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ARCH.2003.21, Rendition: 789907
The image appears to be a page from a historical periodical, specifically dated April 24, 1915. It discusses the Fogg Art Museum and its acquisitions of early prints, including engravings and etchings. The text highlights the significance of these prints, their origins, and their artists. The style of the writing suggests it is a news article or report, providing details about the museum's collection and its importance in the field of art history. The page has a yellowed appearance, indicating that it is an older document. There are also some handwritten annotations on the page, which seem to be related to the content of the article.
The image is a vintage newspaper clipping from April 24, 1915, discussing the Fogg Art Museum's recent acquisitions of rare early prints. The clipping is titled "FOGG MUSEUM ACQUIRES RARE EARLY PRINTS" and mentions Italian, German, and one French print among the new acquisitions. Some of these prints were gifts from friends of the museum, while others were purchased at the sale of the Ives collection in New York.
The text details the prints, including their origins, artists, and historical significance. It mentions prints by various artists such as Mantegna, Mocetto, and Jean Gourmont. The prints represent different techniques and styles from the early fifteenth and sixteenth centuries, filling certain gaps in the museum's collection.
The clipping is from the Christian Science Monitor, dated April 28, 1915. It is pasted on a yellowed, aged piece of paper, indicating its historical nature. The text is well-preserved, with clear and legible print, providing detailed information about the museum's new acquisitions and their importance in the context of art history.
This image displays a historical newspaper clipping, preserved under a clear protective sleeve, likely for archival purposes. The clipping is from the Christian Science Monitor, dated April 28, 1915.
The main article, titled in large bold letters “FOGG MUSEUM ACQUIRES RARE EARLY PRINTS”, details a recent acquisition of twenty-five fine engravings by the Fogg Art Museum at Harvard University. The collection was acquired through a combination of gifts and purchases made at the sale of the late General Brayton Ives’s collection in New York.
The text provides an in-depth description of several significant prints:
The article is structured in two columns and written in a formal, descriptive tone common in early 20th-century art criticism. It emphasizes the rarity, artistic importance, and provenance of the prints, positioning the acquisition as a major enhancement to the museum’s collection. The paper itself is visibly aged, with a yellowed, brownish tone and slightly frayed edges, reinforcing its historical nature.
The clipping appears to have been clipped from the Gazette – April 24, 1915 as well, as noted faintly in handwritten script at the very top left, suggesting it may have been collected or filed for reference from multiple sources or editions.
The image appears to be a scanned page from a newspaper or magazine article dated April 28, 1915, discussing the Fogg Art Museum's recent acquisition of rare early prints. The article mentions that the museum has acquired twenty fine engravings for its print collection through gift and purchase from the collection of the late General Brayton Ives of New York. The prints are now on exhibition in the museum.
The article goes on to describe some of the notable prints acquired, including works by Italian, German, and French artists from the early 16th to 17th centuries. It provides details about the artists, their techniques, and the significance of the prints in the context of art history.
The article also mentions that the Fogg Art Museum, located at Harvard University, is open to the public and that the museum's print collection has grown to include 17 early Italian prints, 17 early German prints, and one early French print, among others.
Overall, the image depicts a historical article from 1915 that highlights the acquisition of rare early prints by the Fogg Art Museum and provides insights into the artists and techniques of the period.
The image is a photograph of a page from an old newspaper or magazine, dated April 24, 1915. The page is from the Fogg Art Museum's publication and is titled "Fogg Museum Acquires Rare Early Prints." The text is written in black ink on yellowish-brown paper, which appears to be aged and somewhat fragile.
The article discusses the acquisition of rare early prints by the Fogg Art Museum, highlighting the significance of these prints in the context of art history. The museum has acquired twenty fine engravings for its print collection, purchased from the estate of General Brayton Ives of New York. These prints are now on exhibition in the Print Room at the museum.
The article provides detailed descriptions of several prints, focusing on their artistic merit, historical significance, and the techniques used by the engravers. It mentions prints by artists such as Giovanni Antonio da Brescia, Zoan Andrea, and others, describing their works as examples of early Italian, German, and French engravings.
