Archives Scrapbooks

The image appears to be a collection of newspaper clippings and documents related to an art exhibition of Spanish paintings at the Fogg Art Museum of Harvard University in January 1916. The documents are written in black ink on aged, yellowed paper, which suggests they are historical artifacts. The content of the documents includes headlines, descriptions of the exhibition, and some handwritten annotations.

The headlines indicate that the exhibition featured Spanish art, specifically the 17th-century work of notable artists such as Velázquez, Goya, and El Greco. The documents detail the importance of the exhibition and the significance of the works on display. Additionally, there is a mention of a lecture series on "Giotto and His Followers" by Dr. Osvald Siren, which was open to the public.

The documents are dated between January 16 and January 23, 1916, and are from various newspapers, including the Boston Post, Boston Advertiser, New York Times, and Boston Globe. The handwritten annotations and the overall condition of the documents suggest they are part of a personal or institutional collection, possibly related to the study or collection of art history.

This image appears to be a collection of newspaper clippings from various sources, all related to an exhibition of Spanish paintings at the Fogg Art Museum at Harvard University. The clippings are dated from January 16, 1916, to January 23, 1916. Here is a detailed description of the content:

1. Boston Post, Jan 16, 1916:

   • Headline: "Spanish Art at Harvard"
   • The article announces an unusual exhibit of Spanish art opening the next day at the Fogg Museum of Art. It mentions that the exhibition will continue until January 30 and will focus on Spanish art of the 17th century. It highlights the inclusion of works by El Greco, Zurbarán, Carreño, Coello, Goya, and others, with a particular emphasis on a portrait of Olivarez by Velasquez, which is considered a masterpiece.

2. Boston Advertiser, Jan 18, 1916:

   • Headline: "Spanish Paintings Exhibited at Fogg Art Museum"
   • This article provides more details about the exhibition, noting that it is a loan exhibition of Spanish paintings. It mentions that the paintings have been lent by friends of the Fogg Museum in Cambridge, Boston, and New York. The article emphasizes the importance of the exhibition and the quality of the works on display, including the portrait of Olivarez by Velasquez.

3. New York Times, Jan 16, 1916:

   • Headline: "Spanish Pictures at Fogg Museum"
   • This clipping provides similar information to the Boston Post article, mentioning the opening of the exhibition and the works on display. It also notes that the exhibition is designed to set before the students in Professor Post's course on Spanish art fine original examples of the work of the artists discussed.

4. Cambridge Standard, Jan 22, 1916:

   • Headline: "Painting Exhibit"
   • This article provides additional details about the exhibition, mentioning that it includes a Velasquez painting and will continue until January 29. It also notes the inclusion of other paintings and prints illustrating the history of artistic lithography.

5. Transcript, Jan 20, 1916:

   • Headline: "Velasquez in Cambridge"
   • This article focuses specifically on the Velasquez portrait of Olivarez, describing it as the chief feature of the exhibition. It provides a detailed description of the painting and its significance, noting that it is a full-length portrait of the Count Duke Olivarez, a powerful figure in Spanish history.

6. Boston Globe, Jan 23, 1916:

   • This clipping includes a paragraph discussing the exhibition and the Velasquez portrait, providing additional context and details about the artist and the painting.

The clippings are arranged on a single page, with handwritten notes and dates indicating the sources and dates of the articles. The content collectively provides a comprehensive overview of the exhibition, highlighting the importance of the works on display and the significance of the Velasquez portrait.

This image displays a collection of five yellowed newspaper clippings from January 1916, mounted together on a single sheet of paper and preserved under clear plastic. The clippings are all related to a loan exhibition of Spanish art held at the Fogg Art Museum at Harvard University.

