Archives Scrapbooks

The image appears to be a collection of newspaper clippings and articles, likely related to art exhibitions and museums. The articles are dated from 1914 and 1917, discussing various topics such as the reopening of the Fogg Art Museum in Harvard University, exhibitions at the Knoedler Galleries featuring English masterworks, and the Morgan Art Works shown at the Fogg Art Museum. The clippings are arranged in a collage format, with some overlapping and others placed side by side. The articles are written in a formal tone and cover topics such as the display of art collections, the arrangements of exhibits, and the significance of the exhibitions. The clippings provide insight into the art scene during that period and the importance of institutions like the Fogg Art Museum in Harvard University.

This image is a historical clipping page from early 1914, discussing events related to art exhibitions and museum activities, focusing on the Fogg Art Museum at Harvard University, and other art exhibits in New York City. It contains four separate articles from different publications:

Left Column:

1. "Art Museum of Harvard University" (from The Crimson, February 4, 1914):

   • This article describes the Fogg Museum's reopening and highlights key features of its collection, including Greek marble sculptures, vases, and pottery, as well as a significant collection of engravings and early Italian paintings. It mentions the statue of Meleager and works by artists like Botticelli, Mantegna, and Rembrandt.

2. "Fogg Reopens With Exhibits" (from The Crimson, January 31, 1914):

   • It announces the museum's reopening on February 4, 1914, following renovations. The museum will exhibit Persian and European illuminated manuscripts and Japanese and Chinese art.

3. "Morgan Art Works Shown" (from The Post, February 5, 1914):

   • This article details the exhibition of the J.P. Morgan and W.A. White art collections at the Fogg Museum, including Persian miniatures, illustrated manuscripts, and Japanese and Chinese art.

Right Column:

1. "Changes in Fogg Complete" (from The Crimson, February 4, 1914):

   • It discusses the reopening of the Fogg Art Museum after renovations, emphasizing improvements in lighting and collection arrangement. It also mentions the special loan exhibition of Persian, European, and Japanese art.

2. "Exhibitions Now On" (from American Art News, January 17, 1914):

   • This article describes an exhibition of English Masterworks at Knoedler's in New York, featuring works by Thomas Gainsborough and eleven by Turner. It highlights the importance of the exhibition and its impact on the art world.

3. "Portrait of Chaucer" (from The Post, February 5, 1914):

   • It describes the exhibition of a rare portrait of Geoffrey Chaucer at the Fogg Art Museum, comparing it to other known portraits.

The page also includes a handwritten note in the bottom right corner that says "OVER," indicating that there is more content on the other side. The clippings are pasted on an aged piece of cardboard, with handwritten dates and sources for each clipping.

This image displays a vintage, aged newspaper clipping or page, likely from a scrapbook or archive, mounted within a white mat and clear protective cover (possibly acrylic or glass). The paper is yellowish-brown with visible discoloration, creases, and wear along the edges, indicating its age—dating from early 1914.

The page is divided into three main columns and contains several distinct articles from different newspapers reporting on art exhibitions at the Fogg Art Museum (part of Harvard University). The text is printed in a classic serif font, typical of early 20th-century newspapers.

Here is a breakdown of the articles:

Left Column:

• Headline: “Art Museum of Harvard University” (Page 382)
  This article, dated “Crimson – Feb. 4, 1914,” announces that the Fogg Museum has reopened after being closed for repairs since Commencement 1913. It describes the exhibits, which include Greek marble sculptures (notably “Metekes” and “Skopas”), a collection of Greek vases, Italian drawings by old masters (especially “Ott”), early Italian paintings (including works by Agnolo Gaddi and Cosimo Tura), and Persian and European miniature paintings and tapes. It also notes the presence of Japanese and Chinese paintings and pottery.

