Archives Scrapbooks

The image appears to be a scanned document that includes several clippings of articles and notes about art, specifically related to the Harvard University Fogg Art Museum. Here's a summary of the content:

1. Top Left Clipping (May 8, 1915):

   • Notes about the acquisition of prints at the Brayton Ives sale by the Fogg Museum's Print Department Director, Mr. Paul J. Sachs.
   • Mentions a comment in art circles about the new curator of the Fogg Museum securing the prints.

2. Top Right Clipping (May 27, 1915):

   • Mentions a new Raeburn work for Harvard, which is a painting by Sir Henry Raeburn.
   • Describes the painting as a portrait of Mrs. Veitch, painted in 1807 or 1808.
   • Provides additional details about the painting's provenance and the museum's display of it as an anonymous loan.

3. Middle Section (May 24, 1915):

   • Discusses a work by Spinello Aretino, a famous Italian painter.
   • Details the acquisition of parts of a famous altarpiece by Spinello Aretino at auction in London.
   • Provides historical context and background information about the altarpiece, including its provenance and significance.

4. Bottom Section (June 12, 1915):

   • Notes about a letter from Walter T. Church, with references to the Yale Alumni Weekly and the New York Evening Post.
   • Mentions that parts of a Spinello Aretino altarpiece are in the Fogg Museum.
   • Provides additional details about the altarpiece, including its dimensions and historical significance.

The document appears to be a collection of notes and clippings related to art acquisitions and exhibitions at the Fogg Art Museum during 1915.

This image appears to be a scanned document containing various clippings and handwritten notes related to art news from 1915. The document is organized into several sections with different articles and notes.

1. Top Left Section:

   • A clipping from "Am. Art News, May 15, 1915," discussing the new curator of the Fogg Museum, Mr. Paul J. Sachs, and his acquisition of fine old prints.

2. Top Right Section:

   • A clipping titled "NEW RAEBURN FOR HARVARD," dated May 27, 1915, about a painting by Sir Henry Raeburn being shown at the Fogg Museum.

3. Middle Left Section:

   • A clipping titled "WORK BY SPINELLO ARETINO," dated May 24, 1915, discussing parts of a famous altarpiece acquired by the Fogg Art Museum of Harvard University.

4. Middle Right Section:

   • A clipping titled "RAEBURN PORTRAIT SHOWN AT FOGG ART MUSEUM," dated May 24, 1915, about a portrait by Sir Henry Raeburn on exhibition at the Fogg Museum.

5. Bottom Left Section:

   • A continuation of the "WORK BY SPINELLO ARETINO" article, providing more details about the altarpiece and its history.

6. Bottom Right Section:

   • Handwritten notes referencing "American Art News" and a letter from Walter L. Chick published in the Yale Alumni Weekly and the New York Evening Post.

The document is a collection of articles and notes related to art acquisitions and exhibitions at the Fogg Museum in 1915, focusing on works by artists such as Sir Henry Raeburn and Spinello Aretino. The document is placed in a clear plastic sleeve for preservation.

This image displays a single, aged, yellowed page, likely a clipping or compiled scrapbook page, meticulously annotated by hand in ink. The page is preserved under clear plastic, indicating its archival value.

The page is composed of several newspaper articles from 1915, primarily from the American Art News, with additional handwritten notes connecting them and providing provenance.

Here is a detailed breakdown of its contents:

Handwritten Notes (in ink):
These annotations are crucial for understanding the page's purpose. They serve as a researcher's or archivist's index.

• At the top left: "See American Art News. May 8, 1915 P.6" — This points to the source of the main article on the left.
• Below that, centered: "Transcript - May 24, 1915" — This heads the article on the lower left.
• At the top right: "Transcript - May 27, 1915" — This heads the articles on the right.
• Below the top right headline, a long note reads: "See American Art News. June 12, 1915 P.7 - 3d column. Letter from Walter F. Oechs. Original note printed in Yale Alumni Weekly May 28. Also in New York Evening Post about that time." — This provides cross-references and additional sourcing.
• Below that, another note reads: "See American Art News. June 12, 1915 P.8 - 3d column." — This references a further article.
• At the bottom left: "Harvard Alumni Bulletin June 2, 1915" — This cites another source related to the content.

