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This image appears to be a scanned page from a historical document or collection of articles, likely from a newspaper or magazine. The page is yellowed, indicating it is an older document, and is protected by a clear plastic sleeve to preserve it.

The content is divided into several sections. There are headlines and subheadings that seem to discuss various topics related to art, including exhibitions, donations, and acquisitions by the Fogg Art Museum at Harvard University. Some of the notable features include:

• "NEW WORKS IN FOGG MUSEUM" and "FOGG ART MUSEUM" sections, which detail recent acquisitions, including paintings by J.M.W. Turner, John La Farge, and James McNeill Whistler.
• A mention of a painting by Matteo da Siena, describing it as a "splendid fifteenth-century picture."
• A section titled "THE BULSTRODE HOLBEIN," discussing a painting that was recently in the possession of Sir John Ramsden and was reported to have been sold to an American collector.
• Gift entries from individuals like Edward D. Bettens, Dr. Denman W. Ross, Henry Goldman, and J. Pierpont Morgan, who donated various artworks and collections to the Fogg Art Museum.
• The document also includes dates and references to specific publications, such as "Transcript," "Crimson," "Gazette," and "New York Sun," which could be the names of different publications or sections of the same publication.

Overall, the page serves as a historical record of the activities and acquisitions of the Fogg Art Museum during a specific period, likely in the early 20th century.

This image is a collection of newspaper clippings, seemingly from the year 1917, focusing on news about the Fogg Art Museum at Harvard University. The clippings appear to be preserved under a clear plastic sleeve. Each clipping is dated and sourced from various publications, including "The Crimson," "The Gazette," and "The Transcript," as well as "The New York Sun."

The clippings detail recent acquisitions and loans to the Fogg Art Museum's collection. They mention art pieces by renowned artists such as John La Farge, James McNeill Whistler, John S. Sargent, and J.M.W. Turner. The text also highlights gifts from individuals like Edward D. Bettens, Dr. Denman W. Ross, Henry Goldman, J. Pierpont Morgan, and Mortimer L. Schiff, among others. These gifts include watercolors, oil paintings, Japanese prints, screens, and other significant artworks.

Additionally, one of the clippings discusses a portrait by Hans Holbein the Younger that was reportedly sold to an American collector for a large sum. The portrait was previously in the possession of Sir John Ramsden and hung at Bulstrode Park, Buckingham.

The clippings provide a detailed account of the museum's activities, emphasizing the importance of the new works and the generosity of the donors. The text is printed in a traditional newspaper style, with clear, legible fonts and a formal tone. The overall impression is one of appreciation for the arts and the ongoing efforts to expand and enhance the museum's collection.

This image displays a collection of historical newspaper clippings from May 6, 1917, and May 10, 1917, related to the Fogg Art Museum (now part of the Harvard Art Museums) at Harvard University. These yellowed, aged clippings are mounted under a protective sheet of glass or clear acrylic and presented within a simple white mat frame against a light gray background.

The clippings are primarily from the “Transcript” newspaper, with a small section from the “New York Sun” dated May 10, 1917. They all report on recent acquisitions, loans, and exhibitions at the museum, highlighting its active period of growth in the spring of 1917.

The clippings, organized by column and date, contain the following key information:

Left Column (May 6, 1917)

• Headline: “Another Fifteenth Century Picture Lent to the Fogg Art Museum—Painting of Virgin and Child”
  • Details a loan of “The Virgin and Child” by Matteo da Siena (c. 1450–1506), a Sienese painter, from the collection of Dr. Philip Burse-Jones.
• Headline: “THE HULSTRODE HOLBEIN”
  • Reports the sale of a portrait by Hans Holbein the Younger — “Portrait of Sir John Ramaden” — to an American collector, and mentions that another portrait by Holbein (of “Nicholas Lord Vaux”) was also sold.
  • Also recounts a curious story of discovery: while examining the Ramaden portrait, a hidden object — a penknife containing two toothpicks, an earring, and a brooch — was found in the frame, believed to have been placed there by the artist as a hidden signature or prank.

