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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789918

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The image appears to be a collection of newspaper clippings and articles related to art and exhibitions, particularly focusing on lithography and early Italian engravings. The papers are aged and yellowed, suggesting they are from the early 20th century.

At the top, there is a news item dated December 15, 1915, from the "Christian Science Monitor," announcing the opening of an exhibition of early Italian engravings at the Fogg Art Museum at Harvard University. The article details the collection's move to the Print Department of the Museum of Fine Arts.

Below that, there are several articles discussing the opening of a lithography show at the Fogg Museum, including one dated January 5, 1916, from the "Christian Science Monitor," and another from the "Boston Post" dated January 8, 1916. These articles highlight the exhibit and the various lithographs on display.

Some of the articles also mention the works of artists like Whistler, Bonington, Isabey, and others. There is also a mention of the "History of Artistic Lithography" exhibit and the "History of the Fogg Museum."

The bottom right corner includes a price tag, which seems out of place for newspaper clippings and might be an unrelated element added later.

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This image shows a collection of newspaper clippings and handwritten notes related to exhibitions at the Fogg Art Museum and the Museum of Fine Arts, Boston. The clippings are dated from December 15, 1915, to January 8, 1916, and discuss various exhibitions, including one on early Italian engravings and another on the history of artistic lithography.

The top left clipping, dated December 15, 1915, is from the "Transcript" and discusses the early Italian engravings collection that has been moved to the Print Department of the Museum of Fine Arts. It mentions the classification of the engravings and the artists represented, including Mantegna, Tarocchi, Finiguerra, and Raimondi.

The top right clipping, dated January 5, 1916, is from the "Christian Science Monitor" and announces the opening of the "History of Artistic Lithography" exhibit at the Fogg Art Museum. It lists the number of prints and contributors, including the Museum of Fine Arts, Boston, and various individuals.

The middle right clipping, dated January 6, 1916, is from the "Crimson" and provides more details about the lithography exhibit, including the types of prints shown and the contributors.

The bottom right clipping, dated January 8, 1916, is from the "Boston Post" and also discusses the lithography exhibit at the Harvard Museum.

The bottom left clipping, dated December 1915, is from the "New York Tribune" and provides a detailed description of the early Italian engravings exhibit, including the artists and specific works on display.

There are also various handwritten notes on the clippings, including dates, names, and additional information about the exhibitions. The clippings are taped to a piece of brown paper, and there is a price tag at the bottom right corner with the number "975" and some Hebrew text.

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This image displays a single, aged newspaper clipping, heavily yellowed with time, mounted or pasted onto a slightly larger, beige-colored piece of cardboard or paper. The clipping appears to be a collection of articles and notices from early 20th-century newspapers, likely around 1910, concerning art exhibitions.

The content is organized into distinct sections with prominent headlines:

  • Top Left Header: "TRANSCRIPT June 15, 1910" introduces an article titled "EARLY ITALIAN ENGRAVINGS". This lengthy article discusses the relocation of the Fogg Art Museum Collection to the Print Department of the Museum of Fine Arts. It details the exhibition of early Italian engravings, mentioning important prints by artists like Martin Schongauer, Albrecht Dürer, and the "Virgin and Child" by the Master of the Housebook. The text describes the artistic qualities and historical context of the engravings.

  • Top Right Section: This area contains several shorter notices.

    • The first is a headline from the "Christian Science Monitor, June 5, 1910", reading "FOGG MUSEUM HAS LITHOGRAPHY SHOW". It announces an exhibit on Thursday, June 6, featuring lithographs by notable artists including Whistler, Bonheur, Raffet, Delacroix, Daumier, and others, from the Fogg Museum's collection.
    • Below that, a clipping dated "SUN, Jun. 6, 1910" is titled "INTERESTING EXHIBIT AT FOGG". It reiterates the details of the lithography exhibition, mentioning prints by Bonheur, Daumier, and prints connected to the Napoleonic Wars by Raffet. It also notes that the show includes figure subjects by Whistler, landscapes and animals by Rosa Bonheur, and caricatures by Daumier. It mentions that the prints are from the Fogg Museum collection and notes the presence of prints by Mr. Fine, Roy Carrington, Mr. David Koppel, Mr. Denman W. Ross, and Mr. Paul J. Sachs '88.
    • Below this, another clipping dated "Bromont—Jun. 6, 1910" (the source name is partially obscured) appears to discuss an exhibition illustrating the history of artistic lithography.
    • Finally, at the bottom right, there is a bold headline "LITHOGRAPHY EXHIBIT AT HARVARD MUSEUM", referencing an interesting exhibition illustrating the history of artistic lithography.

