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The image is a newspaper clipping from the "Christian Science Monitor" and "New York Times," both dated November 7, 1915. The articles discuss an exhibition of early Italian engravings at the Fogg Art Museum in Cambridge, Massachusetts.

Christian Science Monitor Article:

• Headline: "Early Italian Engravings in Notable Show"
• Content:
  • The exhibition features rare prints typical of various periods, loaned from other collections.
  • Notable for its extensive and representative collection of early Italian engravings.
  • Highlights include works by artists like Andrea Mantegna and Giulio Campagnola.
  • The engravings showcase a variety of techniques and styles, including delicate shading and broad strokes.
  • The exhibition is significant for its comprehensive display of early Italian printmaking.

New York Times Article:

• Headline: "The Print Exhibition at the Fogg"
• Content:
  • The exhibition honors Francis Bullard, a collector whose virtues are highlighted.
  • Features prints from Bullard's collection, including works by Giulio Campagnola and Andrea Mantegna.
  • Notable pieces include "The Annunciation" and "The Virgin and Child."
  • The exhibition is curated by Paul J. Sachs and George H. Edgell, with contributions from various lenders.
  • The prints range from the 15th to the 18th century, showcasing the evolution of Italian engraving techniques.

Additional Information:

• The articles mention specific prints and their artistic qualities, such as the use of shading and the intricacy of the engravings.
• The exhibition is noted for its educational value and the rarity of the prints on display.
• The collaboration of various curators and lenders is highlighted, emphasizing the significance of the collection.

Overall, the articles provide a detailed overview of the exhibition, highlighting its importance in showcasing early Italian engravings and the contributions of notable artists and collectors.

The image contains newspaper clippings from 1915 discussing a notable exhibition of early Italian engravings at the Fogg Art Museum in Cambridge, Massachusetts.

1. Christian Science Monitor (November 9, 1915):

   • The article describes a loan exhibition of early Italian engravings at the Fogg Art Museum, highlighting its significance and the quality of the prints.
   • The exhibition showcases engravings from the fifteenth and sixteenth centuries, with many examples from the era of the Renaissance.
   • The engravings are noted for their detailed work and the influence of the artists, who were not just craftsmen but also had a strong sense of individuality.
   • Specific works and artists are mentioned, such as Pollaiuolo's "Battle of the Naked Men," a study of the Virgin and Child, and works by Mantegna, illustrating the diversity and excellence of the collection.
   • The exhibition is praised for its comprehensive display of the evolution of engraving techniques and the quality of the prints.

2. New York Times (November 7, 1915):

   • This article also covers the exhibition, emphasizing the rare nature of the prints and the extensive collection of early Italian engravings.
   • It mentions that the prints were on loan from various collections, including those of Francis Bullard and William M. Ivins Jr.
   • The article highlights the historical significance of the prints, such as those by Giovanni Canaletti and others, and their importance in the study of art history.
   • The exhibition is described as a major event in the art world, bringing together works that are not only historically significant but also technically impressive.

3. Art Briefs (November 1915):

   • This section provides a concise summary of the exhibition, noting its importance and the variety of engravings on display.
   • It mentions that the exhibition is open until December 5, 1915, and is curated by Paul J. Sachs, who also compiled the catalog.
   • The article notes that the exhibition includes engravings from many notable Italian artists and is a significant contribution to the understanding of Italian art history.

Overall, the clippings collectively highlight the importance, quality, and historical value of the early Italian engravings exhibition at the Fogg Art Museum in 1915.

The image shows a newspaper clipping from the November 1915 issue, featuring articles about early Italian engravings on display at the Fogg Art Museum in Cambridge, Massachusetts.

1. Left Column (Christian Science Monitor, November 9, 1915):

   • The article discusses an exhibition of early Italian engravings at the Fogg Art Museum. It highlights the rarity and historical significance of these prints, which span various periods. The engravings are noted for their technical skill and artistic value, often showcasing the work of prominent engravers like Paul Reverer and others. The article emphasizes the quality and individuality of these prints, which are considered some of the finest works from this period.

2. Right Column (New York Times, November 7, 1915):

   • This article details the opening of a print exhibition at the Fogg Museum. The exhibition features engravings that are notable for their aesthetic and historical value. The prints are described as a significant collection, with works by illustrious engravers. The article mentions Paul J. Sachs, the curator of the exhibition, and the contributions of various collectors. It highlights the exceptional quality of the engravings and the efforts made to assemble this collection, which includes a variety of engraving styles and periods, ranging from the Renaissance to more modern works.

3. Bottom Section:

   • There is a small section labeled "ART BRIEFS" which reiterates the loan exhibition of early Italian engravings, emphasizing the museum's effort to showcase a collection that is both historically and artistically significant.

The overall focus is on the significance and quality of the engravings, their historical context, and the efforts of the Fogg Museum in preserving and displaying these valuable works.

The image displays two newspaper clippings, one from the Christian Science Monitor dated November 9, 1915, and the other from the New York Times dated October 7, 1915. Both articles discuss an exhibition of early Italian engravings at the Fogg Museum in Cambridge.

