association.
   • It discusses the rarity of seeing such a piece and the significance of Sargent's work.
   • The article expresses gratitude for the loan and the opportunity to study the artwork.

4. Treasures Added to the Fogg Museum Collection:

   • This section lists recent additions to the Fogg Museum's collection.
   • Notable additions include paintings by John Singer Sargent, Pierre Lemaître, and other significant artists.
   • The list also mentions volumes of reproductions of drawings and prints, as well as gifts from various donors.

5. Additional Notes:

   • The article mentions the museum's policy on accepting gifts and the importance of high-quality donations.
   • It highlights the generosity of donors and the significance of the additions to the museum's collection.

Overall, the clippings provide a snapshot of the art world in 1917, focusing on the acquisitions and policies of the Fogg Art Museum and the impact of World War I on museum operations.

The image shows several newspaper clippings from various sources, dated between May 1917 and April 1917, detailing activities and acquisitions at the Fogg Art Museum and Harvard Museums.

1. Top Left Clipping (Harvard Magazine, May 18, 1917):

   • The article discusses the growth of the Fogg Art Museum's collection. It highlights the recent acquisitions, including works by Henry Goldman, L. E. Spindler, and others. It mentions the addition of a large decorative border to a painting by Vasari and notes the display of several significant works, including a watercolor by John La Farge.

2. Top Right Clipping (Harvard Alumni Bulletin, May 1917):

   • This article lists several notable gifts and loans to the Fogg Art Museum. It includes:
     • Watercolors by John La Farge, James McNeill Whistler, and others.
     • Original drawings by J. P. Morgan, Rembrandt, and others.
     • Loans from Paul Manship and Spencer Fishback, among others.
   • The museum's temporary loans from the Cogswell collection and the acquisitions of fine Japanese prints and artworks are also mentioned.

3. Bottom Left Clipping (Denver Post, April 1917):

   • This piece is about the Denver Art Association's exhibition featuring a Sargent watercolor. It appreciates the opportunity to see such a rare piece and mentions the loan's significance in terms of artistic brilliance and the opportunity to study it.

4. Bottom Right Clipping (The American Magazine of Art, May 1917):

   • This clipping discusses recent additions to the Fogg Museum collection:
     • A painting titled "Memnon Before James H." by Edward B. Copley.
     • Works by J. P. Morgan, including a large collection of Chinese porcelain and prints.
     • A piece by John Ruskin and a watercolor by J. McNeill Whistler.

5. Bottom Center Clipping (Harvard Museums Closed to Public):

   • This snippet mentions that Harvard museums were closed to the public, citing an order from the University President. It highlights the decision to protect valuable collections in various buildings.

Each of these clippings provides insight into the historical context of acquisitions, exhibitions, and public access to art collections at Harvard Museums during 1917.

The image shows a collection of documents related to the Fogg Art Museum, likely dating back to the early 20th century. Here is a detailed summary of the contents:

1. Document on the top left:

   • Headline: "Harvard, May 15, 1917"
   • Content: Describes the growth of the Fogg Art Museum, including the addition of a print room, and mentions significant gifts and acquisitions. Notable pieces include a painting by John La Farge, a watercolor by John Singer Sargent, and several other artworks and donations. The text also mentions the museum's policy on loans and the display of new acquisitions.

2. Document on the top center:

   • Headline: "Harvard, June 15, 1917"
   • Content: Focuses on the Fogg Art Museum and its recent activities. It mentions the receipt of gifts, including a watercolor by John La Farge, and loans from various donors. The document also highlights the museum's policy of rotating exhibits to provide regular refreshment to visitors.

3. Document on the top right:

   • Headline: "The Fogg Art Museum"
   • Content: Describes the museum's recent acquisitions and loans, including several notable pieces such as a painting by John Singer Sargent, a watercolor by Henry Golden, and Japanese screens. The document also mentions the museum's policy of displaying works of art in a manner that allows for an appreciation of their beauty and historical significance.

4. Document in the middle left:

   • Headline: "Harvard, June 25, 1917"
   • Content: Announces that the Harvard museums will be closed to the public for the summer. The Fogg Art Museum, Bussey Institution, and other museums will reopen in October. The closure is due to the lack of attendants and the need for conservation work.

5. Document in the middle right:

   • Headline: "Denver, April, 1917, concerning Denver Art Assoc."
   • Content: Discusses the appreciation of the Fogg Art Museum's loan of a watercolor by John Singer Sargent. The document expresses gratitude for the loan and the opportunity it provides for the people of Denver to appreciate the work of this important American artist.

6. Document in the bottom right:

   • Headline: "Treasures Added to the Fogg Museum Collection"
   • Content: Lists recent additions to the museum's collection, including a painting by John Singer Sargent, a portrait by John La Farge, and several other significant pieces. The document also mentions the museum's policy of acquiring works that represent the highest standards of art.

