Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.21, Rendition: 789928
This image appears to be a scan or photograph of a vintage document, specifically a newspaper clipping or a section of a historical publication. The document is titled "Crimson," dated Saturday, March 18, 1916. The content includes a series of articles and announcements related to various events and lectures.
The main article discusses Timothy Cole, a wood engraver, who will be giving a lecture at the Fogg Museum on Tuesday about the art of wood engraving. The text provides background information about Mr. Cole, his career, and the importance of wood engraving as an art form that is gradually dying out. The document also mentions the variety of content in the March issue of the Graduates' Magazine and discusses topics such as Harvard and military training, the spiritual history of Divinity Hall, and the analogy between engraving and painting.
There are additional notes and annotations on the document, including a timestamp of "March 21, 1916," and a section that seems to be a correction or additional information about Timothy Cole's lecture. The overall tone of the document is historical and informative, providing insights into the cultural and intellectual life of the time.
This image shows a composite of newspaper clippings and information, dated from March 1916. The clippings appear to be from a publication called "The Crimson," which is likely a student or university newspaper. The articles are pasted onto a brown, aged backing sheet, indicating that this is a compilation or scrapbook page.
Main Article (Left Column):
Right Column:
Bottom Right Corner:
Overall, the image provides a glimpse into the academic and artistic landscape of 1916, focusing on the art of wood engraving and the activities of the Fogg Museum at Harvard University.
This image displays a set of three vintage newspaper clippings, mounted together and preserved under glass or plastic. The clippings are yellowed with age and show signs of wear, such as slightly frayed or torn edges, indicating they are historical artifacts. The date on all three is Saturday, March 18, 1916.
The articles are from The Crimson, the student newspaper of Harvard University, as indicated by the masthead “Crimson.” All three pieces focus on an upcoming lecture by Mr. Timothy Cole, a veteran wood engraver.
Here is a summary of each clipping:
Left Column (Main Article):
Center Column (Shorter Article):
Right Column (Shorter Article):
Overall Impression:
The image is a well-preserved historical document capturing a moment in early 20th-century American art and academic history. It showcases the cultural importance placed on traditional crafts like wood engraving (even as they were considered to be dying out) and highlights Timothy Cole’s esteemed status as an artist. The clippings were clearly valued enough to be carefully saved and framed, perhaps by Cole himself or a Harvard student/professor interested in the lecture. The juxtaposition of the two separate articles on Cole with the unrelated piece on the graduates’ magazine suggests these were clipped and mounted together for a specific purpose, likely to document the event.
The image is a scanned page from an old newspaper or magazine, dated March 18, 1916. The page features a variety of articles and advertisements. The top left corner has a headline titled "Timothy Cole Will Lecture on Wood Engraving Tuesday of an Art Which is Gradually Dying Out." Below this headline, there is an article about Mr. Timothy Cole, a veteran wood engraver who will lecture on the art of wood engraving at the Fogg Museum. The article highlights the importance of wood engraving and its decline over time.
The bottom left corner of the page has another article about Mr. Timothy Cole, providing more details about his life and career. The article mentions his birth in London, his apprenticeship in New York, and his return to England after the Chicago fire. It also notes his contributions to wood engraving and his election as an honorary member of The Guild of Craftsmen in London.
The middle of the page features an article titled "Variety in Graduate's Magazine," which discusses the wide variety of subject matter in the March issue of the Graduates' Magazine. The article highlights various articles and features, including the President's annual report, the annual report of the Faculty Council, and a discussion on the significance of the discussion in the annual report.
The right side of the page has an article titled "Master of Wood Engraving Will Speak At Fogg At 8," which announces that Mr. Timothy Cole will lecture on wood engraving at the Fogg Museum at 8 o'clock in the evening. The article provides additional details about Mr. Cole's background and achievements in the field of wood engraving.
Overall, the image captures a snapshot of a historical publication, showcasing various articles and advertisements from the early 20th century. The focus on wood engraving and the life of Mr. Timothy Cole highlights the importance of this art form and its decline over time.
The image shows a piece of paper with printed text, possibly a newspaper clipping or an excerpt from a magazine. The paper appears to be old, with a yellowish tint and some signs of wear and tear. The text is organized into several columns and paragraphs, with headings and subheadings to indicate different sections or topics.
