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ARCH.2003.21, Rendition: 789890
The image appears to be a scanned page from a newspaper, specifically the "Christian Science Monitor" dated February 4, 1914. The page is titled "WHERE MORGAN ART IS SHOWN" and includes a photograph of the interior of the Fogg Museum, which is described as having new skylights as a result of remodeling. The text below the photograph discusses the special exhibit of Persian miniatures and European illuminated manuscripts from the J. Pierpont Morgan collection at the Fogg Art Museum. The exhibit is noted to have been opened after a thorough renovation, and the skylights were installed to improve the lighting in the gallery and offices on the second floor. The text also mentions that the museum had been closed for repairs since the day after Commencement in 1913 and had reopened on Wednesday, February 4, 1914.
The image is a clipping from the Christian Science Monitor dated February 4, 1914, with additional text from the American Art News dated February 7, 1914. The main headline reads "WHERE MORGAN ART IS SHOWN," and it features a photograph of the interior of the Fogg Museum, showcasing the new skylighting as a result of remodeling.
The photograph shows a spacious gallery with large skylights in the roof, allowing ample natural light to illuminate the space. The walls are adorned with various framed artworks, and the gallery appears to be organized with a central display area and multiple entryways.
The accompanying article discusses the reopening of the Fogg Art Museum at Harvard University after a thorough renovation. It highlights the loan exhibition of Persian and European illuminated manuscripts from the collections of J. Pierpont Morgan and W. A. White, as well as the collection of primitive Italian pictures. The article also mentions the Guild of Boston Artists and their involvement in the exhibition.
The text emphasizes the improvements made in the lighting of the main galleries, particularly the abundance of light from the newly enlarged skylights. It describes the exhibition as one of the most remarkable aggregate assemblages of Persian and Indian illuminations ever seen in America, with pieces from the Morgan collection being considered unique and priceless examples.
This is a historical newspaper clipping, preserved and mounted, likely from a scrapbook or archive, dated February 4, 1914. The paper is aged, with a distinct yellowish-brown tone and slightly frayed edges, indicating its age.
The clipping is from the Christian Science Monitor, as noted in handwritten script at the top left corner, alongside the date.
The main headline, in large, bold, capitalized letters, reads:
WHERE MORGAN ART IS SHOWN
Below the headline is a large, black-and-white photograph depicting the interior of a museum gallery. The caption beneath the photo reads:
Fogg Museum interior in which new skylighting is result of remodeling
The photograph shows a long, spacious gallery with high ceilings, white walls, and numerous framed artworks hanging. A key feature highlighted is the large, vertically oriented skylights that have been installed as part of a renovation to improve lighting. The floor appears to have a patterned design, and there are stanchions or barriers visible, suggesting the space is organized for public viewing.
The page is divided into several articles with different sources and dates, all centered around the reopening and new exhibitions at the Fogg Art Museum at Harvard University:
Main Article (Left Column): Details the museum’s reopening after renovations and the special exhibit of Persian and European illuminated manuscripts. It notes that the gallery, previously too dark with brown woodwork, has been whitewashed and fitted with new skylights. It mentions the loan collection of J. Pierpont Morgan (including manuscripts from W. A. White) and art from China and Japan. The loan exhibition is scheduled to run until February 17th. The article also lists several members of the newly formed “Guild of Boston Artists.”
Article on the Right, titled “Fogg Museum Reopened.”: This piece elaborates on the museum's reopening, highlighting the improved lighting and the “remarkable aggregate assemblage of Persian and Indian illuminations.” It emphasizes the uniqueness and value of the Morgan manuscripts, describing them as “priceless” and “not to be duplicated or rivaled.” It mentions the involvement of key figures like Mr. Kelekian of Paris and Mr. Forbes, director of the museum.
Article on the Bottom Left, titled “American Art News Feb. 7, 1914” and subtitled “Boston Artists’ New Guild.”: This section focuses on the formation of the “Guild of Boston Artists” and reiterates details about the museum’s reopening and the loan exhibits.
Article on the Bottom Middle (from Christian Science Monitor, Feb. 7, 1914): This article provides a summary of the museum's reopening, the renovation, and the loan exhibitions of manuscripts and Chinese/Japanese art.
The overall theme of the clipping is the celebration of the Fogg Art Museum's reopening, particularly highlighting the major loan exhibition of J. Pierpont Morgan’s collection and the significant architectural improvements made to the space to better display the artworks. It serves as a primary source document capturing a moment in art history and museum development.
The image is a scanned copy of a newspaper article. It has a vintage look with a yellowish tint and aged paper texture. The article is titled "WHERE MORGAN ART IS SHOWN" and has a date of February 4, 1914. The article is about the Fogg Art Museum at Harvard University, which has recently undergone renovations to improve the lighting in the museum. The renovations included installing skylights in the gallery, which has allowed for the display of a special collection of Persian and European illuminated manuscripts. The article also mentions the museum's reopening and the loan exhibition of Persian and European illuminated manuscripts.
The image is a photograph of a newspaper clipping with text and an accompanying photograph. The clipping is from "Christian Science Monitor" dated February 6, 1914. The headline reads "WHERE MORGAN ART IS SHOWN," and it features an image of the interior of the Fogg Museum, which is undergoing renovations.