• Headline: “Fogg Reopens With Exhibits”
  Dated “Crimson – Jan. 31, 1914,” this article reiterates the reopening and confirms the special loan exhibition from February 4 to 17, 1914, featuring Persian and European illuminated manuscripts and miniatures lent by Mr. J. Pierpont Morgan, Mr. W. A. White, and others. It also notes the concurrent display of Japanese and Chinese art on the main floor.

• Headline: “MORGAN ART WORKS SHOWN”
  Dated “Post – Feb. 5, 1914,” this article reports the opening of the Morgan collection at the Fogg Museum, including the permanent display of works by J.P. Morgan and W.A. White. It emphasizes the collection of Persian miniature paintings, Persian and European illuminated manuscripts, and includes the upcoming display of Japanese and Chinese paintings and pottery.

Center Column:

• Headline: “CHANGES IN FOGG COMPLETE”
  Also dated “Crimson – Feb. 4, 1914,” this article highlights the museum’s rejuvenation, noting it is “Again Open to Public” and features “Many Interesting Works of Art to-be on Exhibition.” It confirms the reopening since Commencement last spring and mentions improved lighting, rearranged collections, and the inclusion of special loan works such as Persian miniatures, European illustrated manuscripts, and tapestries lent by Mr. J. Pierpont Morgan, Mr. W. A. White, and others. The article also mentions the addition of Japanese and Chinese paintings and pottery to the first floor.

• Headline: “FOGG REOPENS.”
  This section elaborates on the reopening, noting the improved facilities, including new lighting and reorganized collections, which have produced “startling results.” It again references the loan exhibition of Oriental tapestries, pottery, manuscripts, and Japanese paintings.

• Headline: “PORTRAIT OF CHAUCER”
  This brief note describes a rare and valuable portrait of Geoffrey Chaucer, bequeathed to Harvard’s Mineralogy Library by Professor Charles Eliot Norton. The portrait, originally presented by Mr. James Loeb, is said to be over three centuries old and has been mounted for exhibition in the Fogg Museum.

Right Column:

• Headline: “EXHIBITIONS NOW ON.”
  Dated “American Art News Jan.17,” this article discusses the “English Masterworks at Knoedler’s,” an exhibition at the Knoedler Galleries (580 Fifth Avenue) running through Jan. 31. It notes that Knoedler’s has long handled works by early English masters and now displays 28 superior examples by Thomas Gainsborough and 11 by other great English painters. The exhibition is supported by proceeds donated to the Artists’ Fund and Aid Societies.

• Subsection: “Thomas Gainsborough's Art.”
  This section reviews the Gainsborough works, praising his later works like “Lords of Creation,” and critiques the quality of some landscapes. It mentions specific pieces such as “James Boucher,” “Capt. James Bragg,” “George Scott (Chad),” “Lord Darley,” “Philip Dugon,” “Screaming Jack,” “Gainsborough,” “David Garrick,” “Viscount Hampden,” “A Gentleman,” “Lord of Creation,” and “General Johnston of Hawley's Dragoons.”

• Subsection: “Gainsborough's Men's Portraits.”
  Details 25 portraits, describing them as “presentments of noted Patrician dames” and noting the high quality of several, including “Lord of Creation” and “General Johnston.”

• Subsection: “Portraits of Fair Women.”
  This part describes portraits of women by Gainsborough, praising their grace, expression, and coloring. Specific portraits mentioned include “Mrs. Adney,” “Lady Anne Dunscombe,” and “Mrs. Hatchett.”

• Bottom Right Corner: “OVER”
  This indicates the article continues on the next page.

Overall Impression:

This clipping is a historical artifact documenting a significant moment in American art history—the 1914 reopening and expansion of the Fogg Art Museum at Harvard University, made possible by major private collections (notably Morgan’s) and coinciding with a major commercial exhibition of English masterworks in New York. The page provides insight into museum practices, art collecting, and the art world’s priorities in the early 20th century.

It’s likely part of a personal archive or institutional record of the Fogg Museum’s activities at the time.

