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The image displays a newspaper clipping from "The Nation" dated March 18, 1915, specifically from Volume 100, Number 2594. The content primarily focuses on an Italian exhibition at the Fogg Art Museum. Here are the key details:

1. Conference on Italian Exhibition:

   • Professor G. H. Edgell will give a conference on the Italian exhibition at the Fogg Art Museum on March 5, 1915, at 4:30 p.m.
   • Mr. E. W. Forbes will give a conference on March 10, 1915, at 4:30 p.m.
   • The exhibition will be extended through Thursday.

2. Article on Italian Painting:

   • The article discusses the loan exhibition of Italian painting at the Fogg Museum.
   • It highlights the efforts of art instructors at Harvard in assembling a collection of Italian primitives.
   • The exhibition includes works by artists like Bernardino Daddi, Giotto, and others.
   • Notable pieces include "The Virgin and Child" by Daddi and "The Virgin and Child Enthroned" by Giotto.

3. New Additions at Art Museum:

   • Since the start of the year, many new pictures have been donated to the Fogg Art Museum.
   • Important additions include reproductions of Albrecht Dürer's works, a drawing by Veronese, an etching by Rembrandt, and a rare book attributed to Taboureau des Accords.
   • The museum has also acquired a series of etchings by S. L. Smith, D. Y. Cameron, and others.
   • Among the purchases is a fifteenth-century Italian engraving titled "Chastity," featuring two woodcuts of the Passion after Lucas Cranach.

4. Additional Notes:

   • The article mentions the significance of the exhibition in providing examples for private collections.
   • It discusses the artistic styles and techniques of the exhibited works, such as the use of tempera and the influence of Byzantine art.
   • The article also touches on the historical and cultural context of the paintings, including their religious themes and the artists' techniques.

The clipping provides a detailed account of the exhibition, the significance of the works, and the efforts involved in curating and presenting them.

The image shows an open book or newspaper with several articles and advertisements related to art and cultural events, dated March 1915. The articles are primarily from "The Nation" and other publications, discussing various topics such as the Italian Exhibition at the Fogg Art Museum, lectures, and reviews of artworks. Key points include:

1. Conference on Italian Exhibition:

   • Professor G. H. Edgell and Mr. E. W. Forbes are scheduled to give lectures on Italian paintings at the Fogg Art Museum. The exhibition, originally planned for one week, will be extended to two due to public interest.

2. The Nation - March 18, 1915:

   • A review of a musical performance by Bohuslav Martinu, featuring his compositions and those of Dvorak, Krejci, and others. The reviewer, Henry T. Finck, praises the variety and quality of the music.

3. The Loan Exhibition of Italian Painting at the Fogg Museum:

   • The article highlights the significance of the exhibition, which includes works by Italian primitives. The collection is praised for its educational value, providing an opportunity to study important works that are usually in private collections. The article mentions specific pieces, including a work by Bernardo Daddi, and the influence of the exhibition on the appreciation of Italian art.

4. New Additions at Art Museum:

   • The Fogg Art Museum has acquired several new pieces, including woodcuts by Albrecht Durer, an etching by Antoine Watteau, a rare book, and other works. The acquisitions are noted to enhance the museum's collection significantly.

5. Advertisements and Notices:

   • There are mentions of other cultural events, such as a lecture by Professor E. H. Forbush on "The Poetry of the English Dramatists" and a concert by the Harvard Musical Association.

The text includes handwritten notes and annotations, possibly indicating the reader's interest or important points. The overall context reflects a rich cultural and artistic environment, with significant attention to art exhibitions, lectures, and musical performances in early 20th-century Boston.

The image is a collage of several newspaper clippings from March 1915, detailing various events and exhibitions related to art at the Fogg Art Museum and other institutions.

Top Left Clipping:

Headline: Conference on Italian Exhibition
Date: March 15, 1915

• Professor G. H. Edgell will give a conference on the paintings at the Italian exhibition at the Fogg Art Museum, focusing specifically on the Central Italian pictures.
• This conference is scheduled for 3:30 p.m.
• Another conference in the gallery, Wednesday afternoon at 3:30 o'clock, will continue through Thursday.

Top Center Clipping:

Headline: The Nation, March 18 (Vol. 100, No. 2594)

• This section discusses the musical influence of neighboring Bohemia on Dvorak, suggesting that his music should not be exoticized.
• It also mentions the art exhibition at the Fogg Museum, praising the work of Jan Krízek for its originality and comparison to other artists.