Center Column (May 6, 1917)

• Headline: “NEW WORKS IN FOGG MUSEUM”
  • Reports on new gifts to the University collection from various donors, including works by Turner, Whistler, and La Farge.
  • Lists recent acquisitions:
    • From Edward Detras Bettens ’73: oil painting of “Lake O’Hara” by J. M. W. Turner.
    • From Dr. Denman Waldo Ross ’78: a large collection of 10 Japanese watercolor drawings by Dodge MacKnight, 2 important Japanese screens, 1 Chinese painting, and porcelain.
    • From Henry Goldman, Esq.: an altarpiece, “Madonna and Child,” by Spinello Aretino.
  • Also notes temporary loans:
    • From Paul Manshup: bronze statues “Centaur and Nymph” and “Dancer and Gazelles”; oil painting “Symphony in Blue and Silver – Trouville” by J. McNeill Whistler.
    • From J. Pierpont Morgan: 26 original Rembrandt drawings.
    • From Messrs. Duveen Bros., NY: “Madonna and Child” by Matteo da Siena and “Madonna Adoring the Child” by Piero di Cosimo.
    • From Mortimer L. Schiff: the Cogswell collection of original drawings by old masters.

Right Column (May 6, 1917)

• Headline: “FOGG ART MUSEUM”
  • Repeats the same information as the center column but in denser, single-column format. It includes identical lists of gifts and loans, providing a condensed summary.

Bottom Section (May 10, 1917)

• From “New York Sun” May 10, 1917:
  • A smaller clipping with the headline “FOGG ART MUSEUM” that essentially reiterates the contents of the May 6 articles, summarizing the museum’s recent activity, gifts, and loans, including all the same artists and donors.

Summary

This framed collection of newspaper clippings documents a period of vibrant growth and acquisition for the Fogg Art Museum in 1917. It showcases the museum’s receipt of works by internationally renowned artists — including Turner, Whistler, Rembrandt, and Italian Renaissance masters — through donations and loans from wealthy patrons, collectors, and institutions such as Duveen Bros. The articles also reveal the museum’s increasing interest in non-Western art (Japanese screens, Chinese painting) and its commitment to scholarly and public engagement through exhibitions.

The presentation in a frame suggests it is preserved as a historical artifact, likely by Harvard or a private collector, documenting a significant moment in the museum’s early development.

Note on provenance/ownership: The clippings are stamped “Harvard Art Museums,” confirming their official archival origin. The handwriting of “Harvard Art Museums” at the top right is visible in some views, confirming institutional documentation.

The overall tone of the articles is one of celebration and pride in the museum’s expanding collection and its ability to attract top-tier works and benefactors.

The image is a newspaper clipping from the New York Times, dated March 16, 1917. The clipping includes a headline "New Works in Fogg Museum" and a subheading "Gifts to University Collection Include Turner, Whistler, and La Farge." The article discusses recent acquisitions and gifts to the Fogg Art Museum at Harvard University, highlighting notable works by artists such as Turner, Whistler, and La Farge.

The article mentions several gifts to the museum, including works by Turner, Whistler, and La Farge, as well as other artists. It provides details about the artworks, their origins, and their significance. The clipping also includes a mention of the Bulstrode Holbein, a portrait of Sir John Ramsay, and discusses its authenticity and historical context.

The image captures a portion of the article, focusing on the description of the new works and gifts to the museum, along with some details about the artworks and their donors. The text is presented in a clear and readable format, suitable for a newspaper clipping.

The image shows a newspaper clipping from March 19, 1917, featuring articles about recent acquisitions and exhibitions at the Fogg Art Museum and the Museum of Fine Arts in Boston. The clipping is divided into three columns, each containing different articles.

The left column, titled "Another Fifteenth Century Picture for the Museum of Fine Arts," discusses the acquisition of a painting by Matteo di Giovanni da Siena, a fifteenth-century painter. The article highlights the significance of the painting and its addition to the museum's collection.

