Archives Scrapbooks

The image displays a collection of newspaper clippings from 1914, all related to the Fogg Museum of Art at Harvard University. The clippings are mounted on a sheet of paper with handwritten annotations. Here is a detailed summary of each clipping:

1. Clipping from Dec. 2, 1914 - "The Fogg Art Museum of Harvard University"

   • This article discusses the Fogg Art Museum's recent acquisition of a painting by Velázquez, which is considered one of the best paintings in its category. The painting, a variation of "The Infanta Margarita," was previously in a private collection in England. It is now on display at the museum, alongside works by other masters such as Rembrandt and Reynolds.

2. Clipping from Dec. 11, 1914 - "At the Fogg Art Museum"

   • This article mentions that the Fogg Art Museum has acquired a painting attributed to Botticelli, representing the Madonna and Child. The painting is a tempera on panel and is currently on display. Additionally, two pencil drawings of the Cathedral of St. Martin in Ypres by Samuel Prout are on exhibit, which are notable for their detailed depiction of the cathedral before its destruction in 1914.

3. Clipping from Dec. 12, 1914 - "Italian Painting on Exhibition"

   • This article highlights a beautiful work by Botticelli, which has been placed on exhibition at the Fogg Museum. The painting, a Madonna and Child, is a significant addition to the museum's collection. The article also mentions that the museum has received several temporary loans, including works by Filippino Lippi and a painting by a Venetian master.

4. Clipping from Dec. 15, 1914 - "A Masterpiece at Fogg"

   • This article describes the Fogg Museum's exhibition of a Botticelli Madonna, which is a significant attraction for art enthusiasts. The museum is also displaying other important loans, and the article encourages the Harvard community to visit the exhibition.

5. Clipping from Dec. 17, 1914 - "Painting by Venetian Artist"

   • This article discusses a painting of the Madonna and Child by Cima da Conegliano, which is on display at the Fogg Museum. Professor E. H. Forbes will give a talk on the painting. The article also mentions the museum's recent acquisitions, including a picture of the early Italian school and a work by Filippo Lippi.

6. Clipping from Dec. 18, 1914 - "New Administrator for Museum"

   • This article announces the appointment of Mr. P. J. Sachs as the Assistant Director of the Fogg Museum. Sachs, a graduate of Harvard, has been associated with the museum for many years and is also a partner in the firm of Goldman, Sachs & Co. His administrative skills and interest in art make him a valuable addition to the museum's staff.

The handwritten annotations on the sheet, likely by a curator or researcher, include notes and possible references to the American Art News from December 19, 1914. The annotations suggest a focus on the historical and cultural significance of the exhibited artworks.

The image is a collage of newspaper clippings from December 1914, primarily focusing on the Fogg Art Museum at Harvard University. Here's a detailed summary of each section:

1. Top Left Clipping (Dec. 2, 1914):

   • The Fogg Art Museum of Harvard University is mentioned as having a significant painting by Velázquez, titled "The Cloth Tail," which is part of a private collection in England. This painting is described as a variation of "The Ospedale degli Innocenti" by the same artist.

2. Top Right Clipping (Dec. 15, 1914):

   • A masterpiece by Botticelli, "Madonna and Child," is temporarily loaned to the Fogg Art Museum by Mr. Arthur Hoe. The piece is noted for its artistic value and is expected to draw significant interest from visitors.

3. Middle Left Clipping (Dec. 11, 1914):

   • Two drawings by the English artist Samuel Prout are on display at the Fogg Art Museum. These drawings depict the ruins of the Cathedral of Ypres, which were destroyed in recent weeks by artillery fire.

4. Middle Right Clipping (Dec. 12, 1914):

   • The Fogg Art Museum is adding a beautiful work by Botticelli, the "Madonna and Child with St. John," which is a significant addition to their collection. The painting is described as a striking representation of Botticelli’s style.

5. Middle Center Clipping (Dec. 17, 1914):

   • A painting by the Venetian artist, Cima da Conegliano, titled "Madonna and Child," is also on exhibit at the Fogg Art Museum. A brief talk will be given by Professor Pope.

6. Bottom Left Clipping (Dec. 18, 1914):

   • The identification of the artist of a painting of the Virgin and Child is discussed. The painting is attributed to a master known as Dr. Siren, who has made an important discovery through the examination of the painting's details.