Top Right Clipping:

Headline: Conference on Italian Exhibition
Date: March 17, 1915

• Mr. E. W. Forbes will give a conference on Italian paintings at the Fogg Art Museum at 3:30 p.m.
• This exhibition was initially planned to run longer but was decided to be open only through tomorrow.

Middle Left Clipping:

Headline: The Fogg Art Museum Exhibition
Source: Transcript, Friday, March 17, 1915

• Highlights the public interest in the Italian paintings on exhibit.
• Mentions several conferences by notable speakers such as Professor A. Kingsley Porter, Professor Paul J. Sachs, and others.
• The exhibition will continue through Saturday.

Middle Center Clipping:

Headline: The Loan Exhibition of Italian Painting at the Fogg Museum

• Discusses the educational impact of the Italian art exhibition at the Fogg Museum.
• Notes the historical development and the significance of the works on display, including pieces from the Jarves collection.
• Mentions the inclusion of works by artists such as Duccio and Simone Martini.

Bottom Left Clipping:

Headline: New Additions at Art Museum
Date: Wednesday, March 17, 1915

• Announces new donations to the Fogg Art Museum's permanent collection.
• Lists specific artworks and books, including Albrecht Dürer's engravings and a rare book entitled "Tableaux de l'Histoire Romaine."
• Details acquisitions such as a fifteenth-century Italian engraving, woodcuts, and other historical art pieces.

Bottom Right Clipping:

Headline: See American Art News
Date: March 13, 1915

• Briefly mentions the Fogg Art Museum's collection and exhibitions.
• Discusses the contributions of artists from Siena and Florence.
• Highlights the importance of studying specific artworks and their influence on later artists.

Additional Clipping:

Date: March 26, 1915

• Mentions the addition of works by Duccio to the Fogg Art Museum collection.
• Describes a panel by Duccio, its religious significance, and its stylistic importance.

Overall, these clippings provide a detailed account of the Italian art exhibitions at the Fogg Art Museum, the conferences related to the exhibitions, and new acquisitions to their collection.

The image consists of several newspaper clippings from March 1915, detailing various events and articles related to an Italian painting exhibition at the Fogg Art Museum at Harvard University.

1. Cameron (Mar. 15, 1915):

   • Conference on Italian Exhibition:
     • Professor G. H. Edgell will give a conference on Italian paintings at the Fogg Art Museum, with special reference to the Central Italian pictures, at 3:30 p.m. on Monday, March 15.
     • Mr. E. W. Forbes will give a conference at 3:30 p.m. on Wednesday, March 17, also focusing on Italian paintings.
     • The exhibition will continue through Thursday.

2. The Nation (Mar. 18, 1915):

   • Art:
     • Discusses the appeal of music from neighboring Bohemia, particularly Dvorak, and mentions his arrangements of short pieces by Italian composers such as Corelli, Tartini, and Vivaldi.
     • Praises the exhibition of Italian paintings at the Fogg Museum, highlighting the works of artists like Giotto, Botticelli, and others.
     • Describes the loan exhibition as a significant opportunity to study great works of Italian art.

3. Transcript (Vol. 17, Mar. 17, 1915):

   • Fogg Art Museum Exhibition:
     • Highlights the importance of the exhibition of Italian paintings for early Italian art enthusiasts.
     • Mentions two more conferences by Professor Edgell on March 16 and Mr. Forbes on March 17.
     • The exhibition is open until March 17.

4. Cameron (Mar. 17, 1915):

   • Conference on Italian Exhibition:
     • Mr. E. W. Forbes will give a conference at 3:30 p.m. on Wednesday, March 17, on the gallery of Italian paintings at the Fogg Art Museum.

5. The Nation (Mar. 18, 1915):

   • Loan Exhibition of Italian Painting:
     • Details the loan exhibition of Italian paintings at the Fogg Museum.
     • Discusses the contributions of instructors in art at Harvard and the efforts of Mr. Forbes.
     • Highlights the importance of the exhibition for studying the works of great Italian artists like Giotto, Botticelli, and others.
     • Notes the donation of works by Professor John Woodbury, including prints and engravings.

6. New Additions at Art Museum:

   • Lists recent donations to the Fogg Art Museum, including works by Albrecht Dürer, Anton Springer, and others.

7. San American Art News (Mar. 19, 1915):

   • Brief mention of the loan exhibition of Italian painting at the Fogg Museum, noting the significant contribution to the understanding of Italian art.