One notable print described is "The Judgment of Solomon" by Master F. V. B., which is praised for its artistic quality and historical importance. The article also discusses the techniques used by early engravers, such as the use of a graver and the creation of fine lines and shading to achieve depth and detail in the prints.
The text is organized into paragraphs, each detailing different aspects of the acquired prints and the engravers' techniques. The article is informative and provides insight into the museum's collection and the historical context of the prints.
The image depicts a scanned page from a newspaper or journal dated April 28, 1915, titled "Fogg Museum Acquires Rare Early Prints." The page appears to be from the Christian Science Monitor, as indicated by the header at the top. The article discusses recent acquisitions made by the Fogg Art Museum, part of Harvard University, including rare Italian, German, and one French print.
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The image shows a historical newspaper article from April 28, 1915, announcing the acquisition of rare early prints by the Fogg Art Museum. The article details the types of prints acquired (Italian, German, and French), their significance, and provides examples of notable artists and works. The page is well-preserved and presented in a protective sleeve, indicating its value as a historical document.
Aged newspaper clipping mounted in a clear protective sleeve. The page is yellowed and shows wear, with torn corners. It features two narrow columns of dense text and a bold headline that reads “FOGG MUSEUM ACQUIRES RARE EARLY PRINTS,” announcing acquisitions by the Fogg Art Museum (dated 1915). The left column contains the main article; the right column continues with more details. There is a small handwritten or printed note at the top margin. The clipping is set against a brown backing with a diagonal orange stripe pattern visible on the right side, giving it a scrapbook-like appearance.
This image depicts an aged, clipped newspaper article pasted on a backing, with visible text and a title reading "FOGG MUSEUM ACQUIRES RARE EARLY PRINTS." The article discusses the Fogg Art Museum's acquisition of rare prints, including Italian, German, and French works. Additional handwritten notations, such as "Christian Science Monitor" and "April 23, 1915," indicate the context and publication date. The paper has a yellowed appearance, suggesting its age, with uneven edges and some minor wear typical of archival documents.
This image shows a close-up photograph of a newspaper or newsletter page with the title "FOGG ART MUSEUM." The page appears dated and yellowed, indicative of age, and features an article with the headline "FOGG MUSEUM ACQUIRES RARE EARLY PRINTS." The publication date noted in the upper-left corner of the page is "Chapter 24, 1915," although it is difficult to ascertain if "Chapter" is correct—it would more typically be "October."
The article discusses the acquisition of rare early prints by the Fogg Art Museum, referencing Italian, German, and one French print. These acquisitions include gifts as well as purchases. The text continues to detail specifics about the pieces acquired, mentioning notable artists such as Antonio Maria del Fiore, Giovanni Battista Piranesi, and Marcantonio Raimondi, among others.
The condition of the page suggests that it is fragile and has historical significance. The page number "11" is visible at the top right corner, suggesting this is a single page from a larger publication. There are handwritten notes and underlinings on the page as well, indicating that someone has interacted with the content, likely for study or annotation purposes.
The image is of an old newspaper clipping from "Gazette," dated April 24, 1915, alongside another clipping from "Christian Science Monitor," dated April 23, 1915. The clippings announce and discuss the Fogg Art Museum's recent acquisition of rare early prints. The headline "FOGG MUSEUM ACQUIRES RARE EARLY PRINTS" is prominently displayed.
The articles detail the acquisition of twenty-five fine engravings for the museum's print collection, received through both donations and purchases. These prints, now exhibited in the museum's Print Room, include works by Italian, German, and French artists from various periods.
The clipping mentions specific pieces by Guido Reni, Alessandro Tiarini, Martin Schongauer, Albrecht Dürer, Raimondi, Christmann, and Jean Gourmont, highlighting the significance and artistry of these engravings.
The document, visibly aged, features handwritten dates and annotations across the top. The print text is somewhat faded, and the paper shows signs of discoloration.