The image shows a vintage newspaper clipping featuring several articles. The clipping is divided into multiple columns, with the top left column titled "Art Museum of Harvard University." It discusses the reopening of the Fogg Art Museum after renovations, highlighting the new exhibition of Persian and European miniature paintings, Persian and European manuscripts and pottery, and Japanese paintings. The article mentions notable works and artists, including Botticelli, Mantegna, and Rembrandt. The top right column is titled "Changes in Fogg Complete," providing details about the museum's reopening and the new exhibition features. The bottom left column is titled "Morgan Art Works Shown," detailing the Morgan collection's exhibition at the Fogg Art Museum, including Japanese and Chinese paintings and porcelain. The bottom right column contains various advertisements and announcements, including "Exhibitions Now On" and "Portraits of Fair Women."

The image is a photograph of a page from a historical newspaper, dated January 31, 1914. The newspaper appears to be an issue of "The Harvard Crimson," a student newspaper of Harvard University. The page is divided into several sections, each containing articles and announcements.

Description of Sections:

1. Top Section:

   • The top section of the page features a headline "CHANGES IN FOG COMPLETE."
   • The article beneath this headline discusses the reopening of the Fogg Art Museum after renovations. It mentions that the museum will be open to the public today from 9 to 5 o'clock. The article highlights the improvements made to the museum, including new lighting effects and general settings, which have been ordered by the institution. It also mentions the addition of Oriental tapestries, pottery, and manuscripts, as well as Japanese paintings, which have been loaned by Mr. Morgan and others.

2. Middle Section:

   • Below the top section, there is another article titled "EXHIBITIONS NOW ON."
   • This article lists several exhibitions currently on display at various locations. It mentions English Masterworks at Knoedler's, featuring works by Thomas Gainsborough and other notable artists. It also describes an exhibition of Thomas Gainsborough's art at the Artists' Fund and Aid Society, highlighting his landscapes and portraits.

3. Bottom Section:

   • The bottom section of the page contains an article titled "MORGAN ART WORKS SHOWN."
   • This article discusses the Morgan collection of art treasures, which is on display at the Fogg Art Museum. It mentions that Mr. J. P. Morgan has loaned a collection of paintings, Persian and European illustrated manuscripts, and several priceless tapestries. Additionally, it notes the exhibition of Japanese and Chinese paintings on the first floor, which was viewed by a large number of Harvard students the previous day.

4. Side Section:

   • On the right side of the page, there is a smaller section titled "PORTRAIT OF CHAUCER."
   • This article talks about a rare and valuable work from the Norton Bequest exhibited at the Fogg Art Museum. It describes a portrait of Geoffrey Chaucer, the English poet and author of "The Canterbury Tales," which was bequeathed to the Harvard College Library by the Fogg Museum. The portrait, which dates back to the fifteenth century, is noted for its authentic resemblance to Chaucer.

Analysis:

The page provides a snapshot of the cultural and artistic events happening at Harvard University in early 1914. It highlights the reopening of the Fogg Art Museum after renovations and the various exhibitions on display, showcasing works by renowned artists such as Thomas Gainsborough and Geoffrey Chaucer. The articles reflect the university's commitment to art and culture, as well as the contributions of significant patrons like Mr. J. P. Morgan.

Answer to the Question:

Based on the description, the page from the Harvard Crimson newspaper dated January 31, 1914, provides detailed information about the reopening of the Fogg Art Museum, the exhibitions currently on display, and the Morgan collection of art treasures. It also features a portrait of Geoffrey Chaucer from the Norton Bequest. The articles emphasize the university's dedication to preserving and showcasing art and cultural heritage.

The image shows a scanned page from a historical newspaper or publication, likely from the early 20th century, dated February 4, 1914. The page contains several articles and headlines related to art exhibitions and museum activities. Here's a detailed description:

Layout and Content:

1. Header:

   • The top of the page features a header that reads "Crimson - Feb. 4, 1914," indicating the name of the publication and the date.