The articles collectively emphasize the importance of the Italian painting exhibition at the Fogg Art Museum, highlighting the contributions of scholars and the significance of the displayed works for art enthusiasts and students.

The image shows a collection of newspaper clippings and articles from 1915, focusing on the Italian exhibition at the Fogg Art Museum, Harvard University.

1. Crumson (March 15, 1915):

   • Conference on Italian Exhibition:
     • Professor G. H. Edgell will discuss the Italian paintings on March 16 at 3:30 PM, with a special focus on the Central Italian pictures.
     • Mr. E. W. Forbes will give a lecture on the same topic at 3:30 PM on March 17.
     • The exhibition will continue through Thursday.

2. Crumson (March 17, 1915):

   • Conference on Italian Exhibition:
     • Mr. E. W. Forbes will give a conference on the Italian paintings at the Fogg Art Museum on March 17 at 3:30 PM.
     • The exhibition will continue through the following morning.

3. Transcript (Boston, March 17, 1915):

   • Fogg Art Museum Exhibition:
     • The Fogg Art Museum is exhibiting early Italian paintings, with a focus on those from the 14th to the 16th centuries.
     • Two more conferences are scheduled on March 16 and March 17, with Professor G. H. Edgell and Mr. E. W. Forbes discussing the artworks.

4. Harvard Crimson (March 17, 1915):

   • New Additions at Art Museum:
     • The Fogg Art Museum has received several new paintings since the start of the year, including:
       • Reproductions of Albrecht Dürer’s woodcuts.
       • Works by Anton Springer, a series of engravings by Vernet, and a book entitled "Taboules de l'Histoire Romaine".
     • Notable donations include a series of etchings of historic buildings in Boston by S. L. Smith, D. Y. Cameron, and others.
     • Professor Coeidge has also donated several pieces, including a "Life of the Virgin" and a series of woodcuts.
     • A notable addition is a series of works by Bernardo Daddi, including "The Virgin and Child with Saints," and a "Book of Hours" by Lucas Cranach.

5. The Nation (March 19, 1915):

   • The Loan Exhibition of Italian Painting at the Fogg Museum:
     • The exhibition at the Fogg Museum, curated by Mr. E. W. Forbes, includes a collection of Italian paintings that rival the Jarves collection in New Haven.
     • The exhibit includes works by artists such as Fra Angelico, Gentile da Fabriano, and others.
     • The article highlights the significance of the exhibition, emphasizing the opportunity to study these works closely, which is not generally possible in private collections.

6. Boston American Art News (March 19, 1915):

   • Art:
     • Mentions the loan exhibition of Italian paintings at the Fogg Museum, emphasizing its importance and the quality of the works on display.

The clippings collectively highlight the significance of the Italian art exhibition at the Fogg Museum, the scholarly discussions surrounding it, and the notable additions to the museum’s collection.

The image is a collage of newspaper clippings and articles from March 1915, detailing various exhibitions and discussions on Italian art.

1. Cummings (Mar. 15, 1915):

   • Conference on Italian Exhibition: Professor G. H. Edgell will give a conference on Italian paintings at the Fogg Art Museum, focusing on the Central Italian pictures. The event is scheduled for 3:30 PM on that day, and Mr. E. W. Forbes will give a further discussion at 3:30 PM the next day, continuing through Thursday.

2. Cummings (Mar. 17, 1915):

   • Conference on Italian Exhibition: Mr. E. W. Forbes will present a talk on the Italian paintings in the Fogg Art Museum gallery at 3:30 PM. The exhibition is extended beyond its original schedule.

3. Transcript (Mar. 17, 1915):

   • Fogg Art Museum Exhibition: A note from the Fogg Art Museum highlighting the importance of early Italian paintings, with upcoming conferences by Professor G. H. Edgell and Mr. E. W. Forbes.

4. Cummings (Mar. 17, 1915):

   • New Wednesday Additions at Art Museum: Since the start of the year, several new pictures have been added to the permanent collection at the Fogg Art Museum. This includes:
     • Reproductions of Albrecht Dürer's woodcuts ("The Apocalypse," "Large and Small Passions," and "Life of the Virgin").
     • Donations by Anton Spring (reproductions of works by Raphael and Titian).
     • Etchings by Boileau and an etching by Jules de l’Histoire Romaine.
     • Woodcuts and engravings by John Woodbury, including a series of historical buildings.

