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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789933

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The image appears to be a scanned copy of an old newspaper or magazine article, specifically from the Gazette dated April 29, 1916. The article discusses a special exhibition of Dutch paintings at the Fogg Art Museum at Harvard University. It mentions several famous works, including paintings by Rembrandt and Frans Hals, and references to other notable paintings like the unfinished "Diana" by Tintoretto and a portrait by Nicholas Maes. The article provides historical context about the provenance of some of the paintings, detailing their previous collections and how they came to be part of the Fogg Museum's exhibition. The text is typed in a serif font and the paper has a slightly yellowed appearance, indicating its age.

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This image shows a document from April 29, 1916, discussing an exhibition at the Fogg Art Museum. The document is divided into two main sections, each describing different aspects of the exhibition.

The left section, titled "Fogg Art Museum," details a special collection of Dutch paintings on loan from Mr. Henry Goldman of New York. The collection includes works by Rembrandt, Franz Hals, and Van Ostade, among others. It mentions that the exhibition features notable paintings such as "Saint Bartholomew" by Rembrandt and "Peasants Playing Cards" by Van Ostade. It also highlights two Venetian paintings, one attributed to Girolamo da Santa Croce and an unfinished "Diana" by Tintoretto.

The right section, titled "Old Dutch Paintings," provides additional details about the exhibition, including the provenance of some of the paintings. It notes that the "Saint Bartholomew" by Rembrandt was once owned by Empress Catherine II of Russia and later by the family of Princess Troubetzkoy. The section also mentions the loan of a portrait by Nicholas Maes from the Malden Library, which is described as being of equal quality to the Rembrandt and Hals paintings.

The document is placed on a beige background, and the text is printed in black ink. There are some handwritten notes and dates at the top and bottom of the document, indicating its historical context and organization. The document appears to be well-preserved, with some minor creases and wear along the edges.

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This image displays a preserved, aged newspaper clipping or press release mounted inside a clear protective sleeve. The paper is discolored to a yellowish-brown, with some tears and creases, indicating its age. Handwritten in ink at the top left corner is the date: “Gazette April 29, 1916.”

The clipping consists of three distinct text blocks, likely from different newspaper articles or internal museum documents, all related to an exhibition at the Fogg Art Museum.


1. Top Article: “FOGG ART MUSEUM”

This main article announces a special collection of Dutch paintings on exhibition at the Fogg Art Museum. It details that Mr. Henry Goldman of New York has loaned eight Dutch pictures. Key works highlighted include:

  • A painting by Rembrandt and one by Franz Hals.
  • An excellent Van Ostade group of peasants playing cards, noted for its skill in genre painting.
  • Five small pictures by David Teniers the Younger, all signed by the master.

It also mentions the loan of two Venetian pictures:

  • A portrait of a Young Man attributed to Girolamo da Santa Croce, a pupil of Bellini. This piece was previously exhibited in the Fogg Museum’s 1915 loan exhibition.
  • The beautiful, unfinished “Diana” by Tintoretto, previously in the collection of Ruskin.

2. Bottom Left Article: “Another Dutch Painting at Fogg”

Dated “April 29, 1916,” this piece notes that The Malden Library has loaned the Fogg Museum an important portrait by Nicolaas Maes, a 17th-century Dutch genre painter and pupil of Rembrandt. The article emphasizes that the portrait is a valuable addition to the exhibition and is equal in quality to the Rembrandt and Hals already on display.


3. Bottom Right Article: “OLD DUTCH PAINTINGS” (Transcript - April 29, 1916)

This is a longer, more detailed article with several sub-sections:

  • Examples of Rembrandt, Frans Hals, Maes, and Others, Lent to the Fogg Museum of Art: This section reiterates the details of the Goldman loan, including the Rembrandt portrait of a Dutchman (inscribed “A.N. 1657”), previously in the Demidoff and Catharina Lambert collections, and a small group of genre scenes by David Teniers.
  • The Frans Hals portrait is described as a half-length of a substantial Dutchman, seated, and bearing a monogram and inscription. The article quotes Dr. Bode, who describes Hals’s “specially rich piece of Rembrandt coloring” in this portrait. Bode also notes the painting’s history, tracing it back to the Empress Catherine of Russia and the collection of Prince Lavalte.
  • The two Venetian pictures are mentioned again: the Girolamo da Santa Croce portrait and Tintoretto’s “Diana.”
  • The article concludes by noting the significance of the Malden Public Library’s loan of the Maes portrait, calling it a “very distinguished portrait by the famous seventeenth century Dutch genre painter” and a valuable addition to the exhibition.