2. Columns:

   • The page is divided into multiple columns, with text arranged in a traditional newspaper format. The columns are filled with articles, headlines, and subheadings.

Main Articles and Headlines:

Left Column:

• "Art Museum of Harvard University"

  • This article discusses the collections and resources available at the Harvard Art Museum, emphasizing its rich holdings in classical art, including Greek marbles, Egyptian sculpture, and a notable collection of Greek vases. It highlights the importance of the museum for students and the general public.

• "Fogg Reopens With Exhibits"

  • This article announces the reopening of the Fogg Art Museum after a period of closure. It details the new exhibits, including Oriental tapestries, manuscripts, and Japanese paintings, loaned by Mr. J. Pierpont Morgan. The article also mentions the improved lighting facilities and the reorganization of the museum's collections.

• "Morgan Art Works Shown"

  • This section describes an exhibition of Morgan art works at the Norton Art Museum. It notes that the collection includes rare and valuable works from the Morgan collection, such as the portrait of Geoffrey Chaucer by John Opie, and mentions the presence of Chinese and Japanese art.

Right Column:

• "CHANGES IN FOGG COMPLETE"

  • This article provides further details about the reopening of the Fogg Art Museum. It highlights the rejuvenation of the museum, including the reopening of the Fogg Art Museum to the public, the reorganization of collections, and the improved lighting facilities. It also mentions the addition of new exhibits, such as Persian miniatures, manuscripts, and tapestries.

• "EXHIBITIONS NOW ON."

  • This section discusses various ongoing exhibitions, including:
    • English Masterworks at Knoedler's: A display of twenty-eight superior examples of the art of Thomas Gainsborough and other great English artists, now on view at Knoedler's.
    • Thomas Gainsborough's Art: An article praising the artist's work, noting his skill and the high regard in which his paintings are held.
    • Gainsborough's Nature Portraits: A discussion of twenty-five portraits by Gainsborough, including notable works such as "The Lord of Creation," "James Lord," and "Lord Brage."
    • Portraits of Fair Women: A mention of portraits by Gainsborough, including a half-length of Edmund Morton Pledwell and a full-length of Hawley’s Dragons.

Visual Elements:

• The text is printed in a serif font typical of early 20th-century newspapers.
• The page includes underlined headings and subheadings to draw attention to key topics.
• There are no images or illustrations visible in the scanned portion; the content is purely textual.

Overall Context:

The page reflects the cultural and artistic interests of the time, focusing on museum exhibitions, art collections, and the reopening of significant institutions like the Fogg Art Museum. It highlights the importance of art education, public access to art, and the role of private collectors like J. Pierpont Morgan in enriching museum collections. The mention of specific artists (e.g., Gainsborough, Chaucer) and their works underscores the era's appreciation for both historical and contemporary art.

• What you’re looking at is a single aged newspaper clipping mounted on a page. The paper is yellowed/brown with ragged edges, and the text is printed in small serif type.
• The clipping appears to be from Harvard-related art coverage around 1914 (the header mentions “Crimson” and a date around Feb. 1914, with references to the Fogg Art Museum).
• Layout: the page is divided into several narrow columns with multiple small articles.
• Main topics covered:
  • Art Museum of Harvard University and notes about the Fogg Art Museum.
  • Changes in the Fogg Museum completed, describing renovations, new galleries, lighting, and the reopening.
  • Fogg Reopens With Exhibits, detailing the reopening and what can be seen.
  • Exhibitions Now On, including mentions of English Masterworks at Knoedler’s and other current displays.
  • Morgan Art Works Shown, describing works from the Morgan collection.
  • References to Gainsborough portraits and other artist-related highlights.
• Overall, it’s a historical collage announcing and describing the reopening and current art exhibitions at Harvard’s Fogg Art Museum, along with other contemporary museum news.