5. The Nation (Mar. 18, 1915):

   • The Loan Exhibition of Italian Painting: Discusses the Fogg Museum's loan exhibition and highlights the contributions of various artists such as Corelli, Tartini, and others. It mentions the significance of the exhibition in terms of devotional art, particularly focusing on the work of Bernardo Daddi.

6. San American Art News (Mar. 19, 1915):

   • Loan Exhibition at the Fogg Museum: Emphasizes the efforts of instructors and the loan exhibition at Harvard's Fogg Art Museum. It notes the detailed study and appreciation of the Italian primitives, particularly the works by Daddi, which are seen as a significant aspect of religious art.

7. San American Art News (Mar. 20, 1915):

   • Additional notes and discussions on the Italian art loan exhibition, focusing on the exceptional quality and significance of the pieces displayed.

Overall, these articles cover the organization, extension, and detailed discussions surrounding the Italian art exhibition at the Fogg Art Museum during March 1915, highlighting both the historical and artistic significance of the pieces being showcased.

This image displays a collection of newspaper clippings variously dated February, March, and May 1915. These clippings are from publications such as "The Nation" and "American Art News," and they discuss multiple subjects primarily related to art exhibitions and reviews. The content covers Italian exhibitions, conference announcements, and prodigious art collections.

One of the articles, titled "The Loan Exhibition of Italian Painting at the Fogg Museum," comments on a notable collection of Italian paintings displayed at the Fogg Museum, claiming it rivals that of the New Haven area.

Another clipping from "The Nation," dated March 9, refers to musical performances, specifically mentioning Dvořák and his "humorous, strange" music. The writer shares an opinion on particular pieces and reflects on the significance of some musical terms.

An article at the bottom left details new additions at the Fogg Museum, including various European art pieces that date back to different centuries, with mentions of specific artworks like "The Prophet Daniel" and "The Annunciation."

The clippings show signs of aging with yellowing paper and faded printing. You can also see comments handwritten in pencil on the sides of some articles, possibly offering page numbers and additional references.

There are hints in each article about the cultural and artistic context of the early 20th century, reflecting the era's focus on art exhibitions and appreciation of both European and American art collections.

This image features a collage of historical newspaper clippings and articles from 1915, discussing various aspects of art exhibitions and museum activities. Several clippings report on the Italian art exhibitions at the Fogg Museum of Art, including comments on individual pieces and general trends observed during the exhibitions. The articles reference talks given by academics, including Professor G. H. Edgell and Mr. E. W. Forbes, focusing on specific art collections and periods.

A highlight in these articles is the mention of new additions to the Fogg Museum's collection since September, showcasing works by notable artists such as Albert Dürer and Titian. The name of the publication sources and their respective dates are specified, such as "Crimson," "The Nation," and the "American Art News."

Annotations on the image note two specific dates and publications: "The American Art News, Mar. 13, 1915" and "Mar. 20, 1915 P.G. – 3d column." The clippings themselves have aged considerably, with clear signs of wear such as browning and slight tearing.

Overall, the image represents an archival snapshot of discussions and reviews about art exhibitions and museum activities from March 1915, reflecting the historical perspective on art showcased at the time.

This image shows a collection of newspaper clippings and handwritten notes assembled on an old, faded brown paper or cardboard sheet. The articles and notes primarily discuss topics related to the Fogg Art Museum and Italian art exhibitions, dated mostly around March 1915.

• The clippings include announcements of conferences and exhibitions about Italian paintings at the Fogg Art Museum.
• There are mentions of specific professors and art historians, such as Professor G. H. Edgell and Mr. E.W. Forbes.
• Several articles highlight new additions to the museum’s collection, including pieces by artists such as Daddi and reproductions of works by Albrecht Durer.
• The central, largest newspaper clipping is titled "THE LOAN EXHIBITION OF ITALIAN PAINTING AT THE FOGG MUSEUM," describing the significance and details of the exhibit.
• Handwritten notes on the right side reference additional sources like "American Art News" with dates and page numbers.
• The collection has been carefully preserved and includes various fonts and types of print, with some words underlined or circled for emphasis.

Overall, the image gives a historical glimpse into how art exhibitions at the Fogg Museum were promoted and reviewed in early 20th century newspapers.

The image depicts a historical newspaper clipping from The Nation, dated March 18, 1915, Volume 100, Number 2594. The clipping is a typed transcript or facsimile of a newspaper page, featuring several sections of text related to art exhibitions and cultural events. Here is a detailed description:

Layout and Content:

1. Header Information:

   • The top of the page includes the newspaper's name, The Nation, along with the date (March 18, 1915) and volume/issue details (Vol. 100, No. 2594).
   • Handwritten annotations are visible at the top left corner, reading "Crimson - Mar. 15, 1915", indicating the source or date of transcription.

