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The image is of a newspaper clipping from January 23, 1917. It features two articles about a private viewing of John Singer Sargent's works at the Knoedler Gallery in New York. The proceeds from the tickets for this event were to benefit the American Ambulance Hospital in Paris.

The left article, titled "Sargent Works on Private View," describes the event, highlighting the presence of notable figures such as Mr. Frank Haley, Mr. John W. Alexander, and Mr. Richard W. Hale. It also mentions specific artworks on display, such as "Lady Elcho," "Tyrolese Peasant," and "Lake O'Hara." The article praises Sargent's mastery in portraiture and landscape painting, noting the rich colors and delicate details in his works.

The right article, titled "Sargent's Work is Shown at Private View," is written by Marion P. Waitt. It discusses the reception and the atmosphere of the event, noting the elegance and the significant turnout. The article emphasizes the beauty and charm of Sargent's works, particularly his portraits, and mentions specific pieces like "Mrs. Richard Quincy Shaw" and "Mrs. Charles E. Inches." It also highlights the charitable aspect of the event, with all proceeds going to the American Ambulance Hospital in Paris.

Overall, the articles provide a detailed account of the private viewing, emphasizing the artistic brilliance of John Singer Sargent and the charitable cause supported by the event.

The image shows two newspaper clippings from January 23, 1917, detailing an exhibition of works by John Singer Sargent at a private view in Boston. Here's a detailed summary of each section:

Left Clipping:

• Headline: "Sargent Works on Private View"
• Subheading: "Many at Notable Gallery Exhibition"
• Collection Shown for Benefit of American Hospital in France
• Event Details: The clipping describes an exhibition at the "Private View" gallery, where 39 paintings by John Singer Sargent were displayed. This exhibition was organized to raise funds for the American Ambulance Hospital in Paris.
• Description of Paintings:
  • Rock and Water: A large canvas depicting a rugged landscape with a lake and cliffs, capturing the essence of nature.
  • Portrait of Lady Ottoline Morrell: A portrait of Lady Morrell, showcasing Sargent's skill in capturing likeness and spirit.
  • Portrait of George R. Pearse: A portrait of a young boy in a straw hat, described as a delightful piece.
  • Portrait of Mrs. Charles Fairchild: A portrait of a woman in a green dress, noted for its simplicity and beauty.
  • Other Works: The clipping mentions other portraits and landscapes, including "The Looking Glass," "Venice," and "Niagara Falls," highlighting their artistic merit and emotional impact.

Right Clipping:

• Headline: "Sargent's Work Is Shown at Private View"
• Subheading: "Proceeds From Tickets for American Ambulance Hospital in Paris"
• Author: Marian P. Waitt
• Event Details: The clipping details the private viewing of Sargent's works at the Copley Gallery, with proceeds going to the American Ambulance Hospital in Paris.
• Exhibition Overview:
  • The event was well-attended, with many prominent figures in attendance.
  • The paintings were displayed in a manner that highlighted their beauty and artistic value.
  • Specific works mentioned include "The Looking Glass," "Niagara Falls," "Venice," and "Lady Ottoline Morrell."
  • The clipping describes the emotional impact of the paintings, particularly "The Looking Glass," which was praised for its dramatic effect and likeness to the subject.
  • Other notable works included "Interior of Test" and "Camp Fire," with descriptions of their artistic qualities and the subjects portrayed.

Overall, both clippings emphasize the significance of the exhibition, the quality of Sargent's works, and the charitable purpose behind the event, which aimed to support the American Ambulance Hospital in Paris.

The image shows a newspaper clipping dated January 23, 1917, detailing an exhibition titled "Sargent Works on Private View" at the Boston Art Club. The exhibition was a benefit for the American Ambulance Hospital in Paris. The clipping is divided into two main sections:

1. Left Section:

   • The article discusses the significance of the exhibition, which included 39 paintings by the artist John Singer Sargent.
   • The exhibition was curated by "Private View" and featured various works, including portraits, landscapes, and genre scenes.
   • The article highlights several paintings, such as "Lady Easy," "Interior of a Studio," "A Turkish Boy," "The Looking Glass," and others.
   • The exhibition included works from different periods and styles, showcasing Sargent's versatility and skill.
   • It mentions the variety in the subjects, from a "Rocky Mountain Group" to a "Venice" scene, and how each piece was uniquely handled by Sargent.
   • The paintings were described as having a rich color palette and detailed compositions, with some works being praised for their use of light and shadow.