The middle column, titled "NEW WORKS IN FOG G MUSEUM," lists recent gifts and acquisitions to the Fogg Art Museum. The gifts include paintings, prints, and other artworks from various donors, such as Edward D. Boit, John La Farge, and Henry Goldman. The article mentions the addition of a portrait by Jean Holbein the Younger and other notable acquisitions.

The right column, titled "FOGG ART MUSEUM," provides additional information about recent gifts to the Fogg Art Museum, including watercolors by Turner, La Farge, and Whistler, as well as bronzes and paintings by various artists. The article also mentions the exhibition of original drawings by Old Masters, which includes works by Rembrandt, Dueveu Bros., and others.

Overall, the newspaper clipping highlights the active acquisition and exhibition activities of the Fogg Art Museum and the Museum of Fine Arts in Boston during the early 20th century, showcasing their commitment to expanding and enriching their collections.

The image depicts a scanned page from a publication, likely a newspaper or journal, dated March 16, 1917. The page is divided into several sections, each containing articles or announcements related to art, museums, and exhibitions. Here is a detailed description:

Header Information

• The top of the page includes a header with the word "Fogg Art Museum", indicating the focus of the content is on the Fogg Art Museum.
• There are handwritten notations in the margins, such as "Shambout Mar 6 1917" and "Mar 16 1917", suggesting the date of the publication or when the page was annotated.

Left Column

• Title: "Another Fifteenth Century Picture Lends to the Fogg Art Museum—Painting of Virgin and Child"
  • This article discusses the acquisition of a 15th-century painting depicting the Virgin and Child by the Fogg Art Museum. The painting is attributed to Matteo da Siena (1345–1400). Key points include:
    • The painting was previously in the possession of Piero di Cosimo, a 15th-century Florentine painter.
    • It was part of the Harvard University Art Museum collection, which had received it on loan.
    • The painting is described as a fresco, now preserved as a panel painting, and is noted for its historical and artistic significance.
    • The article mentions that the painting is an example of the Siena School of painting and is considered a masterpiece of the period.

Middle Column

• Title: "New Works in Fogg Museum"
  • This section highlights recent acquisitions and donations to the Fogg Art Museum. Key points include:
    • Gifts to the University Collection: The museum has received several valuable pieces, including:
      • Art pieces by Turner, Whistler, and La Farge.
    • Permanent Acquisitions: The museum has added notable works to its permanent collection, such as:
      • A brief summary of more important permanent acquisitions.
      • A watercolor by James McNeill Whistler titled "Bride Sun".
      • A large collection of fine Japanese prints, including ten watercolors by Dodge Macknight.
      • Five important Japanese screens.
      • Two important Turner paintings.
      • One Spandie Chinese painting of a Korean gentleman.
      • Important examples of Chinese porcelain.
    • Temporary Loans: The museum has also received temporary loans, including:
      • Works by Edward Detrax, John Sargent, Paul Manship, and others.
      • Two bronzes by Paul Manship: "Centaur and Nymph" and "Dancer and Gazelles".
      • An oil painting by James McNeill Whistler titled "Symphony in Blue and Silver—Trovill".
      • Drawings by Rembrandt, Esq., Twenty-Six Original, from the Piermont Morgan collection.
      • A Madonna and Child by Matteo da Siena City, a Madonna Adoring the Child by Piero di Cosimo, and other works from the Cogswell collection.

Right Column

• Title: "Fogg Art Museum"
  • This section reiterates the recent activity at the Fogg Art Museum and provides additional details on acquisitions:
    • The museum has been more active than usual in acquiring new works.
    • Gifts to the University Collection include:
      • A watercolor by James McNeill Whistler titled "Bride Sun".
      • A large collection of fine Japanese prints, including ten watercolors by Dodge Macknight.
      • Five important Japanese screens.
      • Two important Turner paintings.
      • One Spandie Chinese painting of a Korean gentleman.
      • Important examples of Chinese porcelain.
    • Temporary Loans: The museum has received temporary loans, including:
      • Works by Edward Detrax, John Sargent, Paul Manship, and others.
      • Two bronzes by Paul Manship: "Centaur and Nymph" and "Dancer and Gazelles".
      • An oil painting by James McNeill Whistler titled "Symphony in Blue and Silver—Trovill".
      • Drawings by Rembrandt, Esq., Twenty-Six Original, from the Piermont Morgan collection.
      • A Madonna and Child by Matteo da Siena City, a Madonna Adoring the Child by Piero di Cosimo, and other works from the Cogswell collection.

