Archives Scrapbooks

The image appears to be a scanned page from a historical document, possibly a newspaper article or a magazine clipping, dated March 6, 1917. The document is divided into several sections, each containing text related to art and exhibitions. Here's a summary of the content:

1. Florentine Painting on Exhibition:

   • This section discusses an exhibition of Florentine paintings at the Fogg Art Museum.
   • It mentions a specific painting, the "Madonna Adoring the Child," by Piero di Cosimo, which is described as a typical Florentine work from the late 15th century.
   • The document provides some historical context about the painting and its significance in art history.

2. Tondo by Piero di Cosimo:

   • This section delves deeper into the "Madonna Adoring the Child" painting.
   • It provides a detailed description of the artwork, its characteristics, and its historical background.
   • The text also includes information about Piero di Cosimo and his life, as well as other works attributed to him.

3. Painting by Matteo di Siena at Fogg Museum:

   • This section discusses another painting, the "Virgin and Child," by Matteo di Siena.
   • It provides a brief biography of Matteo di Siena and details about the painting, including its historical context and the artist's style.

4. Exhibitions and Collections:

   • This section lists various exhibitions and collections related to art, including loans, gifts, and purchases made by the Fogg Art Museum.
   • It mentions specific artworks and artists, such as works by Roger van der Weyden, Francesco Pesellino, and John Singer Sargent.
   • The text also includes information about lectures and conferences held at the museum.

5. Museum Upgrades:

   • This section mentions changes made to the museum's facilities, including the relocation of casts and the refitting of a corridor for an exhibition gallery.
   • It also notes the addition of books, slides, and photographs to the museum's collection.

The document is written in a formal, academic style, typical of the early 20th century, and provides a comprehensive overview of the art exhibitions and activities at the Fogg Art Museum in 1917.

The image shows a scrapbook page with several newspaper clippings and handwritten notes. The clippings are from March 1917 and are related to the Fogg Art Museum. Here are the details of the clippings:

1. Top Left Clipping (March 5, 1917):

   • Title: "Florentine Painting on Exhibition"
   • Content: Discusses the exhibition of a painting titled "Madonna Adoring the Child" by Piero di Lorenzo, known as Piero di Cosimo (1462-1520). The painting is a typical Florentine work of the late 15th century. The clipping mentions the painting's history, its previous owners, and the exhibition details at the Fogg Art Museum.

2. Top Right Clipping (March 5, 1917):

   • Title: "TONDO BY PIERO DI COSIMO"
   • Content: Provides more details about the painting "Madonna Adoring the Child," including its significance, history, and the artist's background. It mentions that the painting has been in the collection of Arthur E. Street of London and has been on display at the Fogg Art Museum.

3. Bottom Left Clipping (March 6, 1917):

   • Title: "PAINTING BY MATTEO DI SIENA AT FOGG MUSEUM"
   • Content: Discusses another painting titled "Virgin and Child," a famous 15th-century work by Matteo di Giovanni di Bartolo. The clipping provides information about the artist's background, the painting's history, and its current exhibition at the Fogg Museum.

4. Handwritten Notes:

   • There are handwritten notes on the scrapbook page, likely indicating the source and date of the clippings. The notes are written in cursive and include dates such as "Mar 5, 1917" and "Mar 6, 1917."

5. Additional Clipping (Right Side):

   • This clipping lists various activities and acquisitions of the Fogg Art Museum, including loans, gifts, and purchases of artworks. It covers a period from November 2, 1916, to January 1, 1917, and mentions several artworks by different artists, their origins, and the collectors or institutions involved.

The scrapbook page is well-organized, with the clippings neatly arranged and the handwritten notes providing context for the content. The overall theme of the page is the exhibitions and activities of the Fogg Art Museum in 1917.

This image displays a single, aged, yellowed newspaper or magazine page, likely from the early 20th century, dated around March 1917. The page is presented flat against a plain, light gray background and is organized into three vertical columns of text.

The page appears to be a clipping or a preserved page from a museum's publication, discussing important artworks on loan to the Fogg Art Museum (part of Harvard University). Its content is focused on art history, specifically Florentine and Sienese paintings.

Here is a detailed breakdown of the page's content:

Left Column:

• Headlined "Florentine Painting On Exhibition", dated March 6, 1917.
• It announces the exhibition of “Madonna Adoring the Child” by Piero di Cosimo (1462-1522) at the Fogg Art Museum.
• The article provides a detailed history of the painting, including its provenance from the collection of Arthur E. Street of London and its association with the Medici and Guicciardini families.
• It notes that George Eliot chose Piero di Cosimo as the “typical Florentine artist.”
• The Museum's opening hours are listed.

