Archives Scrapbooks

The image appears to be a scanned page from a newspaper, specifically the "Christian Science Monitor" dated February 4, 1914. The page is titled "WHERE MORGAN ART IS SHOWN" and includes a photograph of the interior of the Fogg Museum, which is described as having new skylights as a result of remodeling. The text below the photograph discusses the special exhibit of Persian miniatures and European illuminated manuscripts from the J. Pierpont Morgan collection at the Fogg Art Museum. The exhibit is noted to have been opened after a thorough renovation, and the skylights were installed to improve the lighting in the gallery and offices on the second floor. The text also mentions that the museum had been closed for repairs since the day after Commencement in 1913 and had reopened on Wednesday, February 4, 1914.

The image is a clipping from the Christian Science Monitor dated February 4, 1914, with additional text from the American Art News dated February 7, 1914. The main headline reads "WHERE MORGAN ART IS SHOWN," and it features a photograph of the interior of the Fogg Museum, showcasing the new skylighting as a result of remodeling.

The photograph shows a spacious gallery with large skylights in the roof, allowing ample natural light to illuminate the space. The walls are adorned with various framed artworks, and the gallery appears to be organized with a central display area and multiple entryways.

The accompanying article discusses the reopening of the Fogg Art Museum at Harvard University after a thorough renovation. It highlights the loan exhibition of Persian and European illuminated manuscripts from the collections of J. Pierpont Morgan and W. A. White, as well as the collection of primitive Italian pictures. The article also mentions the Guild of Boston Artists and their involvement in the exhibition.

The text emphasizes the improvements made in the lighting of the main galleries, particularly the abundance of light from the newly enlarged skylights. It describes the exhibition as one of the most remarkable aggregate assemblages of Persian and Indian illuminations ever seen in America, with pieces from the Morgan collection being considered unique and priceless examples.

This is a historical newspaper clipping, preserved and mounted, likely from a scrapbook or archive, dated February 4, 1914. The paper is aged, with a distinct yellowish-brown tone and slightly frayed edges, indicating its age.

The clipping is from the Christian Science Monitor, as noted in handwritten script at the top left corner, alongside the date.

The main headline, in large, bold, capitalized letters, reads:

WHERE MORGAN ART IS SHOWN

Below the headline is a large, black-and-white photograph depicting the interior of a museum gallery. The caption beneath the photo reads:

Fogg Museum interior in which new skylighting is result of remodeling

The photograph shows a long, spacious gallery with high ceilings, white walls, and numerous framed artworks hanging. A key feature highlighted is the large, vertically oriented skylights that have been installed as part of a renovation to improve lighting. The floor appears to have a patterned design, and there are stanchions or barriers visible, suggesting the space is organized for public viewing.

The page is divided into several articles with different sources and dates, all centered around the reopening and new exhibitions at the Fogg Art Museum at Harvard University:

1. Main Article (Left Column): Details the museum’s reopening after renovations and the special exhibit of Persian and European illuminated manuscripts. It notes that the gallery, previously too dark with brown woodwork, has been whitewashed and fitted with new skylights. It mentions the loan collection of J. Pierpont Morgan (including manuscripts from W. A. White) and art from China and Japan. The loan exhibition is scheduled to run until February 17th. The article also lists several members of the newly formed “Guild of Boston Artists.”

2. Article on the Right, titled “Fogg Museum Reopened.”: This piece elaborates on the museum's reopening, highlighting the improved lighting and the “remarkable aggregate assemblage of Persian and Indian illuminations.” It emphasizes the uniqueness and value of the Morgan manuscripts, describing them as “priceless” and “not to be duplicated or rivaled.” It mentions the involvement of key figures like Mr. Kelekian of Paris and Mr. Forbes, director of the museum.

3. Article on the Bottom Left, titled “American Art News Feb. 7, 1914” and subtitled “Boston Artists’ New Guild.”: This section focuses on the formation of the “Guild of Boston Artists” and reiterates details about the museum’s reopening and the loan exhibits.

4. Article on the Bottom Middle (from Christian Science Monitor, Feb. 7, 1914): This article provides a summary of the museum's reopening, the renovation, and the loan exhibitions of manuscripts and Chinese/Japanese art.

The overall theme of the clipping is the celebration of the Fogg Art Museum's reopening, particularly highlighting the major loan exhibition of J. Pierpont Morgan’s collection and the significant architectural improvements made to the space to better display the artworks. It serves as a primary source document capturing a moment in art history and museum development.

