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The image is a newspaper clipping from November 1915, featuring articles about an exhibition of early Italian engravings at the Fogg Art Museum at Harvard University. The exhibition is a loan exhibition, commemorating the late Francis Bullard, a member of the Class of 1886, and is described as one of the most important collections of early Italian prints shown in the country.

Key points from the articles include:

1. Exhibition Details:

   • The exhibition opens on Monday and runs through November and December.
   • It includes prints from notable artists like Andrea Mantegna and Antonio Pollaiuolo.
   • The prints are sourced from Bullard's collection and other private collections.

2. Significance:

   • The exhibition is noted for its rarity and the high quality of the prints, many of which are extremely rare and have not been seen in the United States before.
   • It is organized by Miss Laura H. Dudley, Assistant in charge of Prints at the Fogg Museum.

3. Conference:

   • A series of conferences on the exhibition will be conducted by Miss Dudley, open to students and the public.
   • The first conference is scheduled for Thursday afternoon, November 11, at 3:30 o'clock.

4. Critical Acclaim:

   • The exhibition is praised for its scholarly preparation and the opportunity it provides to view some of the finest works of great engravers.
   • The prints are described as being of real value, with detailed descriptions and reproductions in a reference book.

5. Additional Information:

   • The exhibition also includes rubbings from brass monuments in medieval English churches, donated by Arthur Kingsley Porter.
   • The exhibition is noted for its educational value and the insight it provides into the development of art.

Overall, the articles highlight the importance and rarity of the exhibition, its scholarly significance, and the efforts made to make it accessible to both students and the public.

The image contains several newspaper clippings from November 6, 1915, focusing on an exhibition at the Fogg Art Museum. Here's a detailed summary:

1. Fogg Art Museum Loan Exhibition (Main Clipping):

   • The Fogg Art Museum is hosting a special loan exhibition of early Italian engravings in memory of Francis Bullard, a member of the Class of 1886.
   • The exhibition, opening on Monday, November 8, features a significant collection of fifteenth and early sixteenth-century Italian prints, likely the most extensive group ever displayed in the United States.
   • The exhibition will be curated and cataloged by friends of the museum, including those from Boston, New York, London, and Cambridge.
   • The catalog is described as a reference book of real value, with each print described and reproduced.
   • The exhibition will be open to the public through November and includes a series of conferences by Laura H. Dudley, Assistant in Charge of Prints, on Thursday, November 11, at 3:30 PM.

2. Boston Saturday Evening Post (Top Right Clipping):

   • This clipping discusses the early Italian engravings exhibition at the Fogg Art Museum.
   • The exhibition, opening Monday, November 8, covers the development of art and features prints from the collection of Francis Bullard.
   • The exhibition is arranged by Paul J. Sachs, Assistant Director of the Fogg Art Museum, and Fitzroy Carrington, Curator of Prints in the Museum of Fine Arts.
   • The prints include works from the early Renaissance period and are noted for their historical significance and artistic quality.

3. The Boston Transcript (Bottom Left Clipping):

   • This clipping also covers the exhibition of early Italian prints at the Fogg Art Museum.
   • The exhibition, titled "Early Italian Prints on View," is described as one of the most important loan exhibitions ever attempted.
   • It includes a significant number of engravings from the Harvard University Class of 1886, with a focus on the work of prominent artists such as Durer and other notable names.
   • The exhibition is intended to educate and provide an opportunity for public engagement with these historical prints.

4. Boston Herald (Bottom Right Clipping):

   • This clipping mentions the Fogg Art Museum's exhibition of early Italian engravings.
   • The exhibition, which opened on November 5, is noted for its rare and valuable collection of prints.
   • It highlights the significance of the engravings, which include works by Antonio Pollaiuolo and others, and mentions the efforts to make these historical pieces accessible to the public.

Overall, the clippings collectively emphasize the importance and value of the exhibition, showcasing the historical and artistic significance of the early Italian engravings and the efforts to make this collection available to a wider audience.

The image contains several newspaper clippings from the Boston area, dated November 1915, detailing an exhibition at the Fogg Art Museum.