7. Bottom Right Clipping (Dec. 18, 1914):

   • Mr. P. J. Sachs is appointed as the new Assistant Director of the Fogg Art Museum. Sachs has a background in art and is noted for his expertise and contributions to art history.

8. Bottom Center Clipping (Dec. 19, 1914):

   • An excerpt from the American Art News, discussing the significance of the newly identified painting and the historical and artistic value of the Virgin and Child artwork. It also mentions Dr. Siren's insights and the implications of his findings.

The clippings collectively highlight the Fogg Art Museum’s efforts to attract significant art pieces, the importance of temporary loans, and the scholarly activities and discoveries related to art and historical pieces.

The image displays a series of newspaper clippings from the year 1914, detailing various exhibitions and acquisitions at the Fogg Art Museum of Harvard University. Here is a detailed summary of each clipping:

1. Top Left (Dec. 2, 1914):

   • The Fogg Art Museum of Harvard University has acquired a painting by Velasquez, titled "The Toilet of Venus." This work was lent by an anonymous owner and is a variation of a well-known painting of the same name by the Spanish artist Diego Velázquez. The painting was previously owned by Pope Gregory XIV and is now on display at the museum.

2. Middle Left (Dec. 11, 1914):

   • The Fogg Art Museum has added a painting attributed to Botticelli to its collection. This painting, titled "Madonna and Child with St. John," is a loan from Arthur H. Hoe. It represents the Madonna seated in an open-air setting with St. John the Baptist and the Christ Child. The painting is a significant addition to the museum's collection of Italian paintings.

3. Middle Center (Dec. 12, 1914):

   • A painting by the Venetian artist Cima da Conegliano, "Madonna and Child," has been placed on exhibition at the Fogg Art Museum. This painting will be on display through the end of December, with a lecture by Professor Pope scheduled for the 16th.

4. Middle Right (Dec. 15, 1914):

   • The Fogg Art Museum has put on display a Botticelli Madonna, a temporary loan from Arthur Hoe. The article mentions that this work is a significant addition to the museum's collection and encourages visitors to see the picture.

5. Bottom Left (Dec. 12, 1914):

   • The Fogg Art Museum has added two drawings by the English master Samuel Prout, representing the Hotel de Ville and Cathedral of Ypres, which were destroyed by artillery fire. These drawings are important for their historical significance.

6. Bottom Center (Dec. 17, 1914):

   • The Boston Transcript discusses the painting "Madonna and Child" by Cima da Conegliano, emphasizing its historical and artistic importance. The article includes details about the painting's provenance and the artist's work.

7. Bottom Right (Dec. 18, 1914):

   • The Boston Transcript reports on the identification of the painter of an early Italian picture of the Virgin and Child. The article mentions the painting is attributed to a lesser-known artist, Sir Hugh Honour, and discusses the intricacies of the painting's details. It also mentions the appointment of Mr. P. J. Sachs as the assistant director of the museum.

Each article highlights significant acquisitions and exhibitions at the Fogg Art Museum, reflecting the museum's efforts to expand and enrich its collection with historically and artistically valuable pieces.

The image is a compilation of newspaper clippings from December 1914, featuring articles about the Fogg Art Museum at Harvard University. Here's a detailed summary of each clipping:

1. Top Left (Boston Transcript, Dec. 2, 1914):

   • Title: "Fogg Art Museum of Harvard University Adds to Its Collection"
   • Content: The article mentions the acquisition of a painting by Velasquez, titled "The Cloth of Gold," which is described as one of the best paintings by the artist. This work is part of the private collection of the Duke of Westminster and is on loan to the Fogg Museum. The article also mentions a lecture by Laurence Binyon about the picture at the British Museum.

2. Top Right (Crimson, Dec. 15, 1914):

   • Title: "A Masterpiece at Fogg"
   • Content: The article discusses the temporary loan of Botticelli's "Madonna and Child" by Mr. Arthur Hoe. It emphasizes the significance of this piece for art enthusiasts and its relevance to the study of art history. The museum plans to keep this loaned piece on display for a while.

3. Middle Left (Boston Transcript, Dec. 11, 1914):

   • Title: "At the Fogg Art Museum"
   • Content: The article describes a Botticelli painting, "Madonna and Child with St. John," which is on loan from the collection of Mr. Arthur Hoe. The painting's historical and artistic significance is highlighted, including its connection to the Annunciation and its depiction of the Madonna and Child.