The documents collectively highlight the Fogg Art Museum's growth, its focus on acquiring significant artworks, and its commitment to sharing these treasures with the public through strategic loans and exhibits.

The image is a collage of several newspaper clippings from May 1917, detailing various events and acquisitions related to the Fogg Art Museum at Harvard University.

Top Left Article: Progress at Fogg Museum

This article discusses the growth of the collection at the Fogg Museum:

• It highlights recent additions, including a portrait of Henry Goltzius by Jacob Matham and works by other artists like Madonna and Child by Luca della Robbia.
• The article mentions the museum’s acquisitions of notable works, such as John Singer Sargent’s “Lake O'Hara” and watercolors by Winslow Homer and James McNeill Whistler.
• It also discusses the museum’s aim to showcase a broad range of art and artifacts, emphasizing the importance of having a diverse collection.

Top Right Article: Fogg Art Museum

This article talks about the museum's recent acquisitions:

• The Fogg Museum has received several notable gifts, including a painting by John Singer Sargent, watercolors by Winslow Homer, and Japanese prints.
• There is a significant donation of Japanese color prints by Dodge MacKnight.
• The article mentions a gift of bronzes by Paul Manship and an important collection of Chinese porcelain from Henry Goldman.

Bottom Left Article: Harvard Museums Closed to Public

This article reports on the closure of Harvard’s museums to the public:

• The University has decided to close the museums due to the war effort, with no official statement on when they might reopen.
• The article speculates that the museums may only reopen for specific university-related purposes.

Center Article: Denver Paper, April 1917

This excerpt from a Denver paper discusses the admiration for John Singer Sargent's watercolors:

• Reginald Poland, an art director, expresses his enthusiasm for Sargent's watercolors, praising their uniqueness and brilliance.
• The article highlights the challenge of describing such masterful works and the appreciation for Boston's museums in housing these treasures.

Bottom Right Article: Treasures Added to the Fogg Museum Collection

This article lists recent additions to the Fogg Museum’s collection:

• The acquisitions include an unfinished painting “Mommeur de Naples” by John Singleton Copley.
• Other notable additions are a portrait by James McNeill Whistler, a Greek torso, a Roman bust, and a painting attributed to Pietro Lorenzetti.
• The museum has also received gifts from donors such as J.P. Morgan and John Ruskin.

Overall, these articles reflect the active growth and the temporary closure of the Fogg Art Museum, along with public and critical appreciation for its collections in 1917.

The image consists of several newspaper clippings from 1917, detailing various aspects of the Fogg Art Museum and other museums.

1. Progress at Fogg Museum (May 15, 1917)

   • The Fogg Museum has been growing its collection with several notable additions:
     • A large collection of Japanese prints and watercolors, including works by artists such as Katsushika Hokusai, Hiroshige, and others.
     • The museum has also acquired Japanese screens and porcelain pieces.
     • The addition of an altarpiece by Henry Goldman, "Madonna and Child."
     • A watercolor by John La Farge, "Lake O'Hara."
     • Several watercolors by James McNeill Whistler and other notable artists.

2. Harvard Museums Closed to Public (May 23, 1917)

   • Harvard's museums, including the Fogg Art Museum, have been closed to the public to protect valuable collections from potential damage during World War I. This closure was ordered by Harvard University authorities.

3. Notable Gifts and Loans to the Fogg Art Museum (May 1917)

   • Several notable gifts and loans have been added to the Fogg Art Museum's collection:
     • Watercolors and oil paintings by John La Farge, James McNeill Whistler, and other artists.
     • Original drawings by artists such as J. Pierpont Morgan, Rembrandt, and others.
     • Loans of works like "Madonna and Child" by Spinello Aretino and several Chinese porcelain pieces.

4. Denver Paper on Denver Art Association (April 1917)

   • The Denver Art Association received a loan of a watercolor by John Singer Sargent, "Lake O'Hara," from the Fogg Museum. This loan is significant as it is a rare opportunity to see a Sargent watercolor, which is admired for its universality and technical mastery.

5. Treasures Added to the Fogg Museum Collection (May 1917)

   • The Fogg Museum has received several treasures including:
     • A finished painting "Moonmouth Before James II" by John Singleton Copley.
     • A portrait of Mrs. Edward P. Bliss by John Singer Sargent.
     • A self-portrait by Rembrandt.
     • A photograph of a painting by Frans Hals.
     • A portrait of a boy by Pietro Lorenzetti.
     • A Greek torso.
     • Several other notable items such as photographs, drawings, and engravings.

These clippings provide a snapshot of the activities and acquisitions of the Fogg Art Museum during the year 1917, highlighting both the growth of its collection and the broader context of museum operations during World War I.