Overall Context:

The document is a historical record from April 29, 1916, documenting a major loan exhibition of Old Dutch and Venetian paintings organized by the Fogg Art Museum (then part of Harvard University). The exhibition featured significant loans from private collectors (Henry Goldman) and public institutions (The Malden Library), and included masterpieces by Rembrandt, Frans Hals, Van Ostade, David Teniers, Nicolaas Maes, Girolamo da Santa Croce, and Tintoretto. It highlights the museum’s role in bringing rare and important works to the public and students of Harvard. The document’s preservation suggests its value as an archival record of the museum’s history and early 20th-century art world activities.

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The image is a scanned page from a newspaper article dated April 29, 1916, which discusses a special collection of Dutch paintings currently on exhibition at the Fogg Art Museum in New York. The article highlights the notable works included in the exhibition, such as eight Dutch paintings by Rembrandt, one by Franz Hals, and an oil painting by Van Ostade. Additionally, it mentions smaller paintings by David Teniers the Younger, which exemplify the artist's work. The article also notes the inclusion of Venetian paintings, such as a portrait of a young man attributed to Girolamo da Santa Croce and a portrait of Princess Catharina of Russia by Tintoretto. The article provides a detailed description of the paintings, their historical significance, and the context of their inclusion in the exhibition.

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The image depicts a page of a newspaper with multiple articles and advertisements. The page is slightly aged and has a yellowish hue, indicating it might be from an older publication. The layout includes several columns of text, each with a distinct title and content. The articles seem to cover various topics, including art exhibitions, historical events, and possibly political commentary. The text is printed in black ink on a cream-colored background, and the page appears to be folded, suggesting it is part of a larger newspaper. The edges of the page are slightly frayed, adding to the vintage look of the image.

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The image depicts a page from a historical document, likely a museum bulletin or exhibition catalog, dated April 29, 1916. The document is titled "Fogg Art Museum" and discusses an exhibition of Dutch paintings at the Fogg Art Museum in New York. The text is formatted in a traditional newspaper or bulletin style, with a clean, typed appearance and clear headings.

Key Elements of the Image:

  1. Header and Title:

    • The top of the page features a handwritten note at the top left corner, reading "gazette april 29, 1916," indicating the date of the bulletin.
    • The main title, "Fogg Art Museum," is prominently displayed at the top center.
  2. Content Overview:

    • The bulletin highlights a special collection of Dutch paintings on exhibition at the Fogg Art Museum.
    • It mentions notable artists such as Henry Golden, Rembrandt, and Franz Hals, emphasizing their significance and the quality of the works on display.
    • The text describes several key pieces:
      • An oil painting by Rembrandt, illustrating the skill of Dutch masters in genre painting.
      • Works by Franz Hals, including a portrait of a young man attributed to Girolamo da Santa Croce.
      • A second Venetian picture, "The Beautiful Unfinished Diana by Tintoretto," loaned earlier in the year.
  3. Exhibition Details:

    • The bulletin notes that the collection includes loans from private collectors, such as Mr. Henry Goldman, who has loaned two Venetian pictures.
    • It also mentions the acquisition of a Dutch painting by Justus van Egmont, a pupil of Rembrandt, which is part of the museum's collection.
  4. Additional Sections:

    • Below the main article, there is a smaller section titled "Another Dutch Painting at Fogg," discussing a painting by Nicolaes Maes, another pupil of Rembrandt, which is part of the museum's collection.
    • A separate section titled "Example of Rembrandt, Frans Hals and Others, Lent to the Fogg Museum of Art" provides further details about the loaned works, including a portrait by Rembrandt and a work by Frans Hals.
  5. Visual Layout:

    • The text is neatly arranged in paragraphs, with clear headings and subheadings.
    • There are handwritten annotations at the top left and bottom left corners, possibly for cataloging or archival purposes.
    • The page appears to be part of a bound collection, as indicated by the visible spine and page numbering.

Context and Purpose:

The document serves as an informational piece for museum visitors, detailing the highlights of an exhibition of Dutch and Venetian art at the Fogg Art Museum. It emphasizes the historical and artistic significance of the works on display, providing insights into the artists, their techniques, and the provenance of the pieces. The inclusion of handwritten notes suggests that the document may have been part of an archival or reference collection.