The headlines and articles center on two key themes:

1. The Exhibition: Titled “SPANISH ART AT HARVARD” or “SPANISH PAINTINGS EXHIBITED AT FOGG ART MUSEUM,” the show opened on January 17, 1916, and was scheduled to run through January 30. The articles note that the exhibition features paintings from the Vilallerhmosa collection, primarily from the 17th century, and is augmented by loaned works from private collectors and institutions like the Boston Museum of Fine Arts. It is described as "unusual" and "of very important."
2. The Highlight: Velázquez: The portrait of the Count Duke of Olivares by the Spanish master Diego Velázquez is consistently singled out as the masterpiece and most important painting in the exhibition. Several articles describe it in detail, noting its full-length format and its historical significance as Olivares was the powerful Prime Minister and favorite of King Philip IV. One clipping from the Transcript (Cambridge) provides a particularly long, effusive review, even quoting art critic Edward Waldo Forbes, who praises the painting's "moral or mental importance" and the artist's "invariable sobriety" and "incapacity for diadem or frivolity."

The clippings are from various Boston and American newspapers, including the Boston Post (Jan. 16, 1916), Boston Advertiser (Jan. 18, 1916), New York Tribune (Jan. 16, 1916), American Art News (Jan. 22, 1916, p. 5), and the Transcript from Cambridge (Jan. 20, 1916).

The clippings have been annotated by hand with pencil, including the dates they were cut out and the names of the newspapers. A handwritten note in the lower right corner also mentions “Mr. Forbes... after graduation from Harvard,” likely referring to the art critic mentioned in the article.

Overall, the image serves as a historical document, capturing the critical reception and public interest in a significant 1916 exhibition of Spanish art at Harvard, with a particular focus on the celebrated Velázquez portrait.

The image is of a newspaper clipping featuring articles about a Spanish art exhibition at Harvard. The clipping includes multiple articles from different newspapers, such as the Boston Post and the Boston Advertiser, dated January 16, 1916. The articles highlight the exhibition of Spanish paintings at the Fogg Art Museum of Harvard University, which opened on January 17, 1916, and ran until January 30.

The articles discuss the significance of the exhibition, which includes notable works from the 17th century, such as a portrait of Olivares by Velázquez, considered the masterpiece of the collection. The exhibition was a loan from the Boston Museum of Fine Arts, showcasing Spanish art to a broader audience.

The clipping also includes an article from the Boston Globe, dated January 23, 1916, which provides a detailed description of the portrait of Olivares and its historical context. The article delves into the personality and significance of Olivares, a prominent figure in Spanish history, and how his portrait reflects his character and role in the court of Philip IV.

Additionally, there is an article from the Cambridge Transcript, dated January 24, 1916, which discusses the broader implications of the exhibition and the importance of Velázquez as a national and international artist. The article emphasizes the significance of Velázquez's work in the context of Spanish art and his influence on the art world.

The clipping also includes an article from the American Art News, dated January 23, 1916, which provides details about the exhibition, including the dates and locations of the lectures and the prices for admission. The article highlights the educational aspect of the exhibition, which aimed to make Spanish art accessible to a wider audience through lectures and discussions.

Overall, the clipping provides a comprehensive overview of the Spanish art exhibition at Harvard, emphasizing its historical significance, the quality of the artworks on display, and the educational opportunities it provided to the public.

The image shows a collage of newspaper clippings, likely from various newspapers, with the primary focus on the exhibition of Spanish art at Harvard and the Fogg Art Museum. The clippings are arranged in a haphazard manner, overlapping each other, and are displayed against a transparent background.

The topmost clipping, dated January 18, 1916, from the Boston Courier, highlights the opening of the Spanish Art Exhibition at the Fogg Art Museum of Harvard. It mentions the exhibition as an "unusual exhibit" that will open tomorrow and emphasizes the significance of the collection, particularly the portrait of Olivares, which is described as a masterpiece of 17th-century Spanish art.

Another clipping, from the Boston Post dated January 16, 1916, provides additional details about the exhibition. It notes that the collection will be inaugurated at the Fogg Museum of Art at Harvard, beginning tomorrow and continuing until January 30. The exhibition will focus on Spanish art of the 17th century, with particular emphasis on the work of the artists of the Spanish school. It also mentions the generosity of the Museum of Fine Arts in providing loans for the exhibition.