The image is a collage of several newspaper clippings and articles related to the Fogg Art Museum and Harvard Museums, primarily from 1917. Here's a detailed summary of each section:

1. Top Left (Harvard Museum Bulletin - May 1917):

   • This article discusses the growth of collections at the Fogg Museum of Art. It mentions the acquisition of several works, including "Madonna and Child" by Lorenzo Monaco, "The Child on a Horse" by Spinello Aretino, and "The Sermon on the Mount" by Fra Angelico.
   • The article also notes the acquisition of various paintings and prints, including works by John Singer Sargent, John La Farge, and others.

2. Top Center (Harvard Museum Bulletin - May 1917):

   • This article highlights recent gifts to the Fogg Art Museum. Notable gifts include:
     • A watercolor by John La Farge titled "Lake O'Hara."
     • A watercolor by James McNeill Whistler titled "Bridal Path."
     • Several Japanese prints and paintings from Dr. D. W. Ross, including works by Hokusai, Hiroshige, and others.
     • Original drawings and prints by artists such as Rembrandt, J. M. W. Turner, and others.

3. Top Right (Harvard Museum Bulletin - May 1917):

   • This section describes the notable loans and acquisitions of the Fogg Art Museum, such as:
     • Loans from various individuals and institutions, including a large collection of Japanese prints from J. P. Morgan.
     • A significant number of original drawings and paintings, including works by artists such as John La Farge, J. M. W. Turner, and Rembrandt.

4. Middle Left (Harvard Museum Bulletin - May 1917):

   • This article reports that Harvard museums were closed to the public due to an order from the University authorities to protect valuable collections from potential intruders. It mentions the closing of the Agassiz, Peabody, Semitic, and Fogg museums, which would remain closed until further notice.

5. Middle Center (Denver paper, April 1917):

   • This article discusses the loan of a John Singer Sargent watercolor from the Fogg Museum to the Denver Art Association. It highlights the significance of Sargent's work and the importance of the loan for the exhibition.

6. Middle Right (American Magazine of Art - May 1917):

   • This section is not fully legible, but it appears to be discussing the treasures added to the Fogg Museum collection, including a painting by James McNeill Whistler and other notable works.

7. Bottom Left (Harvard Museum Bulletin - May 1917):

   • This article is partially visible but seems to be discussing the Harvard Museums' collections and their importance.

The articles collectively provide an overview of the acquisitions, loans, and operational changes at the Fogg Art Museum and Harvard Museums during 1917. They also highlight the importance of these collections and the efforts to protect them during a period of heightened security concerns.

The image you have provided displays an old newspaper clipping or a collection of clippings mounted on a piece of paper. The clippings are from various sources, including the "Harvard Alumni Bulletin" and a paper dated April 1, 1917, from Denver Art Association. The topics covered in these clippings are mainly related to art and museums, discussing exhibitions, artwork acquisitions, and the closure of the Harvard Museums for protection of valuable collections.

The top right corner of the paper has a note handwritten in ink that reads "The American language first. May 13." Below this note, there is also the phrase "He wants to know—" with "happy fact." written below it. The handwriting appears to date from May 4, 1917.

Attached to the bottom right corner, there are smaller pieces of text that seem to be continuing the topic on art, including a section titled "TREASURES ADDED TO THE FOGG MUSEUM COLLECTION". The overall image gives a sense of historical art-related documentation and reportage from the early 20th century.

The image shows a collection of newspaper clippings and bulletins from 1917, primarily focused on announcements and updates related to the Fogg Art Museum at Harvard University. Here are the prominent details:

1. The top left clipping, dated March 13, 1917, discusses the progress at the Fogg Museum regarding the restoration of old paintings. It mentions specific artworks being worked on, including pieces by Van Dyck, David, and Monet, and includes a report from the museum's director, Mr. Gloto.

2. The center top clipping from the Harvard Alumni Bulletin highlights notable recent gifts to the Fogg Art Museum, including paintings by George Bellows and John La Farge, a watercolor by Sargent, Japanese prints, and a collection of rare books and original drawings.

3. The top right shared clipping announcing exhibit additions is similar but gives slightly different details. It also contains information about individual paintings loaned by prominent figures such as J. Pierpont Morgan.

4. A smaller clipping in the bottom center, dated April 1917, is from the Denver Art Association, acknowledging Reginald Poland from the Fogg Museum for providing an opportunity to exhibit a Sargent watercolor.

5. Another clipping at the top left corner from March 13, 1917, states that Harvard Museums were closed to the public to protect the valuable collections in various buildings during that period.

6. The bottom right clipping provides a summarized list of the treasures added to the Fogg Museum, including paintings by noted artists and prints from various collections.