4. Middle Right (Crimson, Dec. 12, 1914):

   • Title: "Italian Painting on Exhibition"
   • Content: This article covers the addition of Botticelli's "Madonna and Child with St. John" to the Fogg Museum's collection. It explains that the painting was lent by Mr. Arthur Hoe and will be on display through the Christmas season. The piece is noted for its beauty and the richness of its effect in the gallery.

5. Bottom Left (Crimson, Dec. 12, 1914):

   • Title: "Drawings of Ypres"
   • Content: The article discusses two pencil drawings of Ypres by Samuel Prout, which have been placed on exhibition at the Fogg Museum. These drawings depict the ruins of the Cathedral of St. Martin, destroyed by artillery fire. The drawings are significant for their historical context and artistic value.

6. Bottom Right (Crimson, Dec. 17, 1914):

   • Title: "Painting by Venetian Artist"
   • Content: This article mentions the exhibition of a painting by Cima da Conegliano, titled "Madonna and Child," at the Fogg Art Museum. The painting is noted for its beauty and the quality of its drapery. Professor Pope is expected to give a talk about the piece.

7. Bottom Right (Crimson, Dec. 18, 1914):

   • Title: "New Administrator for Museum"
   • Content: The article announces the appointment of Mr. Paul Joseph Sachs as the Assistant Director of the Fogg Art Museum. Sachs has a strong background in art and has been associated with prominent firms in New York. The article also mentions his involvement in the Fine Arts Committee of the Fogg Art Museum and his previous roles at the Metropolitan Museum of Art.

8. Bottom Right (Boston Transcript, Dec. 18, 1914):

   • Title: "Fogg Museum Identifies the Painter of an Early Italian Picture of Virgin and Child"
   • Content: The article discusses the identification of a painting of the Virgin and Child in the Fogg Museum's collection. The painting was previously attributed to the Master of the Coronation, but Dr. Stix identified it as an early work by Pietro Perugino. The article details the characteristics that led to this identification, such as the style of the Virgin's mantle and the use of gold leaf.

Overall, these clippings highlight the Fogg Art Museum's acquisitions, exhibitions, and administrative updates during December 1914.

The image contains a series of newspaper clippings from the Boston Evening Transcript dated around mid-December 1914. Here's a detailed summary of the articles:

December 2, 1914

The Fogg Art Museum of Harvard University:

• An anonymous donor has lent one of the best paintings by Vyasaitez, part of a private collection in England, to the Fogg Art Museum.
• This painting is a version of a well-known work by the same master.
• Professor Pope shared insights about the painting, highlighting its elegance and the artistry of the period.

December 11, 1914

At the Fogg Art Museum:

• The museum has been lent several artworks by Arthur Hoe, including pieces by Claude and St. John.
• Two drawings by Samuel Prout, depicting scenes from York and Ville, are noted for their historical interest and depiction of the Cloister of St. Martin and the Church of St. Marti.

December 12, 1914

Italian Painting on Exhibition:

• A beautiful painting attributed to Botticelli has been added to the Fogg Museum collection.
• The painting, likely a Madonna and Child with St. John, resembles works by Filippino Lippi.
• Two drawings by Samuel Prout are on exhibition, depicting York and Ville, showcasing the famous Cloth Hall and other architectural details.

December 15, 1914

A Masterpiece at Fogg:

• The Fogg Art Museum has recently exhibited a Botticelli Madonna.
• The exhibition is a rare opportunity to view a masterpiece by a renowned artist, with the University aiming to maintain the interest of art enthusiasts.

December 17, 1914

Painting by Venetian Artist:

• A painting of the Madonna and Child by Venetian artist Cima da Conegliano is on display at the Fogg Museum.
• The exhibition runs through December 22.

December 16, 1914

Fogg Museum of Art:

• Eminent art critic Bernard Berenson identified a painting in the Fogg Museum as an early Italian picture of the Virgin and Child.
• The painting is attributed to an unknown artist of the school of Siena, with comparisons made to works by Duccio and Simone Martini.

December 18, 1914

New Administrator for Museum:

• Mr. P. J. Sachs has been appointed as Assistant Director of the Fogg Art Museum.
• He will oversee the administrative work and museum operations starting September 1, 1915.

Additional Note (December 12, 1914)

• There's a brief mention encouraging readers to see the American Art News.