2. Right Section:

   • The article by Marian P. Waitt provides a more detailed account of the exhibition, emphasizing the artistic and emotional impact of the works.
   • It describes the event as a "private view" where the proceeds from ticket sales went to the American Ambulance Hospital in Paris.
   • The text highlights the diversity of the exhibition, including paintings of various scenes such as "Interior of a Studio," "The Looking Glass," "The Rocky Mountain Group," "Venice," and more.
   • It mentions that the paintings were well-received, with some viewers finding them deeply moving and others appreciating the technical skill and beauty of the compositions.
   • The article also notes the inclusion of a painting of "Camp Fire" and "The Looking Glass" among others, which were particularly noted for their emotional resonance.

The clipping is part of a larger document, possibly a scrapbook or journal, given the additional notes and markings around it.

The image shows two newspaper clippings from January 23, 1917, discussing an art exhibition by John Singer Sargent titled "Sargent Works on Private View."

1. Left Clipping:

   • The headline reads, "Sargent Works on Private View."
   • The article describes a notable gallery exhibition held at the American Ambulance Hospital in France.
   • The event was curated by the "Private View" group and showcased 19 paintings, including works by Sargent.
   • The exhibition was significant for its inclusion of a variety of Sargent's works, such as "Lady Eschscholtz" (a portrait), and "The Rocky Mountain Group."
   • The text highlights the impressive landscapes and portraits, emphasizing the artist’s skill in capturing the essence of his subjects and the natural environment.

2. Right Clipping:

   • The headline also reads "Sargent's Work is Shown at Private View."
   • This article is by Marian P. Waitt and discusses the Boston reception for the Sargent exhibition.
   • It notes that proceeds from the ticket sales benefited the American Ambulance Hospital in Paris.
   • The article describes the exhibition as a small but impactful showcase of Sargent's work, including pieces like "The Looking Glass," "The Rocky Mountain Group," and others.
   • The text mentions that while some paintings were challenging to view due to the hospital's limited space, the pieces were well-received, particularly the portraits and scenes of nature.
   • It also briefly mentions the inclusion of "Camping Fire," "Lake Como," and "Niagara Falls" in the collection.

Both articles emphasize the importance of the event, the quality of Sargent's artwork, and its impact on benefiting the American Ambulance Hospital in France.

The image shows two yellowed newspaper clippings, both titled "Sargent's Work is Shown at Private View." The articles discuss an exhibition of John Singer Sargent's paintings, which was open to the public for a brief period at the Fogg Art Museum in Boston. The collection included 19 paintings, with proceeds going to the American Ambulance Hospital in Paris. The articles describe several notable pieces, including portraits like "Lady Agnew," "George R. Fearing," and "Mrs. Philip, Mrs. Robert, and Miss Mary F. Lloyd," as well as landscapes like "The Rocky Mountain Group" and "The Lake of the Woods." The articles praise Sargent's skill and the overall impact of the exhibition. The clippings are dated January 23, 1917, and one is from the Boston Evening Transcript, while the other is from an unidentified publication.

The image shows a newspaper clipping from the New York Tribune, dated January 28, 1917. The articles focus on an art exhibition at the Knoedler Gallery, showcasing works by John Singer Sargent, a notable American artist.

