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ARCH.2003.21, Rendition: 789941
The image appears to be a collection of newspaper clippings and articles related to art exhibitions at the Fogg Art Museum, Harvard University, dated from November 15-29, 1916. The articles discuss various paintings from the Flemish art movement, including notable works such as the "Annunciation" by Juan de Burgos and "Risen Christ Appearing to Mary" by Roger van der Weyden. The clippings highlight the significance of the exhibition in showcasing the different periods of Flemish art, from the medieval to the early Renaissance. They also mention the involvement of several collectors and the importance of the exhibition for both the museum and the academic community. The overall tone of the articles is informative and appreciative of the art and historical context of the works on display.
This image is a collection of newspaper clippings glued to a sheet of brown paper, dated from November 15 to November 18, 1916. The clippings appear to be from various publications, including "The Crimson" and "The Gazette," and focus on the Fogg Art Museum at Harvard University.
The clippings discuss the following:
"Great Art from Flanders" - This article mentions a timely exhibition at the Fogg Museum showcasing Flemish art, particularly paintings from the medieval, early Renaissance, and High Renaissance periods.
"New Burgos in Fogg Museum" - This piece highlights the acquisition of an early 15th-century Spanish "Annunciation" painting by Juan de Burgos, which was loaned to the museum as a permanent loan.
"Old Flemish Pictures" - This article discusses a notable loan exhibition of Flemish paintings at the Fogg Art Museum, describing it as a fine collection of originals and medieval masterpieces.
"Loan Exhibition Unusual One" - This clipping provides more details about the special loan exhibition of Flemish paintings, mentioning that it will continue for two weeks and covers an unusual range of early Flemish painting.
"Fogg Art Museum" - This article reiterates the information about the loan exhibition, mentioning that a member of the Society of Friends of the Fogg Art Museum purchased the Spanish "Annunciation" painting by Juan de Burgos.
The clippings also mention a conference on the paintings to be held by Professor George Edgell on Tuesday, November 21, at 3:30 o'clock. The overall theme of the clippings is the significance of the exhibition and the importance of Flemish art in the context of the ongoing European war.
This image displays a collection of three yellowed newspaper clippings, likely from November 1916, mounted on a single sheet. The clippings are from Boston-area newspapers and report on a special loan exhibition of early Flemish paintings at the Fogg Art Museum, Harvard University.
The clippings are arranged in a triptych format:
Left Column (Boston Evening Transcript, Nov. 15, 1916): Headlined "Great Art from Flanders," this article enthusiastically describes the exhibition as a “most timely” and “notable” event. It highlights the rarity and quality of the works, praising early Flemish masters like Jan van Eyck and their vivid, enduring “mysticism.” It notes that the collection includes works from prominent collectors, including Philip Johnson, Arthur Sachs, and George and Mrs. Florence Blumenthal.
Center Column (Cambridge Tribune, Nov. 17, 1916): This piece, titled "New Burgos In Fogg Museum," focuses on a specific artwork: the Spanish painting "Annunciation" by Juan de Burgos, sent to the museum as a permanent loan from a member of the “Friends of the Fogg Art Museum.” The article details its history, noting it was exhibited by Sir Charles Robinson in London in 1893, was rediscovered in Madrid around 1870, and is signed “Maestre ju de Bur-gos pitor.” Below this, a smaller clipping from the “Cambridge Tribune, Nov. 18, 1916” reiterates that a professor will hold a conference on the paintings on Tuesday, November 21, at 3:00 p.m.
Right Column (Boston Transcript, Nov. 17, 1916): Headlined “OLD FLEMISH PICTURES,” this article provides the most detailed overview of the exhibition’s scope. It praises the “notable loan exhibition” and its “fine collection of originals—Medieval Masterpieces.” It explains that the paintings are divided into three historical periods: medieval, early renaissance (1300–1500), and high renaissance/reformation. Specific works mentioned include “Adoration of the Lamb” by Jan van Eyck, “Portrait of a Lady” by Roger van der Weyden, “Madonna” by Albert Bouts, and “The Last Supper” by Dirk Bouts. The article concludes by noting that many masterpieces have been destroyed or lost and that this exhibition offers the rare chance to see them in “their original glory.”
A fourth, smaller clipping at the bottom center, from the “Cambridge Tribune, Nov. 18, 1916,” is headlined “FOGG ART MUSEUM” and confirms the loan of the “Annunciation” by Juan de Burgos and the planned public conference by Professor G. H. Edgell.
Overall, the clippings collectively document a significant and highly publicized art exhibition at the Fogg Museum in 1916, emphasizing its historical importance, the rarity of the works, and the public access granted to these medieval and early Renaissance masterpieces. The aged paper and the style of the typography point to their early 20th-century origin.
The image is a scanned copy of a newspaper article, featuring multiple columns of text with headings and subheadings. The article appears to be from a historical context, likely from the early 20th century, based on the style of the text and the topics discussed. The first column is titled "New Burgos In Fogg Museum," which discusses the acquisition of a painting by Juan de Burgos at the Fogg Art Museum. The second column is titled "Loan Exhibition Unusual One," which talks about a loan exhibition of Flemish paintings at the Fogg Art Museum, including works by artists such as Roger van der Weyden and Hugo van der Goes. The third column is titled "Old Flemish Pictures," which provides a detailed description of the Flemish paintings on display, their historical significance, and the artists who created them. The article also mentions a conference on Flemish painting to be held by Professor George H. Edgell. The text is dense and informative, indicating that the article is intended for an audience interested in art history and the collection of the Fogg Art Museum.
