Archives Scrapbooks

The image shows a physical collection of newspaper clippings and notices related to art exhibitions and collections at the Fogg Art Museum in Cambridge, Massachusetts. The clippings are glued onto a piece of cardboard backing, which appears to be slightly worn and yellowed, indicating the age of the materials. Some of the clippings are dated, with the earliest being from November 20, 1915, and the latest from December 13, 1916. The content of the clippings includes announcements about exhibitions, such as the loan of early Italian engravings, the display of reproductions of Minoan and Mycenaean art found in Crete, and the exhibition of a famous painting by Tintoretto. There are also mentions of conferences on Tintoretto painting and exhibitions of the engraving work of Albrecht Dürer. The clippings are in black and white, consistent with the style of the early 20th century. The text is legible, and the arrangement of the clippings seems to be somewhat haphazard, suggesting they may have been collected as a reference or for personal interest in the history of the Fogg Art Museum.

This image is a collage of several newspaper clippings related to exhibitions and events at the Fogg Art Museum. The clippings are arranged on a piece of brown paper and are dated between 1915 and 1916. Here is a detailed description of the content:

1. Top Left Clipping (Gazette - Nov. 20, 1915):

   • The Fogg Museum has placed on exhibition a group of reproductions of works of art from the Minoan and Mycenaean civilizations found in Crete.
   • The reproductions are a gift from Mrs. Schuyler Van Rensselaer in memory of her son, George Griswold Van Rensselaer.
   • The museum has also received a loan of a large and beautiful picture by Rogier van der Weyden for one week.

2. Middle Left Clipping (Crimson - Dec. 18):

   • The Fogg Museum is exhibiting a famous painting of Diana by Tintoretto.
   • The painting is described as a masterpiece in design and direct handling, making Tintoretto one of the most brilliant Venetian painters.
   • Professor A. Pope will give a conference on the picture.

3. Bottom Left Clipping (Crimson - Dec. 13, 1916):

   • An exhibition of the engraved work of Albrecht Dürer has replaced the loan exhibition of Italian prints at the Fogg Museum.
   • The Dürer prints are all from the Fogg Museum collections and are described as extremely fine.

4. Top Right Clipping (Catalogue of a Loan Exhibition of Early Italian Engravings at the Fogg Art Museum):

   • A significant loan exhibition of early Italian engravings is on view at the Fogg Art Museum.
   • The exhibition will close on December 9th, and a complete catalogue has been prepared.
   • The catalogue contains a description of the field of early Italian engraving and an introduction to the collection.
   • Prints lent by various collectors and institutions are described and reproduced in the catalogue.

5. Middle Right Clipping (Crimson - Dec. 30):

   • Professor A. Pope will give a conference on the painting by Tintoretto now being shown in the gallery.
   • The painting, the subject of which is "Diana," is described as one of the series of smaller mythological subjects forming the decoration of one room in the Ducal Palace, Venice.

6. Bottom Right Clipping (Philadelphia Inquirer - Dec. 5, 1915):

   • The Fogg Museum has placed on exhibition a group of reproductions of works of art from the Minoan and Mycenaean civilizations found in Crete.
   • The reproductions are a gift from Mrs. Schuyler Van Rensselaer.

The clippings are neatly arranged and provide detailed information about the exhibitions and events at the Fogg Art Museum during the specified period.

This image displays a large, aged newspaper clipping or collection of clippings mounted on a single, rectangular piece of yellowed, brittle paper and presented under a clear protective sheet, likely for archival purposes. The paper shows signs of wear, including significant tears, missing pieces, and a large triangular tear on the top left corner. The entire artifact is placed against a plain, light-gray background.

The clipping is composed of several distinct newspaper articles, all concerning exhibitions and events at the Fogg Art Museum (now part of the Harvard Art Museums) in Cambridge, Massachusetts. The articles, written in a formal, early 20th-century journalistic style, are arranged in a roughly grid-like fashion and are dated, with handwritten annotations visible in pencil.