Left Article: "Sargent Works on Private View"

Headline:
"Sargent Works on Private View – Many at Notable Gallery Exhibition – Collection Shown for Benefit of American Hospital in France"

Content Summary:

• The article describes a significant gallery exhibition featuring John Singer Sargent's recent works.
• The private view preview of the exhibition was well-attended, despite inclement weather.
• The exhibition includes various types of artworks, such as portraits and landscapes, created by Sargent over the summer.
• Among the notable works are:
  • A portrait of Mrs. George Swinton, characterized by vivid colors and unconventional design.
  • A portrait of Lady Essex in a white court dress.
  • A painting titled "Olive Trees at Corfu," showcasing a woman under olive trees with a striking use of color.
  • A portrait of Mrs. Fiske Warren and her daughter Rachel, notable for its composition and color scheme.
  • A landscape titled "Lake O'Hara" depicting a rugged, wild scene.
  • "Tyrolese Interior" and "Cliffs at Deir El Kammar" are also mentioned.
  • The exhibition features many other portraits and landscapes, including works of diverse subjects and settings.

Right Article: "Sargent's Work is Shown at Private View"

Headline:
"Sargent's Work is Shown at Private View – Proceeds From Tickets for American Ambulance Hospital in Paris – By Marian P. Waitt"

Content Summary:

• The exhibition's private view is noted for its large attendance, including prominent figures.
• The event aims to raise funds for the American Ambulance Hospital in Paris.
• Descriptions of some of the key works include:
  • A portrait of Mrs. Charles Deering, which stands out for its unique coloration.
  • "Tyrolese Interior," a painting of a group of Tyrolese women, noted for its realism.
  • "Landscape," showing a brook and waterfall, likely painted in Switzerland.
  • "Camp Fire," a piece that captures the glow of a campfire with great skill.
  • "Gourds," a still-life painting.
  • Other works such as "Olive Trees," "Lake O'Hara," and "Niagara Falls" are also highlighted.
• The article praises Sargent's ability to capture the essence of his subjects with a few broad strokes, making his work immediately recognizable and admired.

Overall, both articles highlight the significance and breadth of Sargent's work displayed at the Knoedler Gallery and the charitable cause supported by the exhibition.

The image shows two old newspaper clippings mounted side by side on a yellowish backing sheet. Both articles are dated January 23, 1917, and center around an art exhibition showcasing the works of John Singer Sargent, held for the benefit of the American Hospital in France.

The left article is titled "SARGENT WORKS ON PRIVATE VIEW" with a subtitle "MANY AT NOTABLE GALLERY EXHIBITION." It discusses the exhibition at the Copley Gallery, mentioning prominent paintings, including portraits and landscapes, the artists involved, and details about specific works such as a painting of two children, a portrait of a young boy, and other notable pieces. The article emphasizes the high quality and beauty of Sargent's artwork.

The right article, titled "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW," covers similar ground — the proceeds from ticket sales benefiting the American Ambulance Hospital in Paris, detailed descriptions of exhibited paintings including "Venice," the "Rocky Mountain Group," and various portrait works. It also mentions the positive reception of the show among the crowd and highlights specific artists and artworks on display.

Both articles are typed in small font, showing signs of age with yellowed and somewhat brittle paper. The overall presentation suggests these are preserved historical documents related to an important art event featuring John Singer Sargent's work.

The image appears to be a photograph of two aged newspaper clippings, presented side-by-side, mounted on a background that may be part of an archival collection or a display. The papers are yellowed and show signs of wear and some tearing, especially along the edges, suggesting they are quite old. The printing style indicates they are from an earlier era, with both dense columns of text and large, bold headlines typical of historical newspapers.

The left clipping features a headline that reads "SARGENT WORKS ON PRIVATE VIEW" followed by a subheadline "MANY AT NOTABLE / GALLERY EXHIBITION." This suggests an article about an exhibition of artworks by an artist with the surname Sargent. The body of the text continues beneath with several paragraphs detailing the contents or the significance of the exhibition.

The right clipping presents a larger headline "SARGENT’S WORK IS SHOWN AT PRIVATE VIEW" with a subheadline "Proceeds From Tickets for American Ambulance Hospital in Paris." The article bylined by "Marzin P. Waite" relates to the same exhibition and discusses how the proceeds from the tickets went to a charitable cause.