Printed Articles:

1. Top Left Article (from American Art News, May 15, 1915):

   • Headline: None, but it begins with "From Am. Art News, May 15, 1915."
   • Content: It reports from Boston on the new Curator of the Fogg Museum, Dr. Paul J. Sachs, noting his recent acquisition of "the larger part of the fine old prints at the Brayton Ives sale" as a "splendid acquisition" for the Boston Museum’s Print Department.

2. Lower Left Article (from Transcript, May 24, 1915):

   • Headline: "WORK BY SPINELLO ARETINO"
   • Sub-headline: "Parts of a Famous Altarpiece Just Acquired by the Fogg Art Museum of Harvard University"
   • Content: This article details the Fogg Museum's acquisition of parts of a major altarpiece by Spinello Aretino, originally from the collection of Mr. Ramboux in Cologne and later in the collection of Thomas Walter Jacobsen of Worcester College, Oxford. It describes the panels' journey to the museum and provides a detailed account of the altarpiece's history, iconography, and dimensions, including descriptions of panels depicting "St. Benedict and the martyrdom of St. Lucilla." It also notes that the panels were discovered in 1840 at Monte Oliveto.

3. Top Right Articles (from Transcript, May 27, 1915):

   • First Headline: "NEW RAEBURN FOR HARVARD"
     • Sub-headline: "Work of Famous Scotch Painter Being Shown at Fogg Museum"
     • Content: Reports on a portrait by Sir Henry Raeburn (1756-1823), painted in 1807 or 1808, which has been lent to the Fogg Museum. The portrait is of Mrs. Veitch, who was the great-granddaughter of Anne Laurie and wife of Colonel Henry Veitch of Ettrick.
   • Second Headline (below the first): "RAEBURN PORTRAIT SHOWN AT FOGG ART MUSEUM"
     • Sub-headline: "Likeness of Great Grand-daughter of Annie Laurie."
     • Content: Reiterates and adds detail to the first article, confirming the portrait is of Mrs. Veitch and noting it was lent for a short time only. It mentions the portrait came from the collection of Mrs. A. Graham Stirling of Edinburgh, a descendant of Mrs. Veitch.

Overall Description:

This is a researcher's compiled document from 1915, assembled to track and catalog news coverage of acquisitions by the Fogg Art Museum at Harvard University. It specifically focuses on two major events: the acquisition of a significant altarpiece by Spinello Aretino and the loan of a portrait by Sir Henry Raeburn. The page functions as a primary source for art historical research, demonstrating the active collecting, exhibition, and public reporting on Old Master works at a major American university museum during the early 20th century. The handwritten annotations reveal the careful curation and contextualization of these newspaper reports, likely for an internal record, an article, or a historical archive.

The image shows a collection of old newspaper clippings and articles about art. The clippings are from various dates, including May 1915, May 1918, and June 1915. The clippings are about the acquisition of a famous altarpiece by the Fogg Art Museum, the work of famous Scottish painter Sir Henry Raeburn, and the portrait of Annie Laurie by Raeburn. The clippings are placed on a white background and are somewhat faded and yellowed, indicating their age.

The image shows a collection of old newspaper clippings, likely from the early 20th century, arranged on a glass display. The clippings are from various newspapers, including "American Art News," "Harvard Alumni Bulletin," and "New York Evening Post." They are organized in a grid-like pattern, with some clippings overlapping others. The headlines and articles discuss various topics related to art, such as exhibitions, acquisitions, and portraits. The clippings are in different sizes and fonts, reflecting the diversity of the newspapers they came from. The glass display provides a clear view of the clippings, allowing for easy reading and examination. The arrangement of the clippings suggests a curated collection, possibly for research or display purposes.

The image depicts a historical document that appears to be a newspaper clipping or a transcript from the American Art News, dated May 15, 1915. The document is preserved in a protective sleeve and includes handwritten annotations and markings. Here is a detailed description:

Content Overview:

The document contains two main articles or excerpts, each discussing notable art events and acquisitions. The layout includes typed text with some handwritten notes, signatures, and annotations.