Key features and articles identified in the image include:

1. Main Headline: "FOGG ART MUSEUM" — An article dated "Crimson - Dec. 18" announces that the museum has received a loan of 15 valuable engravings of the so-called Minoan and Mycenaean civilizations from Mrs. Schuyler Van Rensselaer, in memory of her son George Griswold Van Rensselaer (Harvard Class of 1896).

2. "FOGG MUSEUM EXHIBITS TREASURE" — Another "Crimson - Dec. 18" article highlights the exhibition of Tintoretto's famous painting “Diana.” It notes the painting is from the Ducal Palace in Venice and will be the subject of a conference by Professor A. Pope '01 on Monday (Dec. 18, 1916) at 4 o'clock.

3. "Conference on Tintoretto Painting" — A smaller article dated "Crimson - Dec. 20" confirms that Professor A. Pope will give a conference at 4:30 o’clock on the “Diana” painting.

4. "Durer’s Work Exhibited at Fogg" — An article dated "Crimson - Dec. 18, 1916," discusses the exhibition of Albrecht Dürer's engraved works, noting that many are extremely fine and that an exhibition of Italian prints is also on display until January 16.

5. Right-Side Article: "CATALOGUE OF A LOAN EXHIBITION..." — A significant article describes a major loan exhibition of early Italian engravings (15th and 16th century) at the Fogg Art Museum, closing December 9th. It details the catalogue prepared by Mr. Albert Schotte, and lists lenders including the Francis Bullard Collection, the Museum of Fine Arts, Boston, and the S.S. collection. The text highlights specific rare prints, including works by Botticelli, Pollaiuolo, Mantegna, and Jacopo de’ Barberi. The article notes the exhibition has been arranged and the catalogue compiled in memory of Mrs. Francis Bullard, Class of 1886 (Harvard).

Handwritten Annotations:

• In the top left corner of the clipping, above the main "FOGG ART MUSEUM" article, is the handwritten note: "Page, Nov 20, 1915". This date conflicts with the printed dates in the articles (Dec. 18, 1916).
• On the right-hand side, running vertically up the margin, is a pencil annotation: "Oct 28 & December 1916", confirming the later date for the Tintoretto and Dürer articles.
• At the bottom right, near the edge, the word "Published in 'Crimson'" is handwritten.

In summary, the image is a historical compilation of newspaper clippings from late 1916, documenting significant art exhibitions at the Fogg Art Museum, with particular focus on loaned artworks from Tintoretto, Dürer, and a major collection of early Italian engravings. The handwritten notes suggest this clipping was carefully preserved and dated by a collector or archivist, though the annotation "Nov 20, 1915" appears to be an error or refers to a related article not shown.

The image appears to be a newspaper clipping or article from 1915 about the Fogg Art Museum at Harvard University. The article discusses several exhibitions and collections at the museum during that time period.

Some key details from the article:

• The Fogg Museum had recently placed on exhibition a group of reproductions of works of art from the Minoan and Mycenaean civilizations found in Crete. This was the only place in America where reproductions of these works could be seen.

• The Metropolitan Museum in New York had loaned a famous painting by Tintoretto called "Diana" to the Fogg Museum. The painting was on display in the gallery.

• The Fogg Museum had received a loan of a large and beautiful Flemish painting by Rogier van der Weyden from an anonymous lender. The painting was called "Voi Me So Targente" and was one of the most important works in the permanent collection.

• The Fogg Museum was also exhibiting a collection of early Italian engravings from the Francis Bullard Collection. The collection included rare prints from the 15th and 16th centuries, including works by Albrecht Dürer.

• The article also mentions an exhibition of engravings by Albrecht Dürer that was on display at the Fogg Museum.

So in summary, the article discusses several exhibitions and collections of art at the Fogg Art Museum at Harvard University in 1915, including reproductions of Minoan and Mycenaean art, a painting by Tintoretto, a Flemish painting by Rogier van der Weyden, and a collection of early Italian engravings.

The image shows a collage of newspaper clippings on a brown background. The clippings are arranged in a grid-like pattern, with some overlapping each other. The clippings are from various newspapers, as indicated by the different fonts and styles used in the text. The text is mostly in black ink, with some headlines in bold or larger font sizes. The clippings appear to be from different dates, as indicated by the different years mentioned in the text. The image has a vintage look, with some of the clippings showing signs of wear and tear, such as creases and folds. The overall composition of the image suggests a theme of collecting and preserving information from various sources.