The overall impression is that this is a scrapbook page or a collection of press clippings documenting a major exhibition of prints, specifically early Italian engravings and a lithography show, held at the Fogg Art Museum (Harvard) in June 1910. The paper shows signs of age, including discoloration and some fold marks, and is mounted for preservation or display.

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The image is a scanned page from a newspaper or magazine, featuring a mix of text and graphics. The page is divided into two main sections, with the upper section containing an article about an exhibition of early Italian engravings at the Fogg Art Museum. The lower section features a smaller article about a lithography show at Harvard University.

The upper article is titled "Early Italian Engravings" and discusses an exhibition of early Italian engravings at the Fogg Art Museum. The article provides details about the exhibition, including the date it opened, the artists and works featured, and the significance of the collection. The article is accompanied by a small graphic or image of a print.

The lower article is titled "Fogg Museum Has Lithography Show" and discusses an exhibition of lithography at Harvard University. The article provides details about the exhibition, including the date it opened, the artists and works featured, and the significance of the exhibition. The article is accompanied by a small graphic or image of a print.

The page also includes a small advertisement for an upcoming exhibition at the Fogg Art Museum, which is titled "Fogg Art Museum Has Lithography Show" and features an image of a print. The advertisement provides details about the exhibition, including the date it will open and the artists and works featured.

Overall, the image provides a glimpse into the art and cultural scene of the time, with a focus on early Italian engravings and lithography. The use of text and graphics helps to convey the information and context of the exhibitions, while the advertisements provide a glimpse into the broader art world and the events and exhibitions happening at the time.

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The image is a collage of newspaper clippings. The clippings are arranged in a rectangular shape, with the top and bottom sections being wider than the middle section. The clippings are from different newspapers, and they cover various topics. The top clipping is about an exhibition of early Italian engravings at the Fogg Art Museum. The middle clipping is about a lithography show at the Fogg Museum. The bottom clipping is about a lithography exhibit at Harvard University. The clippings are in black and white, and they have a vintage look.

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The image depicts a collection of historical newspaper clippings or printed articles, likely from the early to mid-20th century, as indicated by the dated content and style of typography. The documents are arranged in a vertical, overlapping manner, giving the impression of a scrapbook or archive page. Here’s a detailed description:

Content and Layout:

  1. Newspaper Clippings:

    • The text appears to be from newspaper articles, as evidenced by the columned format, headlines, and bylines typical of newspaper layouts.
    • The articles are printed on aged, slightly discolored paper, suggesting they are historical documents.
  2. Headlines and Topics:

    • Top Left Article: The headline reads, "Early Italian Engravings Now Moved to Fine Arts Department of the Museum," indicating a news story about an art exhibition or collection relocation at a museum. The article discusses early Italian engravings and their significance.
    • Top Right Article: The headline reads, "Fogg Museum Has Lithography Show," which suggests an exhibition of lithographs at the Fogg Art Museum, part of Harvard University. The article mentions details about the exhibit, including its opening date and featured artists.
    • Bottom Right Article: The headline reads, "Lithograph Exhibit at Harvard Museum," reinforcing the theme of lithography exhibitions at Harvard. This article provides further details about the exhibit, including dates and featured works.
  3. Visual Elements:

    • Handwritten Annotations: There are handwritten notes and markings on the pages, including signatures and dates. For example:
      • The top left article has a handwritten note: "Dec. 15, 1915" and a signature: "Christian Beams Member."
      • The top right article includes a handwritten note: "Sam, Jan 6, 1946" and a signature: "Sam."
      • The bottom right article has a handwritten note: "Sam, Jan 6, 1946" and a signature: "Sam."
    • These annotations suggest the pages were part of a personal collection or archive, possibly kept by someone named "Sam" or "Christian Beams."
  4. Condition and Presentation:

    • The pages show signs of age, with slight discoloration, creases, and wear, indicating they have been preserved for many years.
    • The overlapping arrangement suggests these clippings were intentionally placed together, perhaps for thematic or chronological reasons.

Contextual Inferences:

  • Art and Museums: The articles focus on art exhibitions, specifically mentioning the Fogg Art Museum (now part of the Harvard Art Museums). This indicates the documents are related to art history, museum exhibitions, and the study of printmaking techniques such as engraving and lithography.
  • Historical Significance: The dates (e.g., December 15, 1915, and January 6, 1946) place these articles in a period of significant cultural and historical activity, including the early 20th century and post-World War II era.
  • Personal Collection: The handwritten notes and signatures imply that these clippings were curated by an individual, possibly a collector, scholar, or enthusiast of art and printmaking.