The content of the text seems to be related to the field of wood engraving, with mentions of Timothy Cole, a renowned wood engraver, and his work. There are also references to various magazines and publications, such as "Century Magazine" and "Graduates' Magazine," which may have featured articles or works by Cole or other wood engravers.
The text discusses the art of wood engraving, its history, and the techniques involved in the craft. It also mentions the challenges and difficulties faced by wood engravers, such as the need for precision, skill, and a deep understanding of the medium.
Overall, the image appears to be a historical document or article that provides insight into the world of wood engraving and the contributions of Timothy Cole to this art form.
The image depicts two pages from a newspaper or magazine dated Saturday, March 18, 1916, titled "Cummon." The pages are formatted with a classic newspaper layout, featuring columns of text and a header that includes the date and title. The content appears to be from a historical publication, likely a local or regional newspaper, given the context and style.
The image captures a snapshot of early 20th-century media, showcasing a blend of artistic commentary (on wood engraving) and academic critique (of a student magazine). It provides insight into the cultural and intellectual interests of the time, highlighting both the appreciation for traditional crafts and the evolving discourse within academic circles.
A framed display of two old newspaper clippings from March 18, 1916. The papers are yellowed and tattered at the edges, mounted side by side on a light mat. The left clipping has a bold headline about Timothy Cole lecturing on wood engraving and describes him as a veteran engraver. The right clipping appears to be another article (from Crimson/Graduates’ Magazine) about the same topic, mentioning Timothy Cole and his lectures. Overall, an archival look at early 20th‑century articles celebrating a master wood engraver.
This is an image of an aging newspaper clipping from March 18, 1916. It appears to have been preserved but exhibits browning and frayed edges, typical of old paper. The clipping contains several columns of text, possibly from a local or academic publication, discussing topics and events relevant to the time.
Key visible headlines include:
Notes like "Crimson" and handwritten dates repeat near the headlines, suggesting this document came from a Harvard-affiliated source, such as the student newspaper "The Crimson." Many proper names, events, and descriptions are included in the text, giving insights into the professional and cultural scene of that era.
This is an image of a vintage document, possibly a page from an old newspaper or magazine article. The paper appears aged with a brownish-yellow tint, consistent with old paper that has oxidized over time. There are several columns of text, and the layout is typical of printed media from the early 20th century.
On the top left of the page, there is a date: "Saturday, March 18, 1916," and the title "TIMOTHY COLE WILL LECTURE ON WOOD ENGRAVING TUESDAY." This suggests that the document may be providing news or announcements related to events and lectures of the time.
On the top right, the date "Tuesday, March 18, 1916" is printed above another block of text. The text appears to cover various topics, with small headers highlighting the subject matter of each column or paragraph.
The text size, margins, and the overall density of the text indicate that it was designed to communicate a significant amount of information in a relatively small space, a common characteristic of newspapers and academic journals from that era.
The visible creases and the slightly uneven edges on the paper suggest that the document has been folded and possibly handled quite a bit in the past.
Due to the resolution of the image and the amount of text, specific content details are not easily discernible, but overall, the image exudes a sense of historical significance and could be of interest to those studying journalism, history, or art—particularly as it relates to wood engraving, which is mentioned in one of the headings.
The image is of a faded, browned newspaper clipping from "Crimson," dated March 18, 1916, and March 21, 1916. The clipping is divided into sections, each containing text in multiple columns.
The first section announces a lecture by Timothy Cole, a veteran wood-engraver, at the Fogg Museum on Tuesday. It highlights his significant career in wood engraving, mentioning his contributions to American art and his long practice of the dying art of wood engraving.
The second section discusses the "Variety in Graduates' Magazine," describing the wide range of subject matter in the March issue of the magazine. It includes references to notable contributions, such as those from Harvard alumni, and mentions specific articles and authors that are featured.
The last section features another announcement regarding Timothy Cole's lecture, specifying the topic "The Analogy Between Engraving and Painting." It praises Cole's skill and details his professional background, including his affiliations and awards.
Handwritten annotations appear at the top of the clipping, noting "Crimson, March 18, 1916" and "Crimson, Mar. 21, 1916," indicating the newspaper's name and the dates of publication. The edges of the clipping are worn and slightly torn.