Middle Column:

• Headlined "PAINTING BY MATTEO DI SIENA AT FOGG MUSEUM", dated March 6, 1917.
• This section focuses on another loan: “Virgin and Child” (c. 1485) by Matteo di Giovanni di Bartolo, a Sienese painter.
• It highlights that the painting was formerly owned by Burne-Jones and is now on loan from Sir Philip Burne-Jones.
• The article describes the painting’s composition: the Madonna with a blue mantle, holding the Christ child dressed in white with a golden halo, against a landscape background with blue sky and rocky outcrops.
• It also lists other known works by Matteo di Giovanni, including “Massacre of the Innocents,” and mentions a mosaic by him in Siena Cathedral.
• The text notes the painting’s recent loan to New York by the Duke of Devonshire, and its importance to American collectors.

Right Column:

• Labeled "News of Special Interest", dated March 8, 1917.
• This is a summary of major acquisitions, loans, and events for the Fogg Art Museum over the preceding months (from November to January).
• It’s presented in a numbered list format, detailing:
  • Purchases, such as a 15th-century Spanish “Annunciation” and a 16th-century Italian grissaille painting.
  • Loans, including twenty-two drawings and four tapestries (Dec.), and works from the Fogg Museum’s own collection for exhibitions elsewhere (Jan.).
  • Events, such as a conference by Prof. G.H. Edgell (Dec. 24) and a lecture by Prof. Arthur Pope on “The Flemish Manner of Painting” (Dec. 27).
  • Donations, including a painting from John Singer Sargent (Dec. 9) and prints from Mr. Henry Goldmann (Jan. 20).
  • An announcement that the museum’s corridor has been repurposed for an exhibition gallery and that a report on the museum’s equipment is forthcoming.

Overall Context:
The page is a historical artifact documenting the Fogg Art Museum's activities in 1917, specifically its role in exhibiting masterpieces from private collections and building its own holdings through purchase and donation. The tone is academic and descriptive, aimed at an audience interested in art history and museum affairs. The paper’s condition and typography reflect its age, offering a fascinating glimpse into early 20th-century American museum culture.

The image is a two-page spread from a magazine or newspaper, dated March 5, 1917. The left page features an article titled "Florentine Painting on Exhibition," which discusses the Fogg Art Museum's recent acquisition of a notable Florentine painting, the Madonna and Child by Piero di Cosimo. The article provides details about the painting's history, its significance, and its display at the museum. The right page contains a list of activities and events related to the Fogg Art Museum, including exhibitions, loans, conferences, and gifts received. The list spans from November to December of the previous year, indicating a summary of the museum's recent activities. The text is presented in a formal, informative style, typical of art and cultural publications from the early 20th century.

The image is a collage of newspaper clippings, each with a different date and subject, arranged in a grid-like format. The clippings are from various newspapers, as indicated by the different fonts and layouts. The top left clipping is from the "Sun" newspaper, dated May 5, 1917, and discusses Florentine painting at an exhibition. The top right clipping is from the "Transcript" newspaper, dated May 6, 1917, and talks about paintings by Matteo di Siena at the Fogg Museum. The bottom left clipping is from the "Sun" newspaper, dated May 6, 1917, and discusses paintings by Matteo di Siena at the Fogg Museum. The bottom right clipping is from the "Transcript" newspaper, dated May 6, 1917, and talks about the activities of the Fogg Art Museum.

The image shows a page from a publication, likely a museum bulletin or newsletter, dated March 8, 1917. The page is titled "Florenctine Painting on Exhibition" and discusses an exhibition of Florentine paintings at the Fogg Art Museum. The content is organized into two main sections:

Left Column:

• Headline: "Florenctine Painting on Exhibition"
• Content:
  • Discusses the exhibition of a Florentine painting titled "Madonna Adoring the Child," a typical work of the late 15th century by Piero di Cosimo (1462–1522).
  • Mentions that this painting is part of the Fogg Art Museum's collection and has been recently acquired.
  • Notes that the painting was previously exhibited in the United States and is now on display at the Fogg Museum.
  • Provides details about the painting's history, including its fame in London, where it was part of the collection of Arthur E. Street, and its later acquisition by the Guilbert family.
  • The painting is open to the public on Sundays from 9 until 5 in the afternoon.

Right Column:

• Headline: "Painting by Matteo di Siena at Fogg Museum"
• Content:
  • Discusses another painting, "Virgin and Child," a famous 15th-century canvas owned by the Burne-Jones family.
  • The painting is attributed to Matteo di Giovanni di Bartolo, a Sienese painter of the late 14th century.
  • It was loaned to the Fogg Museum from the Messrs. Duveen in New York.
  • Provides historical context about the artist, Matteo di Giovanni, who was considered the best Sienese painter of his time and was known for his modernizing influence on Sienese art.
  • Describes the painting's composition, including its depiction of the Virgin and Child, and its significance in the Sienese school of painting.
  • Mentions that the painting is part of the National Gallery, London, and has also been exhibited in other notable institutions such as the Academy of Arts at Siena.