This image displays a collection of newspaper clippings and articles from early 1914. The topics primarily revolve around art exhibitions and museum updates, particularly relating to the Fogg Art Museum at Harvard University. Key features include:

1. Harvard Art Museum Information:

   • Discussions on exhibits featuring Greek and Roman artifacts, rare manuscripts, and Persian and Indian paintings.
   • Mention of the reopening of the Fogg Art Museum after renovations, showcasing improvements and additions to the museum’s facilities and collections.

2. Individual Exhibitions:

   • Description of exhibitions, such as the Morgan Collection of old master drawings and the display of Thomas Gainsborough’s works.
   • Highlights of artworks, Oriental tapestries, pottery, Japanese paintings, and manuscripts from noted individuals like J.P. Morgan.

3. Other Notices:

   • General discussion of English masterworks displayed at Knoedler’s in New York.
   • Mention of a rare portrait of Chaucer included in an exhibition.

4. Layout:

   • The articles span multiple columns, with labeled sections including publication references and handwriting notations indicating the dates and sources, such as “Crimson – Feb. 4, 1914” and “American Art News - Jan. 17.”

The clippings focus on rich artistic heritage and provide insights into the cultural and museum landscape of the early 20th century.

The image shows a newspaper page with several articles and announcements related to art exhibitions and collections. The page includes headings, columns of text, and various dates and names that indicate the historical context and the content. Here is a breakdown of the various sections visible on the page:

• The top left corner has the title "Art Museum of Harvard University" with a brief description of some architectural and exhibition changes at Harvard's Fogg Museum.

• There's an article titled "Fogg Reopens With Exhibits" dated February 3, 1914, which talks about the reopening of the Fogg Art Museum with new exhibits after being closed for repairs since the previous year.

• Below that, on the bottom left, the headline "MORGAN ART WORKS SHOWN" draws attention to the Morgan collection of art that was shown at the Fogg Art Museum. This includes a collection of Persian miniatures and works by Titian and Venetian artists.

• On the right half of the page, there is a section with the heading "EXHIBITIONS NOW ON." It describes various art exhibitions, including "English Masterworks at Knoedler's," which features Samuel Johnson's dictionary and works of English authors.

• Another article titled "CHANGES IN FOGG COMPLETE" is in the middle of the page, describing the completed changes to the Fogg Museum and highlighting some of the key pieces on display.

• The cut-off portion on the right-hand side of the image appears to describe an exhibition related to Thomas Gainsborough's art as well as a discussion about the value and appeal of paintings in general.

• Across the entire page, there are numerous dates mentioned, highlighting the historical perspective of these events, with the latest date appearing to be February 4, 1914.

The newspaper itself seems to be from the early 20th century, based on the dates mentioned and the style of the print.

The image shows a collection of old newspaper clippings mounted onto a board. These clippings appear to be related to art exhibitions and museums, specifically the Art Museum of Harvard University and the Fogg Art Museum. The articles discuss changes in the Fogg Museum, its reopening with exhibits, and various exhibitions of notable artworks.

One clipping, dated January 31, 1914, announces the reopening of the Fogg Museum after repairs, highlighting the new collections and exhibitions, including Persian miniatures, manuscripts, paintings, pottery, and porcelain.

Another article from February 4, 1914, titled "Changes in Fogg Complete," discusses the improvements made to the Fogg Art Museum, the new lighting effects, and the diverse collection now on display, including Persian and Oriental art.

An item from "American Art News" (dated January 17) talks about ongoing exhibitions of English masterworks at Knoedler's Gallery, emphasizing the display of works by Thomas Gainsborough and the collection's impact on art enthusiasts.

Additionally, there are mentions of Morgan Art Works exhibited at Harvard and a rare portrait of Chaucer on display. Prominent names such as Mr. J. Pierpont Morgan and Mrs. William Hayes Fogg are mentioned as contributors to the collections.

The clippings are yellowed with age and the edges are slightly frayed, indicating their historical value and the passage of time.