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This image shows a page from a newspaper or magazine dated January 23, 1917. The page is titled "Sargent's Works on Private View" and discusses an exhibition of John Singer Sargent's paintings and drawings held at the Copley Gallery in Boston. The text mentions that the exhibition was for the benefit of the American Ambulance Hospital in Paris and that the proceeds from the event went towards this cause. The article highlights various works of art on display, including "Lady Essex," "Rocky Mountain Group," "The Looking Glass," and "Venice," among others. The page is yellowed with age, indicating it is an older document, and it appears to be in good condition.

This image is of a piece of paper with two separate newspaper clippings pasted on it, both dated January 23, 1917. The clippings are discussing an art exhibition of works by John Singer Sargent.

The left clipping is titled "SARGENT WORKS ON PRIVATE VIEW" and discusses a notable gallery exhibition held at the Copley Gallery (Newbury st.) with paintings and drawings by John Singer Sargent. The event was for the benefit of the American Hospital in France. It mentions the various paintings on display, including "Lake O'Hara," "Lady Essex," "Mr. Gordon Fairchild," and "Tyrolean Crucifix." The collection is open to public patronage on the day of the event.

The right clipping is titled "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW" and focuses on the proceeds from tickets for the American Ambulance Hospital in Paris. It provides details about the reception and the paintings on display, mentioning works like "Rocky Mountain Group," "Interior of Tent," "Venice," and "The Looking Glass." The clipping notes that the exhibition was a success, with about 400 tickets sold, and the proceeds going to the American Ambulance Hospital in Paris.

Both clippings provide a detailed description of the paintings and drawings on display, the people who contributed the works, and the overall atmosphere of the exhibition. The paper itself appears to be aged and slightly worn, with some creases and fold marks visible. There are handwritten notes at the top of each clipping, indicating the date.

This image displays two aged, yellowed newspaper clippings from January 23, 1917, mounted side-by-side in a clear protective sleeve against a neutral background. Both articles are about an exhibition of American artist John Singer Sargent’s work, held for the benefit of the American Ambulance Hospital in Paris.

Left Article (Headline: “SARGENT WORKS ON PRIVATE VIEW”)

• Headline: “SARGENT WORKS ON PRIVATE VIEW”
• Sub-headline: “MANY AT NOTABLE GALLERY EXHIBITION”
• Lead Paragraph: This article describes the most important gallery exhibition of the season, opened at the Copley Gallery (Newbury St.) by the “Private View” press committee for the benefit of the American Ambulance Hospital in France. It states that the exhibition was organized by Mr. Frank Bixley and features 30 drawings, mostly portraits, many of which were loaned by the Mogg Art Museum.
• Description of Works: The article provides detailed descriptions of specific paintings, including:
  • “Lake O’Hara,” described as a powerful landscape with ice, rock, and water.
  • “Lady Essex,” noted for its brilliant example of Sargent’s portraiture.
  • “Dr. J. F. C. O’Hara,” portraying a young boy in a big straw chair.
  • “Pyrénées Croisette” by Knedler & Co., highlighted for its humorous and naive charm.
  • “Venice,” noted as a small, grey and black canvas with a “very unusual color design” and a view of the “Lagoon of Garda.”
  • “Looking Glass,” which reportedly sold for $2500, described as a “record price for a water color.”
• Details: The exhibition includes other works like “Rocky Mountain Group” and “Lake O’Hara,” and features subjects like “Miss Eileen Ames,” “Mr. John W. Elliot,” and “Mrs. Charles Fairchild.” The exhibition is noted to remain open through Feb. 3.
• Byline: The article is signed “John Nutting.”

Right Article (Headline: “SARGENT’S WORK IS SHOW AT PRIVATE VIEW”)