Left Side:

• Header: The top left corner reads, "American Art News, May 15, 1915."
• Main Article: The article is titled "Work of a Famous Altarpiece Just Acquired by the Fogg Art Museum." It discusses the acquisition of a significant altarpiece by the Fogg Art Museum at Harvard University. Key points include:
  • The altarpiece is attributed to Spineo Aretino, a Renaissance artist.
  • It was part of the collection of Col. Thomas Walter Jackson of Worcester, Massachusetts.
  • The altarpiece originally belonged to the Monte Oliveto monastery in Siena, Italy.
  • The piece was sold at auction in London and acquired by the Fogg Museum for many years.
  • The altarpiece depicts scenes from the life of St. Benedict and is noted for its historical and artistic significance.
  • The document includes details about the altarpiece’s composition, materials (gold leaf, tempera, and wood), and its restoration history.

Right Side:

• Header: The top right corner reads, "Transcript May 27, 1915."
• Main Article: The article is titled "New Rae Burn for Harvard" and discusses an exhibition of works by Sir Henry Raeburn, a Scottish painter, at the Fogg Museum. Key points include:
  • The exhibition features a portrait of Mrs. Annie Laurie, wife of the celebrated artist Mrs. Paul J. Sachs.
  • The portrait is described as a fine example of Raeburn’s work, noted for its straightforwardness and mastery.
  • The article also mentions another piece, "Rae Burn Portrait Shown at Fogg Art Museum," which features a likeness of Annie Laurie, the great-granddaughter of the painter Sir Henry Raeburn.
  • The portrait is part of a private collection and is being exhibited anonymously.

Handwritten Annotations:

• Top Right: The date "May 27, 1915" is handwritten, indicating when the transcript was made.
• Bottom Right: Several handwritten notes and signatures are visible:
  • "See American Art News June 12, 1915" — likely referencing a related article or follow-up.
  • "P. 8 – 2d column" — indicating the page and column where the article appears in the original publication.
  • "Original letter printed in Yale Alumni Weekly May 28" — suggesting the document was also published elsewhere.
  • "Also in New York Evening Post about that time" — indicating the article was also covered in another publication.
  • Signatures and initials, such as "Walter I. Chick" and "Harvard Alumni Bulletin," suggest the document was part of a correspondence or archival collection.

Visual Characteristics:

• Condition: The document appears aged, with a slightly yellowed tone typical of early 20th-century paper.
• Layout: The text is neatly typed, with clear headings and subheadings. The handwritten notes are in black ink and are placed in the margins and at the bottom of the page.
• Preservation: The document is encased in a protective sleeve, likely for archival purposes, indicating its historical and cultural value.

Contextual Significance:

This document serves as a historical record of art acquisitions and exhibitions in 1915, highlighting the Fogg Art Museum’s role in acquiring significant artworks and showcasing important pieces. The handwritten annotations suggest it was part of a larger collection or correspondence, possibly used for research, archival purposes, or personal reference.

Overall, the image captures a snapshot of early 20th-century art journalism, emphasizing the importance of art institutions like the Fogg Museum in preserving and displaying cultural heritage.

The image presents a page from an old newspaper, featuring a prominent article about a painting by Spinello Aretino. The article is accompanied by a handwritten note in the bottom-right corner, which appears to be a list of dates and events related to the painting.

Key Features:

• Newspaper Page: The image shows a page from an old newspaper, with a yellowed and worn appearance.
• Article: The article is titled "WORK BY SPINELLO ARETINO" and discusses a painting by the artist.
• Handwritten Note: A handwritten note in the bottom-right corner lists dates and events related to the painting.
• Dates and Events: The note includes the following dates and events:
  • June 13, 1915
  • P.7 - 21 columns
  • Better from Walter & Cheech
  • Original letter printed in Yale Alumni Weekly May 28
  • Also in New York Evening Post about that time
  • Harvard Alumni Bulletin June 2, 1915

Summary:

The image presents a page from an old newspaper featuring an article about a painting by Spinello Aretino, accompanied by a handwritten note listing dates and events related to the painting. The note includes several dates and events, including the publication of the article in various newspapers and magazines.