Additional Notes:

• The page includes a date stamp at the top left corner: "Summers, Mar. 6, 1917", indicating when the document was processed or archived.
• The right margin contains a list of recent activities and exhibitions at the Fogg Art Museum, including:
  • Exhibitions of Japanese prints.
  • Purchases and loans of artworks.
  • Conferences and lectures.
  • Donations and gifts to the museum.
• The page also references a lecture room renovation and the addition of new display equipment.

Overall Context:

The document serves as a record of recent acquisitions, exhibitions, and activities at the Fogg Art Museum, highlighting significant Florentine and Sienese paintings and their historical and artistic importance. It provides detailed descriptions of the artworks, their provenance, and their relevance to art history.

This image shows three yellowed newspaper clippings pasted on a brown sheet of paper. The clippings appear to be related to art exhibitions and paintings. Each clipping is a column of dense printed text, with some headlines and dates handwritten in cursive at the top.

• The clipping on the left is titled "PAINTING BY MATTEO DI SIENA AT FOGG MUSEUM" and discusses details about the painting "Virgin and Child," its history, and the artist Matteo di Giovanni di Bartolo. It mentions how the painting was acquired by the Fogg Museum from the Sienese painter Matteo di Giovanetti and describes its features and importance.

• The center clipping is titled "Transcript - Mar. 5, 1917, TONDO BY PIERO DI COSIMO," and discusses the painting "Madonna Adoring the Child," attributed to Piero di Cosimo, a Florentine painter of the late 15th century. The text describes the art piece, its history, provenance, and artistic features.

• The clipping on the right appears to be a schedule or listing of events related to the Fogg Art Museum for months including November, December, and January. The text discusses exhibitions, donations, certain paintings, lectures or presentations, and other related museum activities.

At the top of the brown sheet are handwritten notes with the dates "Mar. 5, 1917" and keywords such as "Florentine Painting on Exhibition" and "Transcript - Mar. 5, 1917." The clippings overall relate to the Fogg Art Museum and its collection of notable Florentine paintings.

The image shows a clipping of old newspaper articles mounted on a sheet or scrapbook page. The three primary sections of the text highlight exhibitions, acquisitions, and notable artworks at the Fogg Art Museum from the early 20th century.

• The leftmost column discusses a "Florentine Painting on Exhibition" dated May 5, 1917, which refers to a 16th century work by Piero di Cosimo and its significance. Another segment mentions a painting by Matteo di Giovanni di Bartolo (1452–1525) "Virgin and Child" added to the collection of the museum.

• The central column offers a detailed examination of the artistic contributions of Florentine painter Piero di Cosimo, discussing related techniques, historical context, and other artists' works.

• The right column provides a December update on museum exhibitions and acquisitions, listing specific dates and details about items lent to or acquired by the museum.

The document's corners appear slightly darkened and damaged, and the articles use a serif font characteristic of historical newspapers. Handwritten notes, including dates, are visible at the top of the columns. The overall presentation suggests preservation for historical research or archival purposes.

The image shows an aged newspaper clipping or exhibit page mounted under glass. It is a single sheet with three narrow columns of dense type and a large heading that reads something like “Florentine Painting on Exhibition.” The text discusses Florentine paintings at the Fogg Art Museum, including references to a Virgin and Child and a painting by Matteo di Siena, with details about provenance and exhibition notes.

There are handwritten notes in the top margin (dated March 5, 1917) in pencil, and the paper itself is yellowed and slightly worn with rounded, torn edges. The sheet is mounted on a light tan/brown backing and contained within a clear protective sleeve, giving it a vintage, archival look.

This image shows an old newspaper clipping or perhaps a newsletter or journal page. It is dated "May 5, 1917" and includes several articles relating to art exhibitions and acquisitions. The page has yellowed with age and is set against a neutral background for display, indicating its archival or historical significance.

The main headline on the left column reads "Florentine Painting on Exhibition" and talks about an art show at a gallery featuring Florentine paintings. It specifically mentions a work called "The Madonna Adoring the Child," which is described as a trefoil ("triptic") work by Pierino del Vaga. There are additional details about the exhibition schedule and the pieces on loan.

On the right column, one can see "Painting by Matteo di Giovanni at Fogg Museum," with an indication that it is a Virgin and Child painting from the 15th century and has been loaned for a display.

This document is an artifact from the early 20th century and speaks to the art historical interest and curatorial activities of that era. It provides insight into the art world at the time, showcasing how art exhibitions and important works were communicated to the public or a group of interested individuals.