• Headline: “SARGENT’S WORK IS SHOW AT PRIVATE VIEW”
• Sub-headline: “Proceeds From Tickets for American Ambulance Hospital in Paris.”
• Lead Paragraph: This is a review by “Marian P. Waitt.” It recounts that 400 people attended the reception and private view the evening prior. Admission was by ticket, and each of the 400 tickets sold was paid for a good, contributing to the benefit. The article expresses regret that the public cannot see the pictures in such circumstances, as the exhibit is “suffered in the name of Art.”
• Description of Works: The article describes the exhibition as small and varied, with portraits in oil and watercolor, and landscapes.
  • Portraits: Highlights include “Interior of Tent” by Mrs. John W. Elliot, a portrait of “Rocky Mountain Group,” and “Looking Glass.” It describes “Looking Glass” as a beautiful painting that went for $2500.
  • Landscapes: Praises “Lake O’Hara” and “Camp Fire,” describing the latter’s “extreme foreground” with “bony, preparing vegetables.”
  • “Venice”: Described as a grey picture with “tongues of rose,” loaned by Mrs. Stamford White.
  • Other Works: Mentions “Pyrénées Croisette,” “Lady Essex,” “Niagara Falls,” and “Beach,” with loaners identified as Misses Fairchild, Mrs. Charles Fairchild, and Mrs. Edward D. Brandegee.
• Observation: The reviewer praises Sargent’s ability to depict “camp life” and “disorder” beautifully, noting his skill in painting what “seems to be” and his ability to “pull something out of” his subjects.
• Byline: The article is signed “By Marian P. Waitt.”

General Notes:

• Both articles are dated “Jan. 23, 1917” and are part of a collection or archive, as evidenced by the handwritten notation “Can 23, 1917” on the left clipping and “Journal Jan. 23, 1917” on the right.
• The clippings show signs of age, including foxing (brown spots), slight tears along the right edge, and a generally yellowed, brittle appearance.
• The content confirms that Sargent’s work was being exhibited commercially in Boston during World War I to raise funds for American medical aid in France.
• The articles highlight the public interest in Sargent’s work and provide contemporary critical perspectives on his style and subjects.

A newspaper clipping about Sargent's work being shown at private view. The clipping includes a description of the paintings, including "Venice" and "The Looking Glass." The exhibition was held for the benefit of the American Ambulance Hospital in Paris, and admission was by ticket only. The article also mentions that the exhibition was a success, with about 600 people visiting and paying a goodly sum for the proceeds to go directly to the cause.

The image shows a piece of paper with two articles written on it. The paper appears to be old, and the articles are written in black ink. The articles are titled "Sargent Works on Private View" and "Sargent's Work is Shown at Private View." The articles are about an exhibition of paintings by John Singer Sargent. The exhibition is held at the American Ambulance Hospital in Paris. The articles describe the paintings and the exhibition in detail.

The image shows a scanned page from a historical newspaper or journal dated January 29, 1917, titled "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW." The page is divided into two main sections, each discussing an exhibition of works by the renowned artist John Singer Sargent.

Left Section:

• Title: "SARGENT WORKS ON PRIVATE VIEW"
• Subtitle: "MANY AT NOTABLE GALLERY EXHIBITION"
• Content:
  • The article discusses an exhibition of Sargent's paintings held at the Private View Gallery in Boston, Massachusetts. The exhibition was organized to benefit the American Ambulance Hospital in Paris, France.
  • The exhibition featured 10 paintings in oil, including works such as:
    • "The Rocky Mountain Group"
    • "Interior of Tent," etc.
    • "The Looking Glass," No. 3, which sold for $2,200.
  • The article highlights the serene and atmospheric qualities of Sargent's work, particularly noting the use of color, light, and composition. It describes several paintings in detail, such as:
    • A landscape featuring a glacier stupendous mass against the sky, with calm, deep waters reflecting the light of the sun.
    • A portrait of a young boy, George H. Pearling, described as charming and lifelike.
    • A portrait titled "Lady Essex," loaned by the Fogg Art Museum.
  • The exhibition was well-received, with admission fees going directly to the cause of supporting the hospital in Paris.

Right Section:

• Title: "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW"
• Subtitle: "PROCEEDS FROM TICKETS FOR AMERICAN AMBULANCE HOSPITAL IN PARIS."
• Content:
  • This section elaborates on the purpose of the exhibition, which was to raise funds for the American Ambulance Hospital in Paris.
  • It was organized by Marian P. Waitt and held at the Copley Gallery in Boston.
  • The exhibition featured 80 paintings and private views of Sargent's works, including portraits, landscapes, and studies in oil and charcoal.
  • The article emphasizes the artistic merit of Sargent's work, noting its beauty and the artist's skill in capturing life and atmosphere. It also mentions that the exhibition was well-attended, with proceeds going to the hospital.
  • Specific works mentioned include:
    • "The Rocky Mountain Group," loaned by Mr. and Mrs. Charles S. Pierce.
    • "The Looking Glass," No. 3, sold for $2,200.
    • "The Star Performance of the Exhibition," which was a painting of a group of women in tents against a background of snow and warm light.
  • The article also references other works displayed, such as "The Looking Glass," "The Watercolor," and "The Star Performance of the Exhibition."