The Christian Science Monitor article, titled "Early Italian Engravings in Notable Show," describes the exhibition, highlighting that it is one of the most representative collections of early Italian engravings ever assembled. The article mentions notable pieces and artists, such as a portrait by Alost, works by the Master of the Life of the Virgin, and prints by Giulo Clovio and Parmigianino. It also includes loans from other collections, such as the Boston Museum of Fine Arts and the library of J. P. Morgan.

The New York Times article, titled "The Print Exhibition at the Fogg Museum," also covers the exhibition, noting its exceptional quality and the rarity of the prints on display. It mentions that the exhibition includes works by Italian masters like Mantegna, Italy, and others, and praises the curation by Francis Bullard, whose collection forms the basis of the show. The article also highlights the historical significance of the prints, some of which date back to the early 15th century, and notes the impressive organization and presentation of the exhibition.

The image displays two newspaper clippings from early 20th-century publications, discussing exhibitions of early Italian engravings.

Left Article (Christian Science Monitor, Nov. 9, 1918):

• Title: Early Italian Engravings in Notable Show
• Event: Display at the Fogg Museum, Cambridge, featuring rare prints typical of various periods.
• Content:
  • The exhibition is noted for its extraordinary range and quality, showcasing the work of engravers from secondary rank who were contemporaries of famous artists like Botticelli and Mantegna.
  • The article highlights the historical context and significance of these prints, emphasizing how they were used by artists to disseminate their designs and techniques.
  • It mentions the evolution of engraving, comparing different periods and the distinct styles and techniques that emerged, such as the delicate shading of the early period and the more linear approach in later works.
  • The exhibition is praised for its educational value, offering insight into the development of engraving as an art form.
  • Works from prominent collections, including those from Paul J. Sachs and the Boston Museum of Fine Arts, are displayed.

Right Article (New York Times, Nov. 7, 1915):

• Title: The Print Exhibition at the Fogg Museum
• Event: An exhibition of prints at the Fogg Museum in Cambridge, which is described as exceptional, assembled in honor of Francis Bullard.
• Content:
  • The collection is noted for its rare and comprehensive selection, featuring works by masters like Mantegna and other significant Italian engravers.
  • The article discusses the historical importance of printmaking and its evolution, with a focus on early Italian prints.
  • It mentions that the exhibition includes a notable set of prints from Giulio Campagnola, and works by other renowned artists.
  • The article also highlights the contributions of various collectors and the quality of the prints, which offer a comprehensive view of the art form during that period.
  • The exhibition is seen as an opportunity for the public to view some of the finest examples of early Italian engravings.

Additionally, a small section titled "Art Briefs" at the bottom right mentions a special loan exhibition of early Italian engravings opening on a specific date, featuring works from various collections. It emphasizes the importance of this exhibition in the preparation of an upcoming catalog of Italian engravings.

The image contains two newspaper clippings about an exhibition of early Italian engravings held at the Fogg Art Museum, Cambridge.

Left Clipping:

Title: "Early Italian Engravings in Notable Show"
Publication: Christian Science Monitor, November 9, 1915

• The article discusses an exhibition of early Italian engravings at the Fogg Art Museum.
• The collection is described as containing rare prints from various periods and is considered one of the most representative exhibitions of early Italian engravings ever held in the country.
• The majority of the engravings are by secondary-rank artists, who were often employed by more prominent artists for their technical skills.
• The exhibition highlights the evolution of engraving techniques and the high quality of the prints, showcasing works from the 15th to the 17th century.
• Notable prints include works by artists like Pollaiuolo, Mantenga, and Botticelli, known for their intricate designs and detailed shading.
• The article mentions specific prints like "The Assumption of the Virgin" by Botticelli and "The Battle of the Nude" by Pollaiuolo.
• The exhibition is curated by Francis Bullard, the museum's director, and is praised for its comprehensive and meticulously arranged collection.

Right Clipping:

Title: "The Print Exhibition at the Fogg Museum"
Publication: New York Times, November 7, 1915

• The article provides a detailed overview of the exhibition of early Italian engravings at the Fogg Museum.
• It highlights the significance of the collection, which includes prints from the 15th and 16th centuries, and mentions the notable figures involved in the exhibition's preparation, including Francis Bullard, the museum's director.
• The exhibition is noted for its completeness and quality, with a special focus on the technical achievements and aesthetic qualities of the prints.
• The article lists various contributors and collaborators, such as Paul J. Sachs, William M. Ivins Jr., and others who have assisted in compiling the catalog.
• It mentions that the exhibition is a unique opportunity to view a comprehensive collection of early Italian engravings, which were previously not easily accessible.

Additional Details:

• The exhibition is noted for its meticulous cataloging and scholarly approach, providing a valuable resource for art enthusiasts and historians.
• The articles emphasize the historical importance and aesthetic value of the engravings, highlighting the contributions of various artists and the evolution of printmaking techniques over time.