The image depicts a collection of newspaper clippings, specifically focusing on art exhibitions and museum events. The clippings are arranged in a grid-like format, with each clipping containing text and headlines related to various art exhibitions.
The first clipping on the left side is titled "New Art from Flanders," highlighting an exhibition of Flemish art, which is described as a timely and notable event. The text mentions the presence of notable pieces, including works by Van Dyck and Rubens, and emphasizes the historical significance and quality of the collection.
The second clipping, titled "New Burgo in Fogg Museum," discusses the acquisition of a painting by Juan de Burgos by the Fogg Art Museum. The text provides details about the painting's history, its discovery, and its significance as an early example of Spanish art.
The third clipping, "Loan Exhibition Unusual One," describes a special loan exhibition of Flemish paintings at the Fogg Art Museum. It mentions the unusual nature of the exhibition, the range of artists featured, and the significance of the works on display.
The fourth clipping, "OLD FLEMISH PICTURES," focuses on a loan exhibition of old Flemish paintings at the Fogg Art Museum. The text highlights the importance of the collection, the historical context of Flemish art, and the significance of the exhibition in showcasing the evolution of Flemish painting.
The fifth clipping, "Fogg Art Museum," provides general information about the Fogg Art Museum, its recent acquisitions, and its role in promoting the study and appreciation of art.
The clippings collectively emphasize the importance of art exhibitions, the historical and cultural significance of the artworks on display, and the role of museums in preserving and promoting art. The text is written in a formal and informative style, providing detailed descriptions and analysis of the exhibitions and artworks.
The image shows a scanned page from a newspaper or magazine dated November 15, 1916, featuring articles and announcements related to art exhibitions and museum activities. Here is a detailed description:
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The page appears to be from an art-focused publication, likely a newspaper or magazine, dated November 15, 1916. It provides detailed information about upcoming exhibitions, newly acquired artworks, and scholarly discussions related to Flemish and early modern art. The emphasis on conferences and public access suggests an effort to engage both scholars and the general public in the appreciation and study of these artworks. The handwritten markings and transcription label indicate that this is a preserved or digitized version of the original document.
A small collage of old newspaper clippings mounted on a tan/orange sheet, inside a clear plastic sleeve. The clippings are about the Fogg Art Museum (Harvard) and its exhibitions around 1916. You can read headlines and snippets such as “New Burgos In Fogg Museum,” “Old Flemish Pictures,” and “Loan Exhibition Unusual One.” One clipping discusses a recent purchase of an early fifteenth‑century Spanish “Annunciation” by Juan de Burgos. The page has multiple columns of dense, tiny text and is bordered by a worn, sepia-toned background with slightly tattered edges.
This is an image of an aged newspaper or printed article featuring several columns of text. The article appears to discuss art exhibitions, referencing specific artworks, museums, dates, and events. The text mentions the "Fogg Art Museum" multiple times, with references to Spanish and Flemish artworks, medieval masterpieces, and notable artists such as Juan de Burgos.
The articles are titled with headings such as:
Annotations handwritten in the margins indicate the publication dates as November 1916. The paper has a sepia tone, suggesting its age, and seems to have been clipped and preserved, possibly for archival purposes.
The image displays a photograph of a newspaper page with various articles about art exhibitions. The newspaper is dated from two different dates: "Tuesday, Nov. 14, 1916" and “Thursday, Nov. 16, 1916." These dates indicate that the content is historical. There appear to be at least four articles, highlighted by noticeable headlines, on the page:
"Great Art from Flanders" (Top left corner): This article discusses an art exhibit displaying Flemish artwork. It seems to go into detail about the pieces on display and their significance.
"New Burgos in Fogg Museum" (Top right, overlapping the other article): An article mentioning the Fogg Art Museum having received a painting known as the "Countess of San Juan de Burgos" which has reportedly been lent to the museum as a permanent loan.
"OLD FLEMISH PICTURES" (Top right, in a separate column): An article about a loan exhibition of Flemish paintings at the Fogg Art Museum. It emphasizes the quality and historical importance of the paintings from the 15th century to the 18th century, and of artists such as Rogier van der Weyden and others.
"Fogg Art Museum" (Bottom right, under the "OLD FLEMISH PICTURES" article): An announcement about a special exhibition of Flemish paintings at the Fogg Art Museum and a related conference by Professor G.H. Edgell on a specified date.
This seems to be a clipping or a reproduction of an older document, likely preserved for its historical or archival value, given the age and the subject matter related to art history and museum exhibitions.
The image depicts a yellowed newspaper page with multiple articles related to art exhibitions at the Fogg Art Museum. There are visible notes in the margins indicating dates and sources: "Nov 15-29, 1916" on the upper left, "Crimson Nov. 15, 1916" at the top center, and “Gazette Nov. 18, 1916” near the bottom center. The text at the top right reads "Transcript."
Overall, the articles describe art exhibitions showcasing Flemish paintings and the acquisition of a significant Spanish painting at the Fogg Art Museum.