A clipping from the New York Times, dated January 16, 1916, discusses the importance of the portrait of Olivares, painted by Velázquez, and compares it to other significant works in the exhibition, such as those by El Greco, Zurbarán, and Carreño. It highlights the rarity and historical value of these works.

Another clipping, from the New York Sun, dated January 18, 1916, focuses on the portrait of Olivares and its significance within the exhibition. It describes the portrait as a masterpiece and compares it to other works by Velázquez, emphasizing its historical and artistic importance.

The clippings collectively provide a comprehensive overview of the Spanish Art Exhibition at Harvard and the Fogg Art Museum, highlighting the significance of the collection, the generosity of the lenders, and the historical and artistic importance of the works on display.

The image shows a scanned page from a newspaper or publication dated January 16, 1916, titled "SPANISH ART AT HARVARD" and "SPANISH PAINTINGS EXHIBITED AT FOGG MUSEUM." The page appears to be a news article discussing an exhibition of Spanish paintings at the Fogg Art Museum, part of Harvard University.

Key Details from the Image:

Headline and Title:

• The main headline reads: "SPANISH ART AT HARVARD" and "SPANISH PAINTINGS EXHIBITED AT FOGG MUSEUM."
• The article is dated January 16, 1916, and is from the Boston Post and Boston Advertiser.

Content Overview:

1. Exhibition Details:

   • The article announces an upcoming exhibition of Spanish paintings at the Fogg Art Museum, which is described as "unusual" and set to open tomorrow (January 17, 1916).
   • The exhibition features a collection of Spanish paintings from the 17th century, including works by notable artists such as El Greco, Velázquez, Zurbarán, and Carreno.
   • The exhibition includes a significant number of paintings, with a focus on the Velaázquez collection, which is noted as one of the most important in the world.

2. Exhibition Highlights:

   • The article emphasizes the historical and artistic significance of the exhibition, noting that it includes "one of the known Spanish primitives" and "examples of the work of El Greco, the most important painter of Spain."
   • It mentions that the exhibition is part of a larger effort to showcase Spanish art and its influence on European art history.

3. Portraits and Notable Works:

   • A prominent feature of the exhibition is the "Portrait of Olivares", described as a masterpiece from the 17th century. The article highlights the historical importance of this portrait, noting that Olivares was a powerful figure in Spain, serving as Prime Minister and royal favorite to Philip IV.
   • The article discusses the artistic and cultural significance of the portrait, describing Olivares as a man of "massive personality" and "moral or mental importance."

4. Additional Context:

   • The article references other Spanish artists and their works, including Zurbarán, Carreno, and El Greco, and notes that the exhibition includes examples from the Velaázquez collection in Madrid.
   • It also mentions that the exhibition is open to the public and includes a lecture series on Spanish art, with dates listed for January 18–23, 1916.

Annotations and Handwriting:

• The page contains handwritten notes and annotations, likely made by someone reviewing or studying the article. These include:
  • Dates and initials: "Boston Post Jan 16, 1916" and "Boston Advertiser Jan 18, 1916."
  • Comments and markings: Phrases such as "See American Art News Jan 22, 1916 p.5" and "See Cambridge Standard" suggest cross-referencing with other publications.
  • Underlining and highlighting: Certain sections of the article are underlined, indicating areas of interest or importance.

Visual Layout:

• The page is formatted in a typical newspaper style, with columns of text and a clear headline at the top.
• The text is dense and includes quotes, descriptions, and historical context, typical of a news article covering an art exhibition.

Overall Impression:

The image captures a historical moment in art journalism, documenting the announcement of a significant exhibition of Spanish paintings at Harvard's Fogg Art Museum. The article provides detailed information about the exhibition's content, notable works, and historical context, while the handwritten annotations suggest active engagement with the material, possibly by a scholar, critic, or collector. The page serves as a valuable primary source for understanding early 20th-century art exhibitions and public interest in Spanish art.