1. Fogg Art Museum - Important Loan Exhibition:

   • The first clipping highlights an important loan exhibition of early Italian engravings, in memory of Francis Bullard, who was a member of the Class of 1886.
   • The exhibition is scheduled to open on November 8 and will continue through November.
   • Laura H. Dudley, the Assistant in charge of Prints at the Fogg Museum, will host a conference on the engravings on Thursday, November 11 at 3:30 PM.
   • The exhibition is notable for showcasing a significant group of prints from fifteen to sixteen centuries, making it one of the most important exhibitions of its kind in the country.

2. Boston Art Museum - Early Italian Engravings:

   • The second clipping from the Boston Art Gazette mentions the same exhibition, emphasizing the period of development in art it covers.
   • The exhibition opens on Monday, November 5, and remains open until December 5.
   • It includes rare prints from the collection of Francis Bullard, with a focus on the engravings' historical and artistic significance.
   • It is curated by Paul J. Sachs, assistant director of the Fogg Art Museum, and Fiskar Carrington, curator of prints in the Museum of Fine Arts.

3. Print Show - Early Italian Prints on View:

   • The third clipping from the Cambridge Gazette notes the same exhibition, highlighting its significance and the historical context of the engravings.
   • The exhibition features a valuable illustrated catalogue compiled in memory of Francis Bullard, showcasing the engraving's quality and historical importance.

4. Cummings - Interesting Exhibition:

   • The fourth clipping from the Boston Herald details the exhibition, focusing on the rare and interesting engravings from the medieval period.
   • It notes that the collection includes rubbings from brass monuments in medieval English churches, which are put on view at the Fogg Art Museum.
   • The exhibition will be open until December 5, with a conference scheduled for November 11.

In summary, these clippings collectively describe the Fogg Art Museum's exhibition of early Italian engravings, highlighting its importance, the historical context, and the educational conferences held in conjunction with the exhibition.

The image displays a collection of newspaper clippings related to art exhibitions and events at the Fogg Art Museum in 1945. The clippings are from the Christian Science Monitor, dated November 5 and 6, 1945. The main articles discuss an important loan exhibition of early Italian engravings, including works from the 15th and 16th centuries, which is open to the public from November 5 to December 5. The exhibition features items from the collection of the late Francis Bullard, a member of the Harvard class of 1886, and has been arranged by Paul J. Sachs and FitzRoy Carrington. The articles highlight the significance of the engravings and the rare opportunity to view these works, which are considered some of the finest examples of Italian prints. Additionally, there is a mention of a special loan exhibition of medieval English church brasses, which opened on November 2 and will remain on view until December 5. The clippings also note that Miss Laura H. Dudley, Assistant in charge of prints at the Fogg Museum, will conduct a series of conferences on early Italian engravings on Thursday, November 8, at 3:30 p.m., open to students and the public.

The image displays a set of newspaper clippings announcing an important exhibition of early Italian engravings at the Fogg Art Museum, associated with Harvard University. Here are the detailed points from the articles:

1. Exhibition Overview:

   • The Fogg Art Museum is hosting a special loan exhibition of early Italian engravings in memory of the late Francis Bullard, a member of the Class of 1886.
   • This exhibition will open to the public on November 8 and will continue through November.

2. Significance of the Exhibition:

   • It is described as the most important collection of fifteenth and early sixteenth-century Italian prints ever shown in the United States.
   • The exhibition is made possible by friends of the Museum in Boston, New York, London, and Cambridge.
   • The works displayed are of significant historical and artistic value, providing a rare opportunity to view some of the finest examples of early Italian engravings.

3. Catalog and Public Access:

   • A catalog of the engravings has been prepared, featuring descriptions and reproductions, making it a valuable reference book.
   • The exhibition will be open to the public, with special conference days for students and scholars on Thursday afternoons, November 11 and 18.

4. Curatorial Details:

   • The exhibition is curated by Paul J. Sachs, Assistant Director of the Fogg Art Museum, and F. H. Taylor.
   • Miss Laura H. Dudley, Assistant in Charge of Prints, will conduct the first of a series of conferences on the engravings.

5. Articles Highlighting the Exhibition:

   • One article mentions that the exhibition will include works by renowned artists such as Mantegna and Pollaiuolo.
   • Another article, titled "Early Italian Prints on View," details the comprehensive nature of the exhibition, including works spanning the development of the art form.
   • The exhibition is noted for its rare and beautiful prints, some of which have not been seen together in such a complete collection.