The photograph shows a room with high ceilings and skylights. The walls are lined with picture frames, indicating that it is an art gallery. The skylights have been modified to allow more natural light into the space, a significant improvement mentioned in the text. The room appears to be well-lit and spacious, suggesting a modern and inviting atmosphere for viewing art.
The text provides additional context about the Fogg Museum. It mentions that the museum has been closed for repairs since the day after Commencement, 1913, and will reopen to the public on Wednesday, February 11, 1914. The article highlights the improvements made during the renovations, particularly the skylights that have been altered to provide better lighting for the artwork.
Additionally, the text describes the collections on display, including European illuminations, Persian and European miniatures, and a special loan exhibition of Persian and European miniatures. Notable artists and collectors mentioned include J. Pierpont Morgan, W. A. White, Mrs. H. E. Wetzel, Mrs. J. Pierpont Morgan, Class of '63, Mr. '89, Mr. W. White, Class of '11, and others. The article emphasizes the importance of these collections and the enhancements made to the museum to better showcase them.
Overall, the clipping provides a snapshot of the Fogg Museum's renovations and the reopening of its art collections to the public, highlighting the improvements in lighting and the significance of the displayed artworks.
The image is a scanned page from the Christian Science Monitor dated February 4, 1914. The page is titled "WHERE MORGAN ART IS SHOWN" and features an article discussing the reopening of the Fogg Art Museum at Harvard University. The article highlights the museum's renovation, particularly focusing on improvements made to the lighting system.
The image is a historical newspaper clipping from 1914 that documents the reopening of the Fogg Art Museum at Harvard University. It emphasizes the museum's renovation, particularly the installation of skylights to improve lighting, and highlights a special exhibition of Persian and European illuminated manuscripts lent by J. Pierpont Morgan. The accompanying photograph showcases the museum's interior, illustrating the newly improved lighting and architectural features. Additional text boxes provide context on Boston's art scene and further details about the museum's reopening.
A vintage newspaper clipping mounted in a frame. The page is orange-brown and features a large headline at the top: “WHERE MORGAN ART IS SHOWN.” Above the photo, handwritten notes say “Christian Science Monitor – Feb 4, 1914.” The main image shows the interior of the Fogg Museum (Harvard) with a long gallery, skylight panels in the ceiling, and display cases and wall-mounted paintings along the sides. Beneath the photo are several columns of text with captions such as “Fogg Museum interior in which new skylighting is result of remodeling” and “Fogg Museum Reopened,” describing the museum’s remodeling and reopening. Overall, it’s a historical archival clipping about Morgan art and the Fogg Museum around 1914.
This is a historical newspaper clipping from February 4, 1914, titled "Where Morgan Art is Shown," likely from The Christian Science Monitor. It discusses the reopening of the Fogg Art Museum at Harvard University following renovations.
The clipping includes an image of the redesigned interior of the museum, showcasing remodeled skylights designed to enhance lighting in the gallery space. The museum is described as hosting artwork from the collection of J.P. Morgan, with a focus on Persian miniatures and European illuminated manuscripts. Additional captions and separate excerpts discuss new exhibits, the improved interior, and the museum's overall enhancements.
The text also highlights the museum's emphasis on utilizing daylight to illuminate premier exhibits, further improvements to the space, and the addition of new galleries to display significant works of art. There’s visible fading and aging along the edges of the clipping, enhancing its historical aesthetic.
This image appears to be a scanned newspaper clipping from the "Christian Science Monitor," dated February 4, 1914. The headline reads "WHERE MORGAN ART IS SHOWN" and features a subheadline that mentions the Fogg Museum. The article includes a photo of an interior view of the Fogg Museum. The photo shows a well-lit gallery with artworks on the walls and display cases, renovated to enhance the viewing experience with new lighting.
The body of the article discusses the exhibition details, including a mention of Persian miniatures and European illuminated manuscripts. There are several paragraphs of text, explaining the changes made in the museum to better showcase the art collection mentioned, with notes on the quality of light and the aesthetic improvements.
In addition to the main article, there appears to be another small section of text on the right side that possibly continues discussing the Fogg Museum and its offerings, mentioning names like Mrs. W. E. C. Eustis, Dr. Denman W. Ross, and others.
The entire newspaper clipping is mounted on a larger sheet, possibly for archival or display purposes, which is visible around the edges of the newspaper. There is also a handwritten annotation on the mounting sheet, which reads "American Art News Feb. 7, 1914."
The image is of a newspaper article from the Christian Science Monitor dated February 4, 1914, with the headline "WHERE MORGAN ART IS SHOWN". The article features a photograph of the interior of the Fogg Museum, showcasing the result of remodeling which includes new skylighting. The image depicts an exhibition space with several artworks and display cases.
The text in the image discusses the reopening of the Fogg Art Museum at Harvard University and highlights the new layout and improvements in lighting made possible by the skylights. The article mentions the inclusion of collections from Mr. Morgan, featuring Persian miniatures and illuminated manuscripts.
Additionally, there are separate clippings dated February 7, 1914, from the American Art News discussing the establishment of a new artist guild in Boston and providing more details about the reopening of the Fogg Art Museum. The clippings give detailed information about the new exhibits and the significance of the art pieces brought together for the occasion.