The image depicts a page from a historical document, likely a newspaper or exhibition catalog, dated November 25, 1915, as indicated at the top of the page. The document is titled "Fogg Art Museum" and appears to be an announcement or description of an exhibition held at the Fogg Art Museum in Cambridge, Massachusetts.

Key Details from the Image:

Header:

• The top of the page includes handwritten annotations, such as "Faggatte Nov. 25, 1915" and "Crimson Dec. 18" and "Crimson Dec. 20," suggesting the document was part of a series or a newspaper clipping.

Main Content:

The main body of the text is divided into several sections, each discussing different aspects of the Fogg Art Museum's exhibitions and collections. Here are the main topics covered:

1. Exhibition of Minoan and Mycenaean Art:

• The Fogg Museum has placed on exhibition a group of reproductions of works of art from the so-called Minoan and Mycenaean civilizations, found in the last fifteen years in Crete.
• These reproductions are described as wonderfully interesting as illustrations of the Homeric period.
• The Metropolitan Museum of New York is the only other place in America where the arts of these civilizations can be seen.
• The reproductions are a gift from Mrs. Schuyler Van Rensselaer, in memory of her husband, George Griswold Van Rensselaer, a member of the Harvard Class of 1896, and they form a permanent part of the Collection of Classical Antiquities.

2. Loan Exhibition of Italian Engravings:

• The Fogg Museum has received from an anonymous lender for one week, beginning November 17th, a large and beautiful collection of Italian engravings.
• The exhibition includes a significant loan of Roger van der Weyden's "Noli Me Tangere," which is described as rare and so much valued.
• The subject of the painting is Diptyche attributed to Roger van der Weyden, and it is the only dipytch in the gallery beside the one dipytch in the Fogg Art Museum, which is of the important collection at the important pictures.

3. Exhibition of Tintoretto's Painting:

• The Fogg Museum is exhibiting a famous painting by Tintoretto, titled "Diana."
• This painting is described as one of the best and most beautiful paintings by the great 16th-century master.
• The painting is on loan from the gallery of the Subject Art Museum.
• The painting is noted for its wonderfully interesting and highly expressive qualities, with its unfinished appearance being particularly noted.
• A conference on Tintoretto's Painting is scheduled for Monday, November 1st, at 4:30 p.m., to be given by Professor A. Pope '07 of the Department of Fine Arts.

4. Exhibition of Dürer's Work:

• The Fogg Museum has also placed on exhibition a group of reproductions of the works of art of the Roccatello Minoan and Mycenaean civilizations, found in Crete.
• These reproductions are described as highly interesting and are the only other art in America where reproductions of these works can be seen.
• The reproductions are a gift from Mrs. Schuyler Van Rensselaer, a member of the Harvard Class of 1896, and they form a permanent part of the Collection of Classical Antiquities.
• The exhibition includes engraved work of Albrecht Dürer, with the Fogg Museum's collection being one of the largest and best in America.

5. Catalogue of a Loan Exhibition of Early Italian Engravings:

• The document also mentions a catalogue of a loan exhibition of early Italian engravings, which will close on December 9th.
• The exhibition includes a complete catalogue prepared by Mr. Arthur M. Hind, which is described as having permanent value to every one interested in Italian prints.
• The catalogue includes clear and concise descriptions of the prints, a well-chosen bibliography, and an introduction that will help collectors understand the novice field of Italian printmaking.

Visual Elements:

• The page includes handwritten notes in the margins, such as "Crimson Dec. 18" and "Crimson Dec. 20," which likely indicate when the article was published or referenced.
• The text is formatted in a newspaper or catalog style, with clear headings and subheadings for each section.
• The document appears to be typewritten, with some annotations in handwriting, suggesting it may have been part of a scrapbook or archive.

