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ARCH.2003.21, Rendition: 789944
The image contains a collection of newspaper clippings and articles, titled "Flemish Pictures Here Till Dec. 6" and "Francesca Painting Now on Exhibition in Fogg Museum," among others. These clippings are discussing the exhibitions and acquisitions of artworks at the Fogg Art Museum at Harvard University in 1916. The articles provide details about the artists, their works, and the significance of their contributions to the museum's collections. Some of the key points include:
The articles provide a glimpse into the cultural and artistic significance of the Fogg Art Museum in 1916 and the contributions of notable artists and collectors of the time.
This image is a vintage scrapbook page, likely from the early 20th century, containing newspaper clippings and handwritten notes. The clippings and notes are related to exhibitions and events at the Fogg Art Museum, with a focus on paintings and lectures. The page is dated December 1916, and the clippings are from various dates in December.
The top left clipping mentions an exhibition of old Flemish paintings at the Fogg Art Museum, which was extended to December 6. Below it, there is a note about a lecture by M. Alexandre on French sculpture during the 18th century, scheduled for December 11, 1916.
The right side of the page features a longer article titled "FRANCESCA PAINTING NOW ON EXHIBITION IN FOGG MUSEUM," discussing a 15th-century oil and tempera painting attributed to Piero della Francesca. The article provides background information about Piero della Francesca and describes the painting's color and composition.
Below this article, there is a note about a landscape painting by John Singer Sargent, painted at Lake O'Hara in the Canadian Rockies, which was given to the Fogg Art Museum. The note describes the painting in detail, mentioning the Canadian Rocky Mountains, the lake, and the surrounding landscape.
The bottom right section includes a short note about a painting by Pesellino titled "Building of the Temple," which was acquired by the Fogg Museum with the help of the Society of Friends of the Fogg Museum and other generous donors.
The page also includes several handwritten notes, possibly indicating the dates and sources of the clippings. The overall theme of the page is the art and cultural events at the Fogg Art Museum during December 1916.
This image displays a vintage, yellowed newspaper clipping or scrapbook page, mounted and framed under glass. The clippings are arranged in a grid-like fashion, consisting of several distinct newspaper articles, each dated December 1916, and all pertaining to art exhibitions and acquisitions at the Fogg Art Museum at Harvard University.
The articles, some with handwritten dates and notes in pencil or ink, collectively document a significant period for the museum’s collection:
Main Exhibition: A major feature is the special loan exhibition of “Old Flemish Paintings” on view from November 15 to December 6, 1916. One article specifically discusses “The Crucifixion,” an important 16th-century painting by Piero della Francesca, on loan from the Colonna family in Rome. The article includes a quote from the museum’s curator, Bernhard Berenson, praising the painting’s “famous Arezzo frescoes” and its “extremely beautiful” and “harmonious” color.
New Acquisitions:
Related Events:
Overall, the clipping is a historical artifact documenting the Fogg Art Museum’s early 20th-century activities, highlighting its acquisitions of major works by Piero della Francesca and John Singer Sargent, the curation of significant loan exhibitions, and the scholarly interest in these works, as reflected in the articles and the curator’s commentary.
The image is a page from a newspaper or magazine, featuring several articles about art exhibitions and related events. The page is dated December 2, 1916, and includes a mix of text and images.
At the top of the page, there is an article titled "Flemish Pictures Here Till Dec. 6," which announces a special loan exhibition of old Flemish paintings at the Fogg Museum. The exhibition, which opened on November 18, has been extended until Wednesday, December 6.
Below this, there is another article titled "Lecture by M. Alexandre Today," which informs readers about a lecture by M. Arsène Alexandre, an inspector general of the Musées Nationaux and a professor at the École des Beaux-Arts, who will speak on "The Principles of Grand Sculpture" at 4:05 p.m. The lecture will be illustrated.
Further down, there is an article titled "The Crucifixion," which discusses an important example of the work of Pietro della Francesca, an Umbrian painter from the 15th century. The article mentions that the Fogg Art Museum in New York has acquired a significant painting by Pietro della Francesca, titled "The Crucifixion," which is attributed to the artist. The painting has been loaned to the Fogg Museum for about a week.
The page also includes a section titled "Landscape at Lake O'Hara," which describes a painting by Mr. Sargent, who spent part of his summer in the Canadian Rockies. The painting depicts a campsite scene with a camping tent, smoke rising from the tent, and trees illuminated by the setting sun. The article mentions that the painting was a gift from Mr. Louis E. Betts of Boston.
Overall, the page provides information about art exhibitions, lectures, and acquisitions, highlighting the cultural and artistic events of the time.
The image shows a collection of newspaper clippings from the Fogg Art Museum Bulletin, dated December 1916. The clippings are arranged in a grid-like format on a white background. Each clipping contains a different article or announcement related to the museum and its exhibitions.