This is a aged archival newspaper clipping (a single sheet) preserved in a clear sleeve. It consists of multiple small news clippings laid out together about a 1916 exhibition of Spanish art at Harvard.

Key features:

• Headings visible: “SPANISH ART AT HARVARD” on the left and “SPANISH PAINTINGS EXHIBITED AT FOGG ART MUSEUM” across the center, with a subheading about a 17th-century Spanish painting.
• The article block in the center discusses the exhibition at the Fogg Art Museum, mentioning portraits and Spanish art of the 17th century, and references to Velázquez and related notes about the exhibit.
• Surrounding clippings include shorter notices like “Unusual Exhibit Will Open Tomorrow” and other brief notices about the exhibition, as well as handwritten annotations and dates along the margins (e.g., Jan 16–18, 1916; Jan 22, 1916).
• The page is yellowed and shows torn or worn edges, with some creases and corner cuts, suggesting it is an aged newspaper page or collage of clippings.
• The text is in old-style newspaper type, with dense columns and small print.

Overall, it’s an early 20th-century press montage about a Spanish art exhibit at Harvard’s Fogg Art Museum (circa 1916), annotated by hand and preserved as a historical archival item.

This image shows a collection of newspaper clippings from different sources, all centered around an exhibition of Spanish art held at Harvard University's Fogg Art Museum in January 1916. The clippings describe the artworks featured in the exhibition, focusing on Spanish paintings, particularly those from the 17th century, including works by renowned painters such as Velázquez.

Headlines like "Spanish Art at Harvard," "Spanish Paintings Exhibited at Fogg Art Museum," and "Painting Exhibit" are prominent. Notes written on the clippings, possibly in pen or pencil, indicate the publication names and dates, such as the Boston Post (Jan. 16, 1916), the Boston Advertiser (Jan. 18, 1916), and more. The articles highlight the significance of this unusual exhibition, describe specific pieces and artists, and discuss their importance in the context of Spanish art history. This image reflects the documentation and enthusiasm surrounding art exhibitions in the early 20th century.

This image appears to be a collection of newspaper clippings concerning Spanish art exhibitions, with a focus on pieces displayed at Harvard and the Fogg Art Museum. The articles are from January 1916 and discuss the uniqueness and importance of the Spanish art being exhibited.

The headlines read "SPANISH ART AT HARVARD," with a subtitle "Unusual Exhibit Will Open Tomorrow" showing that an exhibition was about to launch. The other headline says, "SPANISH PAINTINGS EXHIBITED AT FOGG ART MUSEUM," mentioning a "Portrait of Olivarez Is Masterpiece of Pictures Representing Spanish Art of the 17th Century."

The clippings seem to be on discolored and aged paper, indicating their historical nature. They discuss various aspects of the exhibitions, such as significant paintings and portraits being displayed, loans of artwork received for the exhibit from private collections, and the importance of the art for cultural and educational purposes.

The articles mention names of artists and individuals associated with the art being exhibited, the involvement of other institutions, and detailed descriptions of certain artwork pieces. Additionally, there are handwritten notes on the paper, suggesting someone curated or collected these clippings for research or personal interest.

The image features a collection of newspaper clippings focused on an art exhibition held at the Fogg Art Museum at Harvard University in January 1916. The articles detail the display of Spanish paintings, specifically highlighting works by prominent artists such as Velázquez. They provide information about the exhibition's opening, the significance of the artworks being shown, and notable pieces like the portrait of Olivares. The newspapers include several titles such as "Boston Post," "Boston Advertiser," "Transcript," "Newsclip," and "Cambridge Chronicle," all dated between January 16 and January 22, 1916. The articles discuss the exhibition's historical context, the origin of the paintings, and the museum's collection. The background appears to be aged and yellowed, suggesting the clippings are historical documents.