2. Main Articles:

   • The page contains multiple sections, each discussing different art-related topics:

     • Conference on Italian Exhibition:

       • A notice about a conference on Italian paintings at the Fogg Art Museum, scheduled for Wednesday, March 17, 1915, at 3:30 p.m.
       • It mentions a talk by Professor G. H. Edgell, who will discuss the paintings with special reference to the Central Italian pictures. The exhibition is noted to be extended through Thursday.

     • Conference on Italian Exhibition (Continued):

       • A follow-up notice about a second conference on the same topic, scheduled for Wednesday, March 17, 1915, at 3:30 p.m.
       • This session will be led by Mr. E. W. Forbes, who will discuss the gallery of paintings at the Fogg Museum in the Italian paintings section. The exhibition was originally planned to end on Thursday, March 18, but has been extended for one week due to popular demand.

     • Transcendent Public Exhibition:

       • A notice about the Fogg Art Museum's public exhibition of early Italian paintings, which will remain open until March 18, 1915.
       • The exhibition includes works from the Harvard University collection, with two more conferences scheduled on Monday, March 16, at 3:30 p.m., and Wednesday, March 17, at the same time.
       • The conferences will feature discussions by Professor G. H. Edgell and Mr. E. W. Forbes, with special reference to the Central Italian pictures and one by Edward Forbes.

     • New Additions at Art Museum:

       • A section detailing recent donations to the Fogg Art Museum, including:
         • Several reproductions of Albrecht Dürer's woodcuts, such as The Apocalypse, Large and Small Faces, and Life of the Virgin.
         • A copy of Amico di Sandro Botticelli's "Madonna and Child" by Albrecht Dürer.
         • A drawing by Vernee, entitled Tableau de l'Histoire Romaine.
         • A rare book, Tabulae de Mississippis Simmons.
         • A series of eleven etchings of historic buildings in Boston, by D. Y. Cameron.
         • Purchases for the Gray Collection, including:
           • The Triumph of Engraving (a fifteenth-century Italian engraving).
           • The Passion after Lucas Cranach.
           • The Book of Hours, printed on vellum, with relief engravings on metals.

     • Art Section:

       • A detailed article titled "The Loan Exhibition of Italian Painting at the Fogg Museum", discussing the efforts of instructors in art at Harvard to assist within the last decade in the development of the Fogg Museum's collection of Italian primitives.
       • The article highlights the Jarves collection, which, although not complete, is considered the work of the zealous and enlightened director, Mr. E. W. Forbes.
       • It also mentions the present loan exhibition, which is due to the make-up of such exhibitions being examples in private collections rather than otherwise generally accessible.
       • The article describes a specific case study involving Giotto's greatest pupils, Bernardo Daddi, who illustrated a different phase of his production. A large panel by Miss Isabella Forbes Greene, depicting the Cosa commune positions for small domestic shrines at Siena, is highlighted.
       • The article also discusses Lorenzo di Credi, Andrea del Castagno, Agnolo di Polo, and Andrea del Castagno, among others, and their contributions to the collection.

3. Handwritten Annotations:

   • On the right side of the page, there are handwritten notes, likely from someone reviewing or cataloging the clipping. These notes include:
     • "Sea American Art News Mar. 13, 1915"
     • "P3 - 1st column"
     • "also Mar. 20, 1915"
     • "P.6 - 2d column"
   • These annotations suggest the clipping was part of a larger collection or archive, possibly used for research or reference purposes.

Visual Characteristics:

• The page has a slightly aged appearance, with visible creases and some discoloration typical of historical documents.
• The text is typed, with clear, legible fonts, and the handwritten notes are in black ink, contrasting with the typed text.
• The page is labeled as "OVER" at the bottom right, indicating it is the first page of a two-page article or section.

Context:

• The content reflects early 20th-century interest in art exhibitions, particularly Italian art, and the efforts of institutions like the Fogg Art Museum to expand and showcase their collections. The detailed descriptions of artworks and artists provide insight into the cultural and academic priorities of the time.

In summary, this image is a historical newspaper clipping from The Nation dated March 18, 1915, detailing art exhibitions, conferences, and recent additions to the Fogg Art Museum's collection, along with handwritten annotations for archival or research purposes.