The image is a scanned copy of a newspaper article. It has a vintage look with a yellowish tint and aged paper texture. The article is titled "WHERE MORGAN ART IS SHOWN" and has a date of February 4, 1914. The article is about the Fogg Art Museum at Harvard University, which has recently undergone renovations to improve the lighting in the museum. The renovations included installing skylights in the gallery, which has allowed for the display of a special collection of Persian and European illuminated manuscripts. The article also mentions the museum's reopening and the loan exhibition of Persian and European illuminated manuscripts.

The image is a photograph of a newspaper clipping with text and an accompanying photograph. The clipping is from "Christian Science Monitor" dated February 6, 1914. The headline reads "WHERE MORGAN ART IS SHOWN," and it features an image of the interior of the Fogg Museum, which is undergoing renovations.

The photograph shows a room with high ceilings and skylights. The walls are lined with picture frames, indicating that it is an art gallery. The skylights have been modified to allow more natural light into the space, a significant improvement mentioned in the text. The room appears to be well-lit and spacious, suggesting a modern and inviting atmosphere for viewing art.

The text provides additional context about the Fogg Museum. It mentions that the museum has been closed for repairs since the day after Commencement, 1913, and will reopen to the public on Wednesday, February 11, 1914. The article highlights the improvements made during the renovations, particularly the skylights that have been altered to provide better lighting for the artwork.

Additionally, the text describes the collections on display, including European illuminations, Persian and European miniatures, and a special loan exhibition of Persian and European miniatures. Notable artists and collectors mentioned include J. Pierpont Morgan, W. A. White, Mrs. H. E. Wetzel, Mrs. J. Pierpont Morgan, Class of '63, Mr. '89, Mr. W. White, Class of '11, and others. The article emphasizes the importance of these collections and the enhancements made to the museum to better showcase them.

Overall, the clipping provides a snapshot of the Fogg Museum's renovations and the reopening of its art collections to the public, highlighting the improvements in lighting and the significance of the displayed artworks.

The image is a scanned page from the Christian Science Monitor dated February 4, 1914. The page is titled "WHERE MORGAN ART IS SHOWN" and features an article discussing the reopening of the Fogg Art Museum at Harvard University. The article highlights the museum's renovation, particularly focusing on improvements made to the lighting system.

Key Elements in the Image:

Header and Title:

• The top of the page displays the newspaper's name, "Christian Science Monitor," along with the date, "Feb. 4, 1914."
• The main headline, "WHERE MORGAN ART IS SHOWN," indicates the focus of the article.

Photograph:

• A black-and-white photograph is prominently placed at the top of the page. It shows the interior of the Fogg Art Museum, specifically highlighting the newly installed skylights in the main gallery. The image depicts a spacious room with wooden paneling, framed artworks on the walls, and a large skylight allowing natural light to illuminate the space. The architectural details, such as the wooden beams and the arrangement of the artworks, suggest a well-organized and aesthetically pleasing gallery space.

Article Content:

• The article discusses the reopening of the Fogg Art Museum after renovations. It emphasizes the improvements made to the lighting, particularly the installation of skylights in the main gallery, which were deemed necessary due to insufficient natural light in the previous setup.
• The article mentions that the museum had been closed for repairs since the previous autumn and was reopened on Tuesday, February 17, 1914. A special loan exhibition of Persian and European illuminated manuscripts, lent by J. Pierpont Morgan, was part of the reopening festivities.
• The article also notes that the museum's offices have been relocated to one of the rooms, and the quarters have been enlarged.

Additional Text Boxes:

• Left Box: Titled "American Art News Week," this section provides updates on Boston artists and the formation of the "Guild of Boston Artists." It mentions notable artists such as Frank Benson, Bela Pratt, Edmund Tarbell, and others, as well as upcoming exhibitions and events.
• Right Box: Titled "Fogg Museum Reopened," this box elaborates on the reopening of the Fogg Art Museum and the special exhibition of Persian and European illuminated manuscripts. It highlights the significance of the loan collection, noting that it includes rare and valuable items, such as the famous "Illuminator of the Precious Art of the East," which is described as one of the most remarkable aggregates of Persian and Indian illuminated manuscripts ever assembled.

Visual Layout:

• The page is formatted with a clear hierarchy of information. The headline and photograph draw immediate attention, while the article text provides detailed context. The smaller text boxes offer supplementary information, keeping the layout organized and easy to follow.

Summary:

The image is a historical newspaper clipping from 1914 that documents the reopening of the Fogg Art Museum at Harvard University. It emphasizes the museum's renovation, particularly the installation of skylights to improve lighting, and highlights a special exhibition of Persian and European illuminated manuscripts lent by J. Pierpont Morgan. The accompanying photograph showcases the museum's interior, illustrating the newly improved lighting and architectural features. Additional text boxes provide context on Boston's art scene and further details about the museum's reopening.