Overall, the image captures a snapshot of early 20th-century museum curation and public engagement with art exhibitions.

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The image shows a piece of aged paper with news articles and text on it, placed in a clear plastic sleeve. The paper is torn and has a yellowed appearance, indicating its age. The text appears to be from an old newspaper or magazine, with the title "Fogg Art Museum" visible at the top. The article discusses a collection of Dutch paintings on display at the museum, including works by Rembrandt and Van Ostade. The text also mentions other artists and their contributions to the collection.

The background of the image is a plain gray color, which helps to highlight the aged paper and its contents. Overall, the image suggests that the paper is a historical artifact, possibly from the early 20th century, and provides insight into the art world of that time period.

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The image presents a collection of newspaper clippings, each featuring articles about art exhibitions at the Fogg Art Museum. The clippings are arranged on a yellowed paper background, with the top-left clipping being the most prominent.

Top-Left Clipping:

  • Title: "Fogg Art Museum"
  • Date: April 29, 1916
  • Article discusses a special collection of Dutch paintings on exhibition at the Fogg Art Museum
  • Mentions Mr. Henry Goldman's loan of eight fine Dutch pictures
  • Highlights two important paintings by Rembrandt and one by Franz Hals
  • Notes the presence of Van Ostade's group of peasants playing cards, illustrating well the remarkable skill of the Dutch masters of that period in genre painting

Bottom-Left Clipping:

  • Title: "Another Dutch Painting at Fogg"
  • Date: April 29, 1916
  • Article announces the loan of a very distinguished portrait by the famous XVII century Dutch genre painter, Nicolaas Maes, to the Fogg Museum
  • Describes the painting as a valuable addition to the first Loan Exhibition of Dutch Pictures ever held at the Fogg Art Museum

Right Clipping:

  • Title: "Old Dutch Paintings"
  • Date: April 29, 1916
  • Article discusses examples of Rembrandt, Frans Hals, Maes, and others lent to the Fogg Museum of Art
  • Mentions the Fogg Art Museum of Harvard University's past exhibitions of Italian, French, English, and Spanish paintings, but never until now has there been a special exhibition of old Dutch paintings
  • Highlights the importance of these eight old Dutch pictures, with two being particularly noteworthy

Overall, the image provides a glimpse into the art exhibitions at the Fogg Art Museum in 1916, showcasing the museum's commitment to showcasing high-quality art from various periods and styles.

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The image depicts a yellowed newspaper clipping, preserved in a clear protective sleeve, showcasing an article about Dutch paintings on display at the Fogg Art Museum. The clipping is torn on both the left and right sides, with visible creases and age-related wear.

Article Details

  • Title: "Fogg Art Museum"
  • Date: April 29, 1916
  • Content: The article discusses a special collection of Dutch paintings on exhibit at the Fogg Art Museum, featuring works by renowned artists such as Rembrandt and Franz Hals.
  • Additional Articles:
    • "Another Dutch Painting at Fogg" (clipped from a different section of the newspaper)
    • "Old Dutch Paintings" (dated March 19, 1916)

Newspaper Identification

  • Handwritten notation at the top of the clipping: "Gazette"

Background

  • The clipping is set against a plain white background, suggesting it may be part of a larger collection or archive.

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The image presents a yellowed newspaper clipping, likely from 1916, featuring articles about the Fogg Art Museum. The clipping is divided into three sections, each with its own headline and content.

Top Section: "Fogg Art Museum"

  • Discusses a special collection of Dutch paintings on exhibition at the Fogg Art Museum
  • Mentions Mr. Henry Goldman loaning eight fine Dutch pictures, including works by Rembrandt and Franz Hals
  • Describes two Venetian pictures received as loans, attributed to Girolamo da Santa Croce and Tintoretto

Middle Section: "Old Dutch Paintings"

  • Announces the loan of a portrait by Nicolaes Maes, a pupil of Rembrandt, from the Marden Library
  • Describes the painting as a valuable addition to the first loan exhibition of Dutch Pictures at the Fogg Art Museum

Bottom Section: Continuation of "Old Dutch Paintings"

  • Provides more details about the paintings on display, including works by Rembrandt, Frans Hals, and David Teniers
  • Discusses the characteristics of Dutch paintings and the significance of the exhibition

The clipping also features handwritten notes in the margins, including "Gazette April 29, 1916" and "Transferred 6-29-16." The overall tone of the articles is informative and promotional, highlighting the importance of the exhibition and the quality of the artworks on display.