The articles collectively highlight the Fogg Art Museum's new exhibitions, notable donations, and administrative changes, emphasizing the significance of the artworks and the museum's role in promoting art appreciation.

The image is a collection of newspaper clippings from December 1914, primarily related to the Fogg Art Museum at Harvard University. Here's a detailed summary of each clipping:

1. Top Left Clipping (Crimson - Dec 3, 1914)

   • The Fogg Art Museum exhibited a collection of watercolors by Laurence Binyon, loaned by an anonymous owner. The collection includes works from the Museum of Rome and the British Museum.

2. Second Clipping from the Left (Crimson - Dec 11, 1914)

   • A painting attributed to Botticelli has been loaned to the Fogg Art Museum by Arthur Hoe of Harvard University. The painting, depicting the Virgin and Child with St. John, is from the Church of St. Martino.

3. Third Clipping from the Left (Crimson - Dec 12, 1914)

   • The Fogg Art Museum has placed a Botticelli painting on exhibition, which is loaned by Mr. Arthur Hoe. The painting is described in detail, noting its similarity to Filippo Lippi's work.

4. Top Middle Clipping (Crimson - Dec 15, 1914)

   • The Fogg Art Museum has recently placed a Botticelli Madonna on exhibition. The painting is described as an important piece that art enthusiasts should see.

5. Bottom Middle Clipping (Crimson - Dec 17, 1914)

   • A painting by the Venetian artist Cima has been placed on exhibition at the Fogg Art Museum. Professor Forbes will give a talk on Cima the following afternoon.

6. Top Right Clipping (Boston Transcript - Dec 26, 1914)

   • Eminent critic identifies the painter of an early Italian portrait of Virgin and Child at the Fogg Museum. The article discusses the identification of the painting and its significance.

7. Bottom Right Clipping (The American Art News - Dec 19, 1914)

   • The article discusses a painting by the Venetian artist Cima at the Fogg Art Museum. It describes the painting's details and its artistic significance, comparing it to works by other masters.

8. Second Clipping from the Right (Crimson - Dec 18, 1914)

   • Mr. P. J. Sachs '00 has been appointed as the Assistant Director of the Fogg Art Museum. The article provides details about Mr. Sachs's background and his new role.

Overall, the clippings highlight various exhibitions, loaned artworks, and administrative changes at the Fogg Art Museum during December 1914.

This image shows a collection of newspaper clippings from various dates in December 1914, all related to the Fogg Art Museum at Harvard University. The clippings include articles and notices about exhibitions, new acquisitions, and appointments within the museum. Articles from different publications such as the "Crimson," "Boston Transcript," and "American Art News" are featured.

The content of these clippings covers several topics:

1. An exhibition of a Botticelli Madonna temporary loaned by Mr. Arthur Hoe.
2. Identification of an early Italian picture of Virgin and Child by an eminent critic.
3. Details about a Venetian painting by Dina da Conegliano, identified as Madonna and Child, and its similarities to Botticelli's work.
4. Appointment of Mr. Paul Joseph Sachs as Assistant Director of the Fogg Art Museum.
5. A reference to beautiful new drawings of Ypres by Samuel Prout.

Handwritten notes indicating dates, publications, and page numbers accompany the clippings. The articles emphasize acquisitions, critical reviews, and notable appointments within the museum, reflecting the vibrant activities and contributions to the art world during that period.

This image features a collage of newspaper clippings, all appearing to be from the same source given the consistent font and paper background. The articles are from a historical context, with dates in December 1914, suggesting they are discussing art and exhibitions from that time period.

There are various titles and snippets of articles visible in the collage. Here are some that can be read:

1. The first on the top left is titled "Fine Art" and references an exhibit at Harvard University Art Museum, mentioning Velasquez's work.

2. Right next to it on the top right is a clipping headed "Boston Transcript, Dec. 8, 1914," referencing the Fogg Museum of Art.

3. Below the left clipping is an article titled "A Masterpiece at Fogg," dated Tuesday, December 15, 1914, detailing a notable exhibition at the Fogg Art Museum.

4. Another article is headed "Crimson - Dec. 12, 1914" and appears to be about a Botticelli piece being added to the Fogg Museum exhibition.

5. In the center of the composition is a clipping with "Crimson - Dec. 17, 1914," discussing a painting by a Venetian artist.