The top left clipping is about an exhibition of old Flemish paintings, which has been extended until December 6. The top center clipping is about a painting by Francesco Francia, which has been loaned to the museum for a week. The top right clipping is about a notable gift of paintings from Mr. John S. Sargent to the museum.
The middle left clipping is about a lecture by M. Alexandre on December 2, 1916, at 2:45 PM. The middle center clipping is about the acquisition of an important example of Piero della Francesca's work by the museum. The middle right clipping is about a landscape painting by Lake O'Hara, which has been presented to the museum by Edward D. Betters.
The bottom left clipping is about a painting of the Crucifixion by Piero della Francesca, which has been loaned to the museum for a week. The bottom center clipping is about a painting of Lake O'Hara by Mr. John S. Sargent, which has been loaned to the museum for a week. The bottom right clipping is about a collection of watercolors by Mr. Sargent, which has been loaned to the museum for a week.
Overall, the image provides a glimpse into the activities and acquisitions of the Fogg Art Museum in December 1916, showcasing its commitment to exhibiting and preserving important works of art.
The image depicts a collection of three newspaper clippings or articles, likely from a historical newspaper or journal, dated December 1916. The articles are arranged side by side and are presented in a framed display, suggesting they are part of an exhibit or archive. Each clipping contains text discussing art exhibitions, lectures, and notable artworks, with a focus on the Fogg Art Museum at Harvard University.
The image captures a historical moment in art curation, showcasing the Fogg Art Museum's exhibitions and notable donations during the early 20th century. The articles emphasize the museum's role in preserving and displaying significant artworks, including works by renowned artists like Piero della Francesca and John Singer Sargent. The handwritten notes and framing suggest these clippings are part of a curated collection, possibly for educational or archival purposes.
A small archival page of newspaper clippings mounted under a clear sleeve. The clippings are about art exhibitions and museum news (e.g., Flemish pictures, a Francesca painting now on loan at the Fogg Museum, a lecture by M. Alexandre, “The Crucifixion”). The pieces are arranged in a loose grid on a brown/orange backing, with handwritten notes along the edges and some tape marks at the corners. The overall look is aged, yellowed newspaper clippings from an early 20th-century clipping file.
This is a scanned image of a newspaper or printed document with several articles and announcements. The content primarily discusses art exhibitions and related events, particularly focusing on Flemish and Renaissance art at the Fogg Museum. The image contains text formatted into columns with a few marked annotations or handwritten notes.
Here’s a breakdown of notable elements visible in the image:
Multiple Articles:
Highlighted Events:
Annotations:
Visual Layout:
This historical document appears to be preserved for archival or reference purposes, likely related to early to mid-20th-century art exhibits and studies.
The image displays an assortment of newspaper clippings from what appears to be an art and culture section, pasted onto a sheet or a collecting album page. The clippings are of various sizes and are arranged in a somewhat scattered manner, leaving some empty spaces between them. They contain texts pertaining to different subjects such as art exhibitions, lectures, and new acquisitions by museums. The dates visible on the clippings range from November to December of 1916, which provides a historical context.
The articles discuss several topics including:
Words are cut off at the edges due to the clippings being cropped, and there seems to be some minor wear and tear on the paper, with a noticeable tear running down from the top edge. Handwritten annotations in pencil or pen can also be observed, such as dates and probably names or initials. These annotations suggest that someone actively used these clippings possibly for research or as a point of personal interest. The language of the articles is English. The overall feel is that of a historical document, an artifact that offers a glimpse into cultural activities and artistic discussions of the time period.
This image shows a collection of newspaper clippings, evidently from the early 20th century, as indicated by dates such as "Dec 2, 1916," "Nov. 23, 1916," and "Dec. 20, 1916." The clippings announce several noteworthy events related to art exhibitions and acquisitions at the Fogg Art Museum, part of Harvard University.
One clipping mentions the extension of an exhibition of old Flemish paintings, initially opened on November 15 and extended to December 6, 1916. Another reports a lecture by M. Arsène Alexandre at the Fogg Art Museum, described as an expert on modern French painting.
Additional articles highlight the loan of a 15th-century painting by Piero della Francesca to the museum, an important example titled "The Crucifixion," which had been anonymously lent. The painting is noted for its beauty and color, with comparisons made to famous frescoes.
Other clippings talk about John Singer Sargent's "A Notable Gift," which includes his works painted at Canadian Rockies, mentioned to have been donated by Edward D. Bettens to the museum, as well as the paintings called “Prescenio (Building of the Temple)" adding significant value to the museum’s collection.
The collection offers a snapshot of the cultural and artistic atmosphere at Harvard during the year 1916, reflecting the museum's ongoing exhibitions and newly acquired works, along with informative commentary by art experts of that time.