The image depicts a newspaper clipping with reviews and articles about an exhibition of early Italian engravings at the Fogg Museum in Cambridge. The clipping includes write-ups presumably from the Christian Science Monitor (dated November 9, 1915) and the New York Times (dated November 7, 1915), as noted at the top margins of the paper. The articles discuss various aspects of the exhibition, including the types of engravings displayed, the artists featured, and the significance of the prints. The text is dense with historical details and critiques about specific works and their artistic relevance. There is an additional short piece titled "Art Briefs," which seems to offer a concise summary of the exhibition and highlights some notable items. The overall condition of the clipping appears aged, with noticeable yellowing and wear around the edges.

This image displays a newspaper clipping showing an article from the "Christian Science Monitor" dated November 9, 1944. The main article is titled "EARLY ITALIAN ENGRAVINGS IN NOTABLE SHOW" and discusses a display at Fogg Museum, Cambridge, containing rare prints typical of various periods. It includes mentions of other collections and discusses the significance of Italian engravings from certain historical periods while referencing certain pieces and artists.

To the right, there's a smaller section titled "ART BRIEFS," containing a smaller article regarding a special loan exhibition of early Italian engravings at Harvard University's Fogg Art Museum to open on December 6, 1944. The article mentions that the exhibition was arranged by Paul J. Sachs and includes various details about the origins and significance of the pieces to be displayed.

The clipping is aged, with yellowing paper and some discoloration that suggests it has been preserved for some time. It seems to have been cut out fairly neatly on the right edge but is more irregular at the top and left edges. Some handwritten notes appear at the top right corner, likely annotations made by a previous owner of the clipping.

The image shows a page from a publication titled "Christian Science Monitor", dated November 9, 1918, featuring an article titled "EARLY ITALIAN ENGRAVINGS IN NOTABLE SHOW". The article discusses an exhibition of early Italian engravings held at the Fogg Art Museum, Cambridge, which is noted as one of the most representative exhibitions of early Italian engravings ever held in the United States. The article highlights the significance of the engravings, which are considered to be of the quattrocento period (15th century), and emphasizes the craftsmanship and artistic value of the works on display.

Key Points from the Article:

1. Exhibition Details:

   • The exhibition features rare prints from the Fogg Art Museum and loans from other collections.
   • It showcases early Italian engravings, many of which are from the quattrocento period.

2. Engravings and Artists:

   • The article mentions notable artists such as Paul Reeve, Maverick Smith, and Andrea Mantegna.
   • It describes the engravings as being of high quality, with delicate shading, intricate details, and a strong sense of vitality.
   • Specific examples include:
     • "The Assumption of The Virgin" by Andrea Mantegna.
     • "The Old Shepherd" by Andrea Mantegna.
     • "The Madonna and Child Enthroned with Angels and Saints" by Paolo di Campagna.
     • "The Madonna and Child with Saints" by Giulio Campagnola.

3. Technical Aspects:

   • The article discusses the crystallization of the engraver's technique during this period, noting that many engravers were of secondary rank but produced work of great merit.
   • It highlights the delicate treatment of lines and forms, the shading, and the use of ink and tone to create depth and realism.

4. Exhibition Context:

   • The exhibition is described as being exceptionally well-arranged, with a complete catalogue issued by the Fogg Art Museum.
   • The article emphasizes the educational value of the exhibition, noting that it is a valuable resource for students and art lovers.
   • It also mentions that the exhibition will remain open to view until December 8, 1918.

5. Visual Elements:

   • The page includes a small illustration of an engraving, likely one of the works on display, showing a detailed and delicate composition.
   • The layout features a header with the publication name, date, and section ("Art Briefs"), along with a decorative border.

Additional Notes:

• The article also references a New York Times article from November 7, 1918, which discusses the Print Exhibition at the Fogg Museum, further contextualizing the event.
• The tone of the article is informative and appreciative, highlighting the historical and artistic importance of the engravings and the exhibition itself.

Overall, the image captures a historical moment in the appreciation of early Italian engraving, showcasing the rich artistic heritage of the quattrocento period and the efforts to preserve and display these works for public appreciation.

The image appears to be a newspaper clipping or article about an exhibition of early Italian engravings at the Fogg Museum in Cambridge. The article provides details about the exhibition, including:

• The exhibition showcases early Italian engravings from various periods, with loans from other collections. It is considered one of the most representative exhibitions of early Italian engravings ever held in the country.

• The engravings on display are described as examples of the crystallization of Italian technique and artistry. The majority were created by secondary artists who worked for prominent engravers.

• The exhibition includes prints from notable engravers like Mantegna, Pollaiolo, and Ghiberti, as well as lesser-known artists.

• The article highlights specific prints on display, including Mantegna's "Battle of the Sea Monsters" and Pollaiolo's "St. John the Baptist."

• The exhibition is curated by Paul J. Sachs, Assistant Curator of the Fogg Art Museum, and features a catalogue compiled by William M. Ivins Jr.

• The article notes that the exhibition is exceptional in many ways and is a tribute to Francis Bullard, a notable collector and donor to the museum.

Overall, the image provides information about an exhibition of early Italian engravings at the Fogg Museum, highlighting the significance of the works on display and the contributions of notable collectors and curators.