Additional Notes

• The page includes a mix of typed text and handwritten annotations, suggesting it may have been part of an archive or collection.
• The content is focused on art acquisitions, donations, and museum activities, emphasizing the Fogg Art Museum's role in preserving and displaying significant artworks.

Overall Impression

The image showcases a historical document detailing the activities of the Fogg Art Museum in March 1917, highlighting its acquisitions of notable artworks, including paintings, watercolors, bronzes, and prints. The document reflects the museum's efforts to expand its collection with both permanent and temporary loans, emphasizing its commitment to art preservation and education.

The image shows an old newspaper-style clipping about the Fogg Museum. It is u yellowed, rectangular sheet with three narrow columns of dense text. At the top center the headline reads something like “NEW WORKS IN FOGG MUSEUM” and on the right “FOGG ART MUSEUM.” The left column carries additional articles or notes. The text appears to discuss gifts and acquisitions for the museum, mentioning donors and artists (Turner, Whistler, La Farge, etc.). The clipping is encased in a clear protective sleeve and sits on a light gray background.

This image depicts a page from an old newspaper or journal featuring several articles and notices about art acquisitions and exhibitions in 1917 at the Fogg Art Museum. The page includes three main sections:

1. "New Works in Fogg Museum": This article discusses recent art donations to Harvard's Fogg Museum, including works by Turner, Whistler, and La Farge. It lists specific pieces such as John La Farge's watercolor Bridle Path, Tahiti and James McNeill Whistler's Sunday on a Canal. Additionally, there are mentions of significant donations of Oriental drawings by old masters.

2. The “Illustrated Holbein”: An article at the lower left describes a notable portrait of Sir James Ramsay in the possession of the Earl of Rosslyn. The piece emphasizes the historical and artistic significance of the portrait.

3. Miscellaneous Notes: A few shorter notes, such as one at the center and upper right, detail additional donations to the museum, including permanent and temporary loans.

The page appears to have a weathered texture, with discoloration characteristic of aging paper and handwritten dates like “Mar 6, 1917” visible. The articles reflect a rich history of prominent artists and collectors contributing significant works to the Fogg Museum’s growing collection.

The image you've shared is seemingly a photograph of an old newspaper or document. The paper is dated May 6, 1917, as can be seen in the top left corner and likely comes from a section detailing art news or museum exhibit announcements, considering the content of the articles.

The right side of the document mentions the "Fogg Art Museum" and appears to announce new works added to the museum's collection. Gifts to the museum from various donors are listed, including an altarpiece titled "Madonna and Child," Japanese screens, Chinese paintings, and a Siamese door. The list suggests a variety of art pieces ranging from paintings to artifacts, possibly signifying a period where the museum was expanding its collection.

The left side contains an article that headlines with "Portrait Life-Size of Sir John Hawkins in the Possession of the London Middlesex Hospital." This article likely details a particular portrait and its significance or history.

It's worth noting that the paper is well-preserved but shows some signs of age, indicated by slight discoloration and creases. The entire document is presented against a neutral background, possibly for photographic or archival purposes.

The text is small and dense, making it challenging to read all the details directly from the image. However, the overall impression is one of a historical document that would be of interest to those studying art history, museum collections, and the history of cultural institutions.

The image shows an old newspaper clipping that appears to be an announcement about new works at the Fogg Art Museum. The text is densely packed and discusses recent acquisitions, gifts, and loans of artworks, mentioning specific pieces by well-known artists such as Turner, Whistler, and La Farge. The clipping is dated "Mar. 6, 1917" at the top, and additional dates are handwritten on the margins, including "Mar. 10, 1917" and "Mar. 18, 1917." The paper is aged with a brownish tint, and there are noticeable tears and signs of wear around the edges.