6. On the bottom right corner, there is a part of an article with an update from the Fogg Museum of Art regarding eminent critics visiting and an early Italian picture of the Virgin and Child.

It appears that various pieces of these newspaper clippings have been overlapped and arranged in a way that suggests they are all art-related news from the time given. This collage itself could be considered a form of historical or art-based artwork, providing a window into the period's culture and the interest in art exhibitions. The handwriting in red across several of the clippings adds a personal or perhaps curatorial note, though what it specifies is not entirely clear from the image provided.

This image shows a scrapbook or collage page with multiple newspaper clippings and handwritten notes dated December 1914. The clippings primarily discuss art exhibitions and news related to the Fogg Art Museum.

Key points from the clippings and notes include:

• The Fogg Art Museum at Harvard University is exhibiting notable artworks, including a Botticelli Madonna and Child painting temporarily loaned by Mr. Arthur Hoe.
• Several articles highlight the significance and beauty of the Botticelli painting and its addition to the museum's collection.
• There are mentions of other artworks such as drawings of Ypres by Samuel Prout, recently exhibited.
• A new administrator for the museum, Mr. P.J. Sachs, is appointed as Assistant Director starting January 1, 1915.
• An article discusses identifying the painter of an early Italian picture of the Virgin and Child, attributing it tentatively to a Venetian master, possibly related to the "Master of the Innocenti Coronation."
• Professor Pope is noted to give a talk on Cima da Conegliano, a Venetian artist.
• Various handwritten dates and sources including "Crimson," "Boston Transcript," and "American Art News" are annotated beside the clippings.

The overall theme reflects early 20th-century art historical scholarship and museum activity focusing on Renaissance paintings and Italian masters, as well as museum administration updates. The clippings are carefully arranged and preserved on aged, brown paper.

The image shows a collection of handwritten notes or journal entries, likely from a museum or art critic, dated between December 8 and December 18, 1914. The entries are titled "Crimson" and are organized chronologically, with each entry dated and labeled accordingly. The content appears to be focused on art exhibitions, critiques, and museum activities, particularly at the Fogg Art Museum of Harvard University.

Key Observations:

1. Dates and Structure:

   • The entries are dated from December 8, 1914, to December 18, 1914.
   • Each entry is titled "Crimson," suggesting they may be part of a series or a specific project.

2. Content Themes:

   • Art Exhibitions: The entries discuss various art exhibitions, including:
     • An exhibition of paintings by Yoshida at the Fogg Art Museum.
     • A temporary loan of a Botticelli Madonna and Child painting from the Private Collection of Arthur Hoe.
     • Drawings by Samuel Prout and Ypres from the Grande Place in Ypres, Belgium, which were destroyed during World War I.
   • Art Criticism: Detailed critiques of artworks, such as the Botticelli Madonna and Child, are provided. The critic analyzes the painting's composition, style, and historical significance.
   • Museum Administration: There is mention of a new administrator, Paul Joseph Sachs, appointed to the Fogg Art Museum, indicating changes in museum leadership.

3. Handwriting and Layout:

   • The text is written in neat, cursive handwriting, suggesting careful documentation.
   • The entries are neatly organized, with clear headings and subheadings, such as "A MASTERPIECE AT FOGG," "ITALIAN PAINTING ON EXHIBITION," and "NEW ADMINISTRATOR FOR MUSEUM."
   • Some entries include annotations or corrections, such as the handwritten note at the bottom of the image: "See American Art News. Dec 18, 1914 – P3-2dcolumn 19 v – P1-3d."

4. Contextual Clues:

   • The references to World War I (e.g., the destruction of drawings from Ypres) and the Fogg Art Museum suggest these entries were made during a period of significant historical and cultural change.
   • The detailed critiques and descriptions indicate a deep engagement with art and museum practices of the time.

5. Visual Elements:

   • The image appears to be a scanned or photographed page from a notebook or journal.
   • The paper has a slightly aged, sepia-toned appearance, consistent with early 20th-century documents.

Summary:

The image depicts a series of handwritten art criticism and museum-related notes from December 1914. The entries focus on exhibitions, critiques of specific artworks (such as Botticelli's Madonna and Child), and administrative changes at the Fogg Art Museum. The content reflects the cultural and historical context of the time, including the impact of World War I on art and architecture. The neat organization and detailed commentary suggest the writer was an art critic or museum professional documenting significant events and exhibitions.