General Observations:

• The page is aged, with visible signs of wear, such as discoloration and slight creasing.
• The text is formatted in a traditional newspaper style, with clear headings and subheadings.
• The focus is on the charitable purpose of the exhibition, highlighting the support for the American Ambulance Hospital in Paris during World War I.
• The article provides detailed descriptions of Sargent's works, emphasizing their artistic value and the emotional impact they had on viewers.

This page serves as a historical document, capturing the cultural and charitable significance of Sargent's exhibition in 1917.

• A pair of vintage newspaper clippings mounted on an orange-brown backing, inside a clear display sleeve.
• The clippings are old and yellowed with rough, torn edges.
• Both pieces have headlines about Sargent’s paintings shown at a private view, dating from around 1917.
  • Left: “SARGENT WORKS ON PRIVATE VIEW” with a subtitle about a notable gallery exhibition.
  • Right: “SARGENT’S WORK IS SHOWN AT PRIVATE VIEW” and mentions proceeds from ticket sales for the American Ambulance Hospital in Paris.
• The text is in dense small columns, typical of early 20th-century newspapers.
• There is handwriting at the top, likely a date (appears to say January 28, 1917).
• Overall, it’s an archival collage of antique art-news clippings about John Singer Sargent.

This image depicts a newspaper clipping consisting of two columns of text. The headline for the article on the left reads: "SARGENT WORKS ON PRIVATE VIEW," followed by the subheadline, "Many at Notable Gallery Exhibition" and "Collection Shown for Benefit Of American Hospital In France." The article discusses a gallery exhibition showcasing works by an artist, with proceeds aiding a hospital.

The headline for the adjacent column reads: "SARGENT'S WORK IS SHOWN AT PRIVATE VIEW," with a subheadline, "Proceeds From Tickets for American Ambulance Hospital in Paris." Both columns, printed on aged yellowed paper, provide detailed descriptions of the exhibition, the artist’s works, notable attendees, and the fundraising focus.

The paper shows signs of wear, such as discoloration and torn edges. Handwritten notes are visible at the top margin, seemingly denoting the date "Jan 23, 1917," and the words "Journal" and "115." These details indicate the article's publication date and archival information.

The image appears to be a photograph of two aged newspaper clippings, presented side-by-side, mounted on a background that may be part of an archival collection or a display. The papers are yellowed and show signs of wear and some tearing, especially along the edges, suggesting they are quite old. The printing style indicates they are from an earlier era, with both dense columns of text and large, bold headlines typical of historical newspapers.

The left clipping features a headline that reads "SARGENT WORKS ON PRIVATE VIEW" followed by a subheadline "MANY AT NOTABLE / GALLERY EXHIBITION." This suggests an article about an exhibition of artworks by an artist with the surname Sargent. The body of the text continues beneath with several paragraphs detailing the contents or the significance of the exhibition.

The right clipping presents a larger headline "SARGENT’S WORK IS SHOWN AT PRIVATE VIEW" with a subheadline "Proceeds From Tickets for American Ambulance Hospital in Paris." The article bylined by "Marzin P. Waite" relates to the same exhibition and discusses how the proceeds from the tickets went to a charitable cause.

Both articles appear to be dated January 23, 1917, as indicated by the printed dates near the headlines. These clippings probably reference the American painter John Singer Sargent, who was renowned for his portraits and had notable exhibitions during his career. The mention of proceeds going to an "American Ambulance Hospital in Paris" indicates that the exhibition had a philanthropic aspect, likely connected to the First World War period.

The image displays two old newspaper clippings about an exhibition of works by Sargent. Both articles are dated January 23, 1917, and provide details on the event which showcased John Singer Sargent's artwork for the benefit of the American Hospital in France.

The left-hand article is titled "Sargent Works on Private View" and describes the significance of the catalogue exhibit and the variety of techniques applied by Sargent in his pieces, including oil and watercolor. This article mentions notable figures attending the event and offers insights into Sargent's creative processes and the themes displayed in his work.

The right-hand article, titled "Sargent's Work is Shown at Private View" by Marian P. Waitt, elaborates on the purpose of the exhibition – raising funds for the American Ambulance Hospital in Paris through ticket sales – and highlights the exclusive nature of the private event. It discusses specifics about the paintings featured, such as landscapes and figures, and mentions significant attendees and their impressions.

Both articles emphasize Sargent's prominent status in the art world and the charitable nature of the exhibition.