Overall Context:

The document serves as a historical record of an art exhibition at the Fogg Art Museum, highlighting significant loans and acquisitions, including works by Tintoretto, Dürer, and Roger van der Weyden, as well as reproductions of Minoan and Mycenaean art. It also promotes a catalogue of early Italian engravings, emphasizing the museum's role in preserving and showcasing important artworks. The handwritten notes suggest the document was part of a personal or institutional archive, possibly used for research or reference purposes.

This page provides insight into the cultural and artistic activities of the early 20th century, particularly at the Fogg Art Museum.

This image shows a scrapbook page featuring multiple newspaper clippings and articles related to exhibitions and works at the Fogg Art Museum. The articles are pasted onto a brown sheet and are arranged in a somewhat orderly fashion.

Key content includes:

1. A clipping titled "FOGG ART MUSEUM" describing the museum's recent exhibition of reproductions of works of art from the Minoan and Mycenaean civilizations, which are originally from Crete. It mentions the Metropolitan Museum in New York and a gift from Mrs. Schuyler Van Rensselaer.

2. A clipping titled "FOGG MUSEUM EXHIBITS TREASURE," discussing a famous painting by Diana by Tintoretto on exhibit. It describes the importance of Tintoretto and the significance of this particular painting.

3. Another clipping titled "Conference on Tintoretto Painting," mentioning a lecture given by Professor A. Pope of the Department of Fine Arts on Tintoretto’s works.

4. A clipping headlined "Durer's Work Exhibited at Fogg," about an exhibition of prints by Albrecht Durer, describing their significance and some of the prints included.

5. A large article titled "CATALOGUE OF A LOAN EXHIBITION OF EARLY ITALIAN ENGRAVINGS AT THE FOGG ART MUSEUM," which gives detailed information on the exhibition of early Italian engravings. It mentions the participation of various collectors, the importance of the exhibition, and some of the highlights including prints from the Renaissance period.

There are handwritten notes and dates in the margins, such as "Nov. 20 1915," "Dec. 13, 1916," and "Christmas 1915," suggesting the clippings were collected over a period of time. The overall tone of the articles is formal and informative, reflecting the cultural and academic significance of the exhibitions at the Fogg Art Museum.

The image shows an old, aged scrapbook or journal page with clippings of articles from newspapers carefully pasted across it. The articles are primarily about art exhibitions and collections, particularly those of the Fogg Art Museum at Harvard University, dated between 1915 and 1916.

Highlights include:

1. Exhibition Announcements:

   • The Fogg Art Museum's exhibitions, including reproductions of art from the ancient Aegean and Mycenaean civilizations, and works relating to the Homeric period.
   • A loan exhibition that features early Italian engravings and other notable works.
   • Mention of the "Diana" painting by Tintoretto as being on loan and displayed in the museum.

2. Events and Catalogues:

   • A talk or conference organized by the museum featuring topics like the Tintoretto painting.
   • Details about a catalogue release for an exhibition, providing insights and historical context on the pieces.

3. Art Features:

   • A feature on an engraved work by Albrecht Dürer showcased at the museum.
   • Brief descriptions of particular art pieces, their artistry, and cultural or historical significance.

The arrangement shows articles of various font sizes, with annotations and handwritten notes in the margins, adding a personal or archival touch. The edges of the paper and clippings show wear, pointing to age and careful preservation.

The image shows a vintage scrapbook page with several small newspaper clippings pasted onto a brown, torn-edged sheet. The clippings are about the Fogg Art Museum and its exhibitions, including early Italian engravings, Tintoretto paintings, and Durer’s work. The headings are in bold serif type, and the text blocks are densely packed. The page has an aged, yellowed look, with handwritten notes along the top and edges, giving it an old, archival feel.

The image shows a typed and handwritten document that comprises various newspaper clippings pasted onto a piece of paper. The clippings are articles about exhibitions and events at the Fogg Art Museum, which are dated from December 1916. There are headers mentioning the Fogg Art Museum and references to works of art, like a "Famous Painting of Diana by Tintoretto" and discussions about Italian art. There are handwritten notes on top of and between the clippings, such as dates and reference numbers, which could have been added by a curator or researcher for their records. The document appears to be archival in nature, providing historical context concerning the museum's activities during that period.