Overall Impression:

The image portrays a curated collection of historical newspaper articles centered around art exhibitions, particularly focusing on early Italian engravings and lithography at the Fogg Art Museum. The handwritten annotations and aged appearance suggest these documents were part of a personal archive or scrapbook, reflecting the interests and activities of someone deeply engaged with art and museum exhibitions during the early to mid-20th century.

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The image presents a newspaper clipping featuring two articles on the left side and one article on the right side, all of which are related to the Fogg Art Museum.

Article Details:

  • Left Side:
    • The first article is titled "EARLY ITALIAN ENGRAVINGS" and discusses the museum's collection of early Italian engravings.
    • The second article is titled "Fogg Museum Has Lithography Show" and announces the opening of an exhibition illustrating the history of lithography.
  • Right Side:
    • The article is titled "Prints Showing History of Lithography Go On View This Morning" and provides details about the exhibition.

Additional Information:

  • The clipping is dated December 12, 1915, and is from the Boston Evening Transcript.
  • The price of admission to the exhibition is 25 cents.
  • The clipping appears to be a historical document, providing insight into the art world of the early 20th century.

Overall, the image provides a glimpse into the art world of the early 20th century, highlighting the Fogg Art Museum's collection of early Italian engravings and its exhibition on lithography.

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This image depicts a yellowed newspaper clipping featuring an article about the Fogg Museum of Harvard University. The clipping is dated December 15, 1915, and is titled "EARLY ITALIAN ENGRAVINGS." It discusses the museum's collection of early Italian engravings, which have been moved to the Print Department of the Museum of Fine Arts.

The article highlights the significance of this collection, which includes works by prominent artists such as Andrea Mantegna, Antonio del Pollaiuolo, and Marcantonio Raimondi. It also mentions that the collection has been arranged chronologically, allowing visitors to trace the development of Italian engraving from its early beginnings to its peak in the 16th century.

In addition to the article, the clipping includes several other pieces of information, including a list of upcoming exhibitions at the Fogg Museum and a notice about a lithography show at Harvard University. The overall tone of the clipping is informative and educational, suggesting that it was intended for readers who are interested in art and history.

Overall, this image provides a fascinating glimpse into the world of art and culture in the early 20th century, and highlights the importance of preserving and showcasing historical artifacts for future generations.

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The image presents a collection of aged newspaper clippings, arranged in a collage format and displayed on a plain gray background.

Newspaper Clippings:

  • The clippings are yellowed with age, indicating they are old.
  • They appear to be from different newspapers, as evidenced by varying font styles and layouts.
  • The text is mostly illegible due to the age and condition of the clippings.
  • Some headlines are visible, including "EARLY ITALIAN ENGRAVINGS" and "FOGG MUSEUM HAS LITHOGRAPHY SHOW."
  • The clippings seem to be related to art exhibitions or events at the Fogg Art Museum.

Background:

  • The background is a plain gray color, which helps to highlight the newspaper clippings.
  • There are no other objects or features visible in the background.

Overall Impression:

  • The image suggests that the newspaper clippings are being preserved or archived for historical or research purposes.
  • The use of a plain gray background helps to focus attention on the clippings themselves.
  • The image may be part of a larger collection or archive of historical documents related to the Fogg Art Museum or art history in general.

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The image presents a collection of aged newspaper clippings, likely from the early 20th century, featuring articles about art exhibitions. The clippings are arranged on a light gray background.

  • Newspaper Clippings:
    • The clippings appear to be from a newspaper, with visible text and headlines.
    • They are yellowed and worn, indicating age.
    • Some clippings have handwritten notes or numbers in the margins.
  • Headlines and Articles:
    • One clipping features the headline "EARLY ITALIAN ENGRAVINGS" and discusses an exhibition at the Fogg Art Museum.
    • Another clipping has the headline "FOGG MUSEUM HAS LITHOGRAPHY SHOW" and announces an exhibit on lithography.
    • A third clipping is titled "INTERESTING EXHIBIT AT FOGG" and describes an exhibit on lithography.
  • Handwritten Notes:
    • There are several handwritten notes and numbers on the clippings, including "58" and "Museum".
    • Some notes appear to be dates, such as "June 15, 1915" and "Cambridge - June 6, 1916".
  • Background:
    • The background of the image is a light gray color.

Overall, the image appears to be a collection of historical newspaper clippings related to art exhibitions, with handwritten notes and annotations added by someone over time.