The image depicts a page of newspaper clippings, featuring articles from the American Art News, dated May 8, 1915, and May 15, 1915. The clippings are arranged on a yellowed paper background, with handwritten notes in black ink scattered throughout.

Newspaper Clippings:

• American Art News (May 8, 1915): This clipping discusses the acquisition of a famous altarpiece by the Fogg Art Museum of Harvard University. The article highlights the significance of the acquisition, noting that it is one of the most important collections of Italian primitives in the world.
• American Art News (May 15, 1915): This clipping announces the appointment of Mr. Paul J. Sachs as the new Curator of the Fogg Museum. The article praises Sachs' expertise and experience, stating that he is "one of the best known and most important of the painters who carried on the tradition of Giotto in Florence and the other Tuscan cities during the fourteenth century."

Handwritten Notes:

• The handwritten notes appear to be a list of articles and their corresponding dates. The notes are written in black ink and are scattered throughout the page.
• The notes include references to various articles, including "New Raeburn for Harvard" and "Raeburn Portrait Shown at Fogg Art Museum."

Overall:

• The image provides a glimpse into the art world of the early 20th century, highlighting the importance of art museums and the acquisition of significant works of art.
• The handwritten notes suggest that the page may have been used as a reference or research tool, with the notes serving as a reminder of important articles and dates.

The image is a scanned document featuring newspaper clippings and handwritten notes on aged paper.

The document is divided into four sections, each containing a distinct newspaper clipping accompanied by handwritten notes. The clippings are from various publications, including "American Art News," and are dated between May 8, 1915, and June 12, 1915. The articles discuss art-related topics, such as the acquisition of new pieces by the Fogg Museum and the work of notable artists.

The handwritten notes appear to be a transcript or summary of the articles, with some additional comments and annotations. The handwriting is cursive and difficult to read in some places, but it appears to be a personal or professional record of the articles.

The background of the document is a light brown color, suggesting that it is an old or aged paper. The overall appearance of the document is one of a historical or archival record, possibly from a museum or art institution.

The document provides insight into the art world of the early 20th century, highlighting the interests and activities of art collectors, curators, and enthusiasts during this period.

The image presents a yellowed newspaper clipping, likely from 1915, featuring various articles and handwritten notes. The clipping is divided into sections, each with its own distinct content.

• Top-left corner:
  • A small white rectangle contains handwritten text that reads "From Am. Art News, May 15, 1915."
  • Below this, a larger section of text discusses the acquisition of a collection of fine old prints by the Fogg Museum.
• Middle-left section:
  • A headline reads "WORK BY SPINELLO ARETINO" in bold font.
  • The article describes a famous altarpiece acquired by the Fogg Art Museum of Harvard University at auction in London.
  • The altarpiece is attributed to Spinello Aretino and features several panels depicting scenes from the life of St. Benedict.
• Top-right corner:
  • A headline reads "NEW RAEBURN FOR HARVARD" in bold font.
  • The article announces the exhibition of a painting by Sir Henry Raeburn at the Fogg Museum.
  • The painting is a portrait of Mrs. Veitch, the wife of Colonel Henry Veitch of Elsch, and is considered an unusually fine example of Raeburn's art.
• Bottom-right corner:
  • A headline reads "RAEBURN PORTRAIT SHOWN AT FOGG ART MUSEUM" in bold font.
  • The article provides additional information about the Raeburn portrait, including its origin and provenance.
• Handwritten notes:
  • Throughout the clipping, there are several handwritten notes in black ink.
  • These notes appear to be annotations or references to the articles, but their exact meaning is unclear without further context.

In summary, the image presents a collection of newspaper articles and handwritten notes related to art acquisitions and exhibitions at the Fogg Museum in 1915. The articles discuss the acquisition of a Spinello Aretino altarpiece and the exhibition of a Sir Henry Raeburn portrait, while the handwritten notes provide additional context and references.