Both articles appear to be dated January 23, 1917, as indicated by the printed dates near the headlines. These clippings probably reference the American painter John Singer Sargent, who was renowned for his portraits and had notable exhibitions during his career. The mention of proceeds going to an "American Ambulance Hospital in Paris" indicates that the exhibition had a philanthropic aspect, likely connected to the First World War period.

The image displays two old newspaper clippings about an exhibition of works by Sargent. Both articles are dated January 23, 1917, and provide details on the event which showcased John Singer Sargent's artwork for the benefit of the American Hospital in France.

The left-hand article is titled "Sargent Works on Private View" and describes the significance of the catalogue exhibit and the variety of techniques applied by Sargent in his pieces, including oil and watercolor. This article mentions notable figures attending the event and offers insights into Sargent's creative processes and the themes displayed in his work.

The right-hand article, titled "Sargent's Work is Shown at Private View" by Marian P. Waitt, elaborates on the purpose of the exhibition – raising funds for the American Ambulance Hospital in Paris through ticket sales – and highlights the exclusive nature of the private event. It discusses specifics about the paintings featured, such as landscapes and figures, and mentions significant attendees and their impressions.

Both articles emphasize Sargent's prominent status in the art world and the charitable nature of the exhibition.

The image shows a scanned page from a historical newspaper or journal dated January 29, 1917, titled "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW." The page is divided into two main sections, each discussing an exhibition of works by the renowned artist John Singer Sargent.

Left Section:

• Title: "SARGENT WORKS ON PRIVATE VIEW"
• Subtitle: "MANY AT NOTABLE GALLERY EXHIBITION"
• Content:
  • The article discusses an exhibition of Sargent's paintings held at the Private View Gallery in Boston, Massachusetts. The exhibition was organized to benefit the American Ambulance Hospital in Paris, France.
  • The exhibition featured 10 paintings in oil, including works such as:
    • "The Rocky Mountain Group"
    • "Interior of Tent," etc.
    • "The Looking Glass," No. 3, which sold for $2,200.
  • The article highlights the serene and atmospheric qualities of Sargent's work, particularly noting the use of color, light, and composition. It describes several paintings in detail, such as:
    • A landscape featuring a glacier stupendous mass against the sky, with calm, deep waters reflecting the light of the sun.
    • A portrait of a young boy, George H. Pearling, described as charming and lifelike.
    • A portrait titled "Lady Essex," loaned by the Fogg Art Museum.
  • The exhibition was well-received, with admission fees going directly to the cause of supporting the hospital in Paris.

Right Section:

• Title: "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW"
• Subtitle: "PROCEEDS FROM TICKETS FOR AMERICAN AMBULANCE HOSPITAL IN PARIS."
• Content:
  • This section elaborates on the purpose of the exhibition, which was to raise funds for the American Ambulance Hospital in Paris.
  • It was organized by Marian P. Waitt and held at the Copley Gallery in Boston.
  • The exhibition featured 80 paintings and private views of Sargent's works, including portraits, landscapes, and studies in oil and charcoal.
  • The article emphasizes the artistic merit of Sargent's work, noting its beauty and the artist's skill in capturing life and atmosphere. It also mentions that the exhibition was well-attended, with proceeds going to the hospital.
  • Specific works mentioned include:
    • "The Rocky Mountain Group," loaned by Mr. and Mrs. Charles S. Pierce.
    • "The Looking Glass," No. 3, sold for $2,200.
    • "The Star Performance of the Exhibition," which was a painting of a group of women in tents against a background of snow and warm light.
  • The article also references other works displayed, such as "The Looking Glass," "The Watercolor," and "The Star Performance of the Exhibition."

General Observations:

• The page is aged, with visible signs of wear, such as discoloration and slight creasing.
• The text is formatted in a traditional newspaper style, with clear headings and subheadings.
• The focus is on the charitable purpose of the exhibition, highlighting the support for the American Ambulance Hospital in Paris during World War I.
• The article provides detailed descriptions of Sargent's works, emphasizing their artistic value and the emotional impact they had on viewers.

This page serves as a historical document, capturing the cultural and charitable significance of Sargent's exhibition in 1917.