6. Additional Information:

   • Some of the prints come from the collection of the late Francis Bullard, adding to the exhibition's uniqueness.
   • The exhibition will also feature engravings from other notable collectors and museums.
   • There is a mention of a special loan exhibition of early Italian engravings that will remain on view until December 5.

7. Engravings and Contributors:

   • The prints include works from various significant periods and artists, providing an extensive overview of the development of Italian engraving.
   • Contributors include the Metropolitan Museum and several individual collectors.

8. Special Events:

   • A conference will be held on November 18, open to the public, featuring discussions about the engravings.

Overall, the articles emphasize the historical importance and rarity of the exhibition, offering both the public and scholars an invaluable opportunity to study early Italian engravings.

The image shows newspaper clippings from November 1915, detailing an important exhibition at the Fogg Art Museum in Cambridge, Massachusetts. The exhibition is titled "Early Italian Engravings," featuring a loan collection of engravings from the late Francis Bullard, a member of Harvard's Class of 1886.

Key points from the clippings include:

1. Exhibition Details:

   • The exhibition is a significant loan of early Italian engravings, likely the most extensive of its kind ever held in the United States.
   • It opened on Monday, November 8, and was curated by Paul J. Sachs, assistant director of the Fogg Art Museum, and FitzRoy Carrington, curator of prints at the Museum of Fine Arts, Boston.
   • The exhibition continues through November and will be open to the public.

2. Francis Bullard:

   • Francis Bullard was a Harvard graduate from the Class of 1886 and a renowned collector of Italian engravings.
   • His collection includes prints from the fifteenth and early sixteenth centuries, showcasing the development of early Italian engraving.
   • Bullard's collection is noted for its rarity and the quality of the impressions, with many prints being in excellent condition.

3. Exhibition Scope:

   • The exhibition covers a range of works from the early fifteenth century through the sixteenth century, highlighting the evolution of engraving techniques and styles.
   • It features works by notable artists such as Antonio Pollaiuolo, Andrea Mantegna, and others, showcasing the significant development of art during this period.

4. Public Engagement:

   • Miss Laura H. Dudley, assistant in charge of prints at the Fogg Art Museum, will conduct a series of conferences on the exhibition, open to both students and the public.
   • The first conference was scheduled for Thursday afternoon, November 11, at 3:30 p.m.

5. Newspaper Articles:

   • Several articles in different newspapers (including the Boston Evening Transcript and the Boston Post) highlight the importance and uniqueness of the exhibition.
   • The articles mention Bullard's enthusiasm and his extensive collection, which has been described as one of the finest of its kind in the world.

Overall, the clippings emphasize the historical significance of the exhibition, the contributions of Francis Bullard, and the educational opportunities provided by the Fogg Art Museum.

The image is a photograph of an old newspaper clipping presenting details about an art exhibition at the Fogg Art Museum. The clipping appears to be from multiple sections, arranged together and showing information about early Italian engravings. Various dates are hand-written at the top of different sections, including November 6, 1915, and November 5, 1915. Titles from different newspapers such as "Boston Transcript" and "Crimson" suggest that multiple articles have been collated.

Key details mentioned in the clipping include:

• An exhibition of early Italian engravings in memory of the late Francis Bullard at the Fogg Art Museum.
• The exhibition's opening on Monday, November 8, with prints from the late Francis Bullard's collection, covering a period of art development largely from fifteenth and early sixteenth centuries.
• The exhibition was arranged by Paul J. Sachs, Assistant Director of the Fogg Art Museum, and Mrs. Laura H. Dudley, Assistant in the Department of Prints at Fogg Museum.
• Mention of a catalogue of the engravings in the exhibition and public conferences on the subject.
• The exhibition's significance and the quality of prints showcased.

The articles and information reflect the significance of this event in the art world, particularly regarding early Italian engravings.

This image shows a collage of newspaper clippings that focus on art exhibitions, specifically related to early Italian engravings and prints. The newspaper clippings are of various sizes and appear to be pasted onto a larger, underlying paper.

At the top left corner, the first clipping is from the "Fogg Art Museum" and describes an "Important Loan Exhibition" of early Italian engravings in memory of the late Francis Bullard. It mentions an exhibition opening at the Fogg Art Museum on a specific date.