Overall, the image contains historical information about significant acquisitions and exhibitions at the Fogg Art Museum, along with administrative updates from Harvard Museums during 1917.

This image shows a collage of various newspaper and magazine clippings related to the Fogg Art Museum and Harvard Museums from the year 1917. The clippings highlight different topics including:

1. The progress and recent additions to the Fogg Art Museum's collection, mentioning gifts such as paintings by John Sargent and John La Farge, watercolors by James McNeill Whistler, Japanese prints, and original drawings by old masters.
2. An article from the "Harvard Alumni Bulletin" dated May 22, 1917, detailing gifts received by the Fogg Art Museum including paintings, watercolors, Japanese screens, Chinese porcelain, and original drawings.
3. A mention of the Denver paper from April 1917 concerning the Denver Art Association expressing gratitude for the loan of a Sargent watercolor from the Fogg Museum loaned through Reginald Poland.
4. A notice about Harvard Museums being closed to the public to protect valuable collections in various university buildings.
5. A clipping titled "Treasures Added to the Fogg Museum Collection" describing newly acquired items including an unfinished painting by John Singleton Copley, a Siamese panel attributed to Pietro Lorenzetti, Greek torso of a boy, reproductions of drawings, and photographs and prints from other museums.
6. A smaller excerpt mentions some notable gifts and loans to the Fogg Art Museum including oil paintings, watercolors, Japanese prints, and original drawings from several donors.

Overall, the image provides historical documentation of important art acquisitions, museum developments, and institutional activities related to the Fogg Art Museum and Harvard Museums around the year 1917.

The image depicts a scanned page from a historical document, likely a newsletter or bulletin, dated May 15, 1917, and titled "Harvard Alumni Bulletin." The document contains a mix of news, announcements, and articles related to the Harvard University community, particularly focusing on the Fogg Art Museum and its activities. Here is a detailed description of the content:

Layout and Structure:

• The page is divided into multiple sections, each discussing different topics.
• The text is typed in a formal, serif font, typical of early 20th-century printing.
• The top of the page includes the title "Harvard Alumni Bulletin" and the date "May 15, 1917."

Content Overview:

Left Column:

1. Progress at the Fogg Museum:

   • Discusses recent additions to the Fogg Art Museum's collection.
   • Mentions gifts from notable donors, including Henry Goldman, who donated works such as:
     • "Lake O'Hara" by John Sargent (an oil painting).
     • "Madonna and Child" by Luca Signorelli (a watercolor).
     • Works by John La Farge and James McNeill Whistler.
   • Highlights the acquisition of important Japanese art, including watercolors, screens, and porcelain.
   • Notes the donation of a large collection of original drawings by Dodge MacKnight and other artists.

2. Harvard Museums Closed to Public:

   • Announces that Harvard's museums were temporarily closed due to the influenza outbreak.
   • Explains that the closure was ordered by university authorities to protect the valuable collections and ensure safety during the epidemic.
   • Indicates that the closure was not expected to interfere with regular classwork.

Right Column:

1. Denver Paper, April 1917:

   • A letter or excerpt from the Denver Art Association, dated April 1917, expressing admiration for Reginald Poland, the director of the Fogg Art Museum.
   • Praises Poland's exhibition of Sargent's watercolors, noting their artistic brilliance and the difficulty of adequately describing their impact.
   • Acknowledges the generosity of Boston museums in lending art works for exhibitions.

2. Treasures Added to the Fogg Museum Collection:

   • Lists recent additions to the Fogg Art Museum's collection, including:
     • "Monmouth Before Finished Painting" by John Singleton Copley.
     • "Nativity" by Edward B. Slafter.
     • "Slames Panel" by John Nasbitt.
     • Photographs by J. P. Morgan, including works by Lorenzo, Edward V. Bliss, and others.
     • Drawings and sketches by various artists, such as John Ruskin and John Singer Sargent.

Additional Notes:

• The document includes a handwritten note at the bottom right corner, dated "May 1917," which appears to be a personal annotation or signature, possibly from an alumnus or staff member.
• The overall tone is formal and informative, aimed at alumni and members of the Harvard community.

Visual Elements:

• The page has a slightly aged, sepia-toned appearance, indicative of its historical nature.
• The text is neatly aligned, with clear headings and subheadings.
• There are no illustrations or photographs on this page; the content is purely textual.

Contextual Significance:

• The document provides insight into the cultural and academic activities at Harvard University during World War I, particularly highlighting the importance of the Fogg Art Museum and its role in preserving and showcasing art.
• It also reflects the challenges faced by institutions during the 1918 influenza pandemic, as evidenced by the temporary closure of the museums.

This page serves as a historical record of Harvard's cultural and academic life in 1917, emphasizing the museum's growth and the community's response to public health concerns.