The image is a newspaper clipping from the Christian Science Monitor, dated December 4, 1914. The headline reads "WHERE MORGAN ART IS SHOWN" in large black text at the top of the page.

• The clipping features a photograph of an art gallery with a caption that reads "Fogg Museum interior in which new skylighting is result of remodeling."
• The article discusses the renovation of the Fogg Art Museum's interior, which included the installation of new skylights and the rearrangement of the gallery's layout.
• The article also mentions the opening of the loan exhibition of Persian and European illuminated manuscripts, which was made possible by the opening of the loan exhibition of Persian and European illuminated manuscripts.
• The article includes a list of the artists whose work is featured in the exhibition, including William Churchill, Ignace Gaugengigl, Bela Pratt, Leila Cabot Perry, Edmund Tarbell, Charles Warren Eaton, and others.
• The article concludes with a statement from Dr. Denman Ross, who notes that the exhibition is a unique and priceless example of the kind of exhibitions that can be held on this side of the Atlantic.

Overall, the image provides a glimpse into the art world of 1914, highlighting the importance of the Fogg Art Museum and the significance of the loan exhibition of Persian and European illuminated manuscripts.

The image presents a newspaper clipping from the Christian Science Monitor, dated February 4, 1914. The headline reads "WHERE MORGAN ART IS SHOWN," accompanied by a photograph of the Fogg Museum's interior, showcasing its new skylighting and remodeling.

Key Features:

• Photograph: A black-and-white image of the Fogg Museum's interior, highlighting the new skylighting and remodeling.
• Headline: "WHERE MORGAN ART IS SHOWN" in bold font.
• Newspaper Clipping: From the Christian Science Monitor, dated February 4, 1914.
• Additional Articles: Two smaller articles are included, one titled "Boston Artists' New Guild" and the other titled "Fogg Museum Reopened."
• Background: A light gray background with a darker gray border around the clipping.

Overall Impression:

The image provides a glimpse into the past, showcasing the Fogg Museum's renovation and expansion in 1914. The inclusion of additional articles adds context to the museum's reopening and its significance in the art world.

The image is a yellowed newspaper clipping, dated February 4, 1914, featuring an article about the Fogg Museum at Harvard University.

• The clipping is titled "WHERE MORGAN ART IS SHOWN" and includes a black-and-white photograph of the museum's interior.
  • The photograph shows a large room with a high ceiling, featuring several paintings on the walls and a skylight.
• The article discusses the recent renovation of the museum, which included the installation of new skylights to improve the lighting.
  • The renovation was done to accommodate a special exhibit from the late J. Pierpont Morgan's collection.
  • The exhibit features Persian miniatures and European illuminated manuscripts.
• The article also mentions that the museum will be open daily through February 17.
• There are two additional newspaper clippings attached to the main article, one from the "American Art News" dated February 7, 1914, and another from an unknown source.
  • The "American Art News" clipping discusses the formation of a new art organization called the "Guild of Boston Artists."
  • The other clipping appears to be a continuation of the main article, discussing the Fogg Museum's reopening and the exhibition of Morgan's collection.

Overall, the image provides a glimpse into the history of the Fogg Museum and its significance in the art world during the early 20th century.

The image presents a vintage newspaper clipping, encased in a clear plastic sleeve and set against a light gray background. The clipping is yellowed with age and features a prominent headline that reads "WHERE MORGAN ART IS SHOWN" in large black text.

Newspaper Clipping Details:

• Headline: "WHERE MORGAN ART IS SHOWN"
• Image: A black-and-white photograph of an art gallery interior, showcasing a room with a high ceiling, skylights, and several paintings on display.
• Text: The article discusses the reopening of the Fogg Museum at Harvard University, highlighting its new skylighting and remodeling. It also mentions a special exhibit featuring Persian and European illuminated manuscripts from the collection of J. Pierpont Morgan.
• Date: February 4, 1914 (handwritten at the top)
• Additional Text: Two smaller articles are included, one discussing the formation of a new art organization called the "Guild of Boston Artists" and another titled "Fogg Museum Reopened," which provides more information about the museum's reopening and exhibits.

Overall Impression:

The image appears to be a historical document, likely from the Christian Science Monitor, showcasing the reopening of the Fogg Museum at Harvard University in 1914. The clipping provides valuable information about the museum's renovations, exhibits, and collections, making it a significant artifact for art historians and researchers.