The large article on the right, headlined "EARLY ITALIAN ENGRAVINGS AT FOGG ART MUSEUM," details information about the exhibition's opening and highlights that it features many prints from the collection of the late Francis Bullard.

Below the main headline on the left side, other clippings discuss related topics like "Early Italian Prints on View" and provide some context and details on the exhibitions, such as the dates, features, and the involvement of individuals like Miss Laura M. Dudley, who appears to assist in the charge of Prints at the Fogg Museum.

The date "Nov. 9, 1915" is written on top of the clipping on the left, indicating when these articles may have been published or the event dates listed in the articles.

Each clipping contains text that would provide more specific details and context, but due to the size and resolution of the image provided, not all of the text is legible for further analysis or description.

The image shows a historical document, likely a newspaper clipping or a printed announcement, dated November 6, 1915, from the Boston Evening Transcript. The document is titled "Fog Art Museum" and announces an Important Loan Exhibition of Early Italian Engravings at the Fogg Art Museum.

Key Details from the Document:

Title and Header:

• Headline: "EARLY ITALIAN ENGRAVINGS AT FOGG ART MUSEUM"
• Subtitle: "Exhibition Opening Monday Covers Period of Development of Art—Many Prints From Collection of Late Francis Bullard"

Main Content:

1. Exhibition Overview:

   • The exhibition is a special loan exhibition of early Italian engravings in memory of Frances Bullard, a member of the Class of 1886 at the Fogg Art Museum.
   • The exhibition will open on Monday, November 8, 1915, and will continue through November 11.
   • It will be the most important group of early Italian engravings ever shown in this country, brought together from Boston, New York, London, and Cambridge.

2. Exhibition Highlights:

   • The exhibition includes prints from the late 15th to the early 16th century, many of which are anonymous engravings.
   • A catalogue will be prepared, describing and reproducing each print, making it a reference book of real value.
   • The exhibition is open to the public, with special access for students of the University on Thursday afternoon, November 11, at 3:30 p.m.

3. Exhibition Details:

   • The exhibition is arranged by Paul J. Sachs, Assistant Director of the Fogg Art Museum, and FitzRoy Carrington, curator of prints at the Museum of Fine Arts.
   • The prints are loaned from the Harvard Class of 1886, with many coming from the collection of the late Frances Bullard.
   • The exhibition covers the development of Italian engraving from the late 15th century to the early 16th century, including works by notable artists such as Durer, woodcuts, and impressions of extraordinary beauty.

4. Additional Information:

   • The exhibition includes rare and significant engravings from the Harvard collection of 1886, which is considered one of the most important collections of early Italian prints ever gathered together in this country.
   • The document also mentions Miss Laura H. Dudley, Assistant in charge of Prints at the Fogg Museum, who will conduct a series of conferences on the exhibition of early Italian engravings.

5. Other Sections:

   • The document includes smaller sections or clippings from other articles, such as:
     • "Early Italian Prints on View" – A brief description of the exhibition.
     • "Print Show at Cambridge Nov. 7" – Likely a related article or announcement.
     • "Crimson – Nov. 9" – Possibly a reference to a university publication or event.

Visual Layout:

• The document is formatted in a newspaper-style layout, with multiple columns of text.
• The top of the document includes a header with the date (Nov. 6, 1915) and the source (Boston Evening Transcript).
• The main body of text is divided into sections with headings and subheadings for clarity.

Summary:

The image depicts a historical announcement for an exhibition of early Italian engravings at the Fogg Art Museum, highlighting the significance of the collection, the involvement of notable figures, and the public access details. The document serves as a promotional piece for the exhibition, emphasizing its rarity and importance.

The image is a vintage newspaper clipping featuring two articles about an exhibition of early Italian engravings at the Fogg Art Museum at Harvard University. The clipping is yellowed and has some wear, indicating its age. The articles are titled "Important Loan Exhibition" and "Early Italian Engravings at Fogg Art Museum." The exhibition is described as a special loan exhibition in memory of the late Francis Bullard, a notable collector of early Italian prints. The articles provide details about the exhibition's opening, the significance of the prints, and the efforts of the museum's staff in organizing the event. The clipping includes historical context, quotes from experts